Catalog (2409)

A very rare pair of 14K yellow gold cufflinks, the faces designed as fearsome lion-like gargoyles. Each snarling mouth grasps an old mine cut diamond, and the eyes are set with small emerald cabochons. The fur is pierced and detailed in a way that suggests the stone fretwork of Gothic cathedrals. The faces are joined by arch connectors to bean backs. The connectors are stamped with the mark for Schira Bros. of Cincinnati, Ohio. Tested and guaranteed 14K.

Origin: America, ca. 1890. Condition: excellent. Dimensions: 1 x 9/16 inch. Weight: 8.6 grams. Approximate Total Diamond Weight: .16 carat.

A beautiful pair of Art Nouveau 18K yellow gold cufflinks designed by Louis Armand Rault. The design features a maiden with large flowers in her hair. The edges of the faces are irregularly cut to conform to the outlines of the design. The faces are connected with chains to backs decorated in a strapwork motif. Louis Rault worked primarily for Boucheron and was widely considered the finest gold and silver chaser of his time. He largely set the foundation for Boucheron's gold medal victory at the 1900 Exposition Universelle. Each face is signed with Rault's monogram and each cufflink is stamped with French 18K gold marks.

Origin: France, ca. 1890. Condition: excellent, sharp detail. Dimensions: front face, 5/8" diameter. Weight: 6.5 grams.

A colorful Venetian Etruscan fob charm worked in 18K yellow gold and set with six emerald cut amethysts. The gold surfaces are covered with ornate ropetwists, rosettes and beading. The shape—sort of an elongated barrel—is unusual and shows off the richly-colored amethysts to good advantage. The jump ring is marked 750 for "18K".

Origin: Italy, ca. 1955. Condition: excellent. Dimensions: 1-1/4" x 1" x 3/4". Weight: 13.5 gr. Approximate Total Gemstone Weight: amethyst, 14.1 cts.

A classic 18K yellow gold tapered band by Tiffany & Co. set at the crown with an oval cabochon citrine. The stone has very nice slightly orangey-yellow color and eye-clean clarity. The ring has a very solid feel and can be worn by either a man or woman. The interior of the shank is marked “750” for 18K and is signed by Tiffany. This ring is no longer available at Tiffany, but originally sold for $2,150.

• Italy, ca. 2000
• Very good condition; light wear to the shank
• Finger Size: 5
• Dimensions: 5/16” wide at crown
• Weight: 8.3 grams
• Approximate Total Gemstone Weight: 2.0 carats

An astonishing figural pendant necklace featuring a natural semi-baroque pearl in the shape of a pear, accented with platinum and 18K yellow gold leaves and a stem, all set with old European cut diamonds. The pearl has very fine orient, with all the colors of the rainbow skating over the creamy white surface. The diamonds are graded at an average of H/SI1. Converted from an Edwardian stickpin, the pear is now a gorgeous pendant hanging from a French 18K white gold chain.

NOTE: The pendant is also available without the chain for $1050.

• France, ca. 1910.
• Excellent condition; pendant converted from a stickpin.
• Pendant, 11/16" x 1/2"; overall necklace length, 16-3/8".
• 3.8 grams.
• Approximate Total Diamond Weight: .26 carat.

An Edwardian 14K yellow and rose gold bracelet featuring three Essex crystals of flying ducks set between depicting cattails. The cattail leaves are worked in gold that is very slightly tinted green, and the brown part of the cattail is rose gold. Reverse-carved intaglios became popular in the Victorian era, especially to depict sporting and hunting themes. They remained popular through the early part of the 20th century. The crystal depict three different species, including a mallard. Each duck is shown flying over water. The carving and painting are nicely done. The back is marked “14K”.

• ORIGIN America, ca. 1920
• CONDITION very good, all original, the crystals have faint moisture marks around the edges (much less visible than in the photos)
• DIMENSIONS 7-5/8” long; 9/16” wide
• WEIGHT 20.5 grams

A superb pair of 14K yellow gold bean-back cufflinks by Carter, Gough & Co., the faces decorated with a representation of Sandro Botticelli’s “Birth of Venus.” The jeweler took a few liberties with Botticelli’s design by having the goddess walking atop roiling waves rather than standing in a scallop shell, and fully baring her breasts instead of modestly covering them with her own flowing hair. The bean backs are designed with a swirling pattern that mimics the waves of the front faces. The connectors are stamped with Carter, Gough’s 14K hallmark.

