Catalog (2449)

A nice stoneware ewer in an unusual form by Doulton Lambeth. The bulbous body is decorated with raised flowers and foliage against a cobalt blue ground, while the foot and long tapering neck are finished in a simple pattern of incised rings highlighted with chocolate brown borders. The inside of the foot is stamped with the mark used 1891-1902 and also with the artist's mark which appears to be a conjoined "JH", "HL" or possibly just an ornate "H". There is also an assistant's mark, "b".

Origin: England, ca. 1895. Condition: no chips or cracks. Size: 11-5/8" tall.

A lovely pair of 10K yellow gold drop earrings decorated with a golden bows centered with round brilliant cut blue zircons. The gems have deep coloring and show nicely in a small size. These Retro earrings were originally screwbacks and have been converted for pierced ears. The earrings have nice movement and could be worn with either casual or cocktail attire. Tested and guaranteed 14K.

• America, circa 1935.
• Excellent condition.
• 9/16" wide; 1-1/4" long from top of wire.
Weight: 3.0 grams.
• Approximate Total Zircon Weight: 1.28 carats.

A modernist sterling silver graduated jigger by Tiffany marked off in half-ounce increments. This design, created in 1939 at the height of Tiffany’s Art Deco period, remained popular through the ensuing mid-century years. The bottom is marked “Tiffany & Co. Sterling” and has the date mark for 1955-65. The jigger is accompanied by its original Tiffany felt bag (with typical wear)

Origin: America, 1955-65

Condition: excellent, no dings

Dimensions: 1-13/16” tall x 2-1/4” diameter

Weight: 42.1 grams

An elegant sterling silver rollover jigger in Tiffany & Co.’s classic modernist “Cordis” pattern. Designed by Oscar Riedener in 1958, Cordis’ stark contemporary lines were something of an aesthetic departure for Tiffany. Riedener was a leading designer for Tiffany, most famous for his 1966 design of the Vince Lombardi Super Bowl Trophy. The jigger is designed to rest across the rim of cocktail shaker or glass. Once filled, the jigger can simply be tipped sideways, allowing the liquid to drop into the vessel without spills. The handle is marked “Tiffany & Co. Sterling.”

• Origin: America, ca. 1960
• Condition: excellent, no dings
• Dimensions: 6” x 2-3/8” x 1-3/4”
• Weight: 61.7 grams.

A colorful antique iron Christmas feather tree stand decorated with three gnomes dancing under a mushroom. In German folklore the mushroom was considered a good luck omen and it frequently pops up as a motif in antique German Christmas decorations. The stand is heavy enough to hold a very large feather tree. It would also make a great centerpiece for a Holiday table.

• Origin: Germany, ca 1900-30
• Condition: good; some paint loss and rust (see photos)
• Dimensions: top diameter, 7-1/2"; base diameter, 10-3/4"; opening diameter, 1"; height, 8-3/4"

Very good Staffordshire figural group portraying a young man and woman in a garden. He holds a floral wreath while she holds a potted rosebush. The decorative painting is very nice, especially the facial details.

Origin, Staffordshire, England, ca. 1850. Condition: excellent; no chips or cracks, gilding intact. Size: 7" tall.

Lovely vintage 14K yellow gold pin in the form of a stylized starfish. The center is set with a 6.5mm pearl surrounded by blue sapphires. The pearl has a nice rosy hue that complements the gold setting, and the sapphires are of fine quality with bright color. The back of the pin is marked with the maker's mark "GW" and "14K".

Origin: America, circa 1950s. Condition: excellent, all original. Size: 1-13/16" diameter. Weight: 10.5 grams. Approximate Total Gemstone Weight: .75 carat.

Elegant Napoleon III 18K gold brooch in the Etruscan Revival taste. The pin is in bar form with pointed ends, interrupted in the middle by a round black onyx plaque centering a natural seed pearl. The domed setting around the onyx is set with six natural seed pearls. The pin on either side of the onyx plaque is decorated with an engraved Greek key design. The reverse is hallmarked with the "tete d'aigle" stamp for 18K gold and also with an unidentified jeweler's mark.

