Catalog: Estate Jewelry (1632)

A fine Victorian 14K gold stick pin in the form of a sword. The ornate hilt is bead-set with seed pearls and old European cut emeralds. The emeralds are of very fine quality, with excellent color. The back has a small bale that can be attached to a safety pin and chain, if desired. Tested and guaranteed 14K gold.

Ca. 1890. Condition: excellent. Size: hilt, 7/8” x 3/4"; overall length, 2-5/8”. Weight: 2.5 grams. Approximate Total Emerald Weight: .2 carat.

A lovely 18K yellow and white gold and ruby heart-shaped love pendant (“medaille d’amour”) with a rebus spelling out Plus qu’hier, moins que demain,” (“More than yesterday, less than tomorrow.”) a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano”) in 1889. The word “plus” is symbolized by a plus sign in white gold and the word “moins” by a minus sign set with rectangular cut synthetic rubies. The remainder of the text is designed in a softly rounded font introduced in 1975. The size is perfect for either a neck chain or a charm bracelet. The pendant is fully stamped with French 18K gold marks and with Augis’ maker’s mark. It is also signed "Augis."

• Origin: France, 1969.
• Condition: excellent; sharp detail
• Dimensions: 5/8” x 11/16" (excluding bail and jump ring).
• Weight: 1.4 grams.
• Approximate Total Gemstone Weight: ruby, .02 carat; diamond, .005 carat.

A lovely, delicate 10K white gold filigree ring set with a buff-cut amethyst. Buff-cut stones are somewhat uncommon with their smooth domed tops and faceted bottoms, but were popular in the Edwardian era. The shank is marked "10K."

Origin: America, ca. 1900. Condition: excellent, minute surface wear to stone visible under 10x magnification; sharp details on setting. Dimensions: crown, 1/2" x 7/8". Finger Size: 5-1/2. Weight: 2.3 gr. Approximate Total Gemstone Weight: 3.0 cts.

A classic pair of Edwardian 14K yellow gold cufflinks, the faces topped with platinum. The rectangular faces have canted corners and are decorated with engine-turned engraving. The solid connectors are marked “PL ON 14K”.

Origin: America, ca. 1915. Condition: excellent. Dimensions: 21/32” x 7/16”. Weight: 4.0 gr.

A handsome pair of silver double-sided cufflinks in the form of horseshoes. The faces are nicely detailed and the cufflinks have good weight. The connectors are marked "935", indicating a purity slightly higher than sterling silver, and also have an unidentified maker's mark "MV."

• Origin: Continental Europe, probably Switzerland, ca 1950.
• Condition: excellent
• Dimensions: faces, 5/8" x 5/8".
• Weight: 8.5 grams.

A fun Victorian 14K yellow gold stickpin in the form of an oyster, complete with a small natural pearl resting on the lip of the oyster's shell. The surface is hand engraved to mimic the roughness of an oyster shell. The reverse is stamped "14K" and has an indistinct maker's mark.

Origin: America, ca. 1900. Condition: excellent. Dimensions: head, 1/2" x 13/16"; overall length, 2-1/2". Weight: 1.6 grams.

A pretty shell cameo of a young woman set in a particularly nice 10K yellow gold frame. The carving is well done, making good use of the color subtleties in the shell. The rose motif of the frame echoes the flowers carved into the cameo. The back retains the original folding bail, pinstem and clasp. The reverse is stamped with the “ESEMCO” mark for Shiman Jewelry Co. and also "10K".

Origin: America, ca. 1920. Condition: excellent, no cracking. Dimensions: 1-3/8” x 1-15/16” (excluding bail). Weight: 8.5 gr.

A good pair of pre-War Mexican silver cufflinks in a traditional strapwork motif. The square faces are joined to spherical backs. The surface retains an attractive old patina. One cufflink is marked “Sterling Taxco”, thus pre-dating the eagle system of marks introduced in 1948.

Origin: Mexico, ca. 1930. Condition: excellent; old patina. Size: 5/8” x 5/8”. Weight: 10.0 grams.

A fine pair of modernist sterling silver cufflinks featuring South Sea black pearls by Ted Lowy. The pearls have dark gray body color with very pronounced and desirable peacock overtones in rose, green and purple. The backs are marked “Sterling/Ted Lowy”. Lowy was active in South Orange, NJ during the 1960’s and 70’s. He is still living, now aged 93. He was not especially prolific and his pieces rarely come on the market. He exhibited at New York’s Cooper-Hewitt National Design Museum in 1961, but little else is known about his career.

