Catalog (2428)

A classic 19th century French silver tastevin of traditional form by master silversmith Alexandre Vauger. This example is of small size, intended for use in evaluating cognac, Armagnac or calvados instead of wine. Unlike the “perles” and “godrons” found on the walls of a wine taster, a cognac taster more accurately reflects the liquid’s color using a smooth surface. Similarly, cognac tasters are smaller than wine tasters because the alcohol is considerably stronger and a smaller taste is more appropriate. The bottom of the interior features a partial image of Hercules flanked by female figures representing “Liberty” and “Equality” that once appeared on the 5-franc coin of the Third Republic. The back of the coin, dated 1873, is visible on the bottom of the tastevin. The taster is finished with a classic engraved double serpent handle, the heads grasping the apple of temptation.

Accomplished French silversmiths prided themselves on the ability to raise an entire tastevin from a single 5-franc coin, using only hammers and a few other hand tools to thin, spread and shape the flat coin into a finished tastevin. Only a handful of masters were capable of raising the tastevin with the words “DIEU PROTEGE LA FRANCE” (“God protect France”), originally found around the outer edge of the coin, still visible along the top edge of the tastevin. The last silversmith proven to have mastered this skill stopped working in 1968.

This tastevin is stamped with French silver hallmarks and has the master silversmith’s mark for Alexandre Vauger, who worked in Paris 1884-1887.

Origin: France, 1884-87. Condition: excellent. Dimensions: 48 x 66 mm (1-7/8 x 2-5/8 in). Weight: 30.5 grams.

A classic 19th century French silver tastevin of traditional form by master silversmith Alexandre Vauger. This example is of small size, intended for use in evaluating cognac, Armagnac or calvados instead of wine. Unlike the “perles” and “godrons” found on the walls of a wine taster, a cognac taster more accurately reflects the liquid’s color using a smooth surface. Similarly, cognac tasters are smaller than wine tasters because the alcohol is considerably stronger and a smaller taste is more appropriate. The bottom of the interior features a partial image of Hercules flanked by female figures representing “Liberty” and “Equality” that once appeared on the 5-franc coin of the Third Republic. The back of the coin, dated 1873, is visible on the bottom of the tastevin. The taster is finished with a classic engraved double serpent handle, the heads grasping the apple of temptation.

Accomplished French silversmiths prided themselves on the ability to raise an entire tastevin from a single 5-franc coin, using only hammers and a few other hand tools to thin, spread and shape the flat coin into a finished tastevin. Only a handful of masters were capable of raising the tastevin with the words “DIEU PROTEGE LA FRANCE” (“God protect France”), originally found around the outer edge of the coin, still visible along the top edge of the tastevin. The last silversmith proven to have mastered this skill stopped working in 1968.

This tastevin is stamped with French silver hallmarks and has the master silversmith’s mark for Alexandre Vauger, who worked in Paris 1884-1887.

Origin: France, 1884-87. Condition: excellent. Dimensions: 48 x 66 mm (1-7/8 x 2-5/8 in). Weight: 30.9 grams.

A very fine 18K gold brooch/pendant in the form of a mythological basilisk (cockatrice) pierced through with a jeweled sword. This example is entirely handmade and finished with expertly chased scales and feathers. The quality of workmanship is superb. The wings are formed separately and arranged in a manner that gives the piece great dimensionality. The outer wing is set with a round ruby of very fine color and clarity and the eye is set with a tiny cabochon ruby. The hilt of sword is set with seed pearls with a natural oval pearl at the tip. The gold surfaces have a slightly matte Russian finish. The back retains the original clasp, large watch hook and pendant loop. Many would call this creature a griffin, but with its body of a serpent and with head and wings of a bird, it is more properly considered a basilisk or cockatrice. Such creatures were popular in the late Victorian era. There is a possibility that the back is marked with a script signature, but it is far too difficult to be certain. Tested and guaranteed 18K.