• Origin: America, ca 1900
• Dimensions: faces, 13/16” x 1/2"
• Weight: 6.7 grams

An outstanding pair of Napoleon III 18K yellow gold double-sided cufflinks, the faces fashioned from carved rhodolite garnets centering small collet-set natural pearls. The garnets have a strong purplish color and excellent clarity. The edge of each face is accented with scalloped ropework border. The faces are joined by figure-8 connectors. Stamped with French 18K gold hallmarks.

Origin: France, ca. 1860. Condition: excellent, all original. Size: 9/16" diameter. Weight: 6.49 grams.

A lovely 18K yellow gold Sputnik ring by H Stern. The dome is bezel-set with round citrines, amethysts green and pink tourmalines, garnets and aquamarines. This design was created in the 1950s to highlight the range of colored gemstones available from Stern’s Brazilian mines. It came to be called “Sputnik” because of its resemblance to the spike Soviet satellite launched in 1957. Each piece has a unique appearance depending on the particular selection and placement of the gemstones. The inside of the shank is stamped “18K”.

Origin: Brazil, ca. 1955. Condition: excellent, all original. Dimensions: dome, 13/16” diameter. Finger Size: 7-3/4. Weight: 3.7 grams. Approximate Total Gemstone Weight: 3.59 cts.

A rare large 18K yellow gold, diamond and ruby love pendant ("medaille d'amour") enclosed in a halo of bright red rubies. The medal has a rebus spelling out "Plus qu'hier, moins que demain" ("More than yesterday, less than tomorrow"), a line from a love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of "Cyrano de Bergerac") in 1889. The word "plus" is symbolized by a plus sign set with five single-cut diamonds and the word "moins" is symbolized by a minus sign set with two rectangular cut synthetic rubies.

In 1907, the Lyonnais jeweler Alphonse Augis created a love token based on the poem. This example, signed with "A. Augis", in one of the more ornate versions with a crepe de chine textured background enclosed in a scalloped frame set with brilliant round cut synthetic rubies. The fairly large size is perfect to be worn as a necklace, but could also be worn on a very chunky charm bracelet. The pendant is stamped with French 18K gold marks, and with Augis' signature and marker’s mark.

Origin: France, ca. 1955. Condition: excellent, no engraving on reverse. Dimensions: 1-5/16" diameter (excluding bail). Approximate Total Gemstone Weight: diamond, .05 ct; synthetic ruby, 3.08 cts. Weight: 9.9 gr.

A stunning Art Nouveau 14K yellow gold locket, the cover with repousse decoration illustrating the Byzantine Empress Theodora. Though we’ve never seen this particular design before, Byzantine motifs were widely used in Art Nouveau jewels, especially in France where they were copied from costumes created for the actress Sarah Bernhardt and posters by Alphonse Mucha. The Empress is sumptuously dressed in a flowing robe with a wide jeweled collar, bracelets and earrings. She wears a heavy crown and sits on a throne. The quality of decoration is excellent. The back of the locket has a period three-letter monogram in elegant Art Nouveau script. Tested and guaranteed 14K.

• America, ca. 1900
• Excellent condition; sharp detail; a few small dings on the back side
• Dimensions: 1-5/32” diameter
• 5.7 grams

A very pretty vintage 18K gold fob charm in the Venetian Etruscan style. The sides of the charm are set with a row of oval cut citrines bordered at the top and bottom with rows of pink tourmaline, moonstone, citrine and amethyst cabochons. Exposed areas of the gold surface are enhanced with ornate twisted rope and rosette decoration. Tested and guaranteed 18K.

• Origin: Italy, ca. 1955
• Dimensions: 7/8” wide; 1-1/2” long excluding jump ring
• Weight: 13.5 grams
• Approximate Total Gemstone Weight: 8.4 carats

A very fine pair of 18K yellow gold double-faced cufflinks, each face decorated with opaque black and red champlevé enamel. The severity of the chevron design contrasts nicely with slightly bowed sides of the faces and provides a compelling Art Deco look. The connectors are stamped with French hallmarks.

Origin: France, ca. 1920. Condition: excellent, no chips to enamel. Dimensions: 5/8 x 7/16 in. Weight: 7.3 grams.

A handsome pair of 14K white gold cufflinks, each face formed from a plaque of lapis surrounded by smaller lapis batons. The canted corners are set with round brilliant-cut diamonds, as are the centers of the faces. The diamonds are graded as H/I color and SI1 clarity. The lapis is finely colored with only a minimal amount of the mica inclusions. The toggle backs are marked “585” for 14K.

Origin: probably Europe, ca. 1980. Condition: excellent. Dimensions: 21/32” x 1/2". Weight: 10.9 grams. Approximate Total Diamond Weight: .10 ct.