Origin: France, circa 1870. Condition: excellent; all original, including tube-hinged pinstem with trombone clasp. Size: 2-5/8" x 13/16" (widest). Weight: 6.5 grams.

Elegant sterling silver footed basket with flaring, reticulated sides and a hoop handle. The swirling pattern of the piercing echoes the basket's scalloped rim. The top of the handle has a reserve for a monogram, but was never monogramed. The bottom has Durgin's early hallmark and the retailer's mark "Hodson, Kennard & Co." Many of Durgin's earlier products were sold through such upscale Boston retailers.

Origin: America, circa 1890. Condition: excellent, no dings. Size: 5-1/4" x 4-1/4" x 7-3/4" high. Weight: 153.0 grams.

Wonderful old Millville, NJ area glass paperweight wig stand or mantel ornament. The setup is pierced with five elongated icepick bubbles. Small bits of aventurine glass highlight the overall coloring of soft yellow and green. The top is heavily faceted with 33 printies of varying sizes. The cutting strikes me as being similar to the faceting seen on good New England Glass Company paperweights. The weight is raised on a baluster form pedestal and a foot. The glass is very heavy and of the finest quality. A similar wig stand/mantel ornament is pictured in Newell's "Old Glass Paperweights of Southern New Jersery".

Origin: Millville, NJ area, late 19th century. Condition: very good, a fleabite on the edge of the top printy, another about a third of the way down the crown, and another on the edge of the foot; a small moon on the perimeter of the weight. Size: 6" tall; foot 3-1/16" diameter.

Very nice pair of Victorian 14K gold cufflinks in the Arts & Crafts or Aesthetic style. The simple engraved decoration of the gold faces, suggestive of a Celtic design, is typical of jewelry in the Aesthetic taste, as is the use of matrix gemstones such as turquoise. These stones were valued more for their appearance than for their intrinsic worth--another characteristic of Aesthetic jewelry. The back faces are plain gold. Tested and guaranteed 14K.

Ca 1870. Condition: excellent, all original, no monograms. Size: 3/4” x 21/32”. Weight: 7.0 grams.

Very fine early Staffordshire child's cup decorated with a pair of colorful roosters. The design was hand-colored over a rudimentary sepia-colored transfer. The pearlware glaze has a wonderful lustre. The bottom edge of the cup is decorated with a molded border.

Origin: England, ca. 1830. Condition: excellent, no chips or cracks, light glaze crazing in interior bottom. Size: 2-7/8" tall; 3-1/8" diameter excluding handle.

A lovely Chinese export porcelain plate, the center decorated with a court scene depicting nobles welcoming a visitor bearing a staff and basket of fruit. The scene is very nicely enameled in the famille rose palette. The border is decorated in a trellis pattern in green enamels—a most unusual treatment for a Mandarin plate. The inner and outer borders are highlighted with gilding.

Origin: China, ca. 1850. Condition: excellent, two exceedingly tight hairlines (perhaps limited to only the glaze) visible only on the back. Size: 10” diameter; 1-3/16” deep.

A beautiful set of six silverplated scallop shell dishes by Tiffany & Co. The dishes are worked with wonderful detail—even the feet have a decorative treatment similar to snail shells. These dishes are perfect for butter, mints, nuts, or even individual servings of cocktail sauce. The bottoms are marked “Tiffany & Co/Makers/Silver-Soldered”.

Origin: America, ca. 1950. Condition: excellent, no plating wear. Size: 3-13/32” x 4-5/8” x 1-3/16” high.

A very good jasper ground glass paperweight by St. Louis. The sole decoration is the pink and white jasper cushion which completely fills the dome. The glass is heavy and nicely clear. The polished concave bottom has relatively wide basal ring.

Origin: France, ca. 1850. Condition: excellent, a surface nick on one side about 1/2" above the base and a tiny fleabite about two-thirds up the side of the crown. Size: 2-3/4" diameter; 1-3/4" high.

