Catalog (2449)

A very uncommon graduated sterling silver handled jigger by one of Mexico’s most important Art Deco and modernist silversmiths, Juvento Lopez Reyes. He opened his studio, Plateria del Recreo in 1935, making most streamlined hollowware items in the Art Deco and modernist taste. The base is fully stamped with mark used by Reyes in the 1930s and 40s. The stepped sides of the jigger mark off .5, 1, 1.5 and 2-oz levels.

Origin: Mexico, ca. 1940. Condition: excellent, except for one very minor ding. Dimensions: 2-1/2” tall. Weight: 54.4 grams.

A whimsical Retro 18K yellow gold, amazonite and ruby brooch in the form of a stork. The turquoise coloring of the amazonite against the red of the ruby eye is very attractive. The use of amazonite is unusual, but the color and texture are evocative of a bird's plumage. This piece could easily be updated to become a pendant instead of a pin. The reverse is stamped with French 18K gold marks.

Origin: France, ca. 1935. Condition: excellent. Dimensions: 1-5/8" x 1-1/16". Weight: 5.1 gr. Approximate Total Gemstone Weight: amazonite, 4.93 cts; ruby, .05 ct.

A very nice 14K yellow gold pendant set with a circle of diamonds around a natural black star sapphire. The cabochon sapphire is very fine quality with excellent asterism (the star-like effect). The diamonds are bead-set in white gold. Exposed areas of gold have a Florentine finish that contrasts nicely with the sparkle of the diamonds and sapphires. Tested and guaranteed 14K gold.

The 16" 14K gold chain shown in the photos is available for an additional $85.

Origin: America, ca. 1970. Condition: excellent. Size: 17/32” diameter. Weight: 2.75 grams. Approximate Total Gemstone Weight: sapphire, .66 carat; diamond, .2 carat.

A delightful enameled 18K gold love/friendship charm or pendant by Georg Adam Scheid, jeweler to the Imperial Hapsburg Court in Vienna. The rooster is carefully engraved into the gold surface and then filled with translucent enamels in shades of orange, green and yellow. The edge is enameled in black with the French phrase, "Quand ce coq chantera, mon amitié finira. (When this rooster crows, my friendship will end.)" Obviously, the gold and enamel rooster will never crow, so the friendship will never end! The pendant/charm is stamped with Scheid's hallmark, the city mark for Vienna and French import marks for 18K.

Georg Adam Scheid (sometimes listed as Georg Anton Scheid) was active 1882-1911. He was particularly noted for his enamel work and became a favored gold- and silversmith to the Imperial Family. Scheid's pieces in gold are far rarer that his silver items.

• Origin: Austria, ca 1900
• Condition: excellent; no enamel damage
• Dimensions: 9/16" (14 mm) diameter (excluding bail and jump ring)
• Weight: 2.0 grams

A handsome mid-century sterling silver gavel-style double jigger with a turned ebony handle. Gavel jiggers are usually in a more traditional style, but the plain lines of the silver and relatively simple handle give this example a nice mid-century modernist feel. The jigger is marked by Boardman, a silversmith who sold under their own mark and also manufactured barware for Cartier's New York store.

• Origin: America, ca. 1950
• Condition: excellent, no dings
• Dimensions: rim to rim, 3-3/8"; length, 5-1/8"
• Weight: 57.9 grams

A lovely Art Nouveau pendant worked in gilt silver depicting a pair of hounds against a background of oak leaves and acorns. The quality of the casting and chasing is very nice. The reverse is marked "800".

• Origin: Europe, ca 1900
• Condition: excellent
• Dimensions: 1-9/32" diameter
• WeightL 13.0 grams

A fine Art Deco 800 silver graduated jigger in an exaggerated flaring design. The sections measure 1, 1 1/2, and 2 1/2 ounces. The bottom is stamped for 800 silver and has an Italian mark used 1935-38 that was applied to finished silver goods already in the inventories of Italian jewelers and silversmiths.