A rare pair of 18K yellow gold earclips in the Sputnik style by H Stern. The domes are bezel-set with round amethysts, citrines, aquamarines, green and pink tourmalines, and garnets. This design was created in the 1950s to highlight the range of colored gemstones available from the mines of Stern's native Brazil. It later came to be called "Sputnik" for its resemblance to the spiky Soviet satellite launched in 1957. Each piece has a unique appearance that relies on the particularly selection and placement of the gemstones for its overall look. This pair has strong, saturated mid-tone autumnal colors. Each earring is marked for 18K and also has the early maker's mark for H Stern. Origin: Brazil, ca. 1955. Condition: no dings or chips to stones. Dimensions: 11/16" diameter. Weight: 6.2 grams. Approximate Total Gemstone Weight: 3.34 cts.

An outstanding Victorian multi-colored 14K gold watch fob worked in yellow, green and rose gold with platinum. The fob is fashioned as a bouquet of flowers bound together with a scalloped border. The flowers are expertly enhanced with engraved details. The trace link chain alternates between rose gold, green gold and platinum. The swivel is original and is marked "14K."

• America, circa 1890
• Excellent condition; sharp detail
• charm, 5/8" diameter; 4-11/16" overall length
• 9.5 grams

A very nice late Georgian carnelian spinner fob mounted in an 18K gold frame in the form of two intertwined snakes. The snakes are hand-chased with detailed scales and interesting, their heads are finished with duck-bill mouths (complete with teeth) grasping apples. This form is often seen in French silver wine tasters and was intended as a reminder of temptation and the snake in the Garden of Eden. The spiral mechanism in the center of the snakes’ entwined bodies is a spring mechanism that allows the carnelian plaque to be locked into place. The fob is generously sized and would make a stunning pendant. Marked with an indistinct Continental hallmark (likely French) and tested 18K.

• Origin: Continental Europe, probably France, ca. 1830.
Dimensions: 1-9/16” x 1-3/4”.
• Weight: 11.3 grams.
• Condition: excellent; carnelian was never engraved; all original.

A colorful 18K gold and gemstone ring from the “Rainbow Collection” by H Stern. Made in the 1980’s, the collection was intended to show off the variety of colored gemstones available from Stern’s Brazilian mines and also the artistry of the company’s designers in the subtly graduated colors that reproduce the colors of the rainbow spectrum. The selection includes amethyst, iolite, green tourmaline, peridot, citrine, pink tourmaline and garnet. The interior of the shank is marked “750” for 18K and bears Stern’s hallmark.

NOTE: We are also offering a matching pair of earrings (Item #1381057).

• Origin: Brazil, ca 1985.
• Dimensions: 1/4" wide at front, tapering to 1/8” at the back.
• Finger Size: 7 1/2.
• Weight: 5.5 grams
• Approximate Total Gemstone Weight: not accurately measurable due to setting, but estimated around 5 carats
• Condition: excellent; all original.

A nice 18K gold Venetian Etruscan fob charm set with oval brilliant cut citrines. The stones have intense orangey-yellow color and the gold surfaces are heavily decorated with applied wire-work and rosettes. Marked “750” for 18K gold.

• Origin: Italy, ca. 1955.
• Dimensions: 13/16” x 1-1/4” (excluding bail).
• Weight: 10.9 grams.
• Approximate Gemstone Weight: 9.76 carats.
• Condition: excellent; no dings; all original.

A nice Victorian 18K gold locket, the front cover featuring a lioness shown in profile. She is enhanced with a bright emerald eye and grasps an old mine cut diamond in her mouth. The back is engraved with a period three-letter monogram. Tested and guaranteed 18K.

• Origin: America, ca 1900
• Dimensions: 1" diameter
• Condition: excellent; sharp detail on the lion; two pinpoint dings on the back cover
• Weight: 8.7 grams
• Approximate Total Diamond Weight: .05 carat

A very nice Imperial Austrian 18K yellow gold brooch set with a reverse-carved Essex crystal depicting a pansy. Essex crystals with flower themes are very rare. In Victorian floriography, the pansy represented "think of me." The flower is beautifully colored. The crystal is set in a simple twisted rope frame. The back retains the original pinstem and clasp. These could easily be removed and replaced with a pendant bail. The clasp is stamped with Austrian hallmarks used toward the end of the Imperial era.

• Origin: Austria, ca 1900
• Condition: excellent
• Dimensions: 7/8" diameter
• Weight: 4.5 grams

A classic 14K yellow gold dress set comprising a pair of cufflinks and four shirt studs in a slightly squared knot design. The set is well-made and has substantial weight. Each piece is marked "14K".

