Catalog: Estate Jewelry: Gold (1032)

Lovely Edwardian brooch featuring beautifully-crafted floral swirls and filigree of yellow gold surrounding a carved oval plaque of chrysoprase centered with a collet-set white sapphire. The pinstem is marked with partially illegible marks. The maker's mark "WW" (or "MM") is clearly stamped. Tested and guaranteed 14K.

Origin: Continental, circa 1910. Condition: excellent, all original. Size: 1-11/16" x 13/16". Weight: 4.0 grams.

A pretty 18K yellow gold pendant in a shape that suggests a pair of wings, each set with rose cut diamonds. The design is completed with an additional diamond at the top in a buttercup setting. The pendant was likely fashioned from a larger piece of jewelry that was no longer fashionable. The reverse is stamped with a goldsmith’s mark and also with the Birmingham date mark for 1849. The jump ring is 14K.

• Origin: Birmingham, England, 1849
• Condition: excellent
• Dimensions: 13/16” x 11/16” (excluding bail)
• Approximate Total Diamond Weight: .15 carat
• Weight: 1.9 gram

A delicate 14K gold crescent pin worked as a bough of enameled laurel leaves bound at the middle with a golden ribbon. The rich green leaves are punctuated with small seed pearls. The back of the pin is stamped for 14K gold and has the mark for H.A. Kirby of Providence, RI.

Origin: America, ca. 1900. Condition: excellent, very minor flakes to enamel when viewed under 10x magnification. Dimensions: 1-7/8" long. Weight: 3.1 grams.

An interesting pair of 14K gold earstuds, the rectangular faces worked in a textured basketweave design. One earring is in white gold and the other is in yellow. Both are centered with a prong-set round-cut diamond of good clarity and color. Marked "14K".

Origin: America. Condition: excellent. Size: 13/32" x 1/4". Weight: 3.0 grams. Approximate Total Diamond Weight: .2 carat.

A wonderful Art Nouveau stickpin depicting a native American warrior chief in 14K yellow gold. The man’s beautifully detailed face is surrounded by long hair and a feather war bonnet, the band centered by a small bead-set old European cut diamond. A quiver of arrows is slung across the chest. The pin is marked “14K” and has the maker’s mark for Krementz.

Origin: America, ca. 1890. Condition: excellent, sharp details. Size: head, 11/16” x 3/8”; overall length, 2-1/2”. Weight: 1.8 grams.

Lovely late Victorian enameled 14K yellow gold stickpin in the form of a four-leaf clover. Half of each petal is decorated in shaded enamel and the other halves are set with minute seed pearls. The stickpin has the twisted stem that generally indicates an early date. Tested and guaranteed 14K gold.

Origin: America, ca. 1880. Condition: excellent, no enamel damage, all original. Size: head, 7/16” x 7/16”; 2-15/32” overall length. Weight: 1.5 grams.

An attractive 18K gold and green chalcedony band. The carved chalcedony band is enclosed by gold on each side and is adorned with a gold crossband at the front. The ring is stamped with French 18K gold hallmarks.

• Origin: France, ca 1970
• Condition: very good, minor wear to the back side of the gold band
• Finger Size: 6-1/4
• Width: 3/16”
• Weight: 2.1 grams

Very nice 14 karat yellow and rose gold brooch in the Retro Modern style, set with a single deeply lustrous 4.5mm pearl. The circle is rose gold, and the leaves are a slightly green-tinted yellow gold. The interplay of gold colors is a signature of period Retro Modern jewelry. The back is marked by the jeweller, A. J. Hedges & Co.

Origin: Newark, NJ, circa 1935. Condition: virutally mint, all original. Size: 1-11/16" x 1-1/8".

An elegant Victorian 18K gold pendant featuring an onyx plaque centered with a seed pearl. The gold setting is ornately worked in a rope twist motif and with bright-cut engraving. Three tiny seed pearls complete the design. The pendant is stamped with French 18K gold marks.

• Origin: France, ca. 1870
• Condition: excellent
• Dimensions: 1-7/32” x 5/8”
• Weight: 3.0 grams

A classic late Victorian gold padlock clasp. These were used mostly for bracelets but could also be used with necklaces. Today, they are often worn as charms or in their original function. In Victorian jewelry symbolism, padlocks represented the unbreakable bonds of love. The padlock with stamped with the English 9ct mark, but the jump tests as 14K gold.

