Catalog: Estate Jewelry (1632)

A vintage 18K yellow gold turtle brooch set with rubies by Cartier. The turtle’s shell is formed as interwoven wide ribbons of textured gold, the intersections prong-set with round brilliant-cut rubies. The eyes are also set with small rubies. Parts of the gold have a Florentine finish while others are smooth, creating very pleasing contrast. The rubies are of very fine quality, with strongly saturated color and eye-clean clarity. The reverse side of the pin is worked in a trellis pattern. The back is marked with “Cartier 18K” and has a serial number. The pin could easily be converted to a pendant by adding a bail under the head.

• France, circa 1965
• Excellent condition
• 1-7/16 x 1"
• 15.2 grams
• Ruby, .44 carat

An extremely rare pair of 22K yellow gold cufflinks designed by the famous surrealist painter Salvador Dali. Inspired by his hero, Louis XIV, Dali minted a limited number of his own gold coins in 1966. The artist called his gold coin the "Dali d'or" after the "Louis d'or" coins created for the French king. The coins were minted in four sizes and values, and Dali occasionally used them to pay debts he owed to friends.

In 1967, a year after creating the money, Dali collaborated with the luxury jeweler Piaget to create a line of jewelry incorporating the remaining coins. Dali d'or jewels are quite rare, but can be found as watches, pendants, earrings, brooches and cufflinks.

Like the royal coins, Dali's personal coins featured his likeness along with that of his wife, Gala, on the front. Their faces are surrounded by laurel leaves, fleurs-de-lys and eggs, the last element a recurring symbol of rebirth in Dali's works. The same motifs are repeated on the back, but without the faces and in an even more surrealistic design. Each coin is signed and dated by Dali and is incised with its edition number. The coins used for this pair of cufflinks are #1495 and #1499.

The toggle findings are worked in 18K gold and are signed "Piaget".

Origin: Spain and France, 1967. Condition: excellent, sharp detail. Size: 1" diameter. Weight: 35.8 grams.

A very nice 14K yellow gold pendant set with a circle of diamonds around a natural black star sapphire. The cabochon sapphire is very fine quality with excellent asterism (the star-like effect). The diamonds are bead-set in white gold. Exposed areas of gold have a Florentine finish that contrasts nicely with the sparkle of the diamonds and sapphires. Tested and guaranteed 14K gold.

The 16" 14K gold chain shown in the photos is available for an additional $85.

Origin: America, ca. 1970. Condition: excellent. Size: 17/32” diameter. Weight: 2.75 grams. Approximate Total Gemstone Weight: sapphire, .66 carat; diamond, .2 carat.

A stunning vintage 18K yellow gold ring featuring an outstanding 1.60-carat Burmese ruby surrounded with diamonds by Tiffany & Co. Tiffany has not sold rubies since 1999 due to the U.S. embargo of Myanmar, and the design of this ring suggests it was made in the 1950s or 60s. The inside of the shank is marked “Tiffany & Co.” and “18K”.The ring is presented in its original dark blue velvet, satin-lined ring box marked “Tiffany & Co.”.

The ruby is fashioned in an oval mixed cut, measuring approximately 8.75 x 6.85 x 3.60 mm. The ring is accompanied by GIA origin report indicating that the ruby is of Burmese origin and shows no indications of heat treatment. The stone is a strongly saturated, medium-dark purplish-red color (pR 6/5). The cut displays good brilliance and proportions and a fair surface finish. The pear-shaped brilliant-cut diamonds are estimated at F color, VVS1 clarity.

Origin: America, ca. 1960. Condition: light thinning at the back of the shank. Finger Size: 8. Size: 9/16” x 1/2”. Weight: 3.9 grams. Approximate Total Gemstone Weight: ruby, 1.60 carats; diamond, 1.33 carats.