• Origin: Italy, ca 1930
• Condition: excellent, no dings or monograms
• Dimensions: 2 1/8” tall; 2 1/2” wide at rim
• Weight: 36.0 grams

A wonderful Art Nouveau sterling silver cracker scoop in Blackinton’s 1904 “Daisy” pattern. The handle, decorated with flowers and foliage, nicely accents the ruffled edge of the bowl. Cracker scoops were originally used to serve small crackers similar to today’s oyster crackers. Now, the piece could be used to serve a variety of foods. Blackinton made a small line of very good sterling silver flatware in the Art Nouveau style. All U.S. embassies worldwide use Blackinton flatware for formal occasions. The back is marked with Blackinton’s hallmark.

Origin: America, ca. 1905. Condition: excellent, sharp detail, no monogram. Size: 9-13/16” long. Weight: 133.0 grams.

A terrific 18K yellow gold stick pin in the form of a German shepherd’s head. The detail work is especially well-done, with very accurate representation of the fur, the texture of the snout, etc. The pinstem is stamped with the “tete d’aigle” hallmark for 18K gold.

Origin: France, ca. 1880. Condition: excellent, sharp detail, all original. Size: overall length, 3”; head, 1/2” x 9/16”. Weight: 4.5 grams.

A nice pair of Edwardian doubled-sided 14K yellow gold cufflinks, the faces decorated in a combination of matte reserves flanked by polished foliate plaques. The design hints are the arrival of Art Deco. The “bowtie” connectors are decorated, as well, and are marked “14K”.

Origin: America, ca. 1920. Condition: excellent, sharp detail. Size: 5/8” x 7/16”. Weight: 7.3 grams.

A distinctive and very uncommon Art Deco figural jigger in the form of an English riding boot (variously called a jockey, field or paddock boot). The details of the design such as the pull straps and seams are picked out in a raised design. The jigger is silver plated and is extremely heavy for its size, indicating that its made of a high quality white bronze rather than a simple base metal. The boot's sole is marked "Made In England/Silver Plated/Approx 1-1/2 oz"

Origin: England, ca. 1930. Condition: excellent, extremely minor wear to plating. Size: 3-7/16" tall; 2-3/4" toe to heel.

An attractive 14K yellow gold ring with a double row of channel-set calibre-cut blue sapphires arranged in a swag design. The ribbed gold surfaces further add to the ring's sense of movement. The sapphires are well-matched and have good, saturated color. The interior of the shank is marked "14K."

Origin: America. Dimensions: 7/16" wide at crown, tapering to 3/32" at the back of the shank. Finger Size: 5. Weight: 3.5 grams. Approximate Total Gemstone Weight: .75 ct.

A wonderful pair of late Victorian or early Edwardian sterling silver bean-back cufflinks, the oval faces cast with a delightful image of a beagle. The dog appears to be sitting in a basket with his paws hanging over the top edge. The detail is very nice. Tested and guaranteed sterling silver.

Origin: America, ca. 1900. Condition: excellent, sharp detail. Dimensions: 3/4" x 1/2". Weight: 14.8 grams.

A sterling silver vermouth dispenser in the form of a watering can. These were made by Boardman and retailed primarily at Cartier's flagship store in New York and by Tiffany. This particular example was retailed by Schroth's jewelers in Montville, NJ. When tipped, the dispenser lightly sprinkles just a drip of vermouth into the glass for the perfect martini. The bottom is marked “Sterling” and is signed “Schroth”.

Origin: America, ca. 1955. Condition: excellent. Size: 3-1/8” tall. Weight: 49.7 grams.

A handsome pair of 14K yellow gold cufflinks in a classic diamond-shaped design completed with black onyx. The toggle backs are stamed "14K".

Origin: America, ca. 1980. Condition: excellent. Dimensions: 1" x 11/16". Weight; 10.0 gr.

A nice 18K gold figural stick pin in the form of a bear, nicely detailed with engraved fur. The stem is spiraled, indicating an earlier date. Tested and guaranteed 18K.

Ca. 1860. Condition: excellent, sharp detail. Dimensions: head, 5/8” x 5/16”; overall length, 2-5/8”. Weight: 3.5 gr.

