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19th Century Mexican Folk Retablo LA VINDIMIA MISTICA
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Fine Art:
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Oil:
N. America:
Pre 1900 item# 677784
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Kensington House Antiques
(301)942-0955
$1295
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Superb 19th century Mexican folk retablo on tin depicting Christ crucified, yet living. The subject is sometimes referred to as "La Vindimia Mistica", and sometimes as "El Varon Eucaristo de Dolores". Blood flows from Jesus' wounds into a chalice and basin as a reminder that Christ suffers daily for the viewer's sins. Seven lambs, representing the seven sacraments of the Catholic church surround the fountain. A fruiting grape vine appears behind the figure of Jesus, signifying the relationship of the sacramental wine as the blood of Christ. This retablo is beautifully painted with subtle coloring. The fine details of the fingers, the heavy-lidded eyes, full lips, and faint clouds surrounded the central figure are characteristics suggesting the retablo comes from the Red Bole Group--probably the most accomplished group of 19th century retablo painters.Origin: Mexico, ca. 1850. Condition: excellent, small areas of paint loss along top border, bright coloring. Size: 10" x 14".
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Gerard Wiegman Oil On Canvas Dutch Harbor Scene
Catalogue:
Fine Art:
Paintings:
Oil:
Europe:
Dutch:
Pre 1940 item# 636590
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Kensington House Antiques
(301)942-0955
$2,850
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Early 20th century Dutch harbor scene by Gerard Wiegman (1875-1964). The painting depicts a large cargo ship moored at harbor and surrounded by a variety of smaller ships, fishing boats and tugs. The sky is painted in moody shades of grays that echo the colors of the dark smoke rising from the other large ships in the background. This choice of coloring suggests the obvious industrial nature of this unidentified harbor. The paint was primarily applied with broad brushstrokes, but a thicker impasto suggests the business and confusion on the deck of the ship. The perspective is quite deep and suggests a great deal of forward movement. Signed lower right “G. Wiegman”. The painting is framed in a mid-century carved giltwood frame.Though not Jewish, Gerard Wiegman was forced to escape Holland at the beginning of the Nazi invasion. He smuggled a small number of paintings out with him. Both this painting and the other harbor scene we are offering were among the paintings he smuggled out and kept for his own collection. Eventually, he settled in upstate New York, where he lived until his death. This painting was acquired from the family of the artist. Origin: Holland, ca. 1930. Condition: excellent surface, one puncture repair near both upper corners. Size: canvas, 22" x 31"; frame, 27-3/4" x 36-1/4".
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Gerard Wiegman Oil On Canvas Dutch Harbor Scene
Catalogue:
Fine Art:
Paintings:
Oil:
Europe:
Dutch:
Pre 1940 item# 636587
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Kensington House Antiques
(301)942-0955
$2,250
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Early 20th century Dutch harbor scene by Gerard Wiegman (1875-1964). The painting depicts a large cargo ship moored at harbor and surrounded by a variety of smaller ships, fishing boats and tugs. The sky is painted in moody shades of ochres and grays that echo the colors found in the water. This choice of coloring suggests the obvious industrial nature of this unidentified harbor. The impasto lends nice texture and depth. Signed lower right “G. Wiegman”. The painting is framed in a mid-century giltwood frame with a linen liner.Though not Jewish, Gerard Wiegman was forced to escape Holland at the beginning of the Nazi invasion. He smuggled a small number of paintings out with him. Both this painting and the other harbor scene we are offering were among the paintings he smuggled out and kept for his own collection. Eventually, he settled in upstate New York, where he lived until his death. This painting was acquired from the family of the artist. Origin: Holland, ca. 1930. Condition: excellent. Size: canvas, 19” x 27”; frame, 24” x 31-3/4”.