A handsome pair of French 18K yellow gold cufflinks, the faces comprising white jasper chalcedony carved into quadrants and enhanced with rope-twist gold bindings. The faces are connected by chains to barbell backs. The jasper chalcedony has a very attractive translucent milky white color with a tinge of bluish-gray (the photographs seem to have a more pink tint). Each cufflink is stamped with French 18K gold marks and with an illegible maker's mark.

Origin: France. Dimensions: 9/16" x 9/16". Weight: 11.3 gr.

A heavy 18K yellow gold egg-shaped fob charm decorated with ornate beading and twisted wirework in the Victorian Etruscan Revival style. The fob is further enhanced with oval and round coral cabochons. The coral is the intense orangey-red shade displayed by coral along the Mediterranean coast. Unlike most fob charms of this type, this example is hinged and opens to serve as a small container. In Victorian times, such a container would have held a small pad soaked in perfume so a lady wouldn't have to endure the smells on the streets. Marked “750” for 18K gold.

Origin: Italy, ca. 1960. Size: 1-3/8” long (excluding jump ring). Weight: 13.6 grams.

A nice pair of 14K yellow gold cufflinks in the form of horse stirrups. The toggle backs are marked “585” and “Germany 14Kt” and have the maker’s mark “MV”.

Origin: Germany, ca. 1960. Condition: excellent. Size: 3/4” x 5/8”. Weight: 9.0 grams.

A wonderful pair of Modernist sterling silver cufflinks from Taxco, the center of Mexican silver jewelry production in the 20th century. The design is strongly geometric, but has an organic quality as well--almost like a leaf shape. The interiors are nicely oxidized to contrast with the appliqued silver spheres. The backs are hallmarked with the "3M" mark attributed to Miguel Melendez' output from the late 1950s and early 1960s. Melendez was a master silversmith and worked as a designer for many of Taxco's most important makers such as Margot.

Origin: Mexico, ca. 1960. Condition: excellent, all original, beautiful patina. Size: 1-1/4" x 13/16". Weight: 18.0 grams.

A heavy 18K yellow gold ovoid fob charm decorated with ornate beading and twisted wirework in the Victorian Etruscan Revival style. The fob features oval and round mixed-cut citrines in fluted collet settings. The stones along the sides are in a medium honey color, while the bottom stone is deep amber. Tested and guaranteed 18K.

Origin: Italy, ca. 1960. Size: 1-3/8” long. Weight: 15.2 grams. Approximate Total Gemstone Weight: 32.2 carats.

A fine pair of modernist 18K yellow gold earclips by Burle Marx set with intricately carved amethysts in the “forma livre” (free form) style. Haroldo Burle Marx was particularly known for his use of large gemstones, often fashioned by carving or tumbling rather than faceting, a technique he invented in 1948. The color of the amethyst is deep purple and is nicely even throughout the stones. The gold surfaces are decorated with the fine florentined engraving typical of Marx’s pieces. The backs of the earrings are signed “Burle Marx/750” and “Ind Bras/GB/791”. The earrings have clip mechanisms, but posts could easily be added without disturbing the integrity of the earrings.

Marx worked in his native Brazil, and his only international boutique was at the Watergate Hotel in Washington, DC. He was chosen by the Brazilian government to create gifts for visiting heads of state and their wives, including Empress Nagako of Japan, Empress Farah Diba of Iran, Queen Margarethe of Denmark and Indian Prime Minister Indira Gandhi. He was also a favorite jeweler of Natalie Wood and Merle Oberon. One of his most important commissions was a gem-encrusted cross made for Pope John Paul II.

Origin: Brazil, ca. 1965. Condition: excellent, all original.

NOTE: We are also offering a matching ring (Item #1233380).

An exquisite and very fine 18K yellow gold jewel by Henry Dunay, one of the greatest American jewelers of the latter 20th century. The piece comprises a 32" necklace of domed, oval gold links joined by polished arched connectors. The outer surfaces of the links are stippled in a roughly textured finish that contrast nicely with the arched connectors. Two of the links have hidden hinged clasps so that the necklace can be separated into a shorter necklace and a bracelet. Two of the arched connectors are joined together at the midpoint to suspend a detachable pendant inspired by ancient Mayan motifs. The pendant is quite large, but the openwork and geometric approach to the design maintain a sense of lightness. The pendant can also be worn as a brooch. All pieces are signed by Dunay and are marked 18K.