A Tiffany & Co. sterling silver figural jigger in the form of an 18th century Colonial tankard. The jigger measures 1-1/2 ounces. The bottom is marked "Tiffany & Co./2419/Sterling."

Origin: America, ca. 1950

Condition: excellent, no dings or monograms

Dimensions: 1-7/8" tall

Weight: 41.0 grams.

A vintage 18K yellow gold figa (also "mano fico") charm or pendant. The figa is considered a weapon against the "evil eye" and a protector of creative forces, including the womb. The form itself is derived from ancient representations of female genitalia. The wrist has a traditional flowered cuff.

• 3.3 grams
• 1 3/8" long (excluding jump ring)

A French Art Deco cocktail pick set in the unusual form of a large snail accompanied by a pair of baby snails. The snail is usually alone or perhaps with just one smaller one. They are worked in chrome and are set on a mahogany base. The design is by the famed French Art Deco illustrator Benjamin Rabier, who had a side gig designing entertaining barware. The twelve picks have red bakelite finials. Sets such as this were used on bar and café counters to serve cocktail garnishes, canapés, or even escargot.

• Origin: France, ca. 1930.
• Condition: excellent; all original.
• Dimensions: 6-7/8” x 3-1/8” x 4-1/4”.

A Modernist sterling silver graduated jigger by Tiffany marked off in half-ounce increments. The bottom is marked “Tiffany & Co./Makers/Sterling Silver/22714.”

• Origin: America, ca. 1965
• Condition: very good, a few very small pinpoint dings on the bottom, no monogram
• Dimensions: 1-7/8” tall
• Weight: 43.3 grams

An interesting 10K Victorian pin in the form of a mythological creature coiled around a flame-like pillar. The creature appears to be an Ophis, a winged serpent from Greek mythology said to guard the myrrh fields of ancient Arabia. The monster grasps a seed pearl in it's jaws. The surfaces have a semi-matte bloomed finish. Tested and guaranteed 10K.

• Origin: America, ca. 1890
• Condition: excellent
• Dimensions: 1-3/8" x 1-3/16"
• Weight: 2.6 grams

A classic sterling silver handled jigger by Tiffany & Co. The simplicity of the design is relieved only by the slight flare at the rim and the curve of the handle, typical of Tiffany’s Deco designs. The bottom is stamped with Tiffany marks used 1907-47.

• Origin: America, ca 1930
• Condition: excellent, no dings or monograms
• Dimensions: 2-1/16” tall
• Weight: 63.5 grams

Colorful Victorian silver gilt double-sided cufflinks featuring beautifully patterned malachite cabochons. The gilt silver borders are finished in a classic laurel wreath design. The removable connectors are marked for 800 silver.

• Origin: Continental Europe, ca. 1880
• Condition: excellent, original gilding intact
• Dimensions: 5/8" wide

A vintage sterling silver vermouth dispenser in the form of a syringe by Gorham. These were called “Martini Spikes” when sold by Gorham in the 1960s. The functioning plunger allows vermouth to be drawn up into the syringe and then dispensed in precisely-calibrated medical dosages into your favorite cocktail. The syringe originally cost $10. The syringe is accompanied by an illustrated instruction card and the original fitted box.

• Origin: America, 1967-70
• Condition: excellent, no monograms or dings, typical scuffing and wear to outer surface of the box, bookbinding tape repair top box covering, discoloration to interior lining
• Dimensions: 6-1/4” long

A delicate early Art Deco gold chain worked in 14K white gold filigree. Each of the baton-shaped links is centered with a short length of ropetwist to create the filigree appearance. Marked “14K.”

• Origin: America, ca. 1925
• Condition: excellent
• Dimensions: 25-5/8” long
• Weight: 3.6 grams

An excellent late Victorian silver baton link watch chain, the batons decorated with niello in a checkboard pattern. The batons are joined by gilt silver curb links. Even the dog clip and bolt clasps are enhanced with striped niello. The chain is stamped “800.”

