Catalog: Vintage Arts: Decorative Art (265)

An unusual 1940s French cocktail pick holder depicting a "racoleuse"--a streetwalker--leaning against a lamp post and raising her skirt very high. The chrome is engraved in a way to show that her thin dress does nothing to hide her more perky attributes. A selection of bakelite and chrome cocktail picks a stored in the trash can on the other side of the lamp post. Cocktail picks, often with very elaborate holders, were vastly popular in France and come in infinite variety. This is the only example we've seen of this particular design.

Origin: France, ca. 1948. Condition: excellent, all original; one bakelite sphere is cracked. Size: base, 5-7/8" x 2-1/2"; 9" high.

A French Art Deco cocktail pick set in the form of a chrome lyre with red bakelite-topped cocktail picks forming the instrument’s strings. The whole is set on a mahogany base. Sets such as this were used on bar and café counters to serve cocktail garnishes, canapés or even escargot.

• Origin: France, ca. 1930.
• Condition: excellent.
• Dimensions: 4-3/8” x 1-9/16” x 5”.

A very uncommon graduated sterling silver handled jigger by one of Mexico’s most important Art Deco and modernist silversmiths, Juvento Lopez Reyes. He opened his studio, Plateria del Recreo in 1935, making most streamlined hollowware items in the Art Deco and modernist taste. The base is fully stamped with mark used by Reyes in the 1930s and 40s. The stepped sides of the jigger mark off .5, 1, 1.5 and 2-oz levels.

Origin: Mexico, ca. 1940. Condition: excellent, except for one very minor ding. Dimensions: 2-1/2” tall. Weight: 54.4 grams.

A interesting Art Deco chrome wine bottle caddy in the form of a sled. The runners ensure that the caddy can be pushed easily across a table surface. The sides of the sleigh are decorated in a hammered and pierced pattern. This caddy can be used any time of year, but would be particularly nice on the Holiday table!

Origin: America, ca. 1945. Condition: excellent. Dimensions: 10" long, 3-5/8" wide, 5-5/8" tall.

A vintage sterling silver napkin ring, the front decorated with three bears, probably an allusion to the children's story, "Goldilocks and the Three Bears." The back is engraved "Tony" and the interior is stamped "Sterling".

America, ca. 1940. Condition: very good, light wear from polishing, no dings. Weight: 23.4 gr.

An elegant set of six sterling silver demitasse spoons by English silversmith William Suckling, Ltd. The handles are simply decorated with an acanthus bud. The bowls are slightly broader and more balloon-shaped than the typical demitasse spoon, so they could easily be used for delicate desserts. The set is presented in its original velvet- and silk-lined fitted case. Each spoon is fully hallmarked for the maker and for the year 1945. A set such as this must have quite the rare luxury in the final year of World War II.

• Origin: London, 1945.
• Dimensions: spoons, 3 13/16" long.
• Weight: 58.2 grams.
• Condition: both the spoons and case appear to be unused.

A sterling silver corkscrew by International Silver in one of the company’s 1930s Art Deco designs. Clearly patterned after the popular Scandinavian designs of the period, this design is very similar to “Royal Danish”, “Sonja” and “Norse”. The handle is marked with International’s older hallmark and the pattern number “NX14”.

Origin: America, ca. 1940. Condition: excellent, no dings, sharp details. Size: handle width, 4-5/16”; length, 4-5/8”.

A witty pair of Art Deco silverplate jiggers, the smaller (1.5 oz) decorated with a hand with one finger upraised and the larger (2.0 oz) with two fingers. The jiggers are heavy and well-made. The jiggers nest together perfectly.

Origin: America, ca. 1940. Condition: excellent, original plating completely intact. Size: 2-5/8” and 3” tall.

Rare vintage sterling silver figural jigger in the form of wing-handled fire bucket. The side is engraved “Fire Water.” Figural jiggers gained popularity in the Art Deco era. The bottom is marked “Lunt Sterling 15”.

