Catalog (2409)

A stunning pair of 18K yellow gold earrings in a waterfall or cascade motif by Chaumet. Each earring is composed of five strands of bezel-set gemstones of varying lengths. They are designed so three of the strands appear to descend from the front of the earlobe and two strands from the back. Each of the gemstones is fully articulated so the strands swing freely when being worn. The cascade design is a more modern interpretation of a classic Art Deco style. As would be expected of an haute joaillerie piece by Chaumet, the gemstones are of superb quality. The diamonds are graded as G-H color and VVS2 clarity. The emeralds are graded as medium vivid green (G 5/6); the rubies as medium-dark strong slightly purplish-red (slpR 6/5); and the sapphires as medium-dark strong violetish-Blue (vB 6/6). All the colored stones have eye-clean clarity. In other words, the colored stones are of very fine quality, with intensely bright colors and excellent clarity. The clip backs have a spring-loaded tension mechanism that holds the earrings securely but comfortably. The earrings are fully marked with French 18K hallmarks and are signed “Chaumet Paris.” More importantly, they also bear the master goldsmith’s mark for Chaumet, indicating the earrings were made by Chaumet’s in-house workshops.

Origin: France, ca. 1990. Condition: 1-9/16 in. long; 13/16 in. wide. Weight: 30.8 gr. Approximate Total Gemstone Weight: diamond, 3.2 cts; sapphire, 2.32 cts; ruby, 1.80 cts; emerald, 1.58 cts.

An extraordinary near-life-size tulip brooch, the blossom and leaves worked in 18K yellow gold and the stem and stamens in white gold. The gold surfaces are extensively and expertly texturally engraved to simulate the semi-matte appearance of a tulip’s petals, and the toughness of its leaves. The entire assembly is completely three-dimensional. A 1/5-carat round brilliant diamond is nestled between the blossom and a leaf, and the interior of the flower conceals white gold stamens topped with smaller round brilliant-cut diamonds. The entire length of the white gold stem is pave-set with single cut diamonds. A bright green oval emerald is tucked into the cut end of the stem. The diamonds average H color and SI1 clarity. The emerald is graded as medium vivid green (G 5/6) color with only light inclusions. The back of the brooch retains its original double-pin coat or fur clip. The pinstem is stamped with French 18K gold marks and one leaf bears an unknown maker’s mark.

Origin: France, ca. 1955. Condition: excellent; all original. Dimensions: 4-1/2 inches long; 1-5/8” inches wide. Weight: 65.3 grams. Approximate Total Gemstone Weight: emerald, .31 ct; diamond, 2.5 cts.

An absolutely delightful bronze calling card tray, the center designed with a small frog atop a traditional baroque-style wave. The top edge of the dish has a wonderful scene of four frogs riding big-wheel bicycles along a road. They have quite good balance, as all have their arms crossed. The lead frog is even smoking a pipe. Road markers reading “2Km” and “3Km” mark their progress. The frog and bicycle design was taken directly from a J & P Coats thread company advertisement used on trade cards in the 1880s. More than likely, the tray was designed to be used to hold the cards in an exclusive Parisian dressmaker’s or tailor’s shop.

Origin: France, ca. 1885. Condition: excellent; original patina; sharp details. Dimensions: 7-1/2 x 4-1/4 in.

A lovely pair of vintage 18K yellow gold earrings in the classic 1950s combination of diamonds, turquoise and ruby. The cruciform shape and sophisticated use of gemstone colors is very much in the style of Verdura, Chanel and Van Cleef & Arpels pieces of the era. The gold petals are simply enhanced with twisted wire and the diamonds are set in platinum. Each earring is stamped with French gold and platinum hallmarks.

Origin: France, ca. 1955. Condition: excellent. Dimensions: 15/16 x 15/16 in. Weight: 11.0 grams. Approximate Total Gemstone Weight: diamond, .24 ct; ruby, 3.0 ct; turquoise, 3.28 ct.

A stunning Retro 18K yellow gold strap bracelet of flat hexagonal links in the Van Cleef & Arpels style. The bracelet is engraved at regular intervals with highly-detailed honeybees, their bodies represented by elongated cabochons of hessonite garnet. The use of hessonite garnet instead of the more common similarly-colored gemstones such as citrine is an inspired choice. The interior of hessonite has a wavy, “heatwave” appearance that gives the stone visible texture. It is this texture that so successfully mimics the striations on the body of a honeyee. The engraved legs and wings are beautifully executed. Van Cleef & Arpels created the strap bracelet of interlocking hexagonal plates (the “Ludo Hexagone”) in 1935 and it quickly became a favorite motif of luxury jewelers worldwide. They are occasionally set with gemstones, but this exampled with engraved bees is a first! The clasp is marked with illegible hallmarks. Tested and guaranteed 18K gold.