• Origin: Switzerland, ca. 1900
• Condition: excellent, all niello intact
• Length: 16-1/2”
• Weight: 10.4 grams

A lovely 18K yellow and white gold, ruby and enamel love pendant (“medaille d’amour”) with a rebus spelling out Plus qu’hier, moins que demain,” (“More than yesterday, less than tomorrow.”) a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano”) in 1889. The word “plus” is symbolized by a plus sign in white gold and the word “moins” by a minus sign set with rectangular cut synthetic rubies. In 1907, the Lyonnais jewelry Alphonse Augis created a love token based on the poem. This example has the starburst textured background paired with a bright-cut border in a style introduced in 1969. It is signed “A.A.” The medium size is perfect for either a neck chain or a charm bracelet. The pendant is fully stamped with French 18K gold marks and with Augis’ maker’s mark.

• Origin: France, 1970.
• Condition: excellent; sharp detail.
• Dimensions: 11/16” diameter (excluding bail and jump ring).
• Weight: 2.2 grams.
• Approximate Total Ruby Weight: .04 carat.

A lovely 18K yellow gold, diamond and ruby love pendant (“medaille d’amour”) with a rebus spelling out Plus qu’hier, moins que demain,” (“More than yesterday, less than tomorrow.”) a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano”) in 1889. The word “plus” is symbolized by a plus sign set with a rose cut diamond and the word “moins” by a minus sign set with rectangular cut synthetic rubies. In 1907, the Lyonnais jewelry Alphonse Augis created a love token based on the poem. This example has the starburst-textured background paired with the simple beveled border used in the 1950s. The smaller size is perfect for either a neck chain or a charm bracelet. The pendant is fully stamped with French 18K gold marks and with Augis’ maker’s mark.

• Origin: France, 1950.
• Condition: excellent; sharp detail.
• Dimensions: 21/32” diameter (excluding bail and jump ring).
• Weight: 2.1 grams.
• Approximate Total Gemstone Weight: diamond, .01 carat; ruby, .06 carat.

A lovely 18K yellow gold, diamond and ruby love pendant (“medaille d’amour”) with a rebus spelling out Plus qu’hier, moins que demain,” (“More than yesterday, less than tomorrow.”) a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano”) in 1889. The word “plus” is symbolized by a plus sign set with a rose cut diamond and the word “moins” by a minus sign set with rectangular cut synthetic rubies. In 1907, the Lyonnais jewelry Alphonse Augis created a love token based on the poem. This example has the starburst-textured background paired with the simple beveled border used in the 1950s. The smaller size is perfect for either a neck chain or a charm bracelet. The pendant is fully stamped with French 18K gold marks and with Augis’ maker’s mark.

• Origin: France, 1950.
• Condition: excellent; sharp detail.
• Dimensions: 21/32” diameter (excluding bail and jump ring).
• Weight: 2.3 grams.
• Approximate Total Gemstone Weight: diamond, .01 carat; ruby, .06 carat.

A vintage sterling silver vermouth dispenser in the form of a syringe by Gorham. These were called “Martini Spikes” when sold by Gorham in the 1960s. The functioning plunger allows vermouth to be drawn up into the syringe and then dispensed in precisely-calibrated medical dosages into your favorite cocktail. The syringe originally cost $10. The syringe is accompanied by an illustrated instruction card and the original fitted box.

Origin: America, 1967-70. Condition: excellent, no monograms or dings. There are 2 small tears on the top of the box. Dimensions: 6-1/4” long. Weight: 2.3 gr.

A vintage sterling silver vermouth dispenser in the form of a syringe by Gorham. These were called “Martini Spikes” when sold by Gorham in the 1960s. The functioning plunger allows vermouth to be drawn up into the syringe and then dispensed in precisely-calibrated medical dosages into your favorite cocktail. The syringe originally cost $10. The syringe is accompanied by an illustrated instruction card and the original fitted box.

• Origin: America, 1967-70
• Condition: excellent, no monograms or dings, typical scuffing to outer surface of the box
• Dimensions: 6-1/4” long

A vintage sterling silver vermouth dispenser in the form of a syringe by Gorham. These were called “Martini Spikes” when sold by Gorham in the 1960s. The functioning plunger allows vermouth to be drawn up into the syringe and then dispensed in precisely-calibrated medical dosages into your favorite cocktail. The syringe originally cost $10. The syringe is accompanied by an illustrated instruction card and the original fitted box.