Origin: America, ca. 1970. Condition: excellent. Size: 3/4" diameter. Weight: 11.4 grams.

A dainty Victorian pendant or bracelet charm designed as a spray of flowers against a woven background. The flowers are worked in rose and green gold, while the background is in yellow gold. A pendant of this size could easily be worn on a charm bracelet but would look even lovelier on a simple gold chain. Tested and guaranteed 12K gold.

• Origin: England, ca. 1850.
• Dimensions: 11/16” corner-to-corner.
• Weight: 2.1 grams.
• Condition: excellent; all original.

A handsome, inventive pair of modernist silver cufflinks with opaque black champleve enamel faces by Meka Reklamegaver (1951-89). The black enamel is pierced with overlapping elongated silver teardrops. The connectors are marked “Meka Sterling Denmark”.

Origin: Holte, Denmark, ca. 1960. Condition: excellent, no enamel damage. Size: 7/8” x 9/16”. Weight: 11.4 grams.

A lovely Georgian mourning pin worked in 9K yellow gold, the center crystal-covered compartment bordered in faceted jet. Lighter-colored hair is somewhat less common that dark hair, and it contrasts particularly nicely with the black border. The reverse is engraved "Wm Dumelow/ob. 16 Mar/1811 At 42." Tested and guaranteed 9K.

Origin: England, 1811. Condition: excellent, all original. Dimensions: 1" x 9/16". Weight: 3.3 grams.

A delightful and very rare Victorian pin depicting a woman's "safety bicycle". With a chain drive connected to the back wheels and structural supports that left room for petticoats, these bicycles gave women unexpected freedom. Susan B. Anthony claimed that bicycling "had done more to emancipate women than anything else in the world." This pin is worked in silver gilt and set with rose cut Bohemian garnets. The detailing is very nice. The back of the pin retains its original clasp and extended pinstem.

Ca. 1890. Condition: excellent. Dimensions: 1-5/16" x 13/16". Weight: 2.9 gr.

An elegant Art Nouveau silver brooch depicting a maiden smelling a rose. She is surrounded in a bower of climbing roses and enclosed in a frame of whiplash curves typical of French Art Nouveau. The clasp is marked for silver and bears the maker's mark of Fernand Boursot, who opened shop in Paris in 1894. THe brooch could be converted to a pendant with the addition of a bail at the top or a pair of bails and a split chain at the upper corners.

• France, ca 1895.
• Excellent condition; sharp detail.
• 1" x 15/16".
• 5.1 grams.

A nice silver pendant depicting the solar system and the attributes of the sign Scorpio—a scorpion a depiction of the god Mars representing the planet that rules those born into Scorpio. The pendant is signed “AC” and is stamped with French silver hallmarks.

• Origin: France, ca. 1970
• Condition: excellent
• Dimensions: 15/16” x 1-3/8”
• Weight: 8.6 grams

A nice 1950's 14K yellow gold tie bar set with rectangular step-cut synthetic rubies. The tie bar is quite short, dating it to the mid-century period when ties were very narrow. Narrow ties are once again in fashion, so this is still the perfect gentleman's accessory. Marked "14K".

Origin: America, ca. 1955. Excellent condition. Size: 1-1/4" long. Weight: 3.4 grams.

An interesting silver pendant depicting the solar system and the attributes of the sign Leo—a lion and a depiction of the sun representing the heavenly body that rules those born into Leo. The pendant is signed “AC” and is stamped with French silver hallmarks.

• Origin: France, ca. 1970
• Condition: excellent
• Dimensions: 3/4” x 1-1/4”
• Weight: 5.2 grams

A classic pair of Art Deco 10K yellow gold cufflinks, the oval faces simply decorated with engraved parallel lines behind a diamond-shaped reserve for a monogram (never used). The connectors have an unidentified maker’s mark and are stamped “10K”.

Origin: America, ca. 1930. Condition: excellent, no monogram. Dimensions: 11/16” x 15/32”. Weight: 3.5 grams.

An elegant gilt sterling silver oval brooch by Kirk in the "Repousse" pattern. Kirk made a range of jewelry in this pattern but only a few were then gilt. With the addition of a bail to the back, this pin would make a very striking vertical pendant. The back is stamped with Kirk's hallmark from the 1932-61 period.