Origin: Europe, ca. 1940. Condition: excellent. Dimensions: 23/32 in. wide; 7-1/2 in. length. Weight: 61.4 grams. Approximate Total Gemstone Weight: 8.3 cts.

A very fine pair of 18K yellow gold double-faced cufflinks, each face decorated with opaque black and red champlevé enamel. The severity of the chevron design contrasts nicely with slightly bowed sides of the faces and provides a compelling Art Deco look. The connectors are stamped with French hallmarks.

Origin: France, ca. 1920. Condition: excellent, no chips to enamel. Dimensions: 5/8 x 7/16 in. Weight: 7.3 grams.

An exceptionally fine and very heavy pair of 18K yellow gold cufflinks, the faces cast and hand-pierced in an ornate design of a mythological griffin. More properly, the creature is a Basilisk with the body of a serpent and the head and wings of an eagle. Deatailed scales and feathers are engraved for added interest. The back faces are worked in a laurel pattern. The quality of workmanship is so superb that even the back side of each face is entirely engraved to match the front. The cufflinks are stamped with French hallmarks.

Origin: France, ca. 1870. Condition: excellent; sharp detail; all original. Dimensions: front faces, 11/16 x 5/8 in. Weight: 10.4 gr.

A lovely pair of colorful Retro earrings worked in 14K yellow gold. Each earring is fashioned in a stylized fan pattern set at the center with a round brilliant cut blue zircon and a spray of oval cabochon moonstones. The intense electric blue of the zircons heightens the softer, billowy blue adularescence of the moonstones. The zircons are set in rose gold, while the moonstones are in yellow. Tested and guaranteed 14K gold.

Origin: America, ca. 1935. Condition: excellent. Dimensions: 5/8 x 3/4 in. Weight: 5.3 grams. Approximate Total Gemstone Weight: zircon, 1.76 cts; moonstone, 7.38 cts.

A heavy pair of Art Deco 14K yellow gold cufflinks, the oval faces simply enhanced with parallel line engraving and joined by an ingenious swivel mechanism. We’ve never before seen this particular form of closure. The faces are slightly convex rather than being entirely flat, thus accounting for the unexpectedly heavy weight. The cufflinks are stamped with “585” for 14K gold and with French import marks. There is also an unidentified, but likely European, maker’s mark.

Origin: Europe, ca. 1930. Condition: excellent; sharp detail; all original. Dimensions: faces, 1/2 x 5/8 in. Weight: 13.5 gr.

A very attractive pair of silver cufflinks inlaid with various hardstones by noted Navajo artist Jim Harrison. The curved faces are inlaid with turquoise, coral, lapis, sugilite, onyx and malachite in a contemporary interpretation of timeless Navajo designs. Harrison is considered a pioneer of contemporary Native America inlaid jewelry and his work is held in several museum collections. Each cufflink is signed "Jim Harrison" and is marked "Sterling".

Origin: America (New Mexico), ca. 1990. Condition: excellent. Dimensions: 9/16 x 11/16 in. Weight: 12.2 gr.

An unusual pair of Art Deco cufflinks, the faces featuring cabochon cut aventurine glass (goldstone) set in 18K yellow gold bezels. The faces are connected by gold chains to torpedo backs, also worked in aventurine glass. Aventurine glass was invented in Venice in the 1600s, and enjoyed a resurgence of popularity in the 1920s. The mountings are stamped with French 18K gold marks and an unidentified maker's mark.

Origin: Europe, ca. 1930. Condition: excellent; all original. Dimensions: round faces, 7/16 in. diameter; torpedoes, 7/8 in. long. Weight: 5.6 gr.

An extremely rare and very fine Imperial Russian gold and diamond anchor brooch by Viktor (Victor) Aarne. The anchor is surmounted with the Imperial Russian crown and the cypher of Czar Nicholas II is superimposed over the stem of the anchor. The brooch is set throughout with old mine and rose cut diamonds. The diamonds are set in silver over gold, as was typical of Russian jewels of the period. The quality of piercing and millgraining indicate hand fabrication. Certain portions of the design, notably the crossbar of the anchor, the horizontal element of the cyrillic letter "N" and the numerals representing "II" are worked only in yellow gold as a contrast to the surrounding surfaces. THe principal diamonds average J color and SI1 clarity. A jewel of this quality, bearing the Imperial cypher, would certainly have been given as a gift by the Imperial family. The pinstem is marked for 56 zlotniks (14K) and bears the workmaster's mark used by Johann Viktor ( Johan Victor) Aarne during his St. Petersburg period, 1891-1904.