• Origin: America, 1967-70
• Condition: excellent, no monograms or dings, typical scuffing to outer surface of the box, bookbinding tape repair at the box hinge
• Dimensions: 6-1/4” long

Extremely elegant Louis XV-style French silver master salt dip with cobalt glass liners. The shapes of the containers remind me of Louis XV bombe commodes. The repousse design is very architectural in nature, and makes use of numerous decorative elements such as fluted columns, ribbons, cartouches, and pendant bellflowers. Surprisingly, none of the four cartouches has ever been monogrammed. Although intended for salt only, this piece could be used today to serve both salt and pepper. The server is marked with the Paris 1st standard hallmark for 950 silver (purer than sterling silver) and an unidentified maker’s mark “R&D”. The cobalt liners are of very high quality crystal and might possibly be the work of Baccarat.

Origin: Paris, circa 1860. Condition: excellent, sharp detail, no dings, no monogram. Size: 5-1/4” long; 1-3/4” wide; 4-1/2” tall.

Outstanding late Art Nouveau Continental silver cufflinks with a wonderful design of a gold spider sitting in her niello web. The workmanship and design is quite original and accomplished. The backs are marked with unidentified Continental (possibly German) marks, including the jeweler’s mark “HF”.

Origin: Europe, circa 1900. Condition: excellent, all original, no enamel damage. Size: 27/32” x 15/32”. Weight: 5.5 grams.

A remarkable sterling silver bonbon spoon by Watson. The detail is easily equivalent to work by Tiffany, Whiting or the other great Victorian silversmiths. The bowl is decorated fully with grape leaves, clusters of fruit, and delicate tendrils finished with intricate piercing. The handle, designed as knarled grape vine, widens into a large cluster of fruit surrounded with foliage at the tip of the handle. The back of the handle is also decorated to match. The back is marked with Watson’s old hallmark.

Origin: America, ca. 1905. Condition: excellent, all original, sharp detail. Size: 6-3/8” long. Weight: 64.0 grams.

A lovely bright olive green vase with molded ribbed blocking and cold-gilt gold and platinum decoration depicting thistles. The gilding is of very fine quality and has almost an Aesthetic Movement appearance. The vase uses a cased construction of various layers of clear and colored glass typical of Moser. The bottom is finished with a concave polished pontil and is marked with the form/decoration code “Q/195”.

Origin: Bohemia, ca. 1895. Condition: excellent, no chips or cracks, gilding intact. Size: 10” tall.

A classic Baccarat cut crystal perfume bottle in a cranberry-cut-to-clear cane pattern. While several American and European companies cut this pattern, the stopper of this bottle is a known Baccarat design. It appeared in a Baccarat pattern book under the name “Stella.” The stopper has a blown teardrop in the interior and is accented with a star pattern at the top. Baccarat products were marked only with a paper label until logo until around 1930.

Origin: France, ca. 1890. Condition: very good; a 1/16" nick on the edge of the shoulder just above the cane cutting and a 1/4" flake on the lower portion of the stopper where it fits into the bottle. Dimensions: 6-1/4” tall.

A very nice peacock or electric blue glass inkwell, the body cut in large facets. The hinged lid is topped with a figural cherub cast in glass of a matching color. The figure is completed with a matte acid finish that contrasts beautifully with the main part of the inkwell’s body. We’ve only seen this particular lid once and the figure was molded in colorless glass.

Origin: America, ca. 1900. Condition: excellent, a very small flake to the cherub's toes. Dimensions: 4-1/4” tall; 3” wide.

A very good set of sterling silver cocktail picks, the tops decorated with colorful enameled roosters. The use of the rooster (“cock”) motif in Art Deco barware was a play on the word “cocktail”. Each of the roosters is enameled in a slightly different colorway. The picks are presented in their original fitted case. Each is marked "Sterling Silver".

Origin: America, ca. 1925. Condition: all original, no enamel damage, box has significant wear. Size: 3” long. Weight: 10.8 grams.