Origin: America, ca 1950. Condition: excellent, no wear to gilding. Dimensions: 2-7/16" x 15/16". Weight: 18.5 grams.

A fine pair of vintage 18K yellow gold cufflinks by Van Cleef & Arpels. Each of the faces is designed as seed cluster similar to a thistle or the middle of a black-eyed Susan. During the 1960s, VCA excelled in naturalistic motifs interpreted in finely worked gold. These were a reaction to the glamorous diamond and gemstone-encrusted creations of the 1950s. Understated designs worked in yellow gold, which had not been widely used since the 1940s, were embraced by the leading French joailliers and were considered the height of fashion. The craftsmanship and overall design of these cufflinks is understated, but quite elegant. Even the chain connectors are worked with beveled links instead of the more common and easily-made rounded links. The cufflinks are marked "Van Cleef & Arpels/750/B3231". They also have a copyright mark for 1965 and all the appropriate French hallmarks for 18K.

Origin: France, ca. 1965. Condition: excellent, sharp detail. Size: 7/16 diameter. Weight: 9.6 grams.

An exceptional and extremely rare 14K yellow gold, amethyst and pearl ring by Edward Everett Oakes. The crown is fashioned as a cluster of oak leaves and acorns surrounding two round amethysts and two half-pearls in collet settings. The amethysts are graded as medium-dark strong purple (P 6/6); with excellent cut and Type I eye-clean clarity. The pearls have nice luster and creamy body color.

Edward Everette Oakes (1891-1960) was perhaps the foremost Arts & Crafts jeweler in America. He was a member (and medallist) of the Boston Arts & Crafts Society, and became the first living artist to have a work acquired for the permanent collection of the Metropolitan Museum of Art. He trained with Frank Gardner Hale and worked for three years with Josephine Hartwell Shaw before opening is own studio in 1917. Oakes' work shows a certain similarity to both Hale and Shaw, but his mature style is noticeably original. Most of his pieces are unsigned, but can be identified based on their unique decorative motifs and construction techniques.

Oakes regularly visited Camp Deephaven and Camp Rockywold on Squam Lake in New Hampshire. The original owner of this ring purchased it directly from Oakes during one of her 68 consecutive annual summer stasys at the camps. The purchaser will be supplied with a copy of a letter from the original owner's niece describing her aunt's purchases.

Origin: America, ca. 1920. Condition: excellent, has been sized. Size: 3/4" wide at crown. Finger Size: 7. Weight: 6.1 gr. Approximate Total Gemstone Weight: 1.88 cts.

A superb Art Nouveau 14K yellow gold locket, the front cover decorated with a scene depicting a maiden in flowing drapery amidst a rose garden with Classical ruins in the background. A cherub reaches down to touch her shoulder. The upper edge is set with a fine 5-pt ruby of slightly purplish-red color. Locket designs of this complexity are quite uncommon. The back cover is engraved "Aunt Dora to Dora 1906". The interior is marked "14K".

Origin: America, 1906. Condition: excellent, one pinpoint ding on back cover. Size: 1-3/16" diameter. Weight: 9.4 grams.

A rare pair of Art Nouveau 14K yellow gold bean-back cufflinks, the oval faces with repousse decoration representing Poseidon (“Neptune”), god of the sea. The god is identifiable by the trident that forms his crown. The background at first appears to be a simple stippled pattern, but careful examination shows that the background is actually worked in a very fine pattern of fish scales. Mythollogical subjects were very popular in men’s jewelry at the end of the 19th century, but this is the first time we’ve seen cufflinks with the image of Poseidon. The bean backs are marked by an unidentified American maker and are stamped “14K”.

Origin: America, ca. 1880. Condition: excellent, sharp detail, no dings. Size: 11/16” x 1/2". Weight: 5.3 grams.

A handsome pair of 18K yellow gold cufflinks in the stirrup (“etrier”) style originally popularized by Cartier in the Art Deco era. The solid hinged bar passes through the cuff holes and the angled legs surround the outside of the cuffs to hold them securely together. The legs of this pair are accented in a severely geometric ridged pattern and their slight tapering prevents the appearance of being overly heavy. The cufflinks are fully stamped with French 18K gold hallmarks.

Origin: France, ca. 1955. Condition: excellent, all original. Size: 1” x 3/4”. Weight: 10.8 grams.

