Catalog (2428)

A handsome pair of Art Deco sterling silver cufflinks, the faces decorated with an applied vine and berry motif slightly reminiscent of Jensen's "Blossom" pattern. The faces are joined by solid connectors to the hinged backs that are simply decorated with scored parallel lines. The connectors are marked "930S/Sterling" and have the maker's mark "W. KR".

Origin: Scandinavia, probably Denmark or Norway, ca. 1940. Size: 23/32" x 17/32". Weight: 14.5 grams.

Intensely colored amethyst glass inkwell finished with a gilt brass collar. The severe cubic form is relieved by canted, curved corners. The base is acid-stamped "Made In Czecho-Slovakia", indicating a date between the World Wars.

Origin: Czechoslovakia, ca. 1930. Condition: excellent, all original, no chips or cracks. Size: 2" x 2" x 2".

A very good 14K yellow gold brooch featuring an enameled four-leaf clover. The clover's petals are beautifully detailed with enamel decoration and are centered with a prong-set round brilliant cut diamond of very fine quality. The clover is surrounded by a chunky round gold border. The back retains the original pinstem and clasp, and is hallmarked by Krementz.

Origin: America, ca. 1930. Condition: excellent; no enamel damage; a tiny ding on the outer edge of the circle. Size: 1-11/16" diameter. Weight: 10.5 grams. Approximate Total Gemstone Weight: .08 carat.

Early 20th century Dutch harbor scene by Gerard Wiegman (1875-1964). The painting depicts a large cargo ship moored at harbor and surrounded by a variety of smaller ships, fishing boats and tugs. The sky is painted in moody shades of ochres and grays that echo the colors found in the water. This choice of coloring suggests the obvious industrial nature of this unidentified harbor. The impasto lends nice texture and depth. Signed lower right “G. Wiegman”. The painting is framed in a mid-century giltwood frame with a linen liner.

Though not Jewish, Gerard Wiegman was forced to escape Holland at the beginning of the Nazi invasion. He smuggled a small number of paintings out with him. Both this painting and the other harbor scene we are offering were among the paintings he smuggled out and kept for his own collection. Eventually, he settled in upstate New York, where he lived until his death. This painting was acquired from the family of the artist.

Origin: Holland, ca. 1930. Condition: excellent. Size: canvas, 19” x 27”; frame, 24” x 31-3/4”.

Early 20th century Dutch harbor scene by Gerard Wiegman (1875-1964). The painting depicts a large cargo ship moored at harbor and surrounded by a variety of smaller ships, fishing boats and tugs. The sky is painted in moody shades of grays that echo the colors of the dark smoke rising from the other large ships in the background. This choice of coloring suggests the obvious industrial nature of this unidentified harbor. The paint was primarily applied with broad brushstrokes, but a thicker impasto suggests the business and confusion on the deck of the ship. The perspective is quite deep and suggests a great deal of forward movement. Signed lower right “G. Wiegman”. The painting is framed in a mid-century carved giltwood frame.

Though not Jewish, Gerard Wiegman was forced to escape Holland at the beginning of the Nazi invasion. He smuggled a small number of paintings out with him. Both this painting and the other harbor scene we are offering were among the paintings he smuggled out and kept for his own collection. Eventually, he settled in upstate New York, where he lived until his death. This painting was acquired from the family of the artist.

Origin: Holland, ca. 1930. Condition: excellent surface, one puncture repair near both upper corners. Size: canvas, 22" x 31"; frame, 27-3/4" x 36-1/4".

A handsome pair of Art Deco 18K yellow gold cufflinks, the faces with oval cabochon blue moonstones in slightly cupped settings. The gems have striking color and fine adularescence. The simple oval settings allow the stones to take center stage. The backs are marked "750" for 18K gold and have the maker's mark "S".

Origin: Continental Europe, ca. 1930. Condition: excellent, all original. Size: 3/4" x 9/16". Weight: 9.0 grams. Approximate Total Gemstone Weight: 5.32 carats.

A nice bronze trumpet vase by Carl Sorensen. The surface is patinated in a mottled green, and the lower part of the vase is enhanced with parallel bands of various widths. A matching band appears around the outer top rim. Sorensen made a variety of decorative metalwares, but little is known about him. He worked in Pennsylvania, and his pieces were possibly sold by Roycroft and Tiffany. The base is signed “Carl Sorensen” and also has his hallmark.