• Origin: England, ca. 1900
• Condition: excellent
• Dimensions: 9/16” x 13/16” (1-1/16” with jump ring)
• Weight: 2.0 grams

A nice late Victorian silver watch chain with striped niello decoration on alternating links. The chain is finished at one end with a dog clip and at the other with a bamboo-shaped t-bar. The chain is stamped with the Swiss mark for 875 silver used 1882-1934.

• Origin: Switzerland, ca 1900
• Condition: excellent, niello intact
• Length: 17-1/2”
• Weight: 21.0 grams

A nicely detailed 14K gold anchor pendant. In Victorian jewelry, the anchor was meant to convey a sense of hope, security and steadfastness. This classic example is enhanced with a detailed spiral or rope and sharp prongs. The piece is large enough to wear as a pendant or could be used as a charm on a chunky bracelet. Stamped “14K.”

• Origin: America, ca 1890
• Condition: excellent
• Dimensions: 11/16” x 1-1/8 (excluding jump ring)
• Weight: 1.9 grams

Swiss Silver Niello & Gilt Silver Watch Chain An excellent late Victorian silver watch chain with striped niello decoration on the double bar links, alternating with silver gilt curb links. The chain is finished at one end with a dog clip and at the other with a large niello bolt. The chain is stamped with the Swiss mark for 800 silver used 1882-1934.

• Origin: Switzerland, ca 1900
• Condition: excellent, niello intact
• Length: 16-1/4”
• Weight: 15.2 grams

Handsome Napoleon III-era 18K gold brooch in the form of an eagle with spread wings. Eagle motifs were very popular in French jewelry of the 1860's and 70's. This example features a hook from which a lady could hang her gold watch. The eagle's beak holds a small ring that originally would have been attached to a tiny safety chain for the watch. This piece is decorated in the repousse manner, meaning that the design was created by working the gold from the back side rather than engraving the front. The detail is outstanding. The back retains the original pinstem and c-clasp. The back is stamped with the French "tete d'aigle" 18K gold hallmark and with the jeweler's mark (BF).

Origin: France, circa 1870. Condition: excellent, crisp detail. Size: 2-1/4" x 9/16" (excluding watch hook). Weight: 2.5 grams.

Wonderful Art Nouveau 14K yellow gold stick pin in the form of a flying dragon. The coiled body is covered with finely detailed scales and the wings are detailed with webbing. The dragon clasps a small prong-set single-cut diamond in its jaws. The surfaces have the soft matte bloom or “Russian finish” that was often used in the Art Nouveau period. The pinstem is illegibly hallmarked. Tested and guaranteed 10K gold.

Origin: America, ca. 1900. Condition: excellent, sharp detail. Size: head, 11/16” x 11/16”; overall length, 2-1/2” long. Weight: 1.5 grams.

An elegant antique jewelry case covered in rich lipstick-red red velvet finished with satin trim and passementerie trim. The interior is covered in matching tufted silk. The interior of the lid is gilt-stamped “Horlogerie Bijouterie Brilloit Blaye [France].” The box was probably originally meant for a small pocket watch or a medallion. Records indicate the shop was located at 2, cours de La Fontaine as of 1889.

• Origin: France, ca. 1889.
• Condition: excellent; bright color; only the most minimal of wear at the corners.
• Dimensions: 2-1/8” x 2-1/8” x 1-3/8”.

Elegant pair of screwback earrings, each featuring three outstanding 6-mm pearls clusted around small white zircons. The pearls are of exceptional quality--quite similar to Mikimoto. The body color is a bright white with silvery overtones. The skins are smooth and the lustre is very nice. The white zircons have the appearance of diamonds and were often used as diamond substitutes in the first half of the 20th century. The backs are marked "14K".

Origin: America, circa 1920. Condition: excellent, all original. Size: 3/4" x 3/4". Weight: 6.5 grams.

A three-color faceted overlay glass locket in a rolled gold mounting. The glass is cut to show the layers of red, white and blue opaque glass. The back cover is ruby glass dark enough to appear opaque black unless held to the light.