A colorful, handsome pair of 14K yellow gold cufflinks, the faces bezel-set with carnelian and green chalcedony oval cabochons. The color contrast is very striking. Interestingly, they could be worn so either the red or green sides face out on the cuff, or with one cuff showing red and the other green. Tested and guaranteed 14K.

Origin: America, ca. 1950. Condition: excellent. Dimensions: faces, 9/16” x 7/16”. Weight: 6.1 gr. Approximate Total Gemstone Weight: carnelian, 8.14 cts.; chalcedony, 8.14 cts.

A heavy and generously-sized Venetian Etruscan crown-shaped fob charm set with large oval green chalcedony cabochons and pearls. Exposed areas of gold are decorated with twisted wirework and rosettes. The chalcedony has very intense, slightly bluish-green coloring and the pearls have excellent luster with rose overtones. The charm is stamped with a pre-1968 Florentine goldsmith’s mark.

Origin: Italy, ca. 1955. Condition: excellent. Dimensions: 1-3/8” x 1-1/4” x 1-1/2”. Weight: 25.0 gr.

A very good pair of 18K yellow gold cufflinks by Alfred Dunhill. The faces resemble branches of coral. Dunhill produces the vast majority of its cufflinks in sterling silver and the 18K gold versions are very rare. The coral design, in general, is hard to find because it was made for only a short time around 2005. The cufflinks are constructed with the connector set off-center, so the link lies flat against the cuff. The toggle back is Dunhill’s classic small toggle with the company’s insignia. The connectors are fully stamped with English convention hallmarks for 18K and with the maker’s mark for Dunhill.

Origin: England, ca. 2005. Condition: excellent. Size: 1-1/4” x 3/4". Weight: 17.6 grams.

A classic pair of "leopard spot" earrings in 18K yellow gold and mother-of-pearl by Angela Cummings. The earrings are signed on the reverse "Angela Cummings/750". Cummings pioneered the art of hardstone inlay as a designer for Tiffany & Co. After leaving Tiffany, she opened a luxury boutique in her own name.

Origin: America, 1984-2003. Condition: excellent; all original. Dimensions: 3/4 x 9/16". Weight: 10.8 gr.

A lovely late Victorian 18K yellow gold locket, the cover enhanced with repousse decoration featuring a pair of race horse heads encircled by a wreath of roses. The wreath is tied at the back with a ribbon edged in milgrained platinum and studded with four small rosecut diamonds. The detailing of the design is very nice. The back of the locket has an ornate “SC” or “CS” monogram. The interior retains its original gold frames. Tested and guaranteed 18K.

Origin: America, ca. 1890. Condition: excellent, sharp detail. Size: 1-3/16” diameter. Weight: 10.8 grams.

A delightful Art Nouveau 14K yellow gold circle pin, the center set with an enameled trillium blossom. The petals are beautifully enameled in translucent shades of ivory and green. The gold surface below the enamel is intricately engraved. The blossom is centered by a pale coral bead. The periphery of the circle brooch is set with small seed pearls. The back retains the original pinstem and clasp marked 14K and bearing the hallmark for Bippart, Griscomb & Osborn.

Origin: America, ca. 1900. Condition: excellent, no enamel damage, the swivel bale has been removed but can be replaced with no solder work necessary. Size: 31/32" diameter. Weight: 3.5 grams.

A very interesting pair of 18K yellow gold double-sided cufflinks by Tiffany & Co. The cufflinks were made in France and were available only in Tiffany’s Paris boutique. Each face is formed as a square knot instead of the more traditional knots often seen in cufflinks. The solid connectors are marked with French 18K hallmarks and also “Tiffany & Co.”

Origin: France, ca. 1980. Condition: excellent. Size: 13/16” x 7/16”. Weight: 15.0 grams.

A nice pair of French Art Deco cufflinks, the faces made from lapidary-cut lapis lazuli simply set in 18K yellow gold. The lapis has nice coloring with small flecks of gold. The faces are connected with chains to torpedo backs. The cufflinks are fully stamped with French 18K gold hallmarks.

Origin: France, ca. 1920. Condition: good; all original; both torpedoes have some small dings that are not particularly distracting. Size: faces, 1/2" diameter. Weight: 6.2 grams.

An extremely desirable pair of of Edwardian 14K yellow gold double-sided cufflinks set with reverse-carved Essex crystals depicting American birds, retailed by Abercrombie & Fitch. The faces have beautifully rendered depictions of a ruffed grouse, a sandpiper, a standing mallard duck, and a mallard duck in flight. Each of the birds is brilliantly colored and set against a mother-of-pearl background. The connectors are marked "14K" and are signed "AF" for Abercrombie & Fitch.