A handsome pair of French silver Art Nouveau cufflinks, the faces decorated with a young woman against a spider web background. In Art Nouveau jewelry, the spider web motif was meant to symbolize entrapment and danger—in this case as a counterpoint to the maiden who suggests innocence. The outer edges of the faces follow the geometric shape of the spider web at the top, but are more rounded at the bottom of the design where the woman’s hair and clothing flows. The faces are connected with chains to torpedo backs engraved in a whiplash curve motif. The cufflinks are illegibly stamped with the maker’s mark.

Origin: France, ca. 1895. Condition: excellent, all original, very good detail. Dimensions: front faces, 9/16” diameter. Weight: 3.9 gr.

A set of six Art Deco sterling silver rooster cocktail picks by Albert Sydenham, presented in their original fitted box. The roosters are particularly finely detailed and are more three-dimensional than is usual in picks of this type. The interior of the faux-python box is stamped "JC Vickery", a luxury goods dealer that held warrants from most of the English royal family, as well as the Crowns of Portugal, Spain, Denmark, Norway & Sweden. Each pick is fully hallmarked and bears the date letter for 1927.

Origin: Birmingham, England, 1927. Condition: excellent. Dimensions: 3-3/16" long. Weight: 12.7 gr.

No stylish modernist home bar is complete without this iconic early 1950’s sterling silver rollover jigger designed by Eigil Jensen for the renowned Danish silversmith Anton Michelsen. The linear design complements a wide range of contemporary and classic barware, and the heavy weight will resist dings. The 1.5-ounce jigger is intended to rest on the top rim of a glass or cocktail shaker, then filled and tipped over without spilling. The bottom is stamped with an earlier Michelsen hallmark, Danish silver marks, and Jensen’s designer mark.

• Origin: Denmark, ca. 1950.
• Condition: excellent, no dings or monograms.
• Dimensions: 4-7/8” (l); 1-5/8” (w); 1” (h).
• Weight: 52.8 grams.

A lovely 18K yellow gold, diamond and ruby love pendant (“medaille d’amour”) with a rebus spelling out Plus qu’hier, moins que demain,” (“More than yesterday, less than tomorrow.”) a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano”) in 1889. The word “plus” is symbolized by a plus sign set with a rose cut diamond and the word “moins” by a minus sign set with rectangular cut synthetic rubies.

In 1907, the Lyonnais jewelry Alphonse Augis created a love token based on the poem. This example maintains the “crêpe de chine” textured background, but pairs it with the simple beveled border used in the 1950s. The use of a rose cut diamond and the A-Augis signature suggest the earlier part of that period. The medium size is perfect for either a neck chain or a charm bracelet. The pendant is fully stamped with French 18K gold marks and with Augis’ maker’s mark.

• Origin: France, 1950.
• Condition: excellent; sharp detail.
• Dimensions: 3/4” diameter (excluding bail and jump ring).
• Weight: 3.1 grams.
• Approximate Total Gemstone Weight: diamond, .01 carat; ruby, .05 carat.

A lovely 18K yellow and white gold, ruby and enamel love pendant (“medaille d’amour”) with a rebus spelling out Plus qu’hier, moins que demain,” (“More than yesterday, less than tomorrow.”) a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano”) in 1889. The word “plus” is symbolized by a plus sign in white gold and the word “moins” by a minus sign set with rectangular cut synthetic rubies. The remainder of the text is highlighted in black enamel.

In 1907, the Lyonnais jewelry Alphonse Augis created a love token based on the poem. This example has the starburst textured background paired with a bright-cut border in a style from the 1970s. It is signed “A.A.” The medium size is perfect for either a neck chain or a charm bracelet. The pendant is fully stamped with French 18K gold marks and with Augis’ maker’s mark.

• Origin: France, 1975.
• Condition: excellent; sharp detail.
• Dimensions: 13/16” diameter (excluding bail and jump ring).
• Weight: 2.6 grams.
• Approximate Total Ruby Weight: .04 carat.