Origin: probably America, ca. 1880. Condition: excellent, sharp detail, all original. Dimensions: 40 x 40 mm (1-1/2 x 1-1/2 in). Weight: 13.2 gr. Approximate Total Ruby Weight: .15 ct.

A fine mid-19th century Mexican tin retablo depicting San Miguel (Michael) the Archangel. He is shown in his usual pose, standing atop a vanquished demon as described in the Biblical Book of Revelation. As weigher of men's souls, he holds the scales of justice in one hand and a flaming sword in the other. He wears armor of blue decorated with golden stars. As a symbol of young soldiers, Miguel is always depicted as a beautiful young man, and the facial features of this Michael are particularly exquisite. The colors in the retablo are very strong. Depictions of Michael are thought to constitute less than 1% of all retablos.

Origin: Mexico, ca. 1850. Condition: very good; scattered surface losses, predominantly in the area of the torso, but the face is nearly untouched. Dimensions: 10 x 14 in.

A nice example of an antique scrambled glass paperweight by the New England Glass Company. The set-up contains a colorful variety of complex canes, filigree and twists in a nicely compact grouping. There are least three complex canes with white eagle silhouettes against a field of dark purple. There are no annealing problems and few bubbles in the set-up. The glass of the dome has good color and clarity. The bottom is concave with a basal ring.

Origin: America, ca. 1865. Condition: excellent, a fairly light ½-in scratch to the dome, no dings. Dimensions: diameter, 2-7/8 in; height, 1-13/16 in.

A very attractive late 19th century first standard (950/1000 pure silver) wine taster by Parisian silversmith Louis Coignet. The tastevin is decorated in the Bourgogne style with an applied handle in snake form. The serpent is beautifully decorated with engraved scales and eyes. The sides are enhanced with repousse and chased decoration of grape clusters and vine leaves. This example is classic form, but has a very steep convex bottom and no “godrons” or “perles” along the sides. These adjustments to the style suggest the tastevin was specifically intended for use with white wines.

Origin: France, 1889-1893. Condition: excellent, sharp detail. Dimensions: 3 x 4-1/16 in. Weight: 70.5 gr.

A very attractive French silver (1st standard=950/1000 pure silver) tastevin, the bottom inset with a 1785 silver coin showing the bust of King Louis XVI. This tastevin departs slightly from the traditional form, with the fluted “godrons” placed immediately around the coin and the sides finished with very nice repousse decoration of grapes, vines and leaves. The tastevin is finished with a single coiled snake handle. Tastevins set with royal coins seem to have been popular during various times in the 19th century when France was ruled over by a king or emperor. Tastevins with Louis XVI coins are not often encountered, however. The tastevin is stamped with French silver marks and with an unidentified master silversmith mark.

Origin: France, ca. 1860. Condition: excellent. Dimensions: 7.9 x 10.5 cm (3-1/8 x 4-1/8 in). Weight: 105.4 gr.

An exceptionally fine and very heavy pair of 18K yellow gold cufflinks, the faces cast and hand-pierced in an ornate design of a mythological griffin. More properly, the creature is a Basilisk with the body of a serpent and the head and wings of an eagle. Deatailed scales and feathers are engraved for added interest. The back faces are worked in a laurel pattern. The quality of workmanship is so superb that even the back side of each face is entirely engraved to match the front. The cufflinks are stamped with French hallmarks.

Origin: France, ca. 1870. Condition: excellent; sharp detail; all original. Dimensions: front faces, 11/16 x 5/8 in. Weight: 10.4 gr.

An absolutely delightful bronze calling card tray, the center designed with a small frog atop a traditional baroque-style wave. The top edge of the dish has a wonderful scene of four frogs riding big-wheel bicycles along a road. They have quite good balance, as all have their arms crossed. The lead frog is even smoking a pipe. Road markers reading “2Km” and “3Km” mark their progress. The frog and bicycle design was taken directly from a J & P Coats thread company advertisement used on trade cards in the 1880s. More than likely, the tray was designed to be used to hold the cards in an exclusive Parisian dressmaker’s or tailor’s shop.