Origin: America, ca. 1930. Condition: excellent. Dimensions: 5/8" diameter. Weight: 11.1 gr.

A fine pair of platinum-topped 18K yellow gold cufflinks, each faces ornately pierced and set with three old European and mine-cut diamonds, flanked by a pair of small rose cut diamonds and finished with calibre-cut blue sapphires at the corners. The platinum is accented with millgraining. The I1 diamonds are graded as L/M color, and they appear quite bright in the settings. Tested and guaranteed 18K and platinum.

Ca. 1920. Condition: excellent, all original. Size: front faces, 1/2” x 1/2"; back faces, 13/16” long. Weight: 7.4 grams. Approximate Total Gemstone Weight: diamond, 1.0 ct; sapphire, .53 ct.

A fine pair of Art Deco cufflinks, featuring round discs of green jade simply set in 14K yellow gold. The faces are connected by chains to backs shaped as lengths of bamboo. The jade has moderate translucency and strong green coloring with even mottling. The color is natural. The cufflinks are presented in their original fitted box, the lid of which is marked "Jade Green Shanghai". Tested and guaranteed 14K.

Origin: China, ca. 1920. Condition: excellent. Size: 11/16" diameter. Weight: 5.8 grams.

A superb 19th century French figural fob seal worked in silver and 18K gold. The gorgeously detailed wolf's head is worked in silver with gold accents such as the collar and the long tongue that hangs from one side of the very toothy jaws. The eyes are set with small rubies. The carnelian seal has never been engraved. Tested and guaranteed silver and 18K.

Origin: France, ca. 1850. Condition: excellent, sharp detail, a very small flake on one corner of the carnelian, jump ring is a later addition. Dimensions: 7/8" x 7/8" x 1-5/16" (excluding jump ring). Weight: 21.7 grams.

A very fine pair of Edwardian 14K yellow gold and platinum cufflinks, the double faces set with mother-of-pearl plaques centered with cabochon emeralds. The faces faces are bordered with platinum rims engraved in a reeded design. The emeralds are very nice quality, with vivid pure green color and good clarity that contrasts nicely with the iridescence of the mother-of-pearl. The use of emeralds in cufflinks is relatively uncommon. The connectors are stamped with Krementz' 14K mark.

Origin: America, ca. 1915. Condition: excellent, all original. Dimensions: 9/16" diameter. Weight: 7.3 grams. Approximate Total Emerald Weight: .80 carat.

A very uncommon pair of 14K yellow gold stirrup-style flip-up cufflinks, with one face of each set with a golf-themed reverse-carved Essex crystal. The golfers depicted in each crystal are wearing old-fashioned golf clothing. These are the first Essex cufflinks we’ve encountered in the flip-up style. The connectors are stamped “14Kâ€. They are likely by Krementz or Larter.

Origin: America, ca. 1930. Condition: excellent; no moisture damage or scratches to crystals. Dimensions: faces, 19/32†diameter. Weight: 11.5 gr.

A classic pair of Art Deco sterling silver cufflinks by Gaetan de Percin, the jeweler responsible for most of the Hermes jewelry designs in the 1930s and 40s. This style, in the form of equestrian stirrups or "etrier" is a classic design created around 1940. Aside from Hermes, De Percin made variations of this design for prestigious houses such as Cartier, Van Cleef & Arpels, Tiffany, Chanel, Dior and Boucheron. The cufflinks are marked with French silver hallmarks and with the master's mark of De Percin.

Origin: France, ca. 1950. Condition: excellent. Dimensions: faces, 11/16" x 5/8". Weight: 15.7 grams.

A classic pair of Hermes 18K yellow gold cufflinks in the "Etrier" design. Each hinged end is in the form of a stirrup. The connectors are signed "Hermes", have serial numbers and are fully marked with appropriate French 18K gold marks. Etrier cufflinks in gold are no longer available at Hermes. The same design in sterling silver currently retails for $970. A similar design in gold, but with no moveable parts currently retails for $4750.

Origin: France, ca. 2000. Condition: excellent. Dimensions: faces, 9/16" x 9/16". Weight: 15.8 grams.