A classic pair of Art Deco sterling silver stirrup cufflinks, the ends set with black onyx sugarloaf cabochons. This style of cufflink was popularized by Cartier in the 1920s. The cufflinks bear Swiss import hallmarks used until 1934, and are stamped "935" indicating that they have a slightly higher pure silver content than sterling silver.

• Origin: Continental Europe, probably France, ca. 1925.
• Condition: excellent.
• Dimensions: faces, 11/32"(15 mm) diameter.
• Weight: 10.0 grams.

This vintage Italian 18K gold and ebony blackamoor charm is distinguished by particularly nice carving. She is adorned with gold hoop earrings and a gold collar that forms the base of the charm. The bottom is stamped with 18K gold hallmarks used in Florence 1938-64.

• Origin: Italy, ca. 1950.
• Condition: excellent.
• Dimensions: 1-1/16" tall (not including bail or jump ring).

A lovely 14K gold pendant designed as a young woman's face captured in a crescent moon. She wears a large brimmed bucket hat with trailing ribbons in the style of the early 20s. In Victorian jewelry symbology, the crescent moon was a reminder of the moon goddess Selene (AKA Luna) and was often used to signal female empowerment. The reverse is marked "14K."

• America, ca. 1920
• Excellent condition; converted from an antique stickpin
• Dimensions: 7/8" x 7/8" excluding bail
• 2.7 grams

A French Art Deco cocktail pick set in the unusual form of a large snail accompanied by a pair of baby snails. The snail is usually alone or perhaps with just one smaller one. They are worked in chrome and are set on a mahogany base. The design is by the famed French Art Deco illustrator Benjamin Rabier, who had a side jpb designing entertaining barware. The twelve picks have unusual green bakelite finials. Sets such as this were used on bar and café counters to serve cocktail garnishes, canapés, or even escargot.

• Origin: France, ca. 1930
• Condition: excellent; very light wear to wooden edges; all original
• Dimensions: 7” x 3-1/8” x 4-1/4”.

A vintage sterling silver figural jigger by Gorham, the sides marked off with enameled stoplights in green, yellow and red, meant to signify “go,” “caution,” and “stop.” Each light corresponds to the 1, 2-1/2 and 3-1/2 ounce markings on the jigger’s bottom. The bottom is hallmarked by Gorham.

Origin: America, ca. 1950

Condition: excellent, a pinpoint ding under the bottom edge visible only when upside down and a few tiny pinpoints on the upper rim

Dimensions: 2-7/16” tall

Weight: 53.5 grams

A vintage sterling silver figural jigger by Gorham, the sides marked off with enameled stoplights in green, yellow and red, meant to signify “go,” “caution,” and “stop.” Each light corresponds to the 1, 2-1/2 and 3-1/2 ounce markings on the jigger’s bottom. The bottom is hallmarked by Gorham.

Origin: America, ca. 1950

Condition: excellent, no dings or monograms

Dimensions: 2-7/16” tall

Weight: 53.1 grams

An elegant pair of Edwardian sterling silver cufflinks, the faces decorated with purple guilloche enamel accented with a border of opaque white enamel. The backs are stamped "Sterling."

• Origin: America, ca. 1910
• Condition: excellent, no enamel damage
• Dimensions: 23/32" x 7/16" (18 x 11 mm)
• Weight: 5.7 grams

A nice sterling silver graduated jigger (1 1/2 and 2 ounces), the bottom formed from a 1972-D (Denver mint) Eisenhower silver dollar. The coin has nice detail. Hallmarked by Wallace.

• Origin: America, 1972
• Condition: excellent, no dings or monograms
• Dimensions: 2” tall
• Weight: 40.5 grams

A vintage sterling silver vermouth dispenser in the form of a syringe by Gorham. These were called “Martini Spikes” when sold by Gorham in the 1960s. The functioning plunger allows vermouth to be drawn up into the syringe and then dispensed in precisely-calibrated medical dosages into your favorite cocktail. The syringe originally cost $10. The syringe is accompanied by an illustrated instruction card and the original fitted box.

