Catalog (2449)

An elegant pair of vintage earclips in 18K yellow gold set with pearls. Each earring is set with 19 4.5mm pearls of fine quality. The pearls have cream body color with nice luster, and are estimated at A+ quality. The setting is constructed in a way that it is nearly invisible when the earclips are being worn. The backs retain the original omega clips, but could easily have posts added. The backs are marked with the French “tete d’aigle” mark for 18K gold and also have an unidentified maker’s mark. One earring also has a partial serial number, generally the sign of a high-quality jeweler.

Origin: France, ca. 1955. Condition: excellent, all original. Size: 29/32” diameter. Weight: 10.5 grams.

An unusual and handsome 14K yellow gold tie bar designed as a Gothic-style strap hinge by Larter & Sons. When not being used to hold a tie in place, the piece could also be used as a money clip. The design is nicely detailed with beveled edges and raised bolts. The back is stamped with Larter's hallmark. Larter manufactured pieces such as this for leading jewelry retailers such as Tiffany and Cartier.

• Origin: America, ca. 1925
• Excellent condition
• Dimensions: 2-7/16" x 3/4"
• Weight: 7.5 grams

A very nice 32nd Degree Masonic fob in the form of a double-headed eagle. The bird grasps a platinum saber in its talons. The heads are crowned with a triangular emblem with enameled decoration, which then leads to a short fob chain and a buttonhole bar. The triangular emblem is hinged so that the eagle always hangs nicely. The detailing of the bird’s feathers, the hilt of the sword, etc. is superb. The bale is stamped 14K and bears the hallmarks of J.J. Sommer & Co.

• Origin: America, ca. 1900.
• Condition: excellent, all original, no enamel damage, sharp detail.
• Dimensions: overall length, 2-9/16”; eagle, 1-3/16” x 7/8.
• Weight: 7.9 grams.

14K gold ring featuring a detailed portrait of a Native American wearing a feathered headdress. The portrait is surrounded by a twisted rope border. Originally an Edwardian bar pin, the ring has been fashioned with the original pin's scrolled ends connecting to the medallion. The reverse is marked "585 Pr FSH" for 14K gold.

• Origin: Continental Europe, ca 1900.
• Dimensions: crown, 13/16" diamter.
• Finger Size: 6-1/2.
• Condition: excellent, sharp detail.
• Weight: 5.9 grams.

A pretty late Georgian example of a Halley’s Comet pin worked in 14K (perhaps 15K) yellow gold and featuring a light blue paste stone to represent the comet’s nucleus. The paste is set in an elegant buttercup-type setting accented with an engraved gallery. Blue paste is less common than other colors, and makes a very nice presentation. The comet’s tail depicted in the engraved and voluted gold setting.

In 1705, Edmond Halley correctly predicted the comet’s return in 1758. When it returned again in 1835 (and in 1910), jewelers were ready with fashionable pins to celebrate the comet’s passage.

• Origin: England, ca 1835
• Condition: excellent
• Dimensions: 1-3/8” long
• Weight: 2.9 grams

An elegant cranberry-cut-to-clear perfume bottle, likely by Cristallerie de Saint Louis or Cristalleries de Nancy. The bottle is worked in a classic pattern of pillars finished with step cutting at the shoulders and panels cuts on the neck. The base is also cut-to-clear in a star pattern. The hollow-blown stopper is cut in a matching pattern.

• Origin: France, ca 1920
• Condition: excellent, no chips
• Dimensions: 2-9/16” x 2-9/16” x 6-1/2”
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Gorgeous sterling silver soup ladle in the 1892 "Mazarin" pattern by Dominick & Haff. This ladle is in the large size. The handle is elegantly decorated with a gadrooned border that coordinates nicely with scrolled shoulders of the bowl. The back is hallmarked by Dominick & Haff and has the patent date.

Origin: America, ca. 1892. Condition: excellent, sharp detail, no monogram. Size: 11-3/4". Weight: 176.5 grams.

Lovely sterling silver bowl by Gorham. The bowl is basically formed in the traditional Revere style, but has a folded over rim enhanced with an Art Nouveau border of waterlilies and lilypads. With Gorham's usual attention to detail, the waterlilies are presented in several stages of development from early bud to full bloom. The bottom is marked with Gorham's hallmark along with date mark for 1898.

