Catalog: Antiques (496)

A good bronze footed trumpet base by bronze artisan Carl Sorensen. The surface is patinated in a mottled bluish-green shade and is enhanced with bands of parallel engraved lines in a bright copper finish. Most of Sorensen’s vases did not have a foot, and the addition of the small foot—also enhanced with a bright copper edging—adds special appeal. Sorensen is known to have worked in Philadelphia in the first part of the 20th century, making bronze wares in the Arts & Crafts tradition. It is thought that his creations were retailed by both Roycroft and Tiffany. The base is signed “Carl Sorensen” and has his hallmark.

Origin: America, ca. 1910. Condition: excellent, original patina. Size: 6-3/4” tall; 6-1/2” diameter at rim.

Sterling silver cream or sauce ladle in the elegant 1910 "Newport Shell" (aka "Puritan") pattern by the Frank Smith Silver Co. The pattern relies on a beautifully executed shell and beading for its design impact. The reverse is marked with Smith's older hallmark and the retailer's name "D. Low & Co." (Salem, MA). The Frank Smith Silver Co. was chosen by the State Department to provide sterling silver flatware for every U.S. Embassy.

Origin: America, circa 1910. Condition: excellent, no monogram. Size: 4-3/4" long.

Fantastic pottery double-handled urn decorated in an underglaze blue floral transfer and clobbered with overglaze iron red, yellow and purple pigments. The effect is much like chintz china, but with stronger coloring. The bottom bears the mark used by Cauldon Potteries from 1905 to 1920. The form and size of this vase, combined with its rich coloring, makes for a truly stunning piece of Staffordshire pottery.

Origin: Staffordshire, England, circa 1913. Condition: mint. Size: 13-1/4” tall.

A finely executive elephant ivory seal paste box from the late Meiji period. The cover features a pair of elephants marching around the edges, while the center medallion is engraved with the face of a screeching monkey. The carvings are lightly heightened with ink or another pigment to bring out the details. The elephant often symbolized intellectual strength, while the monkey was thought to ward off evil spirits and thieves. The lid still fits tightly.

Origin: Japan, ca. 1910. Condition: excellent, both portions have crazing, but no open cracks. Size: 2-9/16” diameter; 1-9/16” high.

Elegant sterling silver meat fork featuring an Art Nouveau design of lilies. The back is marked for Baker-Manchester Manufacturing Co. (Providence, RI). The company was in business for only about fifteen years, and was well known for its ornate serving pieces.

Origin: America, circa 1900. Condition: excellent; no monogram; the faintest hint of lemony matte gilding remains on the tines. Size: 7" (more uncommon than the larger size).

Wonderful pair of Hubley cast iron paperweights in the form of African-American children. The little girl wears a yellow jumper over a white blouse and the little boy wears yellow pants and a white shirt. This is the only pair of black memorabilia iron paperweights we’ve seen.

Origin: America, ca 1920. Condition: very good, expected paint wear on high spots. Size: 1-3/8” tall.

An elegant two-piece English sterling silver serving set. The set is presented in its original fitted box lined with gorgeous royal purple silk and velvet. The spade-like utensil is similar to a typical Victorian tomato server, while the fork is shaped like a tablespoon, but with tines. The set is very versatile and could be used for many contemporary foods. The handles are decorated with a simple fiddle-shaped pattern that must have been very modern following on the heels of Victorian excess. The backs are fully hallmarked for London, 1913-14, and also have an unidentified maker’s mark “GJ over DF” in a shield-shaped punch.

Origin: England, 1913-14. Condition: near mint, no dings or deep scratches, no monograms. Size: 7-1/2” long. Weight: 101.0 grams.

A stunning footed cut glass compote in Hawkes’ “Delft Diamond” pattern. While the pattern is not especially ornate, the deep emerald green color of the blank is amazing. The knopped stem has an elongated airtrap bubble that’s difficult to see because the color of the glass is so rich. The plain round foot is acid-stamped with Hawkes’ trefoil signature, which would suggest a relatively early date.

Origin: America, ca. 1920. Condition: excellent, no chips or cracks, normal frosting to bottom of base. Size: 8-1/8” diameter; 6-3/4” high.

A superb Rococo-style first standard (950/1000 pure silver) tastevin by the master silversmith Marc Parrod. This large example retains the round shape of a traditional tastevin but replaces the usual bowl decoration with ornate bunches of grapes tied with ribbon bows and a remarkable handle treatment illustrating a young couple stomping grapes while holding hands. Parrod created excellent classic Burgundian tastevins, but his fantasy pieces stand apart from all the other Dijon masters. The tastevin is stamped with Parrod's master's mark as well as 1st standard silver marks from the Beaune assay office. That office closed in 1914, so we know that this example is from the earlier part of Parrod's career.