• Origin: America, ca. 1940
• Dimensions: 2” tall to rim, 2-3/4” to top of handle
• Weight: 34.6 grams

A beautiful set of six silverplated scallop shell dishes by Tiffany & Co. The dishes are worked with wonderful detail—even the feet have a decorative treatment similar to snail shells. These dishes are perfect for butter, mints, nuts, or even individual servings of cocktail sauce. The bottoms are marked “Tiffany & Co/Makers/Silver-Soldered”.

Origin: America, ca. 1950. Condition: excellent, no plating wear. Size: 3-13/32” x 4-5/8” x 1-3/16” high.

A rare Art Deco double jigger in brown and speckled yellow bakelite.

Origin: America, ca. 1940. Condition: excellent. Size: 3-19/32” tall.

A sterling silver double jigger in International's classic1939 Art Deco "Royal Danish" pattern. The jigger is marked with one of International's older hallmarks. The double jiggers in this pattern are difficult to find.

Origin: America, ca. 1945. Condition: very good, one pinpoint to the side and a few pinpoints on the rim visible upon close inspection, no monogram. Weight: 65.5 grams. Size: 4-9/32" tall.

Handsome pair of large cobalt glass oval open salt dishes in pierced sterling silver holders. The bottoms are hallmarked by Watrous.

Origin: America, ca. 1930. Condition: excellent. Size: 3-3/16" x 2-1/4" x 1-1/16" tall.

A very nice cut crystal cocktail shaker in cobalt blue overlay. The design is a classic pattern of angular mitres emanating from oval printies. The shaker is acid-signed on the bottom "Japan". Cut glass in the Art Deco style was one of the industries established in Japan during the Occupation following World War II, and the products are always of fine quality that easily compete with European products of the same era. The shaker is completed with its original chrome plated top.

Origin: Japan, ca. 1947. Condition: excellent, no chips or cracks to the glass or metal. Size: 11" tall.

A very nice cut crystal cocktail shaker in amethyst overlay. The design is a classic pattern of angular mitres emanating from oval printies. These shakers were almost always acid-signed “Japan” on the base, but someone scratched out the signature on this one. Cut glass in the Art Deco style was one of the industries established in Japan during the occupation at the end of World War II. The products were of fine quality and easily competed with European glass from the era. This shaker is complete with its original chrome-plated top. These shakers were always acid-signed “Japan” on the base, but someone scratched out the signature on this shaker.

Origin: Japan, ca. 1947. Condition: excellent; no chips, cracks or dings. Dimensions: 10-3/4” tall.

Superb and very rare copper bowl in the form of three bound leaves by acclaimed silversmith Alfredo Sciarrotta. Most of Sciarrotta’s work was in sterling silver, but he did make a limited line of copper and brass wares early in his career. The designer’s work is instantly recognizable from the quality of workmanship, the heaviness of the material, and of course the naturalistic shapes accented with delicately curling edges and engraved veining. The copper dishes have more realistic appearance than the works in silver, with more detail along the edges of the leaves and in the veining. The dish is raised on three brass ball feet.

Sciarrotta was smuggled out of Italy into the US during World War II to work on submarine technology. Afterwards he settled in Newport, RI and created a small line of hand-made sterling silver hollowware. These were retailed in his own shop and eventually by a few select stores including Shreve Crump & Low, Gorham, Bailey Banks & Biddle, and Cartier. This copper example has the earlier and less common hallmark that Sciarrotta used only at his own studio. Sciarrotta’s designs are in several museum collections including the Smithsonian.

Origin: America, ca. 1948. Condition: excellent, no dings or monograms, excellent patina. Size: 9-7/8” diameter; 3-1/8” tall. Weight: 565.0 grams.

A very fine and extremely rare Art Deco sterling silver cocktail shaker by exclusive Tuttle Silvermsiths. At the end of the Art Deco era, just before modernism began to take a firm hold, a few leading American silver companies started reinterpreting Stuart adn Georgian silver designs for modern purposes. This shaker is just such an example. The urn finial cresting above the everted rosette cap is a new take on late Stuart and early Georgian design, as is the overall severe cylindrical shape and the double-reeded banding. The final look is an extraordinary blending of 17th century design and the "skyscraper" design of the 1920s and 30s. The bottom of the shaker is marked with Tuttle's maker's mark, as well as the retailer's mark for Shreve, Crump & Low. It is also marked "London Reproduction 1660-1684". And finally, it is marked with the monogram for Harry S. Truman with the Roman number I, indicating the that shaker was made during the first Truman administration (1945-49). Tuttle is not a widely-known American silver company precisely because all its products were made entirely by hand and were extremely expensive. It was available only to the elite.