Origin: America, ca. 1990. Condition: excellent. Dimensions: cufflink faces, 9/16" diameter; studs, 7/16" diameter. Weight: 19.2 grams.

A very good pair of late Victorian 14K yellow gold bean-back cufflinks, the oval faces decorated with profiles of Greek or Roman gods. The faces are beautifully detailed against a stippled background and are finished with deliberately eroded edges to suggest antiquity. The designs are in the style of George Shiebler's "Curio Medallion" or "Homeric" patterns and are easily the equal of Shiebler's craftsmanship. The faces are finished in high-karat gold that lends them a brighter, yellower appearance than the backs. The connectors are stamped "14K" and have a hallmark that appears to be that of L. E. Garrigus & Co.

Origin: America, ca. 1890. Weight: 7.2 grams. Condition: excellent; strong detail; a testing scratch on one connector. Dimensions: faces, 3/4 x 1/2 inch.

A lovely Art Nouveau depiction of the Greek goddess Iris worked in 14K yellow gold. The goddess wears an elaborate floral headdress punctuated with an old mine cut diamond. Her wings, in folded position, can just be seen behind her shoulders. The brooch is finished with a garland of iris blossoms and foliage. Iris was the goddess of the rainbow and, as such, connected the earthly and heavenly worlds. The back of the brooch retains the original c-clasp and watch hook. It can easily be converted to a pendant with the addition of a bail at the top. Tested and guaranteed 14K.

• Origin: America, ca. 1900.
• Condition: excellent, sharp detail; the pinstem appears to be original, but is not gold.
• Dimensions: 1" diameter.
• Weight: 10.3 grams.
• Approximate Total Diamond Weight: .02 carat.

A fine bronze animalier sculpture by Ferdinand Pautrot (1832-74). The figure represents a pair of songbirds, one of which has caught a fly in its mouth. The other bird appears to be contemplating the possibility of wresting the insect from his companion. Both birds are perched on the rocky ground typical of Pautrot's work. An upright flowering plant appears at one end of the composition. Along with Mène and Moigniez, Pautrot was considered the be France's finest sculptor of animal figures. He first successfully participated in the Paris Salon of 1861 (three entries) and continued to exhibit until 1870. The details of the feathers are stunning and absolutely realistic in appearance. The rocky ground is signed "F. Pautrot". The figure retains its original medium brown patina with light gilt touches.

Origin: France, ca. 1865. Condition: excellent, original patina, built-up dust that could be cleaned if desired. Size: 6-1/4" x 3-1/4 x 6-1/2" tall.

Artist References: Benezit, "Dictionnaire des Peintres et Sculpteurs"; Lami, "Dictionnaire de Sculpteurs de l'ecole Francaise"; Kjellberg, "Bronzes of the 19th Century"; Savage, "A Concise History of Bronzes"; Payne, "Animals in Bronze"; Horswell, "Les Animaliers"; and Mackay, "Les Animaliers".

A rare pair of 18K yellow gold earclips in the Sputnik style by H Stern. The domes are bezel-set with round amethysts, citrines, aquamarines, green and pink tourmalines, and garnets. This design was created in the 1950s to highlight the range of colored gemstones available from the mines of Stern's native Brazil. It later came to be called "Sputnik" for its resemblance to the spiky Soviet satellite launched in 1957. Each piece has a unique appearance that relies on the particularly selection and placement of the gemstones for its overall look. This pair has strong, saturated mid-tone colors throughout. Each earring is marked for 18K and also has the early maker's mark for H Stern. Origin: Brazil, ca. 1955. Condition: no dings or chips to stones. Dimensions: 5/8" diameter. Weight: 4.9 grams. Approximate Total Gemstone Weight: 3.38 cts.

An intriguing pair of 18K yellow gold cufflinks, the faces set with triangular cabochons of labradorite. In bright lighting conditions, the stones exhibit the unusual play of bluish-greenish color desired in labradorite. The color seems to emanate from within the stones and float on the surface over the gray and cream body color. Each of the cufflinks is stamped with French 18K marks and an unidentified goldsmith's mark (S.Cie. with an anvil).

Origin: France, ca. 1950. Condition: excellent. Dimensions: faces, 5/8" x 5/8". Weight: 17.4 gr.

An elegant pair of 19K yellow gold "Contas de Viana" earclips. The domes are covered with concentric circles of ropetwist appliques in the ancient Etruscan style. The clips are stamped with older Portuguese hallmarks for 19K.