Origin: America, ca. 1930. Condition: very good, patination is excellent, there is a slightly flattened area along the upper rim visible when viewed from just the right angle. Size: 5-7/16” tall.

An elegant Art Deco ruby glass cocktail shaker with sterling silver overlay in a grapevine pattern. The glass has a very intense ruby coloring, and the bottom has a polished pontil-a reliable sign of quality glass. Each side of the shaker is enhanced with a stylized grapevine motif worked in sterling silver overlay. The shaker is finished with a chrome-plated top.

Origin: America, ca. 1935. Condition: excellent, all original, no chips or cracks, no splits to metal. Size: 11-1/4".

A pretty Art Deco cut glass perfume bottle with an intaglio stopper. The periwinkle blue body is cut in a diamond pattern, while the flat round stopper has lapidary cut edges and an intaglio four-leaf clover. The overall effect is very sweet. The flat base is acid-etched “Made in Czechoslovakia” inside an elongated oval.

Origin: Czechoslovakia, ca. 1920. Condition: excellent, no chips or cracks. Size: 3-3/4” tall.

A good bronze footed trumpet vase by Carl Sorensen. The surface is patinated in a dark mottled green and is enhanced with parallel engraved lines forming bands decorated in a darker green patination. The small foot makes this one of Sorensen's more unusual vase designs. Sorensen made a variety of decorative metalwares, but little is known about him. He worked in Pennsylvania, and his pieces were possibly sold by Roycroft and Tiffany. The base is signed "Carl Sorensen" and also has his hallmark.

Origin: America, ca. 1930. Condition: excellent, a slightly flattened area along the upper rim is just barely visible when seen from the right angle. Size: 6-1/2" tall.

A very nice antique Chinese glass paperweight featuring a lampwork poinsettia. The bright red petals are arranged in a double row around a sulfur yellow millefiori center and are accented with a green stem and a pair of leaves. The Chinese copied this design from New England Glass Company paperweights of the 19th century. The glass in this example is relatively good quality, with only few small bubbles, and is considerably larger than many examples. The base is ground and polished concave.

Origin: China, ca. 1930. Condition: excellent, no chips, cracks or significant surface wear. Size: 3-1/4" diameter.

Attributed to Henri-Alphonse Barnoin, French, 1882-1935. "Marché du plage de Concarneau", depicting the seaside market outside the Brittany fishing village of Concarneau. The town is clearly identifiable from the distinctive town ramparts and tower in the background. In the foreground, Breton women in traditional dress gather to buy and sell foodstuffs while a few fisherman in small boats work at the shore. The loose brushwork is more in the style of Barnoin's pastels and gouaches. His subject is traditional, yet the somewhat geometric dabs of paint barely suggestive of outlines and features skirts with Impressionism. The canvas is stretched on its original stretchers and has been lightly cleaned. Unsigned. Size: canvas, 24" x 20"; overall, 31" x 27".

An extremely rare pair of period Art Deco 18K gold cufflinks by Cartier in the "Trinity" pattern. This is the same pattern now more frequently called the "rolling ring". The design is made up of white, yellow and rose gold bands that seem to intertwine. The cufflinks have a hinged closure that's invisible when they're being worn. Although the "Trinity" design is still one of Cartier's most popular designs, the line was created in the 1920's and the cufflinks haven't been in production since the early years. Each is marked with the French "tete d'aigle" hallmark for 18K gold, Cartier's maker's mark and Paris signature, and a serial number. The interior of one link has a minutely engraved monogram "FM" and the year " '30".

Origin: Paris, ca. 1930. Condition: excellent, all original. Size: 1" diameter; 9/32" wide. Weight: 18.8 grams.

A nice pair of Art Deco cufflinks, the faces fashioned from carved rectangular plaques of strongly-colored chrysoprase with faceted edges. The stones have nice translucency. The faces are attached by solid connectors to the heavy bar backs. The backs are marked “14K”.

Origin: America, ca. 1930. Condition: excellent. Size: 5/8” x 1/2". Weight: 5.5 grams.

A lovely and unusual Retro 14K yellow gold floral pin, the flower set with a large round moonstone cabochon surrounded by round cut rhodolite garnet petals. The bouquet is tied together with a collet-set round cut citrine. The gemstones are of very fine quality. The moonstone has excellent blue adularescence and the rhodolites have intense raspberry red coloring. Rhodolite garnets are not often seen in Retro jewels. The clasp is marked “14K”.