Origin: France, ca. 1885. Condition: excellent; original patina; sharp details. Dimensions: 7-1/2 x 4-1/4 in.

An outstanding Victorian Arts & Crafts long chain fashioned from a series of oval cut colored gemstones in graduating sizes, each bezel-set in 14K yellow gold and joined to one another with very delicate handmade gold links. The selection of stones includes amethyst, citrine, topaz, aquamarine, almandine garnet, hessonite grosularite garnet, pink tourmaline, green tourmaline, and smoky quartz. The chain is an amazing 78 inches (6-1/2 feet) long and can be worn draped around the neck at various lengths. Long chains without clasps and are difficult to wear around the wrist, but this example can be wound about ten times around the wrist for wear as a stunning bracelet. Tested and guaranteed 14K gold.

Origin: America, ca. 1890. Condition: excellent; all original. Dimensions: 78 inches long. Weight: 31.1 gr. Approximate Total Gemstone Weight: 94.6 cts.

A brilliant mint state United States Morgan 1891-S silver dollar with exceptional eye appeal and outstanding luster. The coin was cleaned more than 45 years ago, but the re-toning is very appealing. The coin exhibits a sharp full detailed strike with exceptional detail in the feathers on the reverse and in the cheeks and hair on the obverse, and is virtually free of marks.

A delightful early 19th century French silver tastevin featuring a 1770 Louis XV coin and a wonderfully decorated handle. The handle decoration depicts a man seated atop a wine barrel grasping a wine bottle in one hand and a Cupid's arrow in the other. The design is completed with the legend "Vive l'amour et le vin" ("Long live love and wine."). This type of handle was developed in the early 1700s and was used mostly in the Burgundy region. The use of real silver coins as a decorative element is seen in tastevins dating from the mid-1700s onwards. The handle is stamped with 19th century hallmarks.

Origin: France, ca. 1840. Condition: excellent; 2 pinpoints to the bowl and a slight ding along the edge opposite the handle. Dimensions: 3-1/4 x 4-1/4 x 7/8 inches. Weight: 95.0 grams.

A very nice Victorian 18K yellow gold watch fob seal in the form of a seated hound dog. He (it's very obviously a male dog) is extremely well-detailed and is highlighted with a black enameled collar and cabochon ruby eyes. The carnelian seal was never engraved. This fob seal is a little larger than most and has an imposing presence. The fob is stamped with French 18K gold marks.

Origin: France, ca. 1870. Condition: excellent, sharp detail. Dimensions: 7/8" x 3/4" x 1-1/4" tall. Weight: 17.4 grams.

A lovely small Victorian 14K yellow gold locket, the cover decorated with the unusual subject of a squirrel. The little fellow is depicted sitting upright munching on an acorn. The front cover is finished with a ropetwist border. The interior retains its original frame and glass insert. Tested and guaranteed 14K gold.

Origin: America, ca. 1890. Condition: excellent, sharp detail to the front; the back has a few very minor dings visible in raking light. Dimensions: 13/16" x 3/4" excluding bale. Weight: 3.8 grams.

A very fine 14K yellow gold mesh watch fob suspending a nicely detailed 14K Egyptian Revival Sphinx seal. Mesh fobs are most frequently gold-filled, but this example is solid 14K. The fittings at either end are beautifully engraved in a foliate pattern. The Sphinx seal depicts the regal creature in its traditional pose with wings swept back against the leonine flanks. Tested and guaranteed 14K.

Origin: America, ca. 1870. Condition: excellent, sharp detail, no engraving on seal. Dimesions: overall length, 6-1/8"; seal, 1 x 3/4". Weight: 30.0 grams.

A handsome pair of Arts and Crafts (Aesthetic) period cufflinks in 14K yellow gold. The oval faces have irregularly pierced faces set with buff-cut amethysts. The amethysts have nice medium coloring. Their smooth upper surfaces match the simple overall style, while the faceted pavilions provide a little shimmer. Tested and guaranteed 14K gold.

Origin: America, ca. 1890. Condition: excellent. Dimensions: 11/16 x 13/16 inches. Weight: 13.2 grams. Approximate Total Amethyst Weight: 11.68 carats.