An elegant pair of earrings featuring Type A (untreated) green jadeite beads and 14K yellow gold beads taken from an ornate antique Chinese necklace (ca. 1900) that was far too worn to salvage. The jadeite beads are semi-translucent, with even coloring and moderately-fine texture. The gold beads have applied vermicelli decoration. The earrings are finished with 14K yellow gold posts and clutches. Other elements taken from the same antique necklace can be seen in Items #1350538,

Origin: China, ca. 1900. Condition: excellent. Dimensions: beads, 6.2mm diameter; overall length, 1-3/16".

NOTE: Other pieces created from the original antique necklace include Items #1350538, #1344595, and 1350553.

A lovely Victorian pendant in 10K yellow gold set with a round brilliant cut amethyst at the center, surrounded by seed pearls in an ornate starburst pattern. The rays of the star are separated by fleurs-de-lys. The amethyst has nice medium violet color with reddish overtones. The pendant also has a pinstem so that the piece can be worn as an elegant brooch. Tested and guaranteed 10K. NOTE: The chain is not included in the purchase price, but we do have chains available.

• Origin: America, ca. 1880.
• Dimensions: 15/16" diameter.
• Weight: 3.6 grams.
• Approximate Total Amethyst Weight: .28 carat.
• Condition: excellent.

A wonderful French Art Deco cocktail pick set featuring a Scottie dog (Scottish terrier) carved from Indonesian Macassar ebony. The severely linear carving of the dog is nicely accented by the natural markings of the wood. The dog has inlaid white eyes. The set is completed with eleven cocktail picks topped with colorful orbs. This set could certainly be used for olives or cherries in a cocktail, but could also be used as food picks for hors d'oeuvres.

• Origin: France, ca. 1930.
• Condition: excellent; no cracking to wood; one blue pick missing.
• Dimensions: 5-1/2" x 3-1/8" x 3-1/2" tall.

A French Art Deco cocktail pick set in the form of Gideon the duck and his snail friend worked in chrome on a mahogany base. The design is by the famed French Art Deco illustrator Benjamin Rabier, who created a comic strip called "The Adventures of Gideon" in 1923. It was immensely popular and Rabier was commissioned to make a range of entertaining barware. Few of Rabier's designs were signed, but this example is signed with his full name. The twelve picks have red bakelite finials. Cocktail pick holders ("porte-piques") were once a fixture of every French bar and café. Today, they can be use to spear olives of cherries in a cocktail, or to serve small hors d'oeuvres.

• Origin: France, ca. 1930.
• Dimensions: 5 7/16" x 3" x 4 1/2".
• Condition: very good; a small area of wear to chrome in the folds of the tail feathers and another smaller spot on the underside of the tail; normal age-appropriate wear to the wooden base.

A pretty pair of 14K yellow gold earrings in a stylized floral design, each centered with a round opal cabochon. The stones have white body color and a “pinfire” pattern of play-of-color. The shape of the gold setting creates an interesting reflecting pattern with the opals. Tested and guaranteed 14K.

• Origin: America, ca 1930
• Condition: excellent, converted from screwbacks
• Dimensions: 1-1/16” long from top of wire; 5/8” wide
• Approximate Total Opal Weight: 1.2 carats
• Weight: 4.9 grams

Very good Staffordshire pottery inkwell in the form of a country cottage beside a tree populated by a mother bird and her nest of young. A Dalmatian watches the birds from the ground. The cushion base is accented with a gilt line.

Origin: England, circa 1860. Condition: very good, normal glaze crazing; some ink discoloration to base, no chips or cracks. Size: 4-7/8" x 2-1/16" x 4-3/4" tall.

A terrific set of 12 Art Deco silverplated knife rests. The design on the ends combines severely linear elements with bas-relief details—the ultimate in Art Deco styling. Each “porte-couteau” is marked with unidentified French hallmarks.

Origin: France, ca. 1920. Condition: excellent. Size: 3-1/8” long.