Condition: very good; the decorative detail is very crisp; the interior of the bowl shows light scratching from normal use; there is one pinpoint ding on the bottom of the bowl; retains lemony-tinted gilding in and near the decorative areas; no monograms or removals. Size: 6.5" diam.; 2.25" high. Weight: 8.8 troy ounces.

Lovely porcelain figure of a billy goat standing on a pad decorated with flowers and foliage. The pad has a slightly impressed decoration on the front and gilt lines at the edges. A gold anchor mark is painted on the back of the base.

Origin: England, 1756-69. Condition: mint, except a tiny flake on the bottom of the pad base. Size: 1-3/8" x 2-1/8" x 2-1/4" tall. The anchor mark is just under 1/4" tall.

Art Nouveau Imperial Russian silver opera purse from the reign of Czar Nicholas II and Czarina Alexandra Feodorovna. The purse is beautifully engraved with a spider on her web. The spider's body is set with an oval cabochon emerald and her head is a cabochon ruby. A finely detailed 18 karat yellow gold frog appears to be stalking the spider from the edge of her web. The front of the purse has an applied gold inscription, roughly translated as "Little Love", highlighted with a small cabochon sapphire. The interior pocket of the purse was just large enough to hold theatre tickets and perhaps an "emergency" ruble or two! Hallmarked with the Kokoshnik used in the Odessa region, 1896-1908, and also with an unidentified silversmith's mark (perhaps transliterated V.L.).

Origin: Odessa, Russia, 1896-1908. Condition: a few small dings, mostly along the top edge between the ends of the chain right where rings would hit when being carried; apparently there was another applied gold inscription on the back side that is now missing; the interior shows some wear, but is useable. Size (closed): 3-3/4" x 2" excluding chain handle.

Stunning Imperial Russian lacquered tea caddy. The top is handpainted with a scene of a Boyar cradling a princess in his arms as they ride a large wolf through the forest--no doubt a scene from a Russian fairy tale. The quality of decoration is superb. The inside of the caddy is lacquered red.

Origin: Russia, circa 1850. Condition: very good; the surface is alligatored but completely intact and colorful; there are a scattered white spots that look like snow along one side of the lid (less visible than in the photos). Size: 4-3/4" x 3-1/2" x 2-1/2".

Wonderful lacquered box from Russia's Imperial era. The lid has a handpainted summer troika scene. Scenes depicting troikas in the snow are a bit more common. The design is very colorful and the facial detail on the three people is very nice. The lid is signed "E. Gustov" (translated). The box is lacquered red inside.

Origin: Russia, circa 1890. Condition: decoration and overall condition is excellent, three corners of the lid have flakes. Size: 5-3/4" x 3-15/16" x 1-3/4" high.

Elegant signed Mikimoto 14K yellow gold brooch set with a cluster of five pearls. The pearls are of the exceptional quality that only Mikimoto produces--a beautiful luster and very white body color. The back is stamped with Mikimoto's hallmark.

Origin: Japan, ca 1970. Condition: excellent, no damage, all original. Size: 1" x 2"; pearls 5-6mm. Weight: 5.0 grams.

Beautiful cranberry-cut-to-clear glass decanter. The generously-sized bottle has terrific color and very nice quality cutting of hobstars, strawberry diamond, and notched prism motifs. The stopper has a blown teardrop and is cut in a matching pattern. The bottom is cut with a full hobstar. The neck and stopper are engraved with matching numbers (signifying that this is the original stopper). The bottom is signed in script.

Origin: Belgium, ca. 1930. Condition: mint. Size: 16" tall.

A lovely set of twelve sterling silver demitasse spoons by Whiting. This pattern, probably referred to as “39”, was most likely only made as demitasse spoons. Whiting produced a number of patterns in the 1880s and 90s that were limited in this way. The handles, beautifully decorated with a pierced pattern of lilies of the valley, blend into corkscrew twist stems that connect to bowls enhanced with repousse decoration of chrysanthemums. Exactly what chrysanthemums and lilies of the valley have to do with each other is not clear, but the design certainly works from an aesthetic point of view! The bowls are highly polished, but the flowers on the handle have a matte surface that really highlights the floral details and adds to the realistic appearance. The backs are marked with Whiting’s earlier hallmark, the pattern number 39, and “Sterling”. The spoons are presented in their original fitted box covered in lilac velvet and silk.