Origin: America, ca. 1940. Condition: excellent, all original. Size: 2-5/8” x 1-5/16”. Weight: 9.6 grams. Approximate Total Gemstone Weight: moonstone, 7.0 cts; rhodolite, 3.51 cts; citrine, .45 ct.

A stunning and extremely rare 14K yellow gold, green tourmaline and pearl bracelet signed by Everett Edward Oakes. The bracelet comprises nine comma-shaped flaring gold links, each set with either a tourmaline cabochon or a pearl. The gems are set in the notched collet-setting frequently employed by Oakes to show off a stone’s color and overall quality. The tourmalines have fine green color with moderate saturation and medium tone. The clarity is excellent for tourmalines of this type. The pearls are equally fine, with good shape and bright rose overtones. The design, with nearly a Retro feel, is a bit more modern than is often associated with Oakes, but the beadwork and notched collets are typical. The tongue of the concealed box clasp is marked “14K” and bears Oakes’ oak leaf signature.

Edward Everett Oakes (1891-1960) was perhaps the foremost Arts & Crafts jeweler in America. He was a member (and medallist) of the Boston Arts & Crafts Society, and became the first living artist to have a work acquired for the permanent collection of the Metropolitan Museum of Art. He trained with Frank Gardner Hale and worked for a few years with Josephine Hartwell Shaw. Oakes’ work shows a certain similarity with both Hale and Shaw. Most of his pieces are unsigned, but can often be identified based on their decorative motifs and construction techniques.

Origin: America, ca. 1930. Condition: excellent, one pearl link has been removed to shorten the bracelet to a normal length. Size: 7-5/8” long; 1/2" wide. Weight: 24.69 grams. Approximate Total Gemstone Weight: tourmaline, 8.95 cts.

A classic pair of Art Deco 18K yellow gold flip-up stirrup cufflinks, the ends set with blue sapphire sugarloaf cabochons. The flip-up stirrup cufflinks were popularized by Cartier during the Art Deco era. The sapphires have dark, vivid blue hue and very good clarity. The cufflinks are signed “Cartier”, have the maker’s mark, the serial number and the French “tete d’aigle” hallmark for 18K gold.

Origin: France, ca. 1935. Condition: excellent, all original. Size: ends, 1/2" x 7/16”; overall length, 1-1/4”. Weight: 13.5 grams. Approximate Total Gemstone Weight: 1.96 carats.

A rare, complete set of sterling silver demitasse spoons in the "Flowers of the Months" pattern by Tiffany & Co. presented in their original fitted case. The finial of each spoon features an illustration of a different seasonal flower such as a holly, clover, iris, pansy, poppy, etc. The bowls are parcel gilt. The back of the spoons are stamped with the Tiffany hallmark used 1907-1947. These spoons were made for only a short duration and complete sets are quite difficult to find. The inside of the original case is stamped "Tiffany & Co. New-York Paris London".

Origin: America, ca. 1926. Condition: spoons are mint condition, the outside of the box shows some wear and discoloration to the silk covering. Size: 4-11/16" long. Weight: 204.0 grams.

An exquisite pair of Art Deco heavy 18K yellow gold snap cufflinks. Each round face is designed as a lion’s head superimposed over the classic French sunburst motif that made a reappearance in the decorative arts during the Art Deco period. The quality of workmanship is superb, with outstanding detailing in the design. Gold snap cufflinks are quite uncommon. The cufflinks are fully stamped with French 18K “tete d’aigle” gold hallmarks and with a master goldsmith’s mark.

Origin: France, ca. 1930. Condition: excellent, sharp detail. Size: 3/4” diameter. Weight: 17.0 grams.

A wonderful Art Deco 14K yellow gold baton-link long chain, studded at intervals with oval moss agate cabochons. The long chain was a traditional Victorian style, but in this case was updated by replacing the usual small links with long baton-style links. The resulting linear look would have been considered much more modern and stylish. The links are interrupted by nine 7.5x9.0mm moss agate cabochons. The gemstones have very nice medium- to dark-green lacy moss-like inclusions against the colorless transparent background. Notice that the stones are set closer together toward the middle of the chain, and farther apart toward the ends. The clasp is marked “14K”.

Origin: America, ca. 1920. Condition: excellent. Size: 28” long. Weight: 18.9 grams.