Viana beads were modeled on ancient Etruscan jewels found in archaeological sites in Portugal. The circular patterns of filigree and granulation were thought to resemble the eyes of a partridge, bringing luck and protection. A Portuguese girl received her first bead from her godmother at birth. Whenever the family could afford it, another bead was added to the collection with the goal being to create a complete necklace—a circle of protection and good luck—in time for her marriage.

Origin: Portugal, ca. 1950. Condition: excellent, no dings. Dimensions: 7/8" diameter. Weight: 9.9 grams.

An elegant Art Deco ring in platinum set with diamonds, sapphires and a 7-mm pearl. The octagonal face is bordered with sixteen single-cut diamonds (H/SI2) enclosing a border of calibre-cut sapphires around the center pearl. The pearl has excellent luster and overtones. The inside of the shank is marked "10% Irid Platinum".

Origin: America, ca 1920

Condition: excellent, the pearl likely replaced a center diamond

Dimensions: crown 1/2" x 1/2"

Finger Size: 4-1/2

Weight: 6.0 grams

Approximate Total Gemstone Weight: diamond, .50 carat; sapphire, .25 carat

Beautiful purplish rhodolite garnets sparkle from the engraved tops of these earrings with foxtail tassels. Each tassel terminates in a small golden ball. These tassels have substantial weight and are unusual for having gemstones set at the top. Stamped with French 18K gold hallmarks.

• Origin: France, ca. 1880.
• Excellent condition.
• Dimensions: 1-5/8" from top of wire.
• Weight: 7.1 grams.
• Approximate Total Garnet Weight: 1.72 carats.

An elegant pair of Victorian 18K yellow gold tassel earrings, the tops enhanced with applied green and rose gold flowers surrounding collet-set rubies. The foxtail chains terminate in small balls. The earrings have a lot of movement when being worn, and the small rubies add a subtle shot of color. Each is stamped with French 18K gold marks.

• France, ca. 1860.
• Condition: excellent; converted to earrings with the addition of 18K wires.
• Dimensions: 1-3/8" long from tops of wires.
• Weight: 7.2 grams.
• Approximate Total Ruby Weight: .10 carat.

A very nice vintage French 18K gold curb link chain. The weight is sufficient to support a rather heavy locket or pendant. Stamped with French 18K gold hallmarks and an illegible master goldsmith's mark.

• Origin: France.
• Length: 22 3/4"; width 2.5mm.
• Weight: 10.6 grams.

An elegant pair of Art Nouveau cufflinks worked in 14K yellow gold and set with round blue sapphires. The oval faces are pierced, decorated with a modified acanthus leaf motif and finished with a soft bloomed texture. The sapphires have nice coloring. The cufflinks are stamped with the 14K mark for Whiteside & Blank.

• Origin: America, ca 1900
• Condition: excellent
• Dimensions: faces, 7/8” x 1/2"
• Approximate Total Gemstone Weight: .26 carat
• Weight: 8.4 grams

A very pretty pair of Victorian earrings fashioned as lapis lazuli orbs suspended from 14K gold caps decorated with Etruscan beading and rope-twist motifs. The lapis has a beautiful deep violet-blue color of near-Afghan quality with just a small amount of white calcite. The ear wires appear to be original. Tested and guaranteed 14K.

• Origin: America, ca. 1860
• Condition: excellent
• Dimensions: spheres, 1/2" diameter; 1-1/4” long from top of earwires
• Weight: 9.8 grams

A handsome, classic pair of Edwardian cufflinks by Larter. Worked in 14K yellow gold, the double-sided cufflinks feature faces of carved mother of pearl centered with cabochon sapphires. The mother of pearl shows nice play of color with rose and green overtones that nicely accent the blue sapphires. The connectors are stamped with Larter’s 14K hallmark.

• Origin: America, ca 1915
• Condition: excellent
• Dimensions: faces, 17/32” diameter
• Weight: 5.7 grams
• Approximate Total Sapphire Weight: 1.32 carat

A handsome and heavy pair of 18K yellow gold cufflinks in the classic baton style. The surfaces are decorated with a fine stippled pattern lending a dark patina similar to higher-karat gold. The backs are plain beveled rectangles. The connectors are marked "18K S.&F.".

Origin: America, ca. 1980. Condition: excellent. Size: batons, 1-1/16" long. Weight: 10.0 grams.

A fine pair of late Victorian or early Edwardian cufflinks worked in 18K yellow gold. Each face comprises a large baroque pearl beautifully mounted in a variation of a buttercup setting. The pearls have fine, lustrous surfaces with pronounced orient in shades of green and rose over a light bluish-gray body color. The navette-shaped back faces are fashioned from plaques of mother-of-pearl set in milligrained gold borders. The mother-of-pearl is particularly nice, with luster and overtones equal to those of the baroque pearls. Because the mother-of-pearl faces are sufficiently large, this pair of cufflinks can be worn with either face on the outside, providing two completely different looks. Tested and guaranteed 18K.