An elegant pair of earrings featuring Type A (untreated) green jadeite beads and 14K yellow gold beads taken from an ornate antique Chinese necklace (ca. 1900) that was far too worn to salvage. The jadeite beads are semi-translucent, with even coloring and moderately-fine texture. The gold beads have applied vermicelli decoration. The earrings are finished with 14K yellow gold posts and clutches. Other elements taken from the same antique necklace can be seen in Items #1350538, Origin: China, ca. 1900. Condition: excellent. Dimensions: beads, 6.2mm diameter; overall length, 1-3/16". NOTE: Other pieces created from the original antique necklace include Items #1350538, #1344595, #1350547 and 1350553.

A vintage sterling silver figural jigger by Gorham, the sides marked off with enameled stoplights in green, yellow, and red, meant to signify “go,” “caution,” and “stop.” Each light corresponds to the 1, 2.5, and 3.5 ounce markings on the jigger’s bottom. The bottom is hallmarked by Gorham

• Origin: America, ca. 1950
• Condition: excellent, a couple of extra-small pinpoint dings on the bottom edge
• Dimensions: 2-7/16”
• Weight: 50.4 grams

A handsome pair of 18K yellow gold cufflinks in the form of sleeve buttons. Each button has a dished surface with a matte decoration and is accented with gold "stitches". The faces are attached by chains to baton backs. The backs are hallmarked with Italian 18K marks.

Origin: Italy, ca. 1965. Condition: excellent, all original. Size: 17/32" diameter. Weight: 5.0 grams.

19th century cast iron figure of an angel raising a laurel wreath above her head and holding a ship's anchor. Obviously intended as a symbol of the wishes for a sailor's safe return from the sea, the plaque was probably used to decorate the wall of a sailor's home in an Atlantic coast seaport.

Origin: America, circa 1860s. Condition: excellent, light rusting on surface. Size: 14" tall.

Lovely Victorian 18K yellow gold cufflinks featuring small seed pearls set in a diamond-shaped mounting. The faces are connected to the torpedo backs with beautifully crafted chains. The faces are marked “18CT” and the chains have an additional hallmark that is illegible.

Origin: probably England, circa 1900. Condition: excellent. Size: faces, 3/8” x ½”. Weight: 5.25 grams.

Fantastic pottery double-handled urn decorated in an underglaze blue floral transfer and clobbered with overglaze iron red, yellow and purple pigments. The effect is much like chintz china, but with stronger coloring. The bottom bears the mark used by Cauldon Potteries from 1905 to 1920. The form and size of this vase, combined with its rich coloring, makes for a truly stunning piece of Staffordshire pottery.

Origin: Staffordshire, England, circa 1913. Condition: mint. Size: 13-1/4” tall.

Elegant 14K yellow gold and pearl brooch in a modern bouquet design. The four pearl "flowers" are set atop golden stems that are tied with a swirling gold ribbon. Each pearl is 5.5 mm and has the wonderful white body color with silvery overtones characteristic if Mikimoto pearls. The nacre is thick and the skins are very smooth. The back is marked with Mikimoto's hallmark and "K14".

Origin: Japan, circa 1970. Condition: excellent, all original. Size: 1-5/8" x 1-1/8". Weight: 6.0 grams.

A very nice Victorian watch fob chain of woven hair accented with 14K yellow gold fittings. The weaving is very nicely done from hair in a soft chestnut color. The center of the chain features a paneled gold fitting from which is suspended a gold-mounted pendant drop with acorns and leaves. Hairwork jewelry was a cottage industry and was made both as memorial jewelry and as love tokens. Each end of the chain is finished with gold fittings, as well. A contemporary gold filled chain has been added to the back to transform the fob chain into an 18” long necklace.

Origin: America, ca. 1860. Condition: excellent. Size: 18” long (with extension); 12-1/2” long (without extension).

A classic late Victorian 14K yellow gold curb link chain bracelet with collet-set oval amethyst stations. The amethysts have nicely saturated violet color. Marked 14K.