A fine 1930's 14K yellow gold Art Deco mechanical wristwatch by by Hy Moser & Cie, and retailed by Tiffany & Co. Moser was the most important watchmaker in Imperial Russia, selling many of his goods to the Imperial family and courtiers. After the Revolution, the company was relocated to Switzerland and continued to provide movements to luxury retailers such as Tiffany.

The rectangular gold case has elegant flaring lugs at each corner. The face is in a matte ivory finish and studded with round diamonds at the 12, 3 and 9 positions. The face is completed with a sweep-second dial in the lower portion and is signed "Tiffany & Co." at the top. The 17-jewel movement is nicely decorated with guilloche engraving and is signed "Hy Moser & Co.". The inside back of the case is signed "Lapwell 14K". The leather strap and clasp are replacements.

Origin: America, ca. 1935. Condition: very good, working condition. Size: case, 1-7/16" x 1-1/8"; lug space, 23/32".

A very attractive pair of late Arts & Crafts or early Art Deco silver cufflinks by Saethers Gull og Solvvarefabrikk, a Norwegian silversmith known for inventive designs. One face of each cufflink is hinged for ease in putting through the cuff. The connectors are fully hallmarked.

Origin: Norway, ca. 1920. Condition: excellent. Size: 27/32” x 1/2. Weight: 15.5 grams.

A delightful Retro 14K yellow and rose gold lucky four-leaf clover pin by Tiffany & Co. In the typical Retro style, the gold surfaces are large and mostly unadorned except for simple veining along the middle of the clover leaves. The back retains the original “fur clip” allowing the pin to be worn without actually piercing a garment’s fabric. The back is marked “14K Tiffany & Co.”.

Origin: America, ca. 1940. Condition: excellent, all original. Size: 1-1/4” x 1-5/16”. Weight: 7.9 gr.

A beautiful Art Deco green-cut-to-clear decanter designed by Charles Graffart for Val St. Lambert. The pyramidal shape capped by an inverted stopper is very linear and perfectly accents the austere overlay cutting pattern. The base is signed "Val St. Lambert" and the stopper is engraved with a number that matches the number inside the decanter's neck.

Origin: Belgium, ca. 1930. Condition: excellent, no chips or cracks. Size: 9-1/8" tall.

A heavy and attractive pair of 14K yellow gold Art Deco cufflinks in the flip-up style. The round faces are decorated with engraved lines in a herringbone pattern. After being inserted in the button hole, the ends are flipped up to secure the cuff. This style is rather uncommon in cufflinks from North America, being much more prevalent in French cufflinks from the period. The connectors are signed by Birks and are marked “14Kt”.

Origin: Canada, ca. 1925. Condition: excellent. Size: faces, 19/32” diameter. Weight: 14.3 grams.

An attractive pair of gilt 800 silver double-faced cufflinks. The round faces are simply decorated with concentric rings bordering central gilt reserves. The faces are joined with the hinge bridge connectors more often seen in Scandinavian designs. The connectors are marked “800” and have an unidentified maker’s mark “EP” in a diamond-shaped punch.

Origin: Germany, ca. 1930. Condition: excellent, original gilding intact. Size: 9/16” diameter. Weight: 8.7 gr.

A classic Art Deco porcelain water jug advertising Ricard Anisette. In the south of France, tradition dictates that Ricard and other anise-flavored spirits be drunk with a side of water. Makers such as Ricard and Pernod provided advertising pitchers to local bars to increase their sales. This globe form is the classic shape from the first half of the 20th century. The bottom is marked “Ateliers de Céramique Ricard/Made in France”.

Origin: France, ca. 1930. Condition: good, there is a firing line in the spout and a flattened area on the foot, both original to the making; no subsequent chips or cracks. Size: 6” tall at handle.

A lovely Retro necklace worked in 14K rose and yellow gold and set with moonstones and amethysts. The necklace descends from a rose gold paperclip link chain toward a pair of openwork yellow gold plaques, each set with a round amethyst accented with a rose gold stylized flower, and flanking a central triangular plaque designed in the same manner. A pair of oval cabochon moonstones is set at either side. The central plaque suspends a larger oval moonstone with a nearly invisible setting. The moonstones have very nice bluish adularescence and the amethysts have rich purple color. The interplay of gemstone and gold colors and the unusual design mixing Victorian, Art Nouveau and Retro elements creates a very striking effect. Tested and guaranteed 14K.

Origin: America, ca. 1935. Condition: ecellent, all original. Size: 17-5/8” long; central plaque and pendant, 1-3/8” long. Weight: 14.7 grams. Approximate Total Gemstone Weight: moonstone, 7.43 cts; amethyst, .32 ct.