Origin: probably American, ca. 1900. Condition: excellent. Size: front faces, 19/32” x 7/16”; back faces, 15/16” x 7/16”. Weight: 11.3 grams.

An elegant pair of 1st standard (950/1000 pure) silver jiggers by Hermes in the form of tankards. Each is fully hallmarked by Ravinet D'Enfert, the company responsible for most of Hermès silver creations in the Deco era. The bottom of each is marked "Hermès Paris". The jiggers are accompanied by an Hermès drawstring pouch.

Origin: France, ca. 1930. Condition: excellent, no dings, no monograms. Dimensions: larger jigger, 3" tall; smaller jigger, 2-5/16" tall. Weight: 132.0 gr.

An elegant teardrop-shaped 19K yellow gold locket, the front cover set with diamonds, rubies, sapphires and pearls in a pretty floral pattern. The gemstones have bright color that contrasts nicely with the high karat gold. The front cover has the slightly matte Russian finish sometimes seen in the late 19th century, while the back cover is polished. The bail is stamped with Hungarian marks for 18K and with other continental marks for 19.2K.

Origin: Europe, ca. 1900. Condition: excellent, no monograms, two extremely shallow dings on the back cover (only visible from the inside). Dimensions: 11/16” x 1-3/16” (excluding bail and jump ring). Weight: 6.1 gr. Approximate Total Gemstone Weight: ruby, .03 ct; sapphire, .10 ct; diamond, .13 ct.

A classic pair of 14K yellow gold barbell cufflinks by Tiffany & Co. The spherical faces are worked in a brushed finish that gives the cufflinks a soft glow. Marked "14K Tiffany & Co."

Origin: America, ca. 1955. Condition: excellent. Dimensions: faces, 1/2" diameter. Weight 10.0 gr.

A lovely pair of classic Victorian earrings in the Etruscal Revival style featuring free-hanging drops of rich violetish-blue drops of lapis lazuli. The 15K yellow gold mountings are enhanced with twisted wire and bead decoration. The lapis is of the finest Afghan quality, with even color and only one tiny fleck of pyrite. The wires are marked "15 Ct".

Origin: England, ca. 1860. Condition: excellent, all original. Dimensions: length from top of wire, 1-3/4".

An 18K tri-color gold ring in the inconic "Double C" motif by Cartier, with a stack of yellow, white and rose gold bands terminating in yellow gold C's at the opening. The interior is marked with Cartier's signature, the serial number "F95043", and the design date "1997".

Origin: France, ca. 1997

Condition: excellent

Finger Size: 56 European/8 US (can be opened slightly)

Dimensions: band, 1/4" wide; C's, 5/16" wide

Weight: 5.2 grams

A Victorian 18K gold locket in the shape of an elongated heart centering an enameled plaque depicting a lovebird delivering a love letter amidst a bower of roses. The plaque is outlined with an ornate border of black champleve enamel. The gold is highlighted with lightly engraved decoration which is repeated on the back. The back cover is more ornately engraved. Tested and guaranteed 18K.

• Probably English, ca. 1840
• Very good condition; a small ding on the left edge of the heart and minor pinpoints on the back cover
• 2" (excluding bail) x 1 1/8"
• 9.0 grams

A classic pave pearl puffed heart pendant and brooch worked in 10K yellow gold. The back retains the original findings including a watch hook. Marked with Larter’s hallmark and “14K.”

• Origin: America, ca. 1900
• Condition: excellent
• Dimensions: 13/16” x 7/8” (excluding bail)
• Weight: 6.3 grams

A very nice pair of 18K yellow gold baton cufflinks, the batons worked with engraved reeding and each bound in a diagonal slash of gold with a hand-stippled surface. The baton faces are hinged so they can lie tightly against the cuff. The connectors are marked “18K Cherny”.

Origin: America, ca. 1960. Condition: excellent. Size: faces, 7/8” long. Weight: 10.6 gr.

A delightful and very rare set of 12 sterling silver cocktail picks with gilt Devil’s head finials presented in their original fitted box. The snarling devils come complete with horns! The picks are presented in their original velvet- and silk-lined fitted case. This is only the second set of Devil picks we’ve managed to find in over 20 years of dealing in vintage barware. Each is hallmarked by William Hutton & Sons, Ltd and has Birmingham date marks for 1928.