• America, circa 1900
• 9 1/2" long
• Excellent condition
• 6.75 grams
• Approximate Total Amethyst Weight: 3.66 carats

A Victorian shell cameo depicting Aurora/Eos, goddess of the dawn set in a 14K gold frame decorated in the Etruscan taste withe beads and rosettes. The goddess is shown with her chief attribute, a pair of feathered wings in her hair (not to be confused with Psyche who has butterfly wings). The back retains the original pinstem and folding bail, but the clasp is an old replacement. Tested and guaranteed 14K.

• America, ca. 1870
• Excellent condition; no cracks to shell; replaced clasp
• 1-11/16" x 1-5/16"
• 7.4 grams

A beautifully-carved hardstone cameo depicting Libertas, the Roman goddess of liberty. She can be identified from the shape of the diadem she wears in her hair. The image is quite similar to American "Morgan" silver dollars from the late 19th century. The color contrast of the stone is quite remarkable. The carnelian cameo is set into an intricate gold setting in the Etruscan Revival taste. The back has both a brooch fitting and a hidden bail for wear as a pendant. The back is stamped "14K" and also has the maker's mark for Perley Bros.

NOTE: The piece is shown with a 16" 14K gold chain that is available for an additional $125.

• Origin: America, ca. 1900.
• Condition: excellent; no cameo damage.
• Dimensions: 1-11/16" x 1-3/16".
• Weight: 6.8 grams. Fabulous late Victorian hardstone cameo brooch. The carnelian cameo represents "Liberty" and is very similar to the Liberty head that appeared on "Morgan" silver dollars and quarters of the period. The 14K mounting is floridly decorated with millegraining, applied beads and rosettes, and rope twist borders. The reverse retains its original pinstem and modified c-clasp. The reverse is marked 14K and is signed for the maker, Perley Bros. of New York. Origin: America, 1870s. Condition: excellent. Size: 1-11/16" x 1-1/4".

A large sterling silver locket from the Aesthetic Period, the cover decorated with an engraved Japonaiserie scene of a water bird landing among reeds. The bird is surrounded by a fan-shaped reserve. The ends of the locket are nicely enhanced with beading and a fancy border. The interior retains both original frames and glass enclosing either fabric. The back is unadorned. This locket is unmarked, indicating an American origin. American silver lockets from this era are far more uncommon than English versions.

• Origin: America, ca. 1860
• Condition: excellent, all original, no monogram or dings
• Dimensions: 1-3/8” x 1-5/8” (excluding bail)
• Weight: 18.2 grams

A delightful bronze dresser mirror, the entire frame ornately decorated in the form of two Pierrot figures and a smiling man-in-the-moon. Pierrot was a originally a Comedia dell’Arte character, but in the 18th century, he and the moon became inextricably linked in the French children’s song, “Au Claire de la Lune.” There are a few variations of this mirror; this is the most ornate, with the intricately beveled glass. The detailing of the figures is excellent.

Origin: France, ca. 1900. Condition: excellent, all original; the glass has very light tarnishing typical of old silvered mirrors. Dimensions: 4-3/4” x 8-1/2”.

Handsome 14K yellow gold and sterling silver brooch signed by David Yurman. The center hexagon is set with a hematite cabochon above a collet-set round brilliant-cut pink sapphire, and is flanked with by rope-twist extensions highlighted with 14K gold banding. The back is signed “D. Yurman 14K Sterling”.

Origin: America, ca. 1995. Condition: excellent, all original. Size: 3-5/16” x 1”. Weight: 16.0 grams. Approximate Total Gemstone Weight: hematite, 13.36 carats; pink sapphire, .2 carat.

Terrific chair mat or small round rug hooked in a pattern of two white cats with large blue eyes and big red bows against a field of blue-grey surrounded by a burgundy and black double border. Hooked on a burlap foundation with wool and cotton. Very good condition, except for some discoloration and wear to the black border. 15" diameter. American, probably New England, 19th century.

Fascinating watercolor set in the form of a 1930's automobile with working wheels. The top lifts to reveal containers for paints and water; an area for mixing; and a storage compartment for brushes. The back of the car is embossed "Betel Motor Car/Patent No. 75086/Open & Close Type/BF".