A very rare pair of 14K yellow gold cufflinks, the faces designed as fearsome lion-like gargoyles. Each snarling mouth grasps an old mine cut diamond, and the eyes are set with small emerald cabochons. The fur is pierced and detailed in a way that suggests the stone fretwork of Gothic cathedrals. The faces are joined by arch connectors to bean backs. The connectors are stamped with the mark for Schira Bros. of Cincinnati, Ohio. Tested and guaranteed 14K.

Origin: America, ca. 1890. Condition: excellent. Dimensions: 1 x 9/16 inch. Weight: 8.6 grams. Approximate Total Diamond Weight: .16 carat.

A very nice pair of 14K yellow gold bean-back cufflinks by L. E. Garrigus & Co. The oval faces center buff-cut amethysts surrounded by gold borders ornately engraved in a foliate pattern. The smooth upper domes of the amethysts contrast nicely with the faceted pavilions that add a little shimmer. The connectors are stamped with Garrigus' 14K hallmark.

Origin: America, ca. 1890. Condition: excellent. Dimensions: 11/16 x 9/16 inch. Weight: 6.8 grams. Approximate Total Gemstone Weight: 8.6 carats.

An extraordinary pair of French Art Nouveau 18K yellow gold enameled cufflinks, the faces featuring flowers bearing a secret message. In Victorian symbology, the daisy represented "innocence" or "purity", whereas the red poppy meant "pleasure". Taken together, the choice of flowers in these cufflinks was certainly intended to convey an erotic sentiment. The faces are beautifully hand-pierced and highlighted with translucent enamels in delicate shades of green, rosy red and whitish-yellow. The exposed areas of gold are worked in the semi-matte Russian finish popular in better quality Art Nouveau jewels. Each face is marked with the "tete d'aigle" for 18K.

Origin: France, ca. 1890. Condition: excellent; a couple of extremely minor enamel flakes under magnification. Dimensions: 9/16" diameter. Weight: 10.8 grams.

A handsome pair of 14K yellow gold cufflinks, the faces fashioned as ornate batons. Each of batons has a lobed device at each end similar to the head on a 16/17th century Ottoman ceremonial mace used to connote that the bearer carried the full authority of the Sultan Khan. Tested and guaranteed 14K.

Origin: America, ca. 1890. Condition: excellent, sharp detail. Dimensions: batons, 1-1/4" long. Weight: 10.4 grams.

A beautiful pair of Art Nouveau 18K yellow gold cufflinks designed by Louis Armand Rault. The design features a maiden with large flowers in her hair. The edges of the faces are irregularly cut to conform to the outlines of the design. The faces are connected with chains to backs decorated in a strapwork motif. Louis Rault worked primarily for Boucheron and was widely considered the finest gold and silver chaser of his time. He largely set the foundation for Boucheron's gold medal victory at the 1900 Exposition Universelle. Each face is signed with Rault's monogram and each cufflink is stamped with French 18K gold marks.

Origin: France, ca. 1890. Condition: excellent, sharp detail. Dimensions: front face, 5/8" diameter. Weight: 6.5 grams.

A very nice pair of Victorian double-faced 14K yellow gold cufflinks, the oval faces set with trios of diamonds, rubies and sapphires. The diamonds are old mine cut, while the sapphires and rubies are cabochons. The colored stones are of very good color and show now indications of heat treatment. The gold surfaces are worked with the slightly matte Russian finish popular for higher quality jewelry of the period. Jewelry set with red, white and blue gemstones tended to gain popularity around key anniversaries or important events in American history. It is likely that these cufflinks date to the centennial year of 1876. The back of each face is marked 14K and has an unidentified maker's mark.

Origin: America, ca. 1876. Condition: excellent, all original. Dimensions: 21/32" x 13/32". Weight: 7.9 grams. Approximate Total Gemstone Weight: diamond, .16 ct; sapphire, .23 ct; ruby, .23 ct.