Origin: America, 1945-49. Condition: excellent, a few insignificant waves from "ice cube dings" only visible in strong, raking light. Size: 14-1/2" tall. Weight: 1,106 grams.

A classic mid-century porcelain water jug advertising Ricard anisette. In the south of France, tradition dictates that a pitcher of water should be served alongside anise-flavored aperitifs to dilute the drink. Makers such as Ricard and Pernod provided advertising pitchers to local bars and cafes to increase their sales. The squared-off shape is less common than the traditional globe-shaped pitcher, and only became popular after World War II. This is a miniature version, about half as tall as usual, and was obviously intended for someone who drinks alone! It’s the only miniature we’ve found after many years.

Origin: France, ca. 1960. Condition: excellent, no chips or cracks. Dimensions: 2-15/16” tall.

A figural Art Deco jigger in the form of a streamlined cat by Napier. Stand the cat on his ears and tail while you fill it to the 1 oz mark and then store him upright! The tail is marked “Napier”.

Origin: America, ca. 1930. Condition: excellent, plating intact. Dimensions: 3-11/16” tall.

Lovely pair of porcelain compotes in the "Dresden Garland" pattern by Schumann. The pierced rims are heavily decorated with colorful flowers and gilding. Each compote is centered with a floral bouquet surrounded by entwined gilt and floral garlands. The decorative motifs are echoed on the pedestals. The bottoms are marked by Schumann.

Origin: Germany, ca. 1920. Condition: mint. Size: 7-1/2" diameter; 4-5/8" tall.

A nice Art Deco cocktail pick set formed as a dark red bakelite cherry atop a rosewood base holding six bright red bakelite cherry-finial picks. The cocktail pick holder (“porte-piques”) was once a fixture of every French bar or café, as well as private bars in the home. Today, they can be used for their original purpose or to serve small hors d’oeuvres.

• Origin: France, ca. 1930
• Condition: excellent, minor wear to the finish along the lower edge of one side of the base
• Dimensions: 2-5/8” x 2-5/8” x 4”

A classic Art Deco porcelain water jug advertising Ricard Anisette. In the south of France, tradition dictates that Ricard and other anise-flavored spirits be drunk with a side of water. Makers such as Ricard and Pernod provided advertising pitchers to local bars to increase their sales. This globe form is the classic shape from the first half of the 20th century. The bottom is marked "Ateliers de Céramique Ricard/Made In France".

Origin: France, ca. 1930. Condition: excellent, no chips or cracks. Dimensions: 6" tall at handle.

4 hand enameled cocktail glasses featuring colorful roosters. Unlike most rooster glasses, these do not depict a cock fight--so none of the glasses has a dead chicken on it!

The glasses have gilding along the rims and around the feet. Very colorful!

Origin: American, ca. 1930's. Condition: excellent condition, except the gilding has a bit of wear and one glass has a tiny nick at the edge of the foot. Size: 3-5/8" tall.

Very fine pair of George VI sterling silver master salt dishes. The salts are raised on paw feet surmounted by lion masks. The everted rims are gadrooned. The salts retain the original cobalt blue glass liners. The salts are identical, but were made in different years by the same silversmith. One has the date mark for 1936 and the other for 1939. The only difference is that glass liner in one is a little thicker than the other.

Origin: London. Condition: excellent, all original, no dings or monograms. Size: 2-7/8" diameter; 1-1/2" tall. Weight: 202.0 grams (silver only).

A classic silverplated single-serving cocktail shaker by Napier in 1934 specifically to be sold at Saks Fifth Avenue. The shakers were made in two variations, one with a dial on the top indicating the type of cocktail within and this version, with the profile of a rooster on the lid. The shaker has a built-in strainer and pouring spout. When removed, the lid becomes a footed cocktail glass. The bottom of the shaker is stamped "Napier Pat. Pend."