Origin: England, circa 1930. Condition: some budding young artist decided to decorate the car with some black paint, which could be removed by polishing the brass; the surface is untouched; no dents or missing parts. Approximately 10" x 5" x 3.75" high.

Superb early Gorham lady’s purse, the exterior decorated in the Aesthetic taste. The surface is matte-finished and accented with areas of matte-finished and glossy parcel gilding. Each side features a triangular area of engraving representing what appears to be a bough of olive branches with olives. The purse’s beveled edges are glossy and are decorated simply with rows of bright-cut engraving. The purse opens with a push on the thumbpiece to reveal an interior divided into three compartments and lined with the original teal blue silk shantung. The purse retains its original chain. The inside rim of the purse is marked with the earliest form of Gorham’s lion-anchor-G hallmark, along with the pattern number “210”, “Sterling” and the date letter for 1871.

Origin: America, 1871. Condition: excellent, a small ding in the engraved area on one side (visible in raking light), all original, the silk lining with almost no wear. Size: 3-1/2” wide, 2-1/2” high, 1-1/2” thick, 11” chain. Weight: 68.0 grams.

Elegant signed Mikimoto brooch of 14K yellow gold with pearls. The pearls, ranging from 5 to 5.5mm are of the quality that only Mikimoto can produce. The body color is a bright white with silver overtones. The lustre is exceptional. The design is a sort of abstract flower basket design. The back is marked with Mikimoto's shell hallmark.

Origin: Japan, circa 1950s. Condition: excellent, all original. Size: 1-3/8" x 1-1/4". Weight: 7.0 grams.

Very fine pair of George VI sterling silver master salt dishes. The salts are raised on paw feet surmounted by lion masks. The everted rims are gadrooned. The salts retain the original cobalt blue glass liners. The salts are identical, but were made in different years by the same silversmith. One has the date mark for 1936 and the other for 1939. The only difference is that glass liner in one is a little thicker than the other.

Origin: London. Condition: excellent, all original, no dings or monograms. Size: 2-7/8" diameter; 1-1/2" tall. Weight: 202.0 grams (silver only).

Very nice vintage South Jersey glass paperweight featuring a frit design of an ivy-covered blue cross against an opaque white ground. The foreground has a wave-like frit design. The opaque ground is most unusual in a South Jersey weight. The crown rises quite high into a pronounced cowlick more typical of New England weights. The bottom has a pontil mark and slight basal concavity, and there is an incised line around the periphery at the top edge of the opaque ground.

Origin: America, ca. 1900. Condition: excellent, very light surface scratching as expected. Size: 3-1/4” diameter; 2-1/4” tall.

Superb sterling silver powder box covered with beautiful floral repousse decoration. The design features a dense covering of daisies, chrysanthemums and roses surrounding a pair of rococo reserves framed with assymetrical scrolls. Neither of the reserves has ever been monogrammed. The decoration is really excellent and is of a quality that would rival the best of the repousse decorators. The interior retains the original gilding. The bottom is marked with Gorham’s late 19th century mark and has the date code for 1894. It is also marked with the pattern number “735”.

Origin: America, 1894. Condition: excellent, the concealed inside lip of the lid has some bends that are not at all visible when the lid is in place. Size: 4” diameter; 3-1/8” high. Weight: 145.5 grams.

A handsome set of four sterling silver salt dips with cobalt blue glass liners. The silver walls are intricately pierced in the 18th century style and are raised on scrolled feet. The salts have fitted cobalt blue glass liners. The salts are fully hallmarked for Birmingham, 1934 and have an unidentified maker’s mark “WA” in a shield.

Origin: England, 1924. Condition: excellent, no dings, cracks or chips. Size: 2-3/16” x 1-11/16” x 1-1/4” tall. Silver Weight: 74.0 grams.

A very fine Edo period Japanese mixed-metal brooch depicting a crane standing underneath flowering cherry trees alongside a rushing stream. The gold and silver details glisten against the coppery background. The back retains the original extended pinstem and c-clasp.