A superb 19th century French figural fob seal worked in silver and 18K gold. The gorgeously detailed wolf's head is worked in silver with gold accents such as the collar and the long tongue that hangs from one side of the very toothy jaws. The eyes are set with small rubies. The carnelian seal has never been engraved. Tested and guaranteed silver and 18K.

Origin: France, ca. 1850. Condition: excellent, sharp detail, a very small flake on one corner of the carnelian, jump ring is a later addition. Dimensions: 7/8" x 7/8" x 1-5/16" (excluding jump ring). Weight: 21.7 grams.

A rare enameled beaker made as a souvenir of the 1896 coronation of Imperial Russia’s last monarchs, Czar Nicholas II and Czarina Alexandra Feodorovna. One side of the beaker features the Imperial double-headed eagle and the reverse shows the Imperial cipher. The remainder of the body is decorated with traditional Russian strapwork. The beakers were to be given away to the public on the Khodinka field in Moscow. When the gates were opened, there was a great rush to get to the cups, and hundreds of people were trampled to death. Shortly after, the cup became known as the “Blood Cup” or “Cup of Sorrows”. The incident was thought at the time to be a bad omen for the future of the Imperial couple—an estimation that proved unfortunately correct. These beakers are often in very bad condition, but this one is excellent, there's a small ding on the bottom rim that appears to have been in the making since the enamel is completely intact.

Origin: Russia, 1896. Size: 4-1/8" tall.

An exceptionally fine Victorian 18K yellow gold and turquoise locket in the Etruscan Revival taste. The outside of the sphere is encrusted with ornate wirework decoration against a stippled background. Small Persian turquoise cabochons, some set in star-shaped mountings, add a touch of color. The clasp is cleverly hidden to be nearly invisible when the ball is closed. Indistinctly marked; tested and guaranteed 18K.

Origin: England or America, ca. 1880. Condition: excellent, all original. Dimensions: 7/8" diameter (excluding bail). Weight: 11.2 grams.

A stunning Victorian butterfly brooch worked in 14K yellow gold and silver. The body comprises a cabochon garnet inset with a rose cut diamond, all set between a pair of bright green emerald eyes and a tapering tail of natural pearls The delicately pierced wings are set with 24 rose cut diamonds, two rubies, two emeralds and eight blue sapphires. The butterfly is completed with gold legs and antennae. The brooch is beautifully made. Tested and guaranteed 14K gold.

Origin: America, ca. 1880. Condition: excellent, the original c-clasp has been replaced with a safety clasp. Dimension: 1-5/8" x 1-1/2". Weight: 14.3 grams. Approximate Total Gemstone Weight: 4.79 carats.

A stunning 18K yellow gold festoon necklace featuring dozens of ornately intertwined swags and drops studded with small natural pearls and Mediterranean coral beads. The necklace is finished with an Etruscan style box clasp of the sort associated with Luigi Pallotti e Fratelli, one of the most exclusive jewelers in late 19th century Venice. This particular style of festoon necklace is particularly associated with his work. Pallotti exhibited successfully at the World' Colombian Exposition in Chicago in 1893. The clasp is stamped with Venetian gold marks.

Origin: Italy, ca. 1890. Condition: excellent, all original. Dimensions: overall length, 14-1/2"; length of center drop, 2-1/2". Weight: 22.8 grams.

A very nice mauchline ware wooden hinged box decorated with seven Washington, DC scenes. American scenes are more difficult to find than English or Scottish scenes, and to find seven different images of the Washington DC area is most uncommon. The box retains its original blue silk lining. With the exception of Mount Vernon, all the buildings had been completed only 5-15 years before this piece was produced.

Origin: Scotland, ca. 1890. Dimensions: 7 x 4-7/8 x 3-7/8 inches.

A beautiful hyacinth bulb vase by the Boston & Sandwich Glass Company, decorated in opaque overlay cut to clear in in a panel and trailing vine design. The top is enhanced with a cobalt blue lip and the bottom is slightly footed and star-cut. The overall form is very elegant. The shape was blown in the company's #123 mold and the cutting is identical to known labeled pieces. Vases of this shape were used to hold a single flowering bulb, usually a hyacinth, but sometimes a daffodil or tulip.