The piece is accompanied by a written appraisal (GIA & NAJA) indicating a total replacement value of $34,000. Mr. Dunay, himself, indicated that he recalled making the piece in 1968 or 1969. At that time he did not systematically document his creations, so the jewel has not appeared in published works. He suggested he would charge $34,000 to recreate the piece today.

Origin: America, ca. 1968. Condition: excellent, all original. Size: full necklace length, 32" bracelet length, 8-1/2"; shortened necklace length, 23-1/2"; pendant/brooch, 2-11/16" diameter. Weight: 249.09 grams/8.009troy ounces.

A very attractive 18K yellow gold ring set with an amethyst by the famed mid-century Brazilian designer Haroldo Burle Marx. Burle Marx is well-known for his free form designs, but his collaborations with his brother, the landscape architect Roberto Burle Marx, had a much more linear, abstract feel as in this piece. The amethyst at the center is of the very finest quality, with intensely purple color and excellent clarity. The gold is completed with the finely worked florentined finish typical of Burle Marx's work. The interior of the shank is fully signed.

Burle Marx worked in his native Brazil, and his only international boutique was at the Watergate Hotel in Washington, DC. He was chosen by the Brazilian government to create state gifts for Queen Elizabeth, Empress Nagako of Japan, Empress Farah Diba of Iran, Queen Margarethe of Denmark, Prime Minister Indira Gandhi of India, and many others. In Hollywood circles, he was a favored jeweler to Merle Oberon and Natalie Wood.

• Brazil, ca 1970
• Excellent condition
• 1-1/16" wide at crown, tapering to 3/16" at the back of the shank
• Finger Size: 5-3/4
• 17.0 grams
• Approximate Gemstone Weight: 3.08 carats

A wonderful 18K yellow gold cocktail ring featuring a "forma livre" (free-form) green tourmaline by the famed mid-century Brazilian designer Haroldo Burle Marx. Burle Marx invented the technique of carving and tumbling forma livre stones in 1948, and the style became his signature. The tourmaline has a deep green color with just a tiny hint of blue undertones, and is set in a florentined finished typical of Burle Marx's work. The interior of the shank is fully signed with Burle Marx's marks.

Burle Marx worked in his native Brazil, and his only international boutique was at the Watergate Hotel in Washington, DC. He was chosen by the Brazilian government to create state gifts for Empress Nagako of Japan, Empress Farah Diba or Iran, Queen Margarethe of Denmark, and Prime Minister Indira Gandhi or India. In Hollywood circles, he was a favored jewelry of Merle Oberon and Natalie Wood.

Origin: Brazil, ca. 1965. Condition: excellent, all original. Dimensions: crown, 1-1/4" long x 11/16" wide x 1/2" deep; shank tapering to 1/8". Finger Size: 5 (the signature is placed in a way that the ring can be sized up). Weight: 16.5 gr. Approximate Gemstone Weight: 26.0 cts.

An extraordinary modernist fringe necklace in 18K yellow gold and green tourmaline by the famed Brazilian modernist jeweler Haroldo Burle Marx. Burle Marx invented the technique of carving and tumbling forma livre ("free form") gemstones in 1948, and the technique became his signature. Most often, he used colorful stones native to Brazil—tourmalines, amethysts, aquamarines, citrines, etc. The tourmalines in this necklace are of the finest quality, with pure deep green coloring that contrasts beautifully with the gold mounting. Burle Marx never used pre-cast elements in his jewelry, and each piece was completely raised by hand from a gold ingot. All the plain gold links are accented with a brushed texture, and the links set with tourmalines have a contrasting florentined finish. The back of the clasp is stamped with Burle Marx's signature and 18K marks.