A wonderfully witty 14K gold tie bar in the form of a snow ski by Tiffany & Co. As expected of a mid-century Tiffany design, the workmanship is very finely detailed and executed right down to the details of the bindings. The back is engraved with a period three-letter monogram “WLT” and is also marked “14K Tiffany & Co.”.

Origin: America, ca. 1950. Condition: excellent, sharp detail. Size: 2-11/16” x 5/16” (front width). Weight: 6.2 grams.

A classic, heavy pair of sterling silver cufflinks by Hermes. Each sphere is enhanced with multiple engraved letters, randomly arranged. The letters—“H”, “E”, “R”, “M”, “E”, and “S”—are those found in “Hermes”. The connectors are slightly arched so the sphere lay tightly against the cuff. Each cufflink is signed “Hermes”, is marked “925” and bears the French “tete d’Athene” mark for sterling silver and the silversmith’s hallmark. This vintage design is no longer available at Hermes.

Origin: France, ca. 1970. Condition: excellent, all original. Size: spheres, 3/8” diameter. Weight: 25.1 grams.

A heavy, outstanding pair of Victorian figural cufflinks in the form of acorns and oak branches, all worked in 14K yellow gold. The larger front faces are fashioned as highly detailed acorns, while the backs are branches. The quality of engraving is excellent and really brings out the subtlest textural details. In the Victorian "language of flowers", the acorn symbolized life and immortality while the oak tree and its branches represented strength and virility. The faces are joined by their original chain connectors. Tested and guaranteed 14K gold.

Origin: America, ca. 1870. Condition: excellent, sharp detail. Size: acorns, 27/32" x 15/32". Weight: 11.7 grams.

An interesting vintage 14K yellow gold ring featuring a heart-shaped amethyst in an ornate prong setting with a clustered accent of cultured pearls and another small amethyst at the top. The gallery under the stone echos the heart motif. The amethyst has good, even coloring and is eye-clean. The interior of the shank is engraved "Until Eternity." Tested and guaranteed 14K.

Origin: America, ca. 1930. Condition: one prong lacking near the bottom point of the heart; amethyst has a 1 millimeter nick in the girdle (visible under magnification). Finger Size: 8. Dimensions: 1" x 3/4". Weight: 9.5 gr. Approximate Total Gemstone Weight: amethyst, 14.35 cts.

An extraordinarily fine pair of late Victorian or early Edwardian 18K yellow gold cufflinks, the faces in the form of navette-shaped buttons carved from crystal opal. The faces are accented with silver “stitches”, each accented with a five small rose cut diamonds. The opals have clear body color and the play-of-color is predominantly shades of green and blue with occasional flecks of orangy-red. The faces are connected by gold chains to gold torpedo backs. The use of carved opal as a button motif is most unusual, as is the use of crystal open rather than the more common white opal. The overall effect is subtle and very sophisticated. Tested and guaranteed 18K gold.

Origin: Continental Europe, ca. 1900. Condition: excellent. Size: 13/16” x 5/16”. Weight: 4.8 gr.

A very nice pair of 14K yellow gold bean-back cufflinks by L. E. Garrigus & Co. The oval faces center buff-cut amethysts surrounded by gold borders ornately engraved in a foliate pattern. The smooth upper domes of the amethysts contrast nicely with the faceted pavilions that add a little shimmer. The connectors are stamped with Garrigus' 14K hallmark.

Origin: America, ca. 1890. Condition: excellent. Dimensions: 11/16 x 9/16 inch. Weight: 6.8 grams. Approximate Total Gemstone Weight: 8.6 carats.

A classic gold “Open Heart” pendant in the large size by Tiffany & Co. Created by Elsa Peretti, this design has become one of Tiffany’s most popular and identifiable designs. This pendant is currently available in three sizes, this version (27mm) being the largest. The pendant is suspended from its original Tiffany chain. The back of the pendant is signed “Elsa Peretti” and both the pendant and chain are fully hallmarked by Tiffany & Co. This piece is currently available at Tiffany & Co. and retails for $1250.

Origin: America, ca. 2000. Condition: excellent. Size: chain, 18-1/4” long; pendant, 1” x 1-1/16” (25 x 27 mm). Weight: 10.5 grams.

