Catalog (2409)

An outstanding American Art Nouveau pansy brooch/pendant in a large size, enameled with translucent enamels in shades of royal blue, cream, yellow and maroon. The flower is centered with a .20-carat old European cut diamond of H color, SI2 clarity. The pansy is very nicely shaped, with deeply rippling petals that beautifully enhance the enameling. The back is stamped “14K” and has an unidentified maker’s mark “DeEs”og. The piece can be worn as either a brooch or pendant.

• Origin: America, ca. 1910.
• Condition: enamel has one small nick at the bottom left edge (less visible than in the photo) and light surface scratches; all original.
• Dimensions: 1-3/16” x 1-3/16”.
• Weight: 11.8 grams.
• Approximate Diamond Weight: .20 carat.

A beautifully-detailed semi-nude woman peeks out from the center of a pink enameled flower in this Art Nouveau pendant and brooch. Her hair is adorned with a diamond-centered white enameled flower and she wears a diamond necklace. The background flower petal are worked in translucent iridescent enamels in shades of pink fading to cream at the edges. The back of the pendant retains the original folding bail, pinstem and clasp. The back is stamped 14K and has an unidentified maker's mark "7VI".

NOTE: The pendant is shown with a 16" 14K gold chain, available for an additional $125.

• Origin: America, ca. 1910
• Condition: excellent; no enamel damage except perhaps a small nick to one of the white flower petals visible only under magnification
• Dimensions: 1-1/16" diameter
• Weight: 5.9 grams
• Approximate Total Diamond Weight: .08 carat.

A lovely, colorful Art Nouveau 14K gold, seed pearl and enamel pin in the form of a violet by the Newark firm Crane & Theurer. The flower petals are enameled in cream darking gradually through lilac to deep violet along the edges. Each of the petals is finished with an arc of tiny seed pearls echoing the larger pearl set at the flower's center. The reverse is stamped with the maker's hallmark and "14K."

• Origin: America, ca. 1910.
• Condition: excellent.
• Dimensions: 13/16" x 7/8".
• Weight: 4.1 gr.

A superb Rococo-style first standard (950/1000 pure silver) tastevin by the master silversmith Marc Parrod. This large example retains the round shape of a traditional tastevin but replaces the usual bowl decoration with ornate bunches of grapes tied with ribbon bows and a remarkable handle treatment illustrating a young couple stomping grapes while holding hands. Parrod created excellent classic Burgundian tastevins, but his fantasy pieces stand apart from all the other Dijon masters. The tastevin is stamped with Parrod's master's mark as well as 1st standard silver marks from the Beaune assay office. That office closed in 1914, so we know that this example is from the earlier part of Parrod's career.

• Origin: Dijon, France, ca 1903-14.
• Condition: excellent; all original; one tiny ding on the top edge of the bowl.
• Dimensions: 3-3/4" x 4-15/16" x 1-5/8".
• Weight: 122.8 grams.

A delightful Art Nouveau daisy pendant/pin, the petals formed from long Mississippi river pearls arranged around a textured gold disc studded with an old mine cut diamond. The pearls have very attractive lustre and the diamond has nice color and clarity (J/VS2). The back retains the original pendant hook and pinstem/clasp. Tested and guaranteed 14K.

NOTE: The pendant is shown with an optional 16" 14K chain.

• Origin: America, ca. 1900.
• Dimensions: 1" diameter.
• Weight: 4.9 grams.
• Approximate Total Diamond Weight: .10 carat.

A handsome pair of Edwardian cufflinks worked in 18K yellow gold. The round faces are set with concave mother-of-pearl plaques, each centering a bezel-set pink sapphire cabochon. The color contrast is quite attractive. The connectors are removable for ease in putting on the cufflinks. The cufflinks have nice weight and are comfortable to wear. Each is marked “18K” and also bears French import marks.

• Origin: possibly England or America, ca. 1910.
• Dimensions: faces, 9/16” diameter.
• Approximate Total Sapphire Weight: 1.12 carat.
• Weight: 8.7 grams.
• Condition: excellent; all original; no dings or chips.

An elegant Art Deco panel-cut crystal perfume bottle in the "Frise Verte" pattern by Baccarat. The sides are cut in an austere panel design adorned at the shoulder with a band of cameo etched floral decoration in green. The geometric cameo pattern contrasts handsomely with simplicity of the panel cutting. The bottle's lip is also overlaid in green. The bottom is cut with a 24-ray star and the stopper is lapidary cut. The pattern appears in Baccarat's 1916 catalogue.