• Origin: America, ca. 1934.
• Dimensions: 6 1/2" tall.
• Condition: very good; light wear to plating as is typical of all Napier silverplated items; a pinpoint and a 1/4" ding to the side of the cap/cup.

A classic Art Deco sterling silver double jigger. The linear shape of the cups (instead of the more common bell shapes) lends this jigger a very modern feel. Marked "Sterling" and with the hallmark for Baldwin & Miller.

Origin: America, ca. 1930. Condition: excellent, no dings or monograms. Dimensions: 3-7/16" tall. Weight: 55.5 gr.

This wonderfully inventive Art Deco silverplate jigger measures 3/4, 1, 1-1/2 and 2 ounces. The cube joining the various cups shows measurements on one side and is stamped with the hallmark for Benedict Manufacturing Company (1894-1953) on the other. The cube is perfectly weighted so the jigger does not tip over when the upper cup is filled. This implement was created by the noted modernist designer Albert F. Saunders as a part of Benedict's "Modernistic" line. It was made in extremely small quantities and originals are very difficult to find.

• Origin: America, ca. 1930
• Condition: very good; one pinpoint ding; minimal plating wear
• Dimensions: 4-13/16” x 3-5/8”

Six sterling silver demitasse spoons in their original velvet- and silk-lined fitted case. The spoons bear full hallmarks for Sheffield, 1934, along with design registry numbers for 1918 and the maker's mark for Mappin & Webb. One of England's leading silversmiths, Mappin & Webb is the official silversmith and jeweler to England's royal family. The inside of the box's lid is marked with their logo.

The spoons are in mint condition; the box has slight wear on the inside lid. Spoons are 4-1/2" long.

A handsome set of four sterling silver salt dips with cobalt blue glass liners. The silver walls are intricately pierced in the 18th century style and are raised on scrolled feet. The salts have fitted cobalt blue glass liners. The salts are fully hallmarked for Birmingham, 1934 and have an unidentified maker’s mark “WA” in a shield.

Origin: England, 1924. Condition: excellent, no dings, cracks or chips. Size: 2-3/16” x 1-11/16” x 1-1/4” tall. Silver Weight: 74.0 grams.

A rare large silver plate double jigger by Napier. The larger end is marked of in one-ounce increments up to four ounces and the smaller end at 1-1/2 and 2-1/2 ounces. Both ends have a small pour lips to prevent dripping. The interior is marked “Napier Pat. Pend.” Napier began producing barware after being inspired by the 1925 World’s Fair in Paris that showcased Art Deco luxury and continued until the U.S.’s entry into World War II.

• Origin: America, 1925-41
• Condition: excellent, minor wear to interior, no plating wear to exterior
• Dimensions: 4-1/4” tall, 2-9/16” wide

Unusual sterling silver lettuce fork in Stieff's enduring "Rose" pattern. Originally intended to serve lettuce, this piece could be used or any variety of modern foods. Origin: Baltimore, MD, early 1900's. Condition: excellent, no monogram. Size: 9-1/4" long.

Outstanding three-piece sterling silver dresser set with guilloche enamel. Both brushes have natural bristles and the jar is panel-cut. All pieces are fully hallmarked for "G. Bros." London and Birmingham, 1928. The markings also indicate the pieces were made for export to America.

Origin: London & Birmingham, England, 1928. Condition: excellent, including the bristles; absolutely no problems with the enamel. Size: hairbrush 9" long; clothesbrush 6-1/4" long; jar 2" diam.

A beautiful set of six red-cut-to-clear cocktail glasses designed by Charles Graffart for Val St. Lambert. Graffart was one of the three designers chosen by Val to create their entire exhibit for the 1920 Exposition des Art Decoratifs. The austere angular cutting pattern works beautifully with the overlay.

Origin: Belgium, ca. 1930. Condition: excellent, no chips or cracks. Size: 2-3/4" tall.

NOTE: We also have a matching decanter, signed "Val St. Lambert", in green-cut-to-clear (Item #1093572). Together, they'd make a stunning Christmas decanter set!

