Catalog: Antiques (495)

A classic Baccarat cut crystal perfume bottle in a cranberry-cut-to-clear cane pattern. While several American and European companies cut this pattern, the stopper of this bottle is a known Baccarat design. It appeared in a Baccarat pattern book under the name “Stella.” The stopper has a blown teardrop in the interior and is accented with a star pattern at the top. Baccarat products were marked only with a paper label until logo until around 1930.

Origin: France, ca. 1890. Condition: very good; a 1/16" nick on the edge of the shoulder just above the cane cutting and a 1/4" flake on the lower portion of the stopper where it fits into the bottle. Dimensions: 6-1/4” tall.

Handsome pair of sterling silver ice tongs in the "John Winthrop" pattern by International Silver Co. This is one of the classic American Colonial patterns developed during the early 20th century when people were first beginning to be interested in American antiques. Curiously, the simple design was also a perfect match for the upcoming Art Deco styles of the 20s and 30s. Ice tongs were an uncommon serving piece and are very difficult to find today. The tongs are marked with International's older hallmark.

Origin: America, ca 1911. Condition: excellent, no dings, period "S" monogram. Size: 6-3/4" long. Weight: 63.0 grams.

Very rare heart shaped gilt bronze-mounted dresser tray with handmade lace insert. This is the only heart-shaped dresser tray I've ever seen. Marked on the bottom "France."

Origin: France, ca. 1900. Condition: excellent, but could use some cleaning. Size: 10-3/4" x 8-1/2" x 1".

A gorgeous sterling silver cream ladle rare on two counts. First, Fessenden’s 1910 “Tulip” pattern is very uncommon. Secondly, while spoons were often engraved as souvenir pieces, serving pieces were hardly ever given this treatment. This is the only souvenir cream ladle we’ve seen. The matte gilt bowl is engraved with a very detailed representation of the U.S. Capitol Building underscored by “Washington DC”. The back is hallmarked by Fessenden & Co.

Origin: America, ca. 1910. Condition: excellent, sharp detail, no monogram, original gilding. Size: 4-5/8” long. Weight: 16.0 grams.

Lovely sterling silver cream or sauce ladle in Towle's 1900 "Dubarry" pattern. The handle, decorated with a simple spray of roses at the tip, nicely complements the triangular gilt bowl. The reverse is marked with Towle's old mark and "925/1000".

Origin: America, circa 1900. Condition: excellent, no monogram. Size: 4-15/16" long.

Elegant crystal trivet with a sterling silver overlay in an orchid pattern. The piercing of the silver is highlighted with engraved details. The center has a silver reserve that was never monogrammed. The side is hallmarked by Webster Silver Co. This trivet is in the harder to find large size.

Origin: America, ca. 1920. Condition: excellent, no chips or cracks. Size: 8” diameter.

An set of twelve English sterling silver coffee spoons and a matching sugar tong in an elegant rococo pattern by silversmith Joseph Rodgers. The handles are lightly monogramed with an “H.” The bowls are a bit larger than typical demitasse spoons, so they could easily be used for tea service, as well. The set is presented in its original fitted case lined with royal blue velvet and silk. The interior of the lid is embossed with the retailer’s stamp for William Batty & Sons, one of England’s finest watchmakers and jewelers outside of London at the time.

• Origin: Sheffield, England, 1910
• Condition: excellent; interior of case is excellent; case exterior is mostly good, but with bookbinding tape at the hinge side
• Dimensions: spoons, 4-5/16” long; tong 4-1/2” long
• Weight: 206.4 grams.

An elegant second standard (800/1000 pure silver) French tastevin. Rather than the typical “perles,” "coupules," and fluted “godrons”, the bowl is decorated with repousse grape leaves and berries in the 18th century style. This treatment is sometimes seen in tastevins made by Marc Parrod, one of the most influential makers of tastevins in the early 20th century. The handle is in the traditional form of two entwined duck-headed snakes grasping an apple in their mouths, thought to represent the snake and apple from the Garden of Evil, thus reminding drinkers of temptation and sin. The tastevin is fully hallmarked and has an illegible maker’s mark, possibly Parrod's.

• Origin: France, ca. 1910
• Condition: excellent, sharp detail
• Dimensions: 3-5/16” x 4-1/4” x 15/16”
• Weight: 55.3 grams

A good bronze footed trumpet base by bronze artisan Carl Sorensen. The surface is patinated in a mottled bluish-green shade and is enhanced with bands of parallel engraved lines in a bright copper finish. Most of Sorensen’s vases did not have a foot, and the addition of the small foot—also enhanced with a bright copper edging—adds special appeal. Sorensen is known to have worked in Philadelphia in the first part of the 20th century, making bronze wares in the Arts & Crafts tradition. It is thought that his creations were retailed by both Roycroft and Tiffany. The base is signed “Carl Sorensen” and has his hallmark.

Origin: America, ca. 1910. Condition: excellent, original patina. Size: 6-3/4” tall; 6-1/2” diameter at rim.