• Origin: Birmingham, England, 1928
• Condition: excellent, no bends, gilding completely intact, interior of case shows light wear
• Dimensions: picks, 3-5/16” long
• Weight: 53.8 grams

An extraordinary pair of painted tin toleware planters in the form of canoes. One is painted white with blue and red accent stripes and the other is red with blue and white accents. Each of the canoes has its original leather-wrapped wire hanger, and the undersides have trays to catch water drips. The drip trays also allow the canoes to placed on a surface instead of hanging. The paint is completely original and has a great crusty surface. The shape has the distinctive exaggerated upturned bow and stern associated with birchwood canoes.

Origin: America, ca. 1900. Condition: excellent, all original, white canoe has some paint loss on the drip tray legs, red canoe has some paint loss long the top edges of the plant holder. Dimensions: 15-1/2 x 4-1/4 x 7-3/4 inches.

A handsome and heavy pair of 18K yellow gold double-sided cufflinks, the faces set with lapis plaques. The exposed gold borders give the cufflinks a modernist feel. The stones have nice, deep coloring with small flecks of pyrite. The faces are joined with removable connectors. Both the connectors and the backs of the faces are marked with Continental 18K gold hallmarks.

Origin: Europe, ca. 1970. Condition: very good. Dimensions: 5/8 x 1/2 in. Weight: 14.7 grams.

A very handsome pair of 18K yellow gold cufflinks, the faces formed from faceted rhodolite garnets of unusually large size centering old European cut diamonds. The purplish-red hue of the garnets contrasts beautifully with the gold mounting and the white diamonds (G, VS2). The backs are finished with toggles. The connectors are stamped with French marks for 18K gold and with the goldsmith's mark (entered in 1913) for the Parisian jeweler Leon Favrin.

Origin: France, ca. 1940. Condition: excellent. Dimensions: faces, 1/2" diameter. Weight: 7.9 gr. Approximate Total Gemstone Weight: rhodolite, 12.66 cts; diamond, .10 ct.

An elegant sterling silver wine bottle coaster by Tiffany & Co. The sides are beautifully worked in repousse decoration of roses and chrysanthemums with a leaf border at the bottom and a twig border at the top. The coaster is inset with a carved mahogany base centered by a sterling silver disc perfect for monogramming. The coaster is large enough to accommodate a magnum or champagne bottle. The rim is marked “Tiffany & Co./Sterling Silver 925”.

Origin: America, ca. 1965. Condition: excellent, no dings or monograms. Dimensions: 5-1/4” diameter; 2” high.

A nice Victorian 14K yellow gold locket, the cover decorated with an ornately detailed lion’s head. The cat’s mane flares out from the face grasping a round cut diamond and ruby-set eyes. The interior of the locket retains its original frames and glass covers. The gold surfaces have the slightly matte finish popular at the end of the 19th century. Tested and guaranteed 14K.

Origin: America, ca. 1900. Condition: excellent, sharp detail, no monogram. Dimensions: 1-1/16” diameter. Weight: 7.9 gr. Diamond Weight: .05 ct.

A very nice Retro 14K yellow gold statement ring set with an imposing lemon yellow emerald cut citrine flanked by natural ruby cabochons. The split shank with a cage setting holds the citrine only at the very corners, so from the top, the entire ring appears to be one large expanse of gemstone. The rubies provided a nice pop of color. Tested and guaranteed 14K.

Origin: America, ca. 1935. Condition: excellent, all original. Finger Size: 8-1/2. Dimensions: citrine, 19x11mm. Weight: 13.0 gr. Approximate Total Gemstone Weight: ruby, 1.16 cts; citrine 23.20 cts.

A heavy classic belcher chain link necklace in 12K yellow gold. The chain is heavy and solid enough to suspend any of the heavier Victorian lockets or large pendants. It also looks stylish worn simply as a chain. The lobster claw clasp is a replacement and is 14K. The chain itself tests 12K.

Origin: England, ca. 1900. Condition: excellent. Length: 22-5/8" long. Weight: 17.7 grams.

A rare 18K yellow gold love token medallion by the Lyonnais jeweler best known for his “Plus qu’hier, moins que demain” médailles d’amour. This medal, depicts a crowing rooster standing on land gazing out over the sea toward the rising sun while diamond-set stars are still in the sky. The text “Ni vous sans moi, ni moi sans vous” means “Neither you without me, nor me without you” and is taken from a telling of the legend of Tristan and Iseulde by the 12th century lyric poet Marie de France written while she was at the English court of Henry II and Eleanor of Aquitaine.

Augis created this design at the outbreak of World War I in 1914. The rooster is a traditional symbol of the French republic, so the medal held a double meaning of patriotism (in the sense of “Neither France without you, nor you without France”) and inseparable love as soldiers went to war. Certainly, one can imagine a young soldier presenting this medal to his wife or girlfriend.