• Origin: Dijon, France, ca 1903-14.
• Condition: excellent; all original; one tiny ding on the top edge of the bowl.
• Dimensions: 3-3/4" x 4-15/16" x 1-5/8".
• Weight: 122.8 grams.

A very fine and rare antique glass paperweight by Pairpoint. There sphere encloses a translucent red and opaque white double twist within a cloud of controlled bubbles. The foot is engraved in a design known as "Pattern No. 220". Pairpoint called this design "Veneti" and used it to produce candlesticks, compotes, vases and stemware. Veneti paperweights are quite uncommon.

Origin: America, ca. 1915. Condition: excellent, no chips or cracks. Dimensions: 3-3/4" tall.

Six sterling silver cocktail forks in Gorham's lovely 1899 "Cambridge" pattern. The handles are beautifully decorated with flowers, scrolls, and gadrooning. The backs are marked with Gorham's old hallmark, the patent date, and the retailer's mark "W.F. Van Arsdel".

Origin: America, circa 1900. Condition: excellent, crisp details, no monograms. Size: 5-7/16" long.

An elegant sterling silver tea strainer completely covered in translucent bas-taille enamel. The octagonal bowl of the strainer and the handle are outlined in a delicate trailing pattern of pink roses with green foliage, tied with a pink ribbon at the tip of the handle, all against a pale blue background. The quality of the enameled decoration is superb, as would be expected of any item retailed by Tiffany in this period. The back is marked “Sterling” and “Made for Tiffany & Co.”. Tiffany often retailed silver by other major makers such as Gorham and Whiting. The back of the handle bears a period monogram “DW”.

Origin: America, ca. 1910. Condition: excellent, no enamel damage. Size: 4” x 2-1/4”. Weight: 47.5 grams.

A lovely footed sterling silver salver in the George III style. The salver is perfect for use as a wine coaster, as the size will accomodate a magnum or a champagne bottle. The scalloped stepped border is elegantly decorated with acanthus leaves and gadrooning. The shell-shaped feet are flanked by acanthus leaf returns. Marcus & Co. was one of the most exclusive jewelers in America and was one of the few companies to give Tiffany any serious competition. They did not make their own silver, but retailed high-end makers such as Gorham, Frank Smith, Whiting, etc. The bottom is marked with Marcus’ retail mark, “Sterling” and the pattern number 1928.

Origin: America, 1918-27. Condition: excellent, normal wear and some staining on surface (could be buffed), sharp details, no dings or monograms. Size: 7-7/8” diameter; 1-1/16” high. Weight: 296.0 grams.

Elegant crystal trivet with a sterling silver overlay in an orchid pattern. The piercing of the silver is highlighted with engraved details. The center has a silver reserve that was never monogrammed. The side is hallmarked by Webster Silver Co.

Origin: America, ca. 1920. Condition: excellent, no chips or cracks. Size: 6” diameter.

NOTE: We have four matching trivets in this size. One of the four has an elegant monogram "K". Each is priced at $185, except the monogramed trivet, which is $160.

Terrific enameled sherry bottle/decanter label. The enamel is applied over metal and has polychrome floral decoration. The chain is brass.

Origin: probably English, ca. 1900. Condition: excellent. Size: 2.5" x 1/5".

A classic Baccarat cut crystal perfume bottle in a cranberry-cut-to-clear cane pattern. While several American and European companies cut this pattern, the stopper of this bottle is a known Baccarat design. It appeared in a Baccarat pattern book under the name “Stella.” The stopper has a blown teardrop in the interior and is accented with a star pattern at the top. Baccarat products were marked only with a paper label until logo until around 1930.

Origin: France, ca. 1890. Condition: very good; a 1/16" nick on the edge of the shoulder just above the cane cutting and a 1/4" flake on the lower portion of the stopper where it fits into the bottle. Dimensions: 6-1/4” tall.

Sterling silver sauce ladle in Watson's 1911 "John Adams" pattern. The complete simplicity of the pattern is reminiscent of Colonial American silver, and it would look good mixed with any other pattern. Sauce ladles are a bit smaller than gravy ladles.

Origin: America, circa 1911. Condition: excellent, no monogram. Size: 5-3/4" long.

Sterling silver cream or sauce ladle with an Art Nouveau design of lilies. This form was used to ladle cream or other sauces for the desert course. They could also be used for main course sauces that did not require a full-sized gravy ladle. The reverse is marked "Sterling Pat. 1902". Before 1916, many American silversmiths did not mark their name on flatware. Unknown maker.

Origin: America, circa 1902. Condition: excellent, no monogram. Size: 4-3/4" long.