Origin: America, ca. 1860. Condition: very good; a 1/4" flake to the white overlay at the edge of one panel. Dimensions: 5-1/4" tall.

An elegant pair of Art Nouveau floral double-sided floral cufflinks worked in 20K yellow gold. The faces are very finely hand-chased with an ornate pattern of daisies. The high gold content gives the cufflinks are very bright yellow color and heavy weight. The connecting chains are marked with an illegible maker's mark and a continental European mark for 20K.

Origin: Europe, ca. 1890. Condition: excellent, sharp detail. Dimensions: 13/16" x 11/32". Weight: 7.8 grams.

An elegant pair of French Art Nouveau 18K yellow gold earrings designed in a openwork pattern of irises. The flowers and foliage are highlighted with delicate engraving. The gold surfaces are enhanced with the soft matte texture typical of French jewels of the period. The wires appear to be replacements and are stamped with French 18K marks.

Origin: France, ca. 1890. Condition: excellent. Dimensions: 3/4" 3/4". Weight: 4.7 grams.

A very fine Victorian festoon necklace worked in 14K yellow gold and set with variously cut amethysts and tiny seed pearls. The central element features two oval and one antique cushion cut amethysts suspending a large antique cushion cut amethyst flanked by a pair of pear-shaped drops and further suspending a more triangular pear-shaped drop. Each of the stones is set in an ornate ropetwist, beaded and scrolled setting in the Etruscan Revival taste. The chain itself is handmade in an equally ornate style of s-scrolls and beading. Tested and guaranteed 14K.

Origin: America, ca. 1860. Condition: excellent. Dimensions: 16.5” long; central element, 2.5” long. Weight: 14.9 grams. Approximate Total Gemstone Weight: 31.05 cts.

A beautifully-designed Victorian ball locket enhanced with rose-cut diamonds. The two strap-like decorative elements on either side of the locket lift away, allowing the sphere to be unfolded into a locket accommodating six photos. The sphere is bisected by a band of rose-cut diamonds enhanced with engraving on either side. The original bail is set with rose-cut diamonds. As is typical of French jewels of the period, the diamonds are set in silver over the gold. Ball lockets with multiple panels are extremely rare, and this example is of particularly fine quality. Tested and guaranteed 18K.

Origin: France, ca. 1870. Dimensions: 7/8” diameter (excluding bail). Weight: 15.0 grams. Approximate Total Diamond Weight: .33 ct.

A very pretty pair of Victorian 14K yellow gold earrings set with pearls and seed pearls. The main bodies hang freely from the surmounts, and the bottom edges suspend free-hanging pearls, providing a lot of movement when being worn. The delicate scroll work makes a nice counterpoint to the simplicity of the pearls. Tested and guaranteed 14K.

Origin: America, ca. 1870. Condition: excellent, all original. Dimensions: 5/8” x 1-3/4” long (from top of wire). Weight: 6.8 grams.

A very heavy 18K yellow gold bracelet worked in the form of interlaced knots, the center of each set with an old mine cut diamond. The diamonds are set in silver in the traditional manner of the 19th century. The stones have good J/K color and SI1 clarity. At 8-1/4" long the bracelet is very generously sized. The box clasp is marked "Waler 18K".

Origin: America, ca. 1890. Condition: excellent. Weight: 41.0 grams. Approximate Total Diamond Weight: 1.0 ct.

A fine Victorian 14K gold fob locket, the front cover worked in a deeply three dimensional design of a rose gold owl perched on a green gold branch. The eyes are set with garnet cabochons. The back cover has an engraved shield design that was never monogrammed. The hinged bail is engraved in a complimentary design. The interior of the locket retains its original frame and glass insert.

Origin: America, ca. 1870. Condition: excellent, sharp detail. Dimensions: 7/8" x 1-3/8" (not including jump ring). Weight: 13.7 grams.