Origin: France, ca. 1875

Condition: excellent, no chips or cracks

Dimensions: 1" x 13/16"

Very nice Art Nouveau 10K yellow gold stickpin in the form of a lady’s head. A 4-pt. old mine-cut diamond of very good quality is set at the end of her trailing hair. The surface of the gold has the “bloomed” texture characteristic of Art Nouveau jewelry.

Origin: probably American, circa 1900. Condition: excellent, all original. Size: head, 11/16” x 7/16”; overall length, 2-7/8”. Weight: 1.5 grams.

An unusually nice Victorian gold-filled locket in the aesthetic taste. The front features a marsh scene of reeds and flowers growing alongside the water’s edge, all worked in different shades of gold. The design is enclosed within an engraved border. The back of the locket is engraved with multiple designs akin to a crazy quilt.

• Origin: probably America, ca. 1860
• Condition: excellent, no wear to gold
• Dimensions: 7/8” x 1-3/8” (excluding jump ring)

Pretty late Victorian pink and white shell cameo set in a 10K yellow gold frame with floral engraving. The back of the setting has both the original pinstem and the original folding bale, so that the piece can be worn as either a brooch or pendant.

Origin: America, ca. 1900. Condition: excellent, except a fracture near the left edge (perhaps a flaw in the shell itself). Size: 1" x 7/8".

Lovely Edwardian bar pin of 10K white laid over 10K yellow gold, beautifully worked in an ornate filigree and millegrained pattern, centering a 1-pt. round brilliant-cut diamond. The back is marked "10K" and also has a maker's mark.

Origin: America, circa 1910. Condition: excellent, all original. Size: 2-9/32" long.

A classic modernist silver pendant or charm representing the Zodiac sign Aquarius (“le Verseau”). A long-haired maiden pours water from a large ewer. The design is worked with a semi-matte finish and is enclosed in a highly-polished frame. The pendant retains its original jump ring. The pendant is stamped with French second-standard (800/1000 pure) silver hallmarks in use before 1962 and an unidentified maker’s mark (A cross P).

• Origin: France, ca 1955
• Condition: excellent
• Dimensions: 25/32” x 25/32” (20 x 20 mm) excluding bail and jump ring
• Weight: 4.6 grams

A classic mid-century silver pendant or charm representing the Zodiac sign Libra (“la Balance”). A detailed scale appears over a stippled background and is accompanied by the classic iconographical symbol for balance. The pendant is stamped with French second-standard (800/1000 pure) silver hallmarks in use before 1962 and an unidentified maker’s mark.

• Origin: France, ca 1955
• Condition: excellent
• Dimensions: 13/16” diameter excluding bail and jump ring
• Weight: 3.8 grams

Very delicate 10K yellow gold pin set with a collet-set square-cut synthetic ruby. The linear design and the geometric shape of the stone show the beginnings of Art Deco influence. Similarly, the use of a synthetic stone is common in jewelry of the period. Even makers such as Cartier and Van Cleef & Arpel used synthetics. Marked "10K".

Origin: America, circa 1935. Condition: excellent, except for a chip on one corner of the stone; all original. Size: 3/8" x 1-1/16".

Very nicely detailed 14K yellow gold Victorian stickpin in the form of a maple leaf set with 5 seed pearls. The back is marked "14K".

Origin: America, circa 1900. Condition: excellent, all original. Size: 2-1/4" long.

Very nice Victorian 14 karat yellow gold stickpin in the shape of a horseshoe, set with nine seed pearls. Marked "14K".

Origin: America, circa 1900. Condition: excellent. Size: 2" long.

A vintage 18K yellow gold heart-shaped pendant/charm, the border set with alternating cushion cut Burmese rubies and old mine cut diamonds. Like most Retro pieces, the large size has great presence. The rubies have fine, bright red color and VS clarity, and display all the characteristics of Burmese rubies. There are no indications of heat or other treatment. The diamonds are of similarly fine quality, graded as I color, SI clarity. The bail is marked “750” for 18K gold. The pendant is ideal for monogramming, but there is no evidence of any previous engraving.

NOTE: The pendant is shown with a 16" 14K gold chain available for an additional $125.