Outstanding lacquer cocktail shaker set comprised of a three-part shaker, tray and six cocktail glasses. All are hand decorated in red, gold and silver with a scene of islands connected by an arched footbridge. The islands are populated with pines and traditional Japanese structures including a pagoda, gate and teahouse. Sailing ships are in the sea and Mt. Fufi towers predominantly in the background. The pagoda-shaped top of the shaker is decorated with birds and the cap with flowers. The tray and glasses are decorated with matching motifs.

Origin: Japan, circa 1920. Condition: shaker--the strainer has a small crack connecting four of the strainer holes (does not threaten the shaker's overall integrity), otherwise excellent; glasses--three have flaking to the lacquer on the insides of the rims, otherwise excellent; tray--considerable cracking along the edges where the bottom meets the sides (could be inpainted to lessen the visibility). Size: shaker 9" tall; glasses 5-7/8" tall; tray 10-3/4" x 15-1/2".

A fine pair of American brilliant cut glass candlesticks signed “Libbey.” The stems and candle sockets are cut in Libbey’s “Plain Flute” pattern. The foot is decorated in an unequal radiant star pattern. The stems are spectacular! Each has not one, but four air bubbles that are twisted about each other in a spiral pattern extending the full length of the stem. Each candlestick is marked with Libbey’s acid signature (Libbey with a break in the tail of the “L” and enclosed in a circle) on the socket.

Origin: America, ca. 1910. Condition: excellent, one stem has a 3/32” fleabite on a flute edge just under the lip of the socket, normal surface wear on underside of feet. Size: 10” tall; 4-7/8” diameter at foot.

An elegant two-piece English sterling silver serving set. The set is presented in its original fitted box lined with gorgeous royal purple silk and velvet. The spade-like utensil is similar to a typical Victorian tomato server, while the fork is shaped like a tablespoon, but with tines. The set is very versatile and could be used for many contemporary foods. The handles are decorated with a simple fiddle-shaped pattern that must have been very modern following on the heels of Victorian excess. The backs are fully hallmarked for London, 1913-14, and also have an unidentified maker’s mark “GJ over DF” in a shield-shaped punch.

Origin: England, 1913-14. Condition: near mint, no dings or deep scratches, no monograms. Size: 7-1/2” long. Weight: 101.0 grams.

A rare and elegant boxed set of six sterling silver citrus spoons in Paye & Baker's "Orange" pattern. The handles are decorated front and back with oranges, orange blossoms and foliage. Paye & Baker primarily made souvenir spoons, and this particular pattern was usually associated with Los Angeles, considered a very exotic location at the beginning of the 20th century. These spoons are the only set we've seen made as citrus spoons. The sharply-pointed deep bowls retain their original matte gilding. Each spoon is fully hallmarked.

• Origin: America, ca. 1900.
• Dimensions: spoons, 5 1/2" long.
• Weight: 158.4 grams.
• Condition: excellent; gilding intact; box has considerable age-appropriate wear and discoloration.

Elegant sterling silver lettuce fork in Reed & Barton's "Chambord" pattern, designed in 1909. The reverse is marked with Reed & Barton's hallmark and "Pat. Nov. 9,'09."

Origin: America, circa 1909. Condition: near mint. Size: 9-1/2" long.

Terrific enameled sherry bottle/decanter label. The enamel is applied over metal and has polychrome floral decoration. The chain is brass.

Origin: probably English, ca. 1900. Condition: excellent. Size: 2.5" x 1/5".

A figural corkscrew in the form of an equestrian boot by the R Blackinton Co. of N Attleboro, MA. The boot is nicely detailed to appear like textured leather. The corkscrew/opener is silverplated steel for strength. The boot is fully hallmarked on the bottom.

Origin: America, ca. 1915. Condition: good, three small creases to the sides of the boot (not particularly noticeable since the boot is designed to have a well-worn appearance with lots of creases), and some typical plating loss to the opener. Dimensions: 3-3/4” tall.

A stunning footed cut glass compote in Hawkes’ “Delft Diamond” pattern. While the pattern is not especially ornate, the deep emerald green color of the blank is amazing. The knopped stem has an elongated airtrap bubble that’s difficult to see because the color of the glass is so rich. The plain round foot is acid-stamped with Hawkes’ trefoil signature, which would suggest a relatively early date.

Origin: America, ca. 1920. Condition: excellent, no chips or cracks, normal frosting to bottom of base. Size: 8-1/8” diameter; 6-3/4” high.

Wonderful pottery candlestick decorated in an underglaze blue floral transfer and clobbered with overglaze iron red, yellow, and purple pigments. The effect is much like chintz china, but with stronger coloring. The bottom is marked with the registration number indicating the piece was designed in 1913 and bears the mark used by Cauldon Potteries from 1905 to 1920. It is also marked "Grip", probably referring to the very uncommon form. It is a very unusual and striking pattern.

Origin: Staffordshire, England, ca. 1913. Condition: mint. Size: 6-1/4” tall; base, 2-3/4” x 4”.