Burle Marx worked in his native Brazil, and his only international boutique was at the Watergate Hotel in Washington, DC. He was chosen by the Brazilian government to create state gifts for the empresses of Japan and Iran, the queen of Denmark, and the prime minister of India, among others. In Hollywood circles, he was a favored jeweler to Natalie Wood and Mergle Oberon.

Origin: Brazil, ca. 1965. Condition: excellent, all original. Dimensions: 2-1/16" wide from the necklace line to the bottom of the central drop; overall necklace length, 16" (our jeweler can hand-make additional matching links to achieve your desired overall length.) Weight: 81.2 gr. Approximate Total Gemstone Weight: 57.58 cts.

NOTE: We also have a matching ring acquired from the same source (Item #1350545).

A vintage 14K white gold navette-shaped cocktail ring, set with round brilliant cut diamonds and round blue sapphires. The diamonds are I/J color and I1 clarity. The sapphires are graded as medium-dark blue color and eye-clean clarity. The inside of the shank is stamped 14K.

Origin: America, ca. 1970. Condition: excellent. Dimensions: crown, 3/4" x 1/2". Finger Size: 7. Weight: 5.6 gr. Approximate Total Gemstone Weight: diamond, 1.5 cts; sapphire, 1.0 ct.

A very attractive pair of 18K yellow gold cufflinks in the stirrup (“etrier”) style originally popularized by Cartier in the Art Deco era. The solid hinged bar passes through the cuff holes and the angled legs surround the outside of the cuffs to hold them securely together. The legs are decorated in an elegant herringbone weave pattern that creates just a little soft sparkle. The cufflinks are fully stamped with French 18K gold hallmarks and have an unidentified maker’s mark.

Origin: France, ca. 1960. Condition: excellent, all original. Size: 1” x 3/4". Weight: 13.0 grams.

A fine modernist 18K yellow gold ring by Burle Marx set with an intricately carved amethyst in the “forma livre” (free form) style. Haroldo Burle Marx was particularly known for his use of large gemstones, often fashioned by carving or tumbling rather than faceting, a technique he invented in 1948. The color of the amethyst is deep purple and is nicely even throughout the stone. The gold surfaces are decorated with the fine florentined engraving typical of Marx’s pieces. The interior of the shank is signed “Burle Marx/750” and “Ind Bras/GB/791”.

Marx worked in his native Brazil, and his only international boutique was at the Watergate Hotel in Washington, DC. He was chosen by the Brazilian government to create gifts for visiting heads of state and their wives, including Empress Nagako of Japan, Empress Farah Diba of Iran, Queen Margarethe of Denmark and Indian Prime Minister Indira Gandhi. He was also a favorite jeweler of Natalie Wood and Merle Oberon. One of his most important commissions was a gem-encrusted cross made for Pope John Paul II.

Origin: Brazil, ca. 1965. Condition: excellent, all original. Finger Size: 6-1/4. Dimensions: crown, 19 x 23 mm (3/4 x 29/32 in); shank tapers to 4 mm (5/32 in) at the back. Weight: 14.1 gr.

NOTE: We are also offering a matching pair of earrings (Item #1233381).

A fine pair of modernist silver cufflinks by master Danish designer Niels Erik From. The large concave round faces are each set with a round amber cabochon in a dark reddish-orange color approaching that of cherry amber. The cabochons are set at the edges to create a very modern, assymetrical look. From moved away from traditional Scandinavian design in the 1960’s with very bold, angular designs such as this. The connectors are marked “Sterling/Denmark/N.E. From/925S”.

Origin: Nakskov, Denmark, ca. 1965. Condition: excellent, polished. Size: 7/8” diameter. Weight: 11.5 grams.

A very rare 18K yellow gold ring set with a black pearl designed by Jean Dinh Van for Pierre Cardin. The design has an overall trapezoidal shape. The shank is doubled at the back and then comes together into a single head at the front, where it grasps a single black pearl. The 6mm pearl has nice lustre and even, natural coloring. The back of the shank is fully stamped with the French goldsmith's mark and "18K". The interior is signed "Pierre Cardin".