A complete set of six stacking chrome cocktail or canape plates designed by Lurelle Guild for the Chase Company. Each of the plates has an indented ring in which the foot of a cocktail glass fits perfectly, and an aerodynamic wing that serves as a handle. In advertising the plates, Chase said "With this smart looking canape plate, you can hold a cocktail, a canape and a cigarette in one hand and shake hands with other." Curiously, set of these plates are in the permanent collections of the Museum of Fine Arts Boston, Yale University Art Gallery, and the Philadelphia Museum of Art.

Origin: America, 1934-41. Condition: excellent, normal surface wear consistent with age and use, no plating damage. Size: 6-1/4" diameter, excluding handle.

A beautiful Art Deco green-cut-to-clear decanter designed by Charles Graffart for Val St. Lambert. The pyramidal shape capped by an inverted stopper is very linear and perfectly accents the austere overlay cutting pattern. The base is signed "Val St. Lambert" and the stopper is engraved with a number that matches the number inside the decanter's neck.

Origin: Belgium, ca. 1930. Condition: excellent, no chips or cracks. Size: 9-1/8" tall.

A superb set of four Art Deco chrome shot glasses, each with a different color of opaque enamel at the rim, enclosed in a fitted leather case by Newey. Newey was a major English maker of leather goods and a supplier to top-level retailers such as Harrod's. The case is embossed with Newey's logo and each of the shot glasses is marked "Made In Germany."

Origin: Germany/England, ca. 1930. Condition: virtually mint; no dings, no scrapes to the leather. Size: shot glasses, 1-3/4" tall; case, 2-11/16" tall.

An elegant Art Deco ruby glass cocktail shaker with sterling silver overlay in a grapevine pattern. The glass has a very intense ruby coloring, and the bottom has a polished pontil-a reliable sign of quality glass. Each side of the shaker is enhanced with a stylized grapevine motif worked in sterling silver overlay. The shaker is finished with a chrome-plated top.

Origin: America, ca. 1935. Condition: excellent, all original, no chips or cracks, no splits to metal. Size: 11-1/4".

A set of six sterling silver coffee spoons by Asprey & Co. Each spoon has a brownish-black bakelite “coffee bean”—a decorative device popular in England during the Art Deco period. Each spoon is fully hallmarked for Asprey, 1931. The spoons are presented in their original silk- and velvet-lined fitted box, the lid of which is imprinted “Asprey/166 Bond St/London”.

Origin: England, 1931. Condition: excellent, all original, no monograms. Size: 3-7/8” long. Weight: 43.0 grams.

A very nice antique Chinese glass paperweight featuring a lampwork poinsettia. The bright red petals are arranged in a double row around a sulfur yellow millefiori center and are accented with a green stem and a pair of leaves. The Chinese copied this design from New England Glass Company paperweights of the 19th century. The glass in this example is relatively good quality, with only few small bubbles, and is considerably larger than many examples. The base is ground and polished concave.

Origin: China, ca. 1930. Condition: excellent, no chips, cracks or significant surface wear. Size: 3-1/4" diameter.

A classic mid-20th century French silver tastevin of traditional form. The bowl is decorated with angled godrons for evaluating white wines and small convex perles and larger concave cupules for use with red wines. The handle, also, is in the traditional snake form. Up until the mid-20th century, a few silversmiths in France were able to raise an entire tastevin from a single Napoleon III 5-franc coin. The work was accomplished solely with the aid of variously-sized hammers which were used to thin and spread out the original coin and a series of other tools used to form the decorations. They can often be identified by the the exact weight (always 32.5 grams before the addition of the handle). Only a handful of master silversmiths were able to create a tastevin in which the phrase “DIEU PROTEGE LA FRANCE” (“God protect France”), which originally appeared on the rim of the 5-franc coin, was still legible at the rim of the tastevin. The last silversmith with this documented ability stopped working in 1968. The tastevin is stamped with the “Minerve” mark for 800 silver and with an illegible maker’s mark.

Origin: France, ca. 1930. Condition: excellent. Size: 25/32” high; 2-3/4” diameter (excluding handle). Weight: 32.9 grams.

Fascinating watercolor set in the form of a 1930's automobile with working wheels. The top lifts to reveal containers for paints and water; an area for mixing; and a storage compartment for brushes. The back of the car is embossed "Betel Motor Car/Patent No. 75086/Open & Close Type/BF".