Origin: America, ca. 1890. Condition: excellent, no monograms. Size: 4-1/16” long. Weight: 115.0 grams.

A lovely sterling silver powder box by Gorham. The entire body and matching lid are covered in repousse decoration of swirling acanthus leaves. The sides flare out in an elegant curve that is continued in the lid which rises to point in the middle. The bottom is hallmarked with Gorham’s old mark, the pattern number “670” and the date mark for 1890.

Origin: America, 1890. Condition: excellent, sharp detail, no dings, original interior gilding, no monogram. Size: 3-5/8” diameter; 3” tall. Weight: 96.5 grams.

A gorgeous Napoleon III white opaline glass baluster-form vase with an everted apple green opaline rim and an applied molded green opaline foot with knopped and ribbed decoration. The overall design is very pleasing and the color contrast is stunning. The quality is comparable to Baccarat, although the vase was probably made at a competing cristallerie.

Origin: France, ca. 1860. Condition: excellent, all original, no cracks or chips. Size: 10-1/2” tall.

A very rare and elegant Victorian sterling silver pie knife in Gorham’s 1894 “Imperial Chrysanthemum” pattern. The handle is decorated with an ornate design of chrysanthemum blossoms and foliage that extends down onto the blade and shoulders of the blade. The back of the handle is decorated with a complementary design. Pie knives or pie servers are difficult to find in the better patterns. The back is marked with Gorham’s older hallmark and also has the patent date, indicating that the piece was made during the period.

Origin: America, ca. 1895. Condition: excellent, sharp detail, no monogram. Size: 9-1/8” long.

Superb American coin silver soup ladle, the bright-cut flared handle narrowing to a twist handle that leads to the deeply scalloped bowl. Twist handle pieces are especially desirable, particularly when combined with other outstanding decorative elements. The back is stamped with the mark for Farrington & Hunnewell, silversmiths who worked in Boston beginning in 1835.

Origin: America, ca. 1850. Condition: excellent, no monogram or monogram removal. Size: 11” long. Weight: 150.0 grams.

A handsome pair of cufflinks, worked in 19K yellow gold and featuring oval carved bloodstones enhanced with gold bead centers. The bloodstone has a nice deep green color with minute flecks of red. The gold setting behind the bloodstone is formed as a decorative floral design. The torpedo backs are connected by chains. The backs are stamped with Portuguese hallmarks for 19.2K gold.

Origin: Portugal, ca. 1985. Condition: mint. Size: 9/16” x 7/16”. Weight: 6.0 grams.

A wonderfully rare mixed-metal Curio Medallion brooch by George Shiebler. The pin comprises four individual medallion plaques, each in a different metal and each depicting a different Olympian god. From left: a diamond-shaped gilt-silver plaque shows Artemis/Diana, goddess of the hunt and protector of virgins; a round silver plaque shows Ares/Mars god of violence and offensive warfare; a square bronze plaque shows Dionysus/Bacchus, god of various debaucheries; and a triangular brass plaque shows Athena/Minerva, goddess of wisdom and defensive warfare. The surfaces retain their original patination and sharp detail. The back is marked with Shiebler’s wing hallmark, "sterling", and the design number “1488”. The pinstem is original, but the original c-clasp has been replaced.

Origin: America, ca. 1880. Condition: excellent, all original except clasp. Size: 2-11/16” x 7/8”. Weight: 12.0 grams.

A very handsome and unusual pair of cufflinks comprised of moss agate discs with 18K gold mountings. The stones are nicely colored, with lots of green “moss” suspended in the translucent background. The fronts are accented with decorative gold scrollwork. The faces are connected with chains to plain gold bar backs. Tested and guaranteed 18K gold.

Ca. 1930. Origin: Europe. Condition: excellent, one face has a 1/8” flake on the back side of the edge. Size: 5/8” diameter. Weight: 6.0 grams.