Jean Dinh Van is one of the most important modernist French jewelers. He apprenticed at Cartier before starting his own studio in 1965. Dinh Van collaborated with most of the avant-garde fashion designers of the era, including Pierre Cardin and Paco Rabanne. The squared-off outline and simple placement of a single pearl is very typical of Dinh Van's work for Cardin, yet this is the first example we've seen of this design. One of his designs for Cardin is included in the permanent collection of the Musée des Arts Décoratifs in Paris and is published in numerous books.

Origin: France, ca. 1966. Condition: excellent. Finger Size: 5-1/2. Dimensions: shank, 1/8" wide at front, 1/4" wide at back. Weight: 5.7 grams.

A heavy 18K yellow gold Venetian Etruscan fob charm in a crown form, set with five oval brilliant cut amethysts and four pearls. The amethysts have nice intense coloring and good clarity. The gold surfaces are ornately decorated with ropetwists and rosettes. Marked 18K.

Origin: Italy, ca. 1960. Condition: excellent. Dimensions: 3/4" x 1-1/16" x 1-3/16" (excluding jump ring). Weight: 11.9 grams. Approximate Total Gemstone Weight: 11.83 cts.

A fabulous pair of mid-century 18K yellow gold and platinum earclips by Cartier set with brilliant round cut diamonds. The gold surfaces are cast in a rough texture that contrasts beautifully with the bright diamonds set in platinum. The diamonds, as expected of Cartier, are extremely fine quality (E color/VVS2 clarity). French jewelry became more flamboyant in the 1960s, as wartime restrictions eased. Most importantly, jewels were designed for the "modern woman" who wanted to transition her look seamlessly from day to evening. When worn, these flame-like earrings cradle the entire earlobe and rise up gently along the back side of the lobe. Each earring bears French hallmarks and is signed "Cartier."

• Origin: France, 1960s
• Condition: excellent
• Dimensions: 5/8" x 1-1/4"
• Weight: 12.3 grams
• Approximate Total Diamond Weight: 1.5 carats

A stunning pair of vintage 18K yellow gold and platinum earclips set with diamonds by Cartier. The clips are worked in heavily textured gold that resembles a flame motif that ascends the earlobe when being worn. The recessed parts of the texture are unpolished, creating a strong contrast with the remaining highly-polished surfaces. Each clip features a irregularly shaped cluster of nine platinum-set round brilliant diamonds, graded as E-VVS2. These earrings are a lovely example of Cartier's prevailing style in the early 1960s. The gold shortages that followed World War II were in the past, so jewelry could take on a heavier look; and there was a pronounced fondness for chunkier, daytime jewelry that reflected the modern woman. It was important, however, that the jewelry could be worn in the evening as well. The backs are signed "Cartier France" and bear all the appropriate marks for 18K gold. The clips are original and never had posts, but posts could be added without disturbing any of the signatures or markings.

Origin: France, ca. 1962. Condition: excellent. Size: 5/8" x 1-1/4". Weight: 12.3 grams. Approximate Total Diamond Weight: 1.0 carat.

A lovely 18K yellow gold Sputnik ring by H Stern. The dome is bezel-set with round citrines amethysts, green and pink tourmalines, garnets and aquamarines. This design was created in the 1950s to highlight the range of colored gemstones available from Stern’s Brazilian mines. It came to be called “Sputnik” because of its resemblance to the spiky Soviet satellite launched in 1957. Each piece has a unique appearance depending on the particular selection and placement of the stones. This particular example has a warm appearance, with an abundance of medium-tone gold and deep crimson colors. Tested and guaranteed 18K.

Origin: Brazil, ca. 1955. Condition: excellent, all original. Dimensions: dome, 11/16” diameter. Finger Size: 6-3/4. Weight: 3.5 grams. Approximate Total Gemstone Weight: 3.14 cts.