Origin: England, circa 1930. Condition: some budding young artist decided to decorate the car with some black paint, which could be removed by polishing the brass; the surface is untouched; no dents or missing parts. Approximately 10" x 5" x 3.75" high.

Sterling silver bottle opener in Georg Jensen's beautiful 1930 Art Deco "Cactus" pattern. The handle is marked "Georg Jensen" in a dotted oval and "Sterling Denmark"; the opener is marked "Georg Jensen Denmark".

Origin: Denmark. Condition: excellent, no monogram. Size: 4-13/16" long.

An Art Deco sterling silver handled double jigger by silversmith John Hasselbring (Brooklyn, NY). The angularity of the handle contrasts nicely with the traditional shape of the cups. Stamped with Hasselbring's hallmark.

Origin: America, ca. 1930. Condition: very good, a few pinpoints on handle and cups visible in strong, raking light; no monograms. Dimensions: 5-3/8" x 4-1/8". Weight: 78.7 gr.

A colorful green and white bakelite die holds a set of six chrome and bakelite dice picks in this Art Deco set. The cocktail pick holder (“porte-piques”) was once a fixture of every French bar or café. Today they can be used to spear cocktail olives, cherries or onions, or to serve small hors d’oeuvres.

• Origin: France, ca. 1930
• Condition: very good, the white pick is likely an early replacement
• Dimensions: 1-3/8” x 1-3/8” x 4"

Beautiful cranberry-cut-to-clear glass decanter. The generously-sized bottle has terrific color and very nice quality cutting of hobstars, strawberry diamond, and notched prism motifs. The stopper has a blown teardrop and is cut in a matching pattern. The bottom is cut with a full hobstar. The neck and stopper are engraved with matching numbers (signifying that this is the original stopper). The bottom is signed in script.

Origin: Belgium, ca. 1930. Condition: mint. Size: 16" tall.

An elegant French Art Deco silverplate jigger in the form of a champagne bucket. The form is completed by a pair of spherical handles typical of champagne coolers of the era. The bottom is stamped with an illegible maker’s mark.

• Origin: France, ca. 1930.
• Dimensions: 1-7/8” diameter; 2” high.
• Condition: excellent; no dings; a 2mm area of plating wear to the interior near the bottom.

A classic figural sterling silver thimble jigger by Thomae & Co. The rim is engraved "Only A Thimble Full." The interior retains a small amount of its original gilding. Several companies made variations of this jigger, but those by Thomae are among the best due to their superior weight and workmanship. Origin: America, ca. 1935. Condition: excellent, no dings or monograms. Size: 2" tall. Weight: 41.4 grams.

A classic figural sterling silver thimble jigger by Thomae & Co. The rim is engraved "Only A Thimble Full." The interior retains its original gilding. Several companies made variationss of this jigger, but those by Thomae are among the best because of their superior weight and workmanship.

Origin: America, ca. 1935. Condition: excellent, no dings or monograms. Dimensions: 1-31/32" tall. Weight: 38.4 gr.

A vintage English leather traveling case intended to hold a set of shirt studs. The top is embossed "Studs" in gilt letters. The interior has a sueded surface. Though intended for use when traveling, these boxes are an excellent way to store either cufflinks or studs on a daily basis. The bottom is marked "Real Hide Made In England."

Origin: England, ca. 1930. Condition: excellent. Dimensions: 2-5/8" diameter.

A set of six sterling silver coffee spoons by Asprey & Co. Each spoon has a brownish-black bakelite “coffee bean”—a decorative device popular in England during the Art Deco period. Each spoon is fully hallmarked for Asprey, 1931. The spoons are presented in their original silk- and velvet-lined fitted box, the lid of which is imprinted “Asprey/166 Bond St/London”.

• Origin: England, 1931.
• Dimensions: spoons, 3 7/8" long.
• Weight: 43.0 grams.
• Condition: excellent, all original, no monograms; case is like new.

A handsome sterling silver Art Deco double jigger by Thomae & Co. Each cup is simply enhanced with a single raised band for Art Deco austerity. The rim is fully hallmarked.