• Origin: France, ca. 1916.
• Dimensions: 6 1/4" tall.
• Condition: excellent; no chips or cracks.

A rare and elegant boxed set of six sterling silver citrus spoons in Paye & Baker's "Orange" pattern. The handles are decorated front and back with oranges, orange blossoms and foliage. Paye & Baker primarily made souvenir spoons, and this particular pattern was usually associated with Los Angeles, considered a very exotic location at the beginning of the 20th century. These spoons are the only set we've seen made as citrus spoons. The sharply-pointed deep bowls retain their original matte gilding. Each spoon is fully hallmarked.

• Origin: America, ca. 1900.
• Dimensions: spoons, 5 1/2" long.
• Weight: 158.4 grams.
• Condition: excellent; gilding intact; box has considerable age-appropriate wear and discoloration.

An elegant classic-style French silver tastevin of traditional form. The bowl is decorated with raised "perles", concave "cupules" and elongated "godrons" for assessing the depth of color in both red and white wines. The curved sides help concentrate the aroma, so only a very small amount of wine has to be poured to judge quality. The looped handle allows the tastevin to be worn suspended from a chain. Tastevins with round thumbpieces are generally from the Paris region. The handle is marked for first standard silver (950/1000 pure silver) and also has partially obscured master silversmith's mark.

• Origin: France, ca. 1900.
• Dimensions: 2 11/16" diameter (excluding handle).
• Weight: 37.0 grams.
• Excellent condition; two small dings on bottom, mostly hidden by the design and two very small (1/16") dings on the upper rim.

A fine 14K yellow gold locket, the front cover decorated with deep translucent guilloche enamel over an engine-turned background surrounded by a reeded border enameled in opaque white. The front is centered with an old mine cut diamond. The trefoil-shaped bail is an especially nice touch. The interior retains the original frame insert. The bail is marked for 14K and has an unidentified maker's mark.

NOTE: This locket was very difficult to photograph. The purple enamel is deeply saturated and looks quite dark viewed directly. When the light strikes at an angle, however, the translucency of the purple comes shining through to show the underlying enraving.

• America, ca. 1910
• Excellent condition; no enamel damage; no dings; no monogram
• Dimensions: 1 1/16" diameter (excluding bail)
• Weight: 6.3 grams
• Approximate Total Diamond Weight: .04 carat

A sophisticated Edwardian ring featuring a rectangular cabochon of moss agate nestled in a 14K yellow gold filigree mounting. The quality of the piercing is superb. The moss agate is nicely transparent with intense deep green wisps that seem to float in the stone. Moss agate is a rather unusual gemstone selection for this style of setting, but the stone seems to have been a favorite of the designers at Larter, as we have seen several fine examples of its use in unexpected ways. The interior of the shank is stamped "14K" and has Larter's hallmark.

• Origin: America, ca. 1910
• Dimensions: 17/32" wide at crown, tapering to 1/16" at back of shank
• Finger Size: 6-1/4
• Condition: excellent; all original
• Weight: 3.9 grams.

A large and extremely rare 18K gold scenic locket depicting a detailed image of four passengers in an early automobile waving as an Antoinette monoplane with two passengers flies by. The car's headlights are set with rose cut diamonds. The detailed scene includes a flock of birds dispersed by the airplane, a plume of exhaust smoke behind the car, and another automobile with passengers and a village in the distant background. A female passenger leans from the side of the car, waving her handkerchief at the passing airplane. The bottom edge bears a signature, likely that of Holy Frères, partly hidden by the applied scalloped border. The interior retains the two original photo frames. The back cover is engraved with an ornate three-letter monogram and the date 7-12-1915 (December 7 in the European dating system). The bail is stamped for 18K.

• Origin: France or Switzerland, ca 1915
• Dimensions: 1 9/32" diameter
• Condition: excellent; a pinpoint ding to the back cover
• Weight: 8.4 grams
• Approximate Total Diamond eight: .03 carat

An elegant square locket worked in 14K yellow gold. The locket is simply decorated with an engraved laurel leaf border. The cover is set with four rubies surrounding a demantoid garnet. The bail is placed at a corner, so the locket hangs in a diamond shape. The interior retains the original frame insert. Tested and guaranteed 14K.