• Origin: America, 1967-70
• Condition: excellent, no monograms or dings, slight wear to outer surface of the box.
• Dimensions: 6-1/4” long

A lovely 18K yellow gold, diamond and ruby love pendant (“medaille d’amour”) with a rebus spelling out Plus qu’hier, moins que demain,” (“More than yesterday, less than tomorrow.”) a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano”) in 1889. The word “plus” is symbolized by a plus sign set with a rose cut diamond and the word “moins” by a minus sign set with rectangular cut synthetic rubies.

In 1907, the Lyonnais jewelry Alphonse Augis created a love token based on the poem. This example, signed A.A., is in the original style with a “crêpe de chine” textured background and floral wreath border. The use of a rose cut diamond, the Augis signature and the patent mark indicates that this is an earlier example. The small size is perfect for either a delicate chain or to wear as a charm on a bracelet. The pendant is fully stamped with French 18K gold marks and with Augis’ maker’s mark.

• Origin: France, 1930.
• Condition: excellent; sharp detail.
• Dimensions: 5/8” diameter (excluding bail and jump ring).
• Weight: 2.8 grams.
• Approximate Total Gemstone Weight: diamond, .01 carat; ruby, .03 carat.

A vintage sterling silver vermouth dispenser in the form of a syringe by Gorham. These were called “Martini Spikes” when sold by Gorham in the 1960s. The functioning plunger allows vermouth to be drawn up into the syringe and then dispensed in precisely-calibrated medical dosages into your favorite cocktail. The syringe originally cost $10. The syringe is accompanied by an illustrated instruction card and the original fitted box.

• Origin: America, 1967-70
• Condition: excellent, no monograms or dings,two wear spots to the top outer surface of the box.
• Dimensions: 6-1/4” long

A fine shakudo stickpin mounted in 18K yellow gold enhanced with a ropetwist border. The shakudo plaque represents a geisha formally dressed in a gold-flowered kimono and with an elaborate hairdo complete with ribbons and blossoms. Shakudo elements such as these were transformed by European and American jewelers after the opening of Japan to Western trade in the 1850s. The mounting is 18K (tested and guaranteed) and the pinstem is 14K (marked).

Origin: Japan & America, ca. 1860. Condition: excellent, all original. Dimensions: head, 11/16” x 15/32”; overall length, 3”. Weight: 5.0 grams.

A very handsome Art Deco champagne and cocktail stirrer set of imposing size. Each stirrer has a torpedo-shaped finial complete with fins. The stirrers would be inserted with finial down for aerating a glass of champagne or with the thin end down for stirring a cocktail. The underside of the base is stamped the hallmark of B. Borhmann, a silverplate manufacturer in Frankfurt Germany until the mid-1920s. This set has the streamline, machine-age look of the best German Deco design.

Origin: Germany, ca. 1920. Condition: excellent; minute plating wear. Dimensions: 10” tall; stirrers, 6-3/4”.

An elegant Victorian 10K yellow gold locket depicting a curving branch of poppies with a small star-set old mine cut diamond to one side. The reverse has a period monogram. Tested and guaranteed 10K gold.

Origin: America, ca. 1900. Condition: excellent. Dimensions: 1" diameter (excluding bail). Weight: 4.2 gr.

An attractive Victorian shell cameo depicting Diana/Artemis, goddess of the hunt, the moon, and nature. She is shown wearing her crescent moon tiara. As a virgin goddess, Diana was considered the protector of women, especially during childbirth. The cameo is set into a wide gold frame ornately engraved in a floral motif. The back retains the original pinstem and clasp, as well as pendant hook that appears to be a later replacement. Tested and guaranteed 10K.

• America, circa 1900
• Very good condition; no cracks to shell; replaced pendant hook
• 1-15/15" x 1-5/8"
• 10.8 grams

A colorful pair of doubled-sided French Art Deco enameled silver cufflinks. The rectangular faces have canted corners and are enhanced with champleve enamel in bright opaque red, green and black. The chain connectors are stamped with French silver marks and the backs of the faces have an unidentified maker's mark.

• Origin: France, ca. 1920.
• Condition: excellent; light surface scratches commensurate with age, but no chips.
• Dimensions: 5/8" x 13/32" (16 x 10 mm).
• Weight: 5.7 grams.