Origin: America, ca. 1935. Condition: excellent, no dings or monograms. Size: 3-3/4" tall. Weight: 60.7 grams.

A classic figural sterling silver thimble jigger by Thomae & Co. The rim is engraved "Only A Thimble Full." The interior retains its original gilding. Several companies made variations of this jigger, but those by Thomae are among the best due to their superior weight and workmanship. This particular example is several grams heavier than most Thomae thimbles.

Origin: America, ca. 1935. Condition: excellent, no dings or monograms. Size: 1-15/16" tall. Weight: 45.8 grams.

A good bronze footed trumpet vase by Carl Sorensen. The surface is patinated in a dark mottled green and is enhanced with parallel engraved lines forming bands decorated in a darker green patination. The small foot makes this one of Sorensen's more unusual vase designs. Sorensen made a variety of decorative metalwares, but little is known about him. He worked in Pennsylvania, and his pieces were possibly sold by Roycroft and Tiffany. The base is signed "Carl Sorensen" and also has his hallmark.

Origin: America, ca. 1930. Condition: excellent, a slightly flattened area along the upper rim is just barely visible when seen from the right angle. Size: 6-1/2" tall.

A classic figural sterling silver thimble jigger, the rim engraved "Only A Thimble Full". The workmanship of this jigger is very good and the engraving is among the nicest we've seen. Marked "Sterling."

Origin: America, ca. 1935. Condition: excellent, no dings or monograms. Dimensions: 1-29/32". Weight: 34.4 gr.

A sweet sterling silver baby ring and teething rattle. The central silver piece shows a clock face where hands can be engraved to indicate the time of birth along with the date, year and the infant's weight. The back side can be engraved with the baby's name. The rattle is suspended in a lucite faux mother-of-pearl teething ring. These rattles are very difficult to find with no monograms or other engraving.

Origin: America, ca. 1930. Condition: excellent, no engraving or removals. Dimensions: 2-7/16" diameter.

A rare vintage sterling silver figural jigger in the form of a swing-handled fire bucket. The side is engraved “Fire Water”. The interior is gilt. The bottom is marked “Lunt Sterling 15”.

Origin: America, ca. 1935. Size: 2” tall to rim; 3-1/4” tall to top of handle. Weight: 32.3 grams.

A classic sterling silver handled jigger by Tiffany & Co. The simplicity of the design is relieved only by the slight flare at the rim and the curve of the handle, typical of Tiffany’s Deco designs. The bottom is stamped with Tiffany marks used 1907-47.

• Origin: America, ca 1930
• Condition: excellent, no dings or monograms
• Dimensions: 2-1/16” tall
• Weight: 63.5 grams

A very rare "Cheerio" cocktail shaker in ruby glass with its original chrome top and recipe holder. The recipe holder contains a series of twelve cards that illustrate recipes for different cocktails. The recipes are far more varied than most recipe shakers, and include directions for a Hula-Hula, Princesse,Bamboo, Blackthorn and Aldo-Tropical. The cards have a patent date of 1934.

Origin: America, ca. 1934. Condition: recipe cards have water staining; the pour cap has a 1/4" split and the lid has a 1/4" ding; the bottom edge of the glass has a 5/8" flake that can be quite successfully hidden under the chrome recipe holder. Size: 11" tall.

A classic figural sterling silver thimble jigger by Thomae & Co. The rim is engraved "Only A Thimble Full." The interior retains some of its original gilding. Several companies made variations of this jigger, but those by Thomae are among the best due to their superior weight and workmanship.

Origin: America, ca. 1935. Condition: excellent, no dings or monograms. Size: 2" tall. Weight: 36.3 grams.

Gorgeous set of 12 English sterling silver cocktail forks, the handles completely worked in basse-taille enamel. The enamel, in translucent shades of cornflower blue and turquoise, is elegantly accented with areas of exposed parcel-gilt silver. The sides of the silver handles bear full hallmarks for London, 1932 (the maker's mark is TS).

Origin: London, 1932. Condition: 7 are perfect, 2 have nearly unnoticeable enamel flakes (about 1/16"), 2 have 1/8" flakes, 1 has more substantial damage to the back of the handle, but can still be used. Size: 5-7/8" long.