An outstanding pair of heavy French Art Deco 18K yellow and white gold cufflinks set with cabochon garnets. Each of the faces comprises a set of three gold discs—two yellow and one white—stacked and offset to one side. The upper discs are pierced by a bright cabochon garnet. The design has a severe, almost industrial modernist, look that was surely very unusual in its time. The backs are stamped with French 18K marks and the master goldsmith’s mark for Paul Marteau. Marteau established his Parisian workshop in 1919, but closed it the following year. Based on the design aesthetic and quality of workmanship in these cufflinks, he was quite accomplished. Unfortunately, there is no additional information available about him. The connectors open for ease in putting the cufflinks through the cuff.

Origin: France, 1919. Condition: excellent. Dimensions: 5/8†diameter. Weight: 17.6 gr. Approximate Total Gemstone Weight: garnet, 2.08 cts.

A very heavy pair of 18K yellow gold stirrup cufflinks retailed by famed New York jeweler Olga Tritt. Stirrup or “étrillé” cufflinks were popularized by Cartier in the 1940s and have appeared in many variations since. This pair is unusual because of the width of the gold mesh and their relative weightiness. The closing mechanism is a bit more decorative than most, even though it can’t be seen when the cufflinks are in place. The mechanism is marked with a French jeweler’s mark indicating 18K. The cufflinks are presented in their original box, the inside of the lid imprinted with Olga Tritt’s logo and Park Avenue address.

Origin: France, ca. 1970. Condition: excellent. Size: 1” x 7/8” x 5/16” wide. Weight: 25.0 grams.

A classic pair of Victorian 14K yellow gold double-sided cufflinks, the faces collet-set with oval amethyst cabochons. The amethysts have strong, even color and superb clarity. The faces are marked “14K.”

Origin: America, ca. 1900. Condition: excellent. Dimensions: 9/16” x 7/16”. Weight: 8.3 gr. Approximate Total Gemstone Weight: amethyst, 23.24 cts.

An extraordinarily fine antique 18K yellow gold ring by Tiffany & Co. set with a mixed cushion cut Burmese blue sapphire surrounded by old mine cut diamonds. All the gems are of the finest quality. The sapphire has been certified by the American Gemological Laboratories (see the following paragraph). The diamonds, ranging in size from approximately .22 carat to .29 carat each, are estimated at G/H color and SI to VVS2 clarity. The sapphire is set in a prong setting, while the diamonds are set in a shared-prong setting that creates a filigree appearance around the back of the crown. The shoulders of the shank are lightly decorated with beaded engraving.

Nearly all sapphires marketed in the last 150 years have been heated to improve the color. This is considered a standard practice. Other treatments, such as filling in fractures, altering the color family, etc., though considered bad practice, are nonetheless quite common. Fine Burmese stones from the Mogok region that have not been treated in any way are exceedingly rare and only show up in upscale jewels from makers such as Tiffany and Cartier. This particular stone, with its bright coloring and beautiful cut, is nothing short of stunning.

The AGL Brief (dated April 2008) indicates that the sapphire is natural; displays specific properties and characteristics associated with stones from Burma; measures 7.39 x 6.69 x 5.82 mm; weighs 2.49 carats; is cut in mixed cushion, has blue color, and shows no heat or additional treatments. The brief further indicates that unheated sapphires are scarce. The original brief will accompany the ring.

Origin: America, ca. 1890. Condition: excellent, all original, interior of shank has a period monogram. Finger Size: 4-1/4 (The ring can be sized up and we would recommend that the work be performed by Tiffany). Weight: 6.0 grams. Gemstone Weight: diamond (estimated by measurement), 2.25 carats; sapphire (by actual weight), 2.49 carats.

A very attractive pair of Victorian 10K yellow gold bean-back cufflinks, the faces collet-set with oval turquoise cabochons. The gold is enhanced with foliate engraving. The turquoise has a fine medium greenish-blue color with reddish-brown matrix. Marked “10K”.

Origin: America, ca. 1890. Condition: excellent, all original. Size: 11/16” x 9/16”. Weight: 4.3 grams.

A very pretty pair of Victorian 14K yellow gold earrings set with pearls and seed pearls. The main bodies hang freely from the surmounts, and the bottom edges suspend free-hanging pearls, providing a lot of movement when being worn. The delicate scroll work makes a nice counterpoint to the simplicity of the pearls. Tested and guaranteed 14K.

Origin: America, ca. 1870. Condition: excellent, all original. Dimensions: 5/8” x 1-3/4” long (from top of wire). Weight: 6.8 grams.