• Ca. 1940.
• Condition: excellent, all original.
• Dimensions: 1” x 1-1/8” (excluding bail).
• Weight: 6.1 grams.
• Approximate Total Gemstone Weight: ruby, .6 carat; diamond, .4 carat.

An exceptional pair of Art Deco platinum, emerald, diamond and onyx cufflinks by Cartier. Each face is made from a melon-carved emerald bead dating to India's Mughal Empire (17th/18th centuries), topped with a round onyx disk centered with an old European cut diamond. The emeralds, variously weighing approximately 5.94, 5.49, 4.53 and 4.20 carats, totalling just over 20 carats. The emeralds have a strong green color with natural inclusions characteristic of the Chivor mines in Colombia. The diamonds are graded as F color, VVS clarity. The faces are joined with removable dog clip connectors. The fixed mountings are marked with the workshop master's mark used in the 1920s and French platinum marks and are signed “Cartier.” The cufflinks are presented in their original fitted, silk- and velvet-lined, fitted leather case.

Jacques Cartier was one of the first European jewelers to travel to India and to acquire antique emerald, ruby and sapphire beads from the maharajahs. These stones were re-set in Cartier's Paris workrooms. One of the most important commissions using carved Mughal beads was a brooch for Marjorie Merriweather Post. That brooch features emeralds carved in the same shape as those in these cufflinks.

• Origin: France, ca. 1920
• Condition: excellent, all original
• Dimensions: faces, approximately 7/16" diameter
• Condition: excellent; emeralds have surface wear consistent with 300-400 years of use as jewelry
• Weight: 8.4 grams
• Approximate Total Gemstone Weight: diamond, .24 carat; emerald, 20.16 carats

A magnificent late Georgian multi-colored 18-22K gold bracelet comprising ten heavily detailed plaques. Each primary plaque, in the form of scallop shells in a cruciform arrangement with a large multi-tiered rosette at the center set with an old mine cut diamond. Each primary plaque is set at the corners with antique cushion cut Colombian emeralds. The secondary plaques have floral and acorn decoration and smaller rosettes centering old mine cut diamonds. The gold is very subtly colored, with the rosettes being just a shade pinker than the surrounding gold. The smaller rosettes are enhanced underneath the petals with small floral sprays worked in green and rose gold. The surface decoration is simply exquisite. The diamonds are J color, SI1 clarity and have very good brilliance. The emeralds have intense pure green coloring and fine clarity. The bracelet is entirely original, including the box clasp. Testing indicates that the gold content is somewhere between 18K and 22K.

Origin: probably England, ca. 1835. Condition: excellent, all original. Dimensions: 1-1/8" wide; 7-1/4" long. Weight: 62.8 gr. Approximate Total Gemstone Weight: diamond, 1.75 cts; emerald, 1.24 cts.

A stunning and extremely rare 14K yellow gold, green tourmaline and pearl bracelet signed by Everett Edward Oakes. The bracelet comprises nine comma-shaped flaring gold links, each set with either a tourmaline cabochon or a pearl. The gems are set in the notched collet-setting frequently employed by Oakes to show off a stone’s color and overall quality. The tourmalines have fine green color with moderate saturation and medium tone. The clarity is excellent for tourmalines of this type. The pearls are equally fine, with good shape and bright rose overtones. The design, with nearly a Retro feel, is a bit more modern than is often associated with Oakes, but the beadwork and notched collets are typical. The tongue of the concealed box clasp is marked “14K” and bears Oakes’ oak leaf signature.

Edward Everett Oakes (1891-1960) was perhaps the foremost Arts & Crafts jeweler in America. He was a member (and medallist) of the Boston Arts & Crafts Society, and became the first living artist to have a work acquired for the permanent collection of the Metropolitan Museum of Art. He trained with Frank Gardner Hale and worked for a few years with Josephine Hartwell Shaw. Oakes’ work shows a certain similarity with both Hale and Shaw. Most of his pieces are unsigned, but can often be identified based on their decorative motifs and construction techniques.

Origin: America, ca. 1930. Condition: excellent, one pearl link has been removed to shorten the bracelet to a normal length. Size: 7-5/8” long; 1/2" wide. Weight: 24.69 grams. Approximate Total Gemstone Weight: tourmaline, 8.95 cts.