A very handsome set of twelve sterling silver coffee spoons in a hammered Arts & Crafts design reminiscent of Georg Jensen. The design is very well-conceived, with the arching rows of beads echoing the slightly round indentations left by the hammering process. The spoons are just a bit larger than traditional demitasse spoons, but certainly smaller than teaspoons. The backs are stamped with the guarantee mark of Christian Frederik Heise, who was assay-master in Denmark from 1904 until 1932. They also bear the year mark for 1926. The spoons are presented in their original silk-lined fitted box.

Origin: Denmark, 1926. Condition: excellent, period monograms on the backs of handles. Size: 4-3/4” long. Weight: 149.0 grams.

A fine Victorian sterling silver sugar sifter with a medallion handle, possibly by George Sharp. Rather than the usual relief medallion, the handle features an applied medallion of considerable depth and detail looking straight forward. The medallion is surrounded ornate engraving that extends the full length of the handle. The engraving, as well as the overall outline of the handle, are very similar to known George Sharp patterns. Sugar sifters were used in the 19th century to break apart large pieces of sugar. Today, it could be used to serve vegetables or anything else that might need to be drained. The back is marked “Sterling” but does not have a maker’s mark.

Origin: America, ca. 1870. Condition: excellent, all original, no monogram. Size: 8-1/8” long. Weight: 76.0 grams.

A pair of elegant Art Nouveau enameled Bohemian glass bowls with floriform decoration. The petals of a vivid pink flower curl up the sides and are interspersed with green tendrils. The flowers are echoed in the undulating rim decorated with a thin line of gilding. The overall workmanship is superb. This sort of decoration was produced by Theresienthal, Meyr’s Neffe, Lobmeyr or Fritz Heckert, and the quality of these pieces is consistent with any of those makers. Typically, this style is seen in goblets, but other tablewares such as these are more uncommon.

Origin: Bohemia, ca. 1895-1905. Condition: excellent, light wear to gilding at rim, no other enamel wear, no chips or cracks. Size: 3” tall, 4-1/2” diameter.

Attractive pair of Victorian cufflinks, the lozenge-shaped faces enhanced with black taille d’epargne enamel applied in a diagonal checkerboard fashion. The space between each crossing of enamel is filled with a seed pearl. The overall effect is very sophisticated, with a strong graphic element. The faces are connected by chains to football backs. Tested and guaranteed 18K gold.

Origin: America, ca. 1880. Condition: excellent, no dings, all original. Size: faces, 13/16” x 5/8”. Weight: 7.5 grams.

A nice pair of Art Deco cufflinks, the faces fashioned from carved rectangular plaques of strongly-colored chrysoprase with faceted edges. The stones have nice translucency. The faces are attached by solid connectors to the heavy bar backs. The backs are marked “14K”.

Origin: America, ca. 1930. Condition: excellent. Size: 5/8” x 1/2". Weight: 5.5 grams.

A good, small-size 19th century Mexican retablo depicting San Jeronimo. After a spiritual revelation, the saint lived as a hermit, often flagellating himself with a scourge and beating himself with rocks. He is shown here his traditional attributes of penitence--the bloody scourge, a skull, and rocks. He is often shown with fresh self-inflicted wounds, in this case a spray of blood droplets from his chest. San Jeronimo was the first to translate the Hebrew text of the Old Testament into Latin and is considered one of the four most learned founders of the Catholic church. The retablo also shows an open book to symbolize his efforts. A trumpet blasts into the saint's ear as a reminder of his spiritual awakening. And finally, a peaceful lion crouches next to the saint. This example is well-painted in muted colors that contrast nicely with the bright orangey-red color of the saint's cloak. Images of San Jeronimo were popular throughout Mexico, but it is estimated that he appears in less than 4% of all retablos.

Origin: Mexico, ca. 1880. Condition: excellent, no paint loss. Size: 5-3/8" x 7-3/8".

A fine glass cocktail shaker by Hawkes. The glass blank is blown in an optic paneled style and highlighted with gilding at the neck. The body is beautifully enameled with a colorful rooster and the reverse side is engraved with the recipe for a "Bronx" cocktail. The stopper is finished with floral intaglio engraving. The The double-lip form of the shaker is very similar to the shape Hawkes used for oil & vinegar cruets. The base and stopper are signed with Hawkes' acid-etched trefoil mark.