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American West Indian Reservation Oil Painting
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Fine Art:
Paintings:
Oil:
N. America:
American:
Pre 1920 item# 55406
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Kensington House Antiques
(301)942-0955
$1,195
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Extraordinary oil on wood panel painting depicting Native American thatched huts on an Arizona Indian Reservation. The coloring of the work is especially nice--with a predominance of amber, lavender, and yellow. The style is nearly impressionistic, particularly in the treatment of the background. The painting remains in its original giltwood frame. The backing paper bears two inscriptions in different hands, "Indian Reservation in Arizona--1920" and "Indian Reservation in Ariz From The Schultes 1920". Early images from the American West are extremely desirable, and those depicting Native American life are among the rarest.Origin: America, 1920. The backing paper also has the original framer's label from the Annex Art Shop in Chicago, Ill. Condition: original frame and backing paper (paper torn); blacklight examination reveals no inpainting, damage or repair. Size: framed, 15-1/2" x 11"; image size: 12-7/16" x 7-13/16".
Extraordinarily high quality and desirable oil on wood panel painting depicting two circular huts with thatched roofs.
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Rocky Mountain Oil Painting-A.J. Hammond 1924
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Fine Art:
Paintings:
Oil:
N. America:
American:
Pre 1940 item# 20784
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Kensington House Antiques
(301)942-0955
$1250
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Oil on masonite painting "Autumn in the Rockies" by Arthur J. Hammond (sgnd l.r.). This work uses bright autumnal colors muted with browns and greys. The broad, heavy strokes give the work a post-Impressionist look. The painting was acquired along with two others, both dated 1924, hence the dating of this work.The back is marked in pencil in the artist's hand, "Autumn in the Rockies/Arthur J. Hammond/Rockport, Massachusetts." A later label in another hand reads, "Arthur J. Hammond/Am. b. Vernon Conn. 1875/1934 Rockport, Mass./Mallett's Index/Am. Art Annual 1933." Listed in
AskART.com's "The Artists Bluebook: 23,000 North American Artists", 2000P.H. Falk's "Who Was Who In American Art: 1564-1975", 1999, p. 7433the National Academy of Design's "Annual Exhibition Record: 1901-1950", 1990, p. 622Falk's "Dictionary of Signatures & Mongrams", 1988, p. 556G.B. Opitz' "Mantle Fielding's Dictionary of American Painters, Sculptors, et. al.", 1986, p. 1081Falk's "Who Was Who in American Art: Artists Active 1898-1947", 1985, p. 707Opitz' "Dictionary of American Artists", 1982, p. 372 P. & H. Samuels' "Encyclopedia Artists American West", 1976, p. 549D.T. Mallett's "Index of Artists", 1948, p. 811.
Board size 12"x16". Condition: blacklight examination reveals no inpainting or other repairs; the frame is contemporary to the painting and shows appropriate wear.
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Watercolor Red Mntn. California 1924--Hammond
Catalogue:
Fine Art:
Paintings:
Watercolor:
Pre 1940 item# 19137
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Kensington House Antiques
(301)942-0955
$450
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1924 watercolor painting of Red Mountain, California, by listed artist Arthur J. Hammond (signed and titled lower left). This is a beautiful work employing soft desert colors in shades of blues, greens, and purples.The frame is not comtemporary to the piece. Hammond was born in Vernon, Connecticut in 1875 but lived mostly in Rockport, Massachusetts. Listed in - AskART.com's "The Artists Bluebook: 23,000 North American Artists", 2000
- P.H. Falk's "Who Was Who In American Art: 1564-1975", 1999, p. 7433
- the National Academy of Design's "Annual Exhibition Record: 1901-1950", 1990, p. 622
- Falk's "Dictionary of Signatures & Mongrams", 1988, p. 556
- G.B. Opitz' "Mantle Fielding's Dictionary of American Painters, Sculptors, et. al.", 1986, p. 1081
- Falk's "Who Was Who in American Art: Artists Active 1898-1947", 1985, p. 707
- Opitz' "Dictionary of American Artists", 1982, p. 372
- P. & H. Samuels' "Encyclopedia Artists American West", 1976, p. 549
- D.T. Mallett's "Index of Artists", 1948, p. 811.
Sight size 11"x8-3/4". Condition: excellent, although it appears to have two 3/4" paint runs immediately above the roof of the house (visible in the enlargement); more vivid and brightly colored than it appears in the photographs. We will soon be offering another oil painting of a Rocky Mountain scene by Hammond.
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