Catalog (2433)

Victorian brass figural picture frame in the form of a medieval knight's shield with a halbeard and lance. Cut from heavy-gauge brass, this frame shows great originality and design sense. The back has a hinged easel.

Origin: England, ca. 1880. Condition: excellent. Size: 8" x 5".

Exquisite pierced sterling silver bride’s basket vase by Frank W. Smith. The basket flares out from a narrow base decorated with scrolling acanthus leaves. The sides are decorated with an intricate pierced motif and the upper border repeats the decoration at the foot. The handles is pierced and heavily decorated with scrolls and foliate designs that elaborate on the simpler foot and lip rims. The basket retains its original silverplate liner. Frank Smith was known for very high quality and superior materials. U.S. embassies used one of his flatware patterns for official diplomatic dinners. The bottom has Smith’s older hallmark, the retailer’s mark “Mermod & Jaccard” (St. Louis), “Sterling”, and the pattern number 2214.

Origin: America, 1892-1904. Condition: excellent, normal wear to plating of liner, no monogram. Size: 9-1/4” tall; 7-1/2” wide. Weight (without liner): 270.0 grams.

Exquisite pair of Second Empire (Napoleon III) French 18K yellow gold earrings in the girandole style. The surmounts, each set with a single slightly flattened coral bead, suspend gold central elements, which suspend a fringe of coral, pearl and onyx beads. The earrings are marked with French 18K hallmarks.

Origin: Paris, circa 1850. Condition: excellent, all original. Size: 2-7/32" long. Weight: 6.0 grams.

Elegant Napoleon III circle brooch enclosing a delicate sprig of flowers set with 19 small rose-cut diamonds. The floral motif is worked in silver as was the practice in 19th century diamond jewelry. The white color of the metal was thought to show diamonds to their better advantage. The edges of the circle are beautifully pierced with a double gallery. The back retains the original extended pinstem and c-clasp, and back is marked with 19th century French hallmarks for 18K gold.

Origin: France, circa 1860. Condition: excellent, all original. Size: 1” diameter. Weight: 4.75 grams.

A fine Victorian 18K yellow gold fancy link long chain necklace. The 45” chain has ornate scrolling plaques separated by smaller simple links. The fancy links are further highlighted with beaded decoration. The generous length allows the chain to be worn doubled or tripled. In fact, the chain has an ingenious clasp that holds the necklace at just the right staggered length (21” and 25”)when doubled. The chain can be worn doubled, or at full length by releasing one of the clasps. Necklaces of this style are distinctly French and were popular from the Second Empire through the beginning of the 20th century. This example is stamped with French 18K gold hallmarks and an illegible master goldsmith’s mark.

• Origin: France, ca. 1880.
• Condition: excellent; all original.
• Length: 45”.
• Weight: 34.6 grams.

A fine Victorian 18K yellow gold fancy link long chain necklace. The 47” chain has ornate scrolling plaques separated by smaller simple links. The fancy links are further highlighted with rope-twist and beaded decoration. The generous length allows the chain to be worn doubled or tripled. Necklaces of this style are distinctly French and were popular from the Second Empire through the beginning of the 20th century. This example is stamped with French 18K gold hallmarks.

• Origin: France, ca. 1880.
• Condition: excellent; original clasp replaced with a more secure lobster claw clasp.
• Length: 47