A large 18K gold, ruby & diamond love pendant (“medaille d’amour”) with a rebus spelling out “plus qu’hier, moins que demain” (“more than yesterday, less than tomorrow”), a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand author of “Cyrano,” in 1889. The word plus is represented by a plus sign set with a small rose cut diamond, while “moins” is represented by a minus sign set with small synthetic rubies. The medal is surrounded by a lacy Gothic-style gold border. Alphonse Augis began designing these love medallions in 1907, and the styles have changed over the years.

• Origin: France, ca. 1960.
• Dimensions: 1-3/8” diameter.
• Weight: 5.7 grams.
• Approximate Total Gemstone Weight: diamond, .01 carat; ruby, .04 carat.

Very stylish vintage 14K yellow gold brooch by Tiffany & Co. The simple flowing design will nicely accent a business suit or a little black dress. The back is marked "Tiffany & Co. 14K Germany". Ca. 1960. Condition: excellent, all original. Size: 2-5/16" x 5/8". Weight: 4.0 grams.

A superb pair of vintage couture 18K yellow gold and carnelian cufflinks by Pierre Cardin. The square faces, with rounded corners, support round carnelian plaques of very rich color. The gold structure beneath the carnelian shows through the translucent gemstones to create a strong geometric pattern typical of Cardin's aesthetic. Cardin was fascinated by the juxtaposition of squares and circles beginning with his famous "Bubble Dress" in 1954, and he returned to the theme repeatedly over the next two decades. The faces are attached with solid arched connectors to spherical backs.

In the 1960's, Cardin collaborated with a handful of young modernist jewelry designers such as Jean Dinh Van to create fine jewelry items. There were never many of these designs, and they were only sold at Cardin's flagship couture boutique in Paris. Some of these rare designs have now entered the permanent holdings of the French national jewelry collection at the Musee des Arts Decoratifs in Paris.

The cufflinks are signed "P. Cardin" and are fully hallmarked with appropriate French stamps for 18K gold.

Origin: France, ca. 1968. Condition: excellent, all original. Size: 5/8 x 5/8". Weight: 15.1 grams.

A delightful vintage 18K yellow gold brooch in the form of a leopard by Fred of Paris. The leopard's spots a created of black enamel and his eyes are set with round emeralds flanked by round single-cut diamonds. The gemstones are of superb quality, as expected from one of the world's great jewelry houses. The brooch has a two-prong clip on the back. It bears French 18K gold hallmarks and is signed "Fred-Paris."

Origin: France, ca. 1960. Condition: excellent. Size: 2-3/8" x 1-9/16". Approximate Total Gemstone Weight: diamond, .13 ct; emerald, .04 ct. Weight: 27.8 gr.

A beautiful double-strand pearl and 18K yellow gold bracelet by Mikimoto. The bracelet comprises 48 pearls, graded as fine AA. The pearls are 6.5 to 7.00 mm. The color is medium cream with rose overtones. The luster is bright and the nacre is of medium thickness. The pearls are beautifully matched, as would be expected of Mikimoto. The strands are separated by two gold station spacers and are completed with an 18K yellow gold box clasp with repousse floral decoration and a 4.2 mm pearl. The clasp is fully hallmarked for 18K and is signed with Mikimoto’s oyster shell hallmark. The strand is accompanied by a 2010 independent NAJA appraisal confirming the above information and stating a replacement value of $4,650.

Origin: Japan. Condition: excellent, no pearl damage, secure stringing. Size: 7-1/4” long.

A handsome pair of mid-century modern 14K gold and malachite cufflinks reminiscent of an Aztec design. The arch cabochons of malachite have very nice color n markings. The gold surfaces are stippled for added textural interest. The toggle backs are stamped "14k."