A classic mid-20th century French silver tastevin of traditional form. The bowl is decorated with angled godrons for evaluating white wines and small convex perles and larger concave cupules for use with red wines. The handle, also, is in the traditional snake form. Up until the mid-20th century, a few silversmiths in France were able to raise an entire tastevin from a single Napoleon III 5-franc coin. The work was accomplished solely with the aid of variously-sized hammers which were used to thin and spread out the original coin and a series of other tools used to form the decorations. They can often be identified by the the exact weight (always 32.5 grams before the addition of the handle). Only a handful of master silversmiths were able to create a tastevin in which the phrase “DIEU PROTEGE LA FRANCE” (“God protect France”), which originally appeared on the rim of the 5-franc coin, was still legible at the rim of the tastevin. The last silversmith with this documented ability stopped working in 1968. The tastevin is stamped with the “Minerve” mark for 800 silver and with an illegible maker’s mark.

Origin: France, ca. 1930. Condition: excellent. Size: 25/32” high; 2-3/4” diameter (excluding handle). Weight: 32.9 grams.

A rare vintage sterling silver figural jigger in the form of a swing-handled fire bucket. The side is engraved “Fire Water”. The interior is gilt. The bottom is marked “Lunt Sterling 15”.

Origin: America, ca. 1935. Size: 2” tall to rim; 3-1/4” tall to top of handle. Weight: 32.3 grams.

A beautiful set of six red-cut-to-clear cocktail glasses designed by Charles Graffart for Val St. Lambert. Graffart was one of the three designers chosen by Val to create their entire exhibit for the 1920 Exposition des Art Decoratifs. The austere angular cutting pattern works beautifully with the overlay.

Origin: Belgium, ca. 1930. Condition: excellent, no chips or cracks. Size: 2-3/4" tall.

NOTE: We also have a matching decanter, signed "Val St. Lambert", in green-cut-to-clear (Item #1093572). Together, they'd make a stunning Christmas decanter set!

A handsome pair of Retro 18K yellow gold cufflinks, the faces bordered with an interesting detail that resembles coil springs. The plain gold bar in the middle of each face could be monogrammed, but fortunately, they never were. Each cufflink is fully stamped with French 18K gold hallmarks and an unidentified master goldsmith’s mark.

Origin: France, ca. 1935. Condition: excellent, all original. Size: faces, 7/16” 3/8”. Weight: 6.9 grams.

A superb pair of double-sided Art Deco silver cufflinks by E. Besseire & Cie. The hexagonal faces are decorated with red, green and black blocks of opaque champlevé enamels highlighted with silver shield-shaped and squiggle accents. The faces are connected bychains. The backs of each face are marked with Besseire’s maker’s mark and with assay marks for silver.

Origin: France, ca. 1930. Condition: excellent; no enamel damage (the green enamel has some porosity visible under magnification that is original to the making). Size: 17/32” diameter. Weight: 7.9 grams.

A handsome pair of Georg Jensen silver cufflinks in pattern #5. This was an early cufflink design be Jensen and was made with and without a gemstone in the center opening. The round faces are connected by chains to foliate torpedo backs. The cufflinks retain an old patina. The backs of the faces are stamped with the combination of Jensen and assay marks used 1915-30 and with the pattern number “5” and “Kopenhagen”.

Origin: Denmark, 1915-30. Condition: excellent; all original; old patina. Size: 3/4" diameter. Weight: 7.5 grams.

A good pair of pre-War Mexican silver cufflinks in a traditional strapwork motif. The square faces are joined to spherical backs. The surface retains an attractive old patina. One cufflink is marked “Sterling Taxco”, thus pre-dating the eagle system of marks introduced in 1948.

Origin: Mexico, ca. 1930. Condition: excellent; old patina. Size: 5/8” x 5/8”. Weight: 10.0 grams.

A fine pair of double baton cufflinks in 18K yellow gold. Each of the front faces is enhanced with a milgrained platinum band set with single-cut diamonds flanked on either side by square cut rubies. The slightly smaller back faces have a band of platinum-set diamonds, but without rubies. The batons are joined by chain connectors. Tested and guaranteed 18K gold and platinum.

Ca. 1930. Condition: excellent. Size: larger faces, 3/4" long. Approximate Total Gemstone Weight: diamond, .28 ct; ruby, 1.18 ct. Weight: 10.5 grams.