Origin: Russia, 1891-1904. Dimensions: 52 x 27 mm (2-1/16" x 1-1/16"). Approximate Total Diamond Weight: 1.84 cts.

An elegant and exceptionally high quality pair of earclips in 18K yellow gold set with diamonds and sapphires by A Péry et Cie. The earrings feature fields of pave-set round brilliant diamonds bisected by bands of rectangular cut blue sapphires. The diamonds are E color and VS2 clarity; the sapphires are medium-dark strong blue (B6/5) color and eye-clean clarity. Each earring is fully stamped with French 18K gold marks and is signed by A. Péry et Cie. The clips have holes, so posts could be added without disrupting the integrity of the earrings.

Péry worked as manufacturer for Van Cleef & Arpels, but also worked for Boivin, Mellerio and other important French jewelers. Péry was responsible for some of VCA most iconic 20th century designs including the Ludo bracelet and the zipper necklace. The Péry ateliers are now owned by VCA.

Origin: France, ca. 1980. Condition: excellent, all original. Dimensions: 14 x 24 mm (9/16 x 15/16 in). Weight: 17.4 gr. Approximate Total Gemstone Weight: diamond, 1.5 ct; sapphire, 3.25 ct.

A very attractive French silver (1st standard=950/1000 pure silver) tastevin, the bottom inset with a 1785 silver coin showing the bust of King Louis XVI. This tastevin departs slightly from the traditional form, with the fluted “godrons” placed immediately around the coin and the sides finished with very nice repousse decoration of grapes, vines and leaves. The tastevin is finished with a single coiled snake handle. Tastevins set with royal coins seem to have been popular during various times in the 19th century when France was ruled over by a king or emperor. Tastevins with Louis XVI coins are not often encountered, however. The tastevin is stamped with French silver marks and with an unidentified master silversmith mark.

Origin: France, ca. 1860. Condition: excellent. Dimensions: 7.9 x 10.5 cm (3-1/8 x 4-1/8 in). Weight: 105.4 gr.

A very attractive late 19th century first standard (950/1000 pure silver) wine taster by Parisian silversmith Louis Coignet. The tastevin is decorated in the Bourgogne style with an applied handle in snake form. The serpent is beautifully decorated with engraved scales and eyes. The sides are enhanced with repousse and chased decoration of grape clusters and vine leaves. This example is classic form, but has a very steep convex bottom and no “godrons” or “perles” along the sides. These adjustments to the style suggest the tastevin was specifically intended for use with white wines.

Origin: France, 1889-1893. Condition: excellent, sharp detail. Dimensions: 3 x 4-1/16 in. Weight: 70.5 gr.

A nice example of an antique scrambled glass paperweight by the New England Glass Company. The set-up contains a colorful variety of complex canes, filigree and twists in a nicely compact grouping. There are least three complex canes with white eagle silhouettes against a field of dark purple. There are no annealing problems and few bubbles in the set-up. The glass of the dome has good color and clarity. The bottom is concave with a basal ring.

Origin: America, ca. 1865. Condition: excellent, a fairly light ½-in scratch to the dome, no dings. Dimensions: diameter, 2-7/8 in; height, 1-13/16 in.

A nice sterling silver double jigger with a turned ebony handle. The jigger has a smaller and a larger cup, each in bell form. The jigger is marked by Edward San Giovanni, who worked in Ridgefield, CT during the 1940s and 50s.

Origin: America, ca. 1950. Condition: excellent, no dings or monograms. Dimensions: 2-13/16 in high; 5-1/8 in long. Weight: 38.8 gr.

An extraordinary pair of painted tin toleware planters in the form of canoes. One is painted white with blue and red accent stripes and the other is red with blue and white accents. Each of the canoes has its original leather-wrapped wire hanger, and the undersides have trays to catch water drips. The drip trays also allow the canoes to placed on a surface instead of hanging. The paint is completely original and has a great crusty surface. The shape has the distinctive exaggerated upturned bow and stern associated with birchwood canoes.

Origin: America, ca. 1900. Condition: excellent, all original, white canoe has some paint loss on the drip tray legs, red canoe has some paint loss long the top edges of the plant holder. Dimensions: 15-1/2 x 4-1/4 x 7-3/4 inches.