• Origin: America, ca 1910
• Condition: very good, a few pinpoint dings to back cover, never monogrammed
• Dimensions: 1” corner to corner
• Approximate Total Gemstone Weight: ruby, .14 carat; demantoid, .08 carat
• Weight: 4.1 grams

A spectacular 14K gold horsehoe brooch updated as an elegant pendant necklace. The sapphires are very fine quality with bright violet-blue color ad eye-clean clarity. There is no evidence of heat treatment. The sapphires alternate with pearls of similarly fine quality. Tested and guaranteed 14K. When turned points up, horseshoes collect and capture good luck!

• Origin: America, ca 1920
• Condition: excellent
• Dimensions: pendant, 1-5/8" x 1-7/16"; length, 21-1/4"
• Approximate Total Sapphire Weight: 3.31 carats
• Weight: 9.4 grams.

An extraordinarily fine and rare Art Nouveau sporting brooch featuring an enameled fox head superimposed over a horseshoe, a riding crop and a whip. The horseshoe is set with old mine cut diamonds simulating the nails. The fox's eyes are set with rubies. The pin is beautifully enameled in lifelike colors. The fox's mouth is open to show fierce jagged gold teeth. An identical brooch was featured in the "Masterpieces of American Jewelry" exhibition held in 2005 at the Museum of American Folk Art in New York. It is also published in the exhibition book by the same name. The pin in unmarked, but is a known Alling Bros. design.

• Origin: America, ca 1910
• Condition: excellent, no enamel damage
• Dimensions: 15/16" x 1-15/16"
• Weight: 6.5 grams
• Approximate Total Gemstone Weight: ruby, .05 carat; diamond, .10 carat

A fine pair of French 18K gold, enamel and sapphire cufflinks. The round faces are decorated with champleve enamel in a soft translucent French blue shade surrounded by a border of opaque white with gold accents. Each face is centered with a sapphire sugarloaf cabochon. The faces are connected with chains to gold torpedo backs. Each cufflink is stamped with French 18K gold marks.

• Origin: France, ca. 1910
• Condition: excellent, no enamel damage
• Dimensions: 1/2" diameter
• Weight: 7.0 grams
• Approximate Total Sapphire Weight: .26 carat

A lovely conversion ring featuring a a guilloche enamel plaque centered with a blue sapphire cabochon. The pale blue translucent enamel is accented with engine-turned engraving and is surrounded by a border of opaque white enamel with gold accents. The ring was created from an Edwardian stickpin with the addition of a 14K gold shank (the front is 18K).

• Origin: France, ca 1910
• Condition: excellent; no enamel damage
• Dimensions: crown, 1/2" diameter
• Finger Size: 6-3/4
• Approximate Sapphire Weight: .13 ct
• Weight: 2.3 grams

A delicate Art Nouveau 10K gold pin featuring a pansy decorated with translucent violet, pink and cream enameled. The flower center and a bud are set with small seed pearls. The brooch retains its original pinstem and clasp stamped "10K." In Victorian flower language, the pansy conveyed the meaning "Think of me." Small pins such as this were popular gifts for new brides.

• Origin: America, ca 1910
• Condition: very good; a small enamel flake to the tip of one petal (superficial only and does not affect the color)
• Dimensions: 3/4" x 1-1/8"
• Weight 2.5 grams.

A lovely Art Nouveau honeymoon pin in 14K yellow gold featuring an enameled violet centered with a small old European cut diamond. The petals are are worked in delicate shades of purple, cream marroon and are finished with repousse gold borders frequently sometimes seen in Larter enamels. In the Victorian flower language, the combination of a crescent moon shape with a flower was suggestive of the word "honeymoon." Small pins such as this were popular gifts for a new bride. The back is stamped with Larter's 14K hallmark.

• Origin: America, ca 1900
• Condition: excellent, no enamel loss
• Dimensions: 1-1/16" x 9/16"
• Weight: 2.0 grams
• Approximate Diamond Weight: .03 carat

A very good first standard (950/1000 pure) silver small-size tastevin by the highly regarded Dijon silversmith Marc Parrod. This example retains the classic round shape with a convex bottom, but the usual "godrons" and "cupules" gare replaced by repoussé grape clusters alternating with raised "perles". Each grape cluster is accented with stylized vines. Parrod was particularly noted for this unique variation. The handle is in a rather unusual shape slightly suggestive of the double snake handles sometimes found on tastevins from the Bourgogne region. These smaller tastevins are less common than the larger ones. Smaller tastevins from the Bordeaux region were often used for tasting Cognac, so perhaps the smaller Burgundian versions were used for some other spirit, as well as wine. The bottom and handle are stamped with first-standard silver marks and with Parrod's mark.