This type of work, sometimes mistakenly called “shakudo”, derives from the decorations used for samurai armor. After the demise of the samurai system in the 19th century, artisans who made mixed-metal decorations for armor turned to jewelry-making. These pieces became very popular in Europe and America when Japan was opened to trade.

Origin: Japan, ca. 1865. Size: 1” x 1-1/8”.

Very nice, heavy pair of 18K yellow gold cufflinks that resemble a link taken from a large chain. One cross-end is fixed, but the other is hinged so the cufflinks can pass through the hole. These cufflinks look very stylish streamlined appearance when being worn. Tested and guaranteed 18K gold.

Origin: America, ca. 1940. Condition: excellent, all original. Size: 15/16” x 3/4". Weight: 14.0 grams.

A very good cut glass vase by Clark in the "Iris" pattern. The lower third and the flared rim are cut with elongated hobstars flanked by mitred triangles of strawberry diamond cutting enhanced with fans; and the neck is cut with panels of printies alternating with notched prisms. The base is cut with a 20-point hobstar and has Clark’s script acid signature. The pattern is either "Iris" or a variant of “American Beauty”. The cutting is very precise and the polish is excellent.

Origin: America, ca. 1900. Condition: excellent, a small nick to only one tooth at the rim. Size: 10-1/4” tall.

A fine sterling silver gravy ladle in the 1892 “Richelieu” patterns by Tiffany & Co. This is one of Tiffany’s great early patterns and is very sought after today. It is distinguished by shell motifs at the handle and pendant bellflowers that lead down the stem. The flattened bowl is elegantly gadrooned to match the scalloped edge. The back is marked with Tiffany’s hallmark in use 1891-1902.

Origin: America, ca. 1895. Condition: excellent, sharp details, no monogram. Size: 7-3/8” long. Weight: 83.5 grams.

A fine boxed set of 12 sterling silver demitasse spoons in Gorham's 1896 "Maryland" pattern. The fronts of the handles are decorated scrolls, shells and pendant bouquets, while the backs are accented with simple scrolling and a shell motif near the bowls. The bowls are parcel gilt. This is a particularly lovely pattern--ornate, but not over the top. The spoons are presented in their original fitted box, the inside lid of which is marked with the logo of Gorham's New York City retail store. Each spoon is stamped with an older Gorham hallmark and the patent date.

Origin: America, ca. 1900. Condition: excellent, all original, no monograms. Size: 4-1/16" long. Weight: 104.5 grams.

A wonderful Victorian ironstone footed fruit compote decorated in an underglaze blue floral pattern. Distinctly Asian in flavor, the pattern depicts prunus blossoms and peonies surrounded by rocky outcroppings, foliage and hovering butterflies. The edges are finished in a diaper border. Either end has a leafy handle, heavily accented with gilding similar in style to that found on Old Paris porcelains. The overall shape and use of gilding suggests an early date. The bottom is marked with F. Morley & Co.’s underglaze stamp.

Origin: England, ca. 1845. Condition: excellent, no chips or cracks, there are three small glaze misses near the upper rim, original gilding intact. Size: 12-1/2” x 9” x 5-5/8” tall.

A fascinating Victorian brooch set in 14K yellow gold. The octagonal plaque with canted corners appears to be made of opaque black glass and is inset with an ornate glass design worked in the pietra dura method. The translucent design is backed with gold foil to create a subtle glittery effect. The setting is very simple and does not detract from the more important enamel work. Tested and guaranteed 14K gold.

Origin: Europe, possibly Switzerland, ca. 1850. Condition: excellent, all original, very light surface scratching visible with a loupe. Size: 1-1/8" x 3/4".

A very fine Imperial Russian lacquer box by Vishniakov. The lid is decorated with a winter scene showing an empty troika, still tethered to its horse, located just outside a snow-covered log building. The scene is beautifully detailed. The interior is lacquered in the dark rust shade characteristic of Vishniakov.