• Origin: America, ca. 1970.
• Dimensions: faces, 1 1/8" x 23/32"
• Weight: 18.0 grams.
• Condition: excellent

A rare pair of mid-century haute couture cufflinks by Pierre Cardin. Each face comprises a carved jadeite bead simply mounted on a gold post. The backs are slightly arched gold bars. The jadeite beads are carved in a floral pattern and are done so in a way that they are carved completely through from one side to another. It’s likely that the cufflinks were constructed from an antique strand of jadeite beads. The jade has noticeable mottling in natural, strongly saturated shades of dark, medium and light green. The translucency is fair. Magnification and absorption spectra show no signs of dye. The connectors are signed “Pierre Cardin†and are fully hallmarked with French 18K marks. Pierre Cardin designed a very limited line of fine jewels in the 1950s and 60s. They were sold only at the couturier’s main store and are quite difficult to find now. Origin: Paris, ca. 1960. Condition: excellent, all original, no cracks or chips. Size: 1/2†diameter. Weight: 10.4 grams.

An impressively large 18K yellow gold Venetian Etruscan fob charm or pendant in a crown shape set with large oval amethysts enhanced with smaller round amethysts. The gold surfaces are enhanced with twisted wire, rosettes and beading. The amethysts have very rich, deep violet coloring. Marked “750” for 18K.

Origin: Italy ca. 1960. Condition: excellent. Dimensions: 1-3/8” x 1-1/8” x 1-3/8” (excluding bail). Weight: 25.2 gr. Approximate Total Gemstone Weight: 27.29 cts.

A very fine and heavy vintage 14K yellow gold necklace by Tiffany & Co. The timeless braided design is enhanced by the gradual tapering of width from the center toward the clasp. The flat braided construction allows the necklace to life flat against the throat. This design has been reinvented several times over the years, and this piece likely dates from the 1960s. It is not currently available, but chains of similar weight are available from Tiffany in the $5,000 range. The clasp is marked “Tiffany & Co. 14K”.

Origin: America, ca. 1960. Condition: excellent, all original. Size: 16-1/4” long; 3/8” wide at center. Weight: 31.2 gr.

A delightfully fun 14K yellow gold ring featuring a perky bunny rabbit standing on his hind legs. The ring was created from a vintage lapel pin with the addition of a 14K gold shank. The back of the rabbit is marked "14K."

• Origin: America, ca. 1970
• Condition: excellent
• Dimensions: rabbit, 7/8" x 1/2"
• Finger Size: 6 1/2
• Weight: 4.3 grams

A pair of Modernist 14K gold and sapphire cufflinks in the brutalist style. The gold surfaces are etched in a Florentine finish that contrasts nicely with the rich blue sapphires. The toggles are marked "14K".

• ORIGIN America, ca 1970
• DIMENSIONS 1 1/8" x 3/8"
• WEIGHT 14.8 grams
• APPROXIMATE TOTAL GEMSTONE WEIGHT: sapphire, .84 carat
• CONDITION excellent

A fine vintage Tiffany & Co stylized leaf brooch worked in 18K gold and set with sapphires and diamonds. The elegant form is created from wirework that gives the brooch a light feeling despite its generous size. Tiffany employed this gold wire construction to simulate feathers, animal fur and other natural textures. The gems are prong set above the gold background for added dimension. The diamonds are G color, VS1 clarity; the sapphires have medium-dark, strongly saturated blue violet-blue color. The back has a two-prong fur clip and is marked "Tiffany & Co".

• Origin: America, ca. 1965
• Condition: excellent
• Dimensions: 1-5/8" x 1-3/8"
• Weight: 10.8 grams
• Approximate Total Gemstone Weight: apphire, .56 carat; diamond, .50 carat.

A nice Italian Etruscan style 18K gold lantern-shamed fob charm enhanced with coral cabochons. The midsection of the charm is left open to give it a feeling of lightness and to bring more life to the coral. The gold surfaces are enhanced with twisted wire and rosette decoration. The charm is stamped “750” for 18K.

• Origin: Italy, ca. 1960
• Condition: excellent
• Dimensions: 1” wide, 1-1/4” long (excluding jump ring)