• Origin: Dijon, France, ca. 1903-1944
• Condition: excellent, no dings or monograms, sharp detail
• Dimensions: 2-1/4” diameter (excluding handle)
• Weight: 25.8 grams

A very good first standard (950/1000 pure) silver small-size tastevin by the highly regarded Dijon silversmith Marc Parrod. This example retains the classic round shape with a convex bottom, but the usual "godrons" and "cupules" are replaced by repoussé grape clusters alternating with "cupules". Each grape cluster is accented with stylized vines. Parrod was particularly noted for this unique variation. The handle is in the traditional form of two snakes grasping an apple, alluding to the the Garden of Eden snake and reminding the drinker of temptation. These smaller tastevins are less common than the larger ones. Smaller tastevins from the Bordeaux region were often used for tasting Cognac, so perhaps the smaller Burgundian versions were used for some other spirit, as well as wine. The bottom and handle are stamped with first-standard silver marks and with Parrod's mark.

• Origin: Dijon, France, ca. 1903-1944
• Condition: excellent, no dings or monograms, sharp detail
• Dimensions: 2-1/4” diameter (excluding handle)
• Weight: 24.6 grams

An elegant second standard (800/1000 pure silver) French tastevin. Rather than the typical “perles,” "coupules," and fluted “godrons”, the bowl is decorated with repousse grape leaves and berries in the 18th century style. This treatment is sometimes seen in tastevins made by Marc Parrod, one of the most influential makers of tastevins in the early 20th century. The handle is in the traditional form of two entwined duck-headed snakes grasping an apple in their mouths, thought to represent the snake and apple from the Garden of Evil, thus reminding drinkers of temptation and sin. The tastevin is fully hallmarked and has an illegible maker’s mark, possibly Parrod's.

• Origin: France, ca. 1910
• Condition: excellent, sharp detail
• Dimensions: 3-5/16” x 4-1/4” x 15/16”
• Weight: 55.3 grams

A very fine Art Nouveau pendant formed from an exceptionally large natural freshwater pearl mounted in platinum and gold and set with diamonds. The floral platinum mounting features a .15 carat old European diamond and nine single-cut diamonds. The bail is shaped as a clover and is set with three additional diamonds. The pearl has fine luster with rose and green orient. Tested and guaranteed platinum and 14K gold. The contemporary chain is 14K white gold.

• Origin: America, ca. 1910
• Condition: excellent
• Dimensions: pendant, 1-9/16" x 1/2"; chain, 16"
• Weight: 5.5 grams
• Approximate Total Diamond Weight: .45 carat

An elegant pair of Edwardian sterling silver cufflinks, the faces decorated with purple guilloche enamel accented with a border of opaque white enamel. The backs are stamped "Sterling."

• Origin: America, ca. 1910
• Condition: excellent, no enamel damage
• Dimensions: 23/32" x 7/16" (18 x 11 mm)
• Weight: 5.7 grams

An elegant pair of classic Edwardian double-sided cufflinks, the octagonal faces decorated with engine-turned engraving in the form of a spray of acanthus leaves surrounded by a laurel wreath border. The connectors are marked “14K.”

• Origin: America, ca 1910
• Condition: excellent
• Dimensions: 9/16” diameter
• Weight: 7.0 grams

An elegant pair of classic Edwardian double-sided cufflinks, the octagonal faces decorated with engine-turned engraving in the form of a spray of acanthus leaves against a stippled background. The faces are completed with an octagonal platinum border. The backs are marked “14K-Plat” and have the maker’s mark for Carter, Gough & Howe. The backs are also engraved with a period “RD” monogram.

• Origin: America, ca. 1915
• Condition: excellent
• Dimensions: 1/2" diameter
• Weight: 8.0 grams

A handsome pair of double-faced silver cufflinks, the faces decorated with finely-detailed enamel portraits of English or Italian greyhounds. The backs and chain connectors are stamped with French silver hallmarks.

• Origin: France, ca 1910
• Condition: no enamel loss, one face has light surface wear to the silver (visible in the photos but only visible upon close inspection in person)
• Dimensions: 9/16 x 11/16” (14 x 17 mm)
• Weight: 7.0 grams

An elegant pair of Art Nouveau cufflinks worked in 14K yellow gold and set with round blue sapphires. The oval faces are pierced, decorated with a modified acanthus leaf motif and finished with a soft bloomed texture. The sapphires have nice coloring. The cufflinks are stamped with the 14K mark for Whiteside & Blank.