Origin: Russia, ca. 1880. Condition: the top shows considerably alligatoring, but no paint loss; two of the top corners have flakes (visible in photos); the interior has wear to the finish. Size: 5-3/4" x 3-7/8" x 1-11/16".

A very attractive pair of Victorian 14K yellow gold bean-back cufflinks finished in the softly bloomed “Russian” finish popular in pieces from the Art Nouveau era. The oval faces are simply finished with a beaded border and are star-set with small round brilliant cut rhodolite garnets. The stones have a very pleasing strongly purplish-red hue, easily mistaken for ruby. The backs are marked “14K”.

Origin: America, ca. 1900. Condition: excellent. Size: 3/4” x 9/16”. Weight: 6.8 grams.

A very good Victorian 14K yellow gold stickpin in the Art Nouveau taste. The top of the pin is in the shape of a horse’s head completed with beautiful enameling. The eye is set with a small round cut ruby. The head is superimposed over a gold horseshoe studded with small old European cut diamonds. The gemstones, though small, are very good quality and provide a nice amount of sparkle. The back is marked “14K”.

Origin: America, ca. 1900. Condition: excellent, no enamel damage. Size: overall length, 2-13/32”; head, 5/8” x 5/8”. Weight: 2.5 grams.

A handsome chartreuse-cut-to-clear low bowl cut with a ring of printies near the lip and another ring of overlapping printies lower on the sides. Unsigned, but almost certainly Val St. Lambert.

Origin: Belgium, ca. 1920. Condition: no chips or cracks. Size: 9" diameter; 2-3/8" high.

A handsome pair of Edwardian yellow gold cufflinks, the faces formed from barbell-shaped batons of green serpentine. The stone has an attractive semi-opaque pale green color flecked with black specks. Serpentine was often used as a substitute for jade. The gold backs are marked “9Ct”.

Origin: England, ca. 1900. Condition: excellent. Size: faces, 7/8" long. Weight: 4.8 grams.

A superb Victorian Art Nouveau baby rattle, the handle carved from a large piece of mother-of-pearl and adorned on either side with a gorgeous Art Nouveau lady's head worked in sterling silver and finished with three silver bells. Although unsigned, the particulars of the design are very similar to a known Unger design. Marked "Sterling".

Origin: America, ca. 1895. Condition: excellent except for the bells which show considerable wear from a toothing child. Size: 4-1/2" long.

An elegant Art Nouveau ring converted from an antique French 18K gold stickpin. The gold clover is decorated with small natural pearls on each leaf arranged around a small bright green emerald. The stem is worked in platinum and is set with a small mine-cut diamond for a little added sparkle. The 18K gold and platinum clover is attached to a 14K yellow gold band.
Finger Size: 6-1/2 (can easily be sized). Clover Dimensions: 1/2" x 1/2". Weight: 1.7 gr.

A delightful French Art Deco cocktail pick set in the form of a carved rosewood cat arching his back to hiss at a little chrome snail. A wooden rack holds six chrome cocktail picks, each topped with a snail. All are presented on a macassar ebony base. Sets such as these were used in French homes as well as on the bar counters at cafes.

• Origin: France, ca. 1935.
• Condition: excellent, all original, one pick has very minor plating wear visible on close inspection.
• Dimensions: 5-7/8" x 3-1/4" x 4" high.

A lovely set of twelve sterling silver demitasse spoons presented in their original fitted velvet and silk box. The design features a scroll of acanthus leaves along the stem with an asymmetrical shell at the handle. The backs are stamped “Sterling” (prior to 1915), American silver was not required to bear a maker’s mark. The pattern is nearly identical to Knowles’ “King” pattern. The spoons are presented in their original velvet and silk fitted box from Hamilton & Diesinger of Philadelphia (1895-1900).

• Origin: America, ca. 1895
• Condition: spoons are excellent except one which has a tiny ding right at the tip of the bowl; sharp detail; no monogram; box is functional, but has significant wear. One of the 2 latches is broken at the top of the latch.
• Dimensions: spoons, 3-7/16” long
• Weight: 77.2 grams