An outstanding Retro 18K gold mesh buckle bracelet generously set with diamonds and rubies. The bracelet is constructed with alternating bands of rose and yellow gold, creating a subtle striped pattern. The buckle is topped with platinum and is set with old European cut diamonds around the frame and calibre-cut synthetic rubies (typical of the period) on the prong. The tip of the bracelet strap is channel-set with synthetic rubies. The diamonds are H/I color and VS1 clarity. The mesh has a series of six small "belt holes" that allow the bracelet to be sized appropriately in 1/4-inch increments anywhere from 6 to 7 1/4 inches. The buckle is further secured with a safety catch. Tested and guaranteed 18K and platinum.

• ORIGIN America, ca. 1935
• DIMENSIONS: overall length, 8 3/4"; strap width, 7/8"; buckle width, 1 5/16"
• WEIGHT 80.3 grams.
• APPROXIMATE TOTAL GEMSTONE WEIGHT: diamond, 1.18 carats; ruby, 2.16 carats
• CONDITION excellent

A magnificent pair of Retro leaf-shaped earrings and a matching brooch by Cartier. The leaves are worked in 18K yellow gold and are exquisitely detailed with delicate veining against a softly bloomed matte finish. The stems are worked in palladium, a metal from the platinum group that was used during World War II when platinum was banned from use in jewelry. The stems are bead-set with round single- and brilliant-cut diamonds. The diamonds are very good quality, as expected in vintage Cartier. The brooch has a hinged double pinstem and small safety hooks. The earrings retain their original clip backs with the hinged comfort tabs. The brooch is signed "Cartier" and is marked "18K". The earrings are signed "Cartier", are marked "18K" and "Pal" and have the design serial numbers.

Origin: French design (probably retailed in NY), ca. 1940. Condition: excellent, all original, sharp detail. Size: brooch, 1-29/32" x 1-3/4"; earrings, 1-1/16" x 25/32". Weight: brooch, 21.1 grams; earrings, 10.9 grams. Approximate Total Diamond Weight: 1.0 ct.

A magnificent 18K gold, sapphire, emerald and ruby dome ring by David Webb. The textured gold is accented with rows of ropework bands punctuated with collet-set cabochon gemstones. The rich, intense colors of the stones beautifully accent the intricate gold. The extra-wide shank keeps this heavy statement ring from turning on the finger. The interior is signed "Webb 18K."

Origin: America, ca. 1970. Condition: excellent. Dimensions: 15/16" wide, tapering to 5/8" at the back. Finger Size: 8. Weight: 31.5 gr. Approximate Total Gemstone Weight: emerald, 1.18 cts; sapphire, 1.89 cts; ruby, 2.15 cts.

An imposing 18K yellow gold hinged bangle bracelet set with sapphires and diamonds. A row of alternating old mine cut diamonds and cushion cut sapphires stretches across the top of the bracelet, flanked on either side by a row of rose cut diamonds set in silver. The sapphires, each of about .75 carat, are of outstanding quality, with vibrant pure blue coloring, eye-clean clarity, and a velvety appearance. The diamonds, each of about .6 carat, are graded as G/SI1. The bangle is double-hinged so it's very easy to get on. The clasp is stamped with French 18K gold marks.

• Origin: France, ca. 1850.
• Condition: excellent; a few very small dings on the back side but no major dents or scrapes.
• Dimensions: 5/8" wide; 6-1/2" interior circumference.
• Weight: 34.8 grams.
• Approximate Total Gemstone Weight: sapphire, 3.08 carats; diamond, 2.78 carats.

A stunning 18K gold "Double Cable" cuff bracelet with two stations set with round brilliant diamonds (G/VS1) and French cut rubies. This is a very rare model from Yurman. We have seen it only once before, set with emeralds. The back of each station is signed "D Yurman/18K" and the endcaps are marked "D Yurman 750."

• Origin: America, ca. 1990
• Condition: excellent
• Dimensions: width, 9/16"; width, 1/2" at stations, 12/32" along cables
• Weight: 39.5 grams
• Approximate Total Gemstone Weight: diamond, 1.08 carat; ruby, 1.1 carat.