The pendant is signed “A Augis” and is stamped with his master goldsmith’s mark.

Origin: France, ca. 1914. Condition: excellent, sharp detail, never monogrammed. Dimensions: 13/16” diameter (excluding bail). Diamond Weight: 025 ct. Weight: 6.2 gr.

A 14K yellow gold gypsy ring with a hand-engraved scrolling motif to the shank on either side of a high-domed cabochon emerald. The emerald is graded as dark vivid green (G7/6) with moderate clarity and color enhancement typical of emeralds. The resulting color contrast with the gold setting is especially attractive, as is the classic tapering shape of the shank. Tested and guaranteed 14K.

Origin: America, ca. 1890. Condition: excellent, all original. Finger Size: 7-3/4. Dimensions: 7/16" wide, tapering to 5/32" at the back of the shank. Weight: 6.6 grams. Approximate Total Emerald Weight: 1.03 carat.

Heavy 18K gold figural watch fob seal depicting a Napoleonic grenadier (1804-1812). The soldier is depicted in the midst of tamping down his musket. The details are beautifully worked. The base appears to have had the original monogram removed. The bail is stamped with French 18K gold hallmarks.

• France, ca. 1870
• Excellent condition; monogram removed
• Dimensions: 1/2" x 1/2" x 1-1/4"
• 10.9 grams

An 18K yellow gold medallion pendant or charm depicting Emperor Napoleon I. The design pictures Bonaparte as a young man, but the source appears to be Nicolas-Toussaint Charlet's portrait created in 1821, the year of the former Emperor's death. This image is largely credited with creating the myth of Napoleon that lasted throughout the 19th century. The medallion has superb, sharp detail shown in high relief. Tested and guaranteed 18K.

• France, late 19th century
• 1 1/16" diameter (excluding bail and jump ring)
• 12.6 grams

Art Nouveau 14K gold crescent pendant necklace set with round brilliant cut diamonds and rubies. The quality of the gemstones is superb, with VVS2/G diamonds and vivid very slightly purplish-red rubies that show no indications of heat treatment. In Victorian and early Edwardian jewelry, the crescent shape symbolized feminine power personified in the moon goddess Selene/Juno. Brides were often given a crescent pin to wear during their honeymoons. This cresent was originally a brooch and has been converted into a split-chain pendant necklace. The symbology and striking color is perfect for today's strong woman! Marked 14K.

• Origin: America, ca 1900.
• Dimensions: pendant, 1-1/16" wide; overall necklace length, 19".
• Condition: excellent.
• Weight: 3.9 grams.
• Approximate Total Gemstone Weight: ruby, .35 carat; diamond, .22 carat.

A stunning Art Nouveau medallist brooch depicting Athena, goddess of wisdom and war, and patron of the arts, in 18K gold. The goddess is depicted with several of her attributes, including a dragon-topped war helmet, a wreath of olive leaves, an owl, and a drama mask representing the arts. Her helmet is studded with a star-set ruby and a band of rose-cut diamonds and she wears a necklace of rose-cut diamonds. This design was created by Louis Armand Rault, a lead designer for Boucheron 1868-75. This is once of his most iconic designs, though it is unusual in having quite so many gemstones added. Rault apparently licensed many of his designs to various makers, though the gold examples are French more often than not. This example is fully stamped with French marks for 18K and has an illegible maker's mark. The front is also marked with Rault's monogram. The pin could easily be converted to a pendant with the addition of a folding bail.

• Origin: France, ca. 1880.
• Condition: excellent; sharp detail; all original.
• Dimensions: 1" diameter.
• Weight: 5.0 grams.
• Approximate Gemstone Weight: ruby, .02 carat; diamond, .05 carat.

A fine Art Nouveau medallist brooch depicting Demeter (Ceres), goddess of the harvest, in 18K gold by Louis Rault. She is shown in profile with several of her attributes a tiara of wheat and poppies and a scythe. The wears a rose-cut diamond earring, a diamond toga clasp, and a third in her tiara. Louis Armand Rault was a lead designer for Boucheron 1868-75 and this is one of his signature designs. The brooch is stamped with French 18K gold marks and also with an illegible maker's mark. The front is also marked with Rault's monogram. The brooch could easily be converted to a pendant with the addition of a folding bail.

• Origin: France, ca. 1880.
• Condition: excellent; sharp detail; all original.
• Dimensions: 1" diameter.
• Weight: 7.4 grams.
• Approximate Total Diamond Weight: .03 carat.