Origin: America, ca. 1920. Condition: excellent, no chips or cracks; a small moon on the lower edge of the stopper. Size: 11" tall.

An elegant Art Nouveau glass vase decorated with enameled poppies. The blossoms are worked in shades of cream, yellow, rose and violet, while the foliage is stained a reddish-purple and highlighted with a complex, lacy pattern of gilding. The upper rim of the vase is decorated with a band of stained and gilt flowers, as well. The vase is blown in pillar form with an optic paneled design. The workmanship is very fine. Unsigned, but almost certainly the product of Mont Joye (also known as Verreries Saint-Denis or Legras).

Origin: France, ca. 1900. Condition: excellent, no cracks, no enamel or gilding wear, a 1/32" flake at the upper rim. Size: 8".

An interesting pair of Modernist free form tumbled spotted moss agate stones in sinuous 14K yellow gold cage settings with bean backs. The agates have interesting spotted markings in shades of gray and brown as well as surface-reaching matrix in a cream color. The settings are clearly hand-crafted and designed specifically for the stones. Tested and guaranteed 14K.

Dimensions: faces, 11/16” x 11/16”. Weight: 15.0 gr.

A fine Victorian shell cameo pendant/pin depicting Diana, goddess of the hunt, the moon and nature (Artemis in Green mythology). The setting is beautifully worked in the Etruscan taste with delicately formed bead, wire and rosette decoration. The carving makes nice use of the shell's coloring to add details to the goddess' gown. She holds three of her attributes—a bow, a quiver of arrows and a crescent moon tiara. Diana/Artemis, being a virgin goddess, was regarded as the protector of women, especially during childbirth. The cameo is indistinctly signed by the artist. The back retains the original pinstem and pendant hook. The clasp is a slightly later replacement in 10K. The pinstem is stamped for 12K gold and the setting is tested and guaranteed 12K.

• England, circa 1865
• Excellent condition; clasp replaced; no cracks to shell
• 2-5/32" x 1-3/4"
• 14.25 grams

Gorgeous pendant comprised of a 14 karat yellow gold sunburst, with white gold accents, centered by a .89 carat round brilliant-cut blue sapphire of dark, vividly saturated, very slightly greenish-blue color. The stone exhibits notable green and blue pleochroism is likely Australian in origin. The chain in the photo is not included. The clasp is marked "14K".

• America, circa 1930
• Excellent condition, all original
• 1-5/16" diameter
• 9.0 grams
• Approximate Gemstone Weight: .89 carat

A delightful 14K gold frog with emerald eyes sits atop a simple band in this witty stickpin conversion ring. The gold is beautifully stippled for a realistic appearance that sets off the bright green eyes. Frogs in Victorian jewelry often symbolized fertility. Tested and guaranteed 14K.

• America, ca 1900.
Excellent condition, sharp detail.
• Dimensions: frog, 1/2" x 3/8".
• Size 6 1/4.
• Weight: 2.2 grams.

A tiny enameled violet and a free-hanging baroque freshwater pearl enhance the dainty 10K gold pendant, complete with a curb link chain. Violets were used to represent the sentiments of love and faithfulness in the Victorian era. The pearl has nice luster that contrasts prettily with the colors of the enamel. The chain is marked 10K, and the pendant is tested 10K.

• Origin: America, ca. 1900.
• Condition: excellent; all original.
• Dimensions: pendant, 1-1/4" x 9/16"; overall necklace length, 16".
• Weight: 3.3 grams.

Gorgeous Qing Dynasty Chinese export porcelain vase with Rose Medallion enameled decoration. The body has a beautiful white color and intricate painted decoration of peonies, quince fruit, waterlilies, butterflies and birds. The foot, rim and shoulder are decorated with enameled flowers against a gilt background. The shoulder border is punctuated with reserves framing peony blossoms.

Origin: China, circa 1850.

Condition: excellent, no chips or cracks, normal wear to gilding, a tiny bit of wear to some of the enamels.

Size: 10" tall; 4" wide at shoulder; 3-1/8" wide at mouth.