• Origin: America, ca 1900
• Condition: excellent
• Dimensions: faces, 7/8” x 1/2"
• Approximate Total Gemstone Weight: .26 carat
• Weight: 8.4 grams

A very attractive pair of Edwardian cufflinks worked in 14K yellow gold, the oval faces decorated in an ornate engine-turned design that looks a bit like a Maltese cross. The interplay of the engraved and polished surfaces are particularly nice. The backs are marked “14K” and have the maker’s mark for Wordley, Alsopp & Bliss.

• Origin: America, ca. 1910
• Condition: excellent
• Dimensions: 1/2" x 3/4"
• Weight: 7.7 grams

An elegant pair of double-sided cufflinks worked in 14K yellow gold and platinum. The gold oval reserves are enhanced with engine-turned engraving in a striped pattern and are surrounded by engraved platinum borders. The backs are marked “14K-Plat” and have the maker’s mark for Carter, Gough & Co.

Origin: America, ca. 1910

Condition: excellent

Dimensions: faces, 1/2" x 11/16”

Weight: 8.8 grams

An impressive 42-carat citrine centers this elegant pendant. The 14K gold setting features stylized flowers and foliage on each side of the stone. The citrine has very good even brownish-orange color resembling a good topaz. Overall, the impression is “statement piece.” The original bail is stamped “585” for 14K.

• Origin: Continental Europe, ca. 1910
• Condition: excellent
• Dimensions: 1-1/8” wide; 1-15/16” long including bail
• Approximate Citrine Weight: 42.02 carats
• Weight: 17.0 grams

An unusually heavy pair of Edwardian 14K yellow gold cufflinks, the faces worked in an intricate engine-turned design. The faces are actually round, but the designed makes them appear octagonal. The backs are marked “14K” and have an unidentified maker’s mark.

• Origin: America, ca. 1910
• Condition: excellent
• Dimensions: faces, 9/16” diameter
• Weight: 11.1 grams

A very attractive pair of double-sided cufflinks fashioned as oval mother-of-pearl discs centered with small seed pearls and enclosed in an opaque white enamel border, all set in yellow gold. White cufflinks such as these would originally have been worn only with white tie, but today they are particularly elegant with shirts in darker colored fabrics. The connectors are marked “14K” and have the maker’s mark for Larter & Sons.

• Origin: America, ca. 1910
• Condition: excellent, no enamel damage
• Dimensions: 1/2" x 3/4"
• Weight: 10.9 grams

An elegant second standard (800/1000 pure silver) French tastevin. Rather than the typical “perles” and fluted “godrons”, the bowl is decorated with repousse grape leaves and berries in the 18th century style. This treatment is sometimes seen in tastevins made by Parrod, one of the most influential makers of tastevins in the 19th and 20th centuries. The single snake handle, thought to represent the snake from the Garden of Eden, thus reminding drinkers of temptation, has an unusually well-detailed head. The tastevin is fully hallmarked and has an illegible maker’s mark, possibly Parrod’s.

• Origin: France, ca. 1925
• Condition: excellent, sharp detail
• Dimensions: 3-5/16” x 4-1/4” x 15/16”
• Weight: 58.8 grams

An set of twelve English sterling silver coffee spoons and a matching sugar tong in an elegant rococo pattern by silversmith Joseph Rodgers. The handles are lightly monogramed with an “H.” The bowls are a bit larger than typical demitasse spoons, so they could easily be used for tea service, as well. The set is presented in its original fitted case lined with royal blue velvet and silk. The interior of the lid is embossed with the retailer’s stamp for William Batty & Sons, one of England’s finest watchmakers and jewelers outside of London at the time.

• Origin: Sheffield, England, 1910
• Condition: excellent; interior of case is excellent; case exterior is mostly good, but with bookbinding tape at the hinge side
• Dimensions: spoons, 4-5/16” long; tong 4-1/2” long
• Weight: 206.4 grams.

Handsome pair of sterling silver ice tongs in the "John Winthrop" pattern by International Silver Co. This is one of the classic American Colonial patterns developed during the early 20th century when people were first beginning to be interested in American antiques. Curiously, the simple design was also a perfect match for the upcoming Art Deco styles of the 20s and 30s. Ice tongs were an uncommon serving piece and are very difficult to find today. The tongs are marked with International's older hallmark.

Origin: America, ca 1911. Condition: excellent, no dings, period "S" monogram. Size: 6-3/4" long. Weight: 63.0 grams.