A stunning pair of 18K yellow gold earrings in the "Heliocoidal" pattern by lauded designed Michael Good. The earrings are constructed in the anticlastic raising technique in with the piece is formed from a sheet of gold and then twisted along all three dimensions to create an organic shape that Good refers to as "molten energy." Each piece is created entirely by hand and does not employ any machine made parts such as earwires or clasps. Older examples of Good's jewelry is difficult to find. Each earring is marked "750 M Good".

Origin: America, ca. 1987. Size: 2-7/8" long. Weight: 8.2 gr.

A very attractive pair of late Arts & Crafts or early Art Deco silver cufflinks by Saethers Gull og Solvvarefabrikk, a Norwegian silversmith known for inventive designs. One face of each cufflink is hinged for ease in putting through the cuff. The connectors are fully hallmarked.

Origin: Norway, ca. 1920. Condition: excellent. Size: 27/32” x 1/2. Weight: 15.5 grams.

A very handsome pair of 18K yellow gold cufflinks by Tiffany & Co., Paris. The square front faces and rectangular back faces are worked in a fine 3-over-1 basket weave pattern. The deep recesses of the pattern were only lightly polished to heighten the three-dimensional quality of the design. The back faces are hinged. The cufflinks are signed "Tiffany & Co./France/Or 18K" and have the jeweler's inventory numbers. They are also marked with full French hallmarks.

Origin: France, ca. 1950. Condition: excellent, all original. Size: front faces, 13x13mm; back faces, 7.5x12.5mm. Weight: 14.3 gr.

A Retro 14K yellow gold bracelet comprising hinged links set with amethysts alternating with diamond-set links. The oval mixed-cut amethysts have medium-dark, vivid reddish-purple color and are well-matched. The small old European and brilliant cut round diamonds add a restrained bit of sparkle. The amethysts are set in a way that makes them appear the float in the larger gold links, creating a sense of lightness in the bracelet. The clasp is marked “14K”.

Origin: America, ca. 1940. Condition: excellent. Size: 7-1/4” long, 3/8” wide. Weight: 14.5 grams. Approximate Total Gemstone Weight: diamond, .24 ct; amethyst, 14.0 cts.

A very fine pair of late Edwardian/Deco transitional cufflinks, the 14K yellow gold faces set with scissor-cut citrines, amethyst and green tourmaline. Each of the stones fits into a gallery beautifully engraved in a scrolled motif. Most unusually, instead of traditional prongs, the stones are held in place by lozenge-shaped plaques of platinum, each set with a small rose cut diamond. The stones have very attractive color and excellent clarity. The connectors are removable. Tested and guaranteed 14K gold and platinum.

Origin: America, ca. 1915. Condition: excellent, all original. Dimensions: faces, 9/16 x 7/16". Weight: 8.7 grams. Approximate Total Gemstone Weight: citrine, 6.36 cts; amethyst, 3.17 cts; tourmaline, 3.68 cts; diamond, .08 ct.

An attractive pair of 18K yellow gold baton-style cufflinks, the faces set with round brilliant-cut G/H color diamonds and channel-set square rubies. The gold surfaces have a semi-matte finish that accents the brilliance of the gemstones very nicely. Solid bridges connect the faces to hinged backs. The bridges are marked “750” and also have serial numbers, but no maker’s mark.

Ca. 1980. Condition: excellent. Dimensions: 11/16” x 3/8”. Weight: 16.2 grams. Approximate Total Gemstone Weight: diamond, .20 ct; ruby, 1.28 cts.

A fine and large pair of 18K yellow gold and multi-stone Sputnik earrings by H Stern. This classic modernist design features goldn domes studded with various colored gemstones including green tourmaline, pink tourmaline, amethyst, aquamarine, citrine and garnet. Each piece of Sputnik jewelry has a unique appearance depending upon the combination and arrangement of the gemstones. The design was created specifically to show off the range of colored gemstones from Stern’s Brazil mines, but it quickly came to be known as “Sputnik” because of its spiky resemblance to the 1960’s Soviet satellite. The clips are marked with an older Stern hallmark. The earrings have their original clips and never had posts. Posts could easily be added. Marked “750” and “18K”.

Origin: Brazil, ca. 1970. Condition: excellent, all original. Size: 15/16” diameter; 1/2” high. Weight: 10.8 grams. Approximate Total Gemstone Weight: 9.79 cts (green tourmaline, 2.67cts; citrine, 2.29cts; aquamarine, 2.09cts; pink tourmaline, 1.58cts; aquamarine, .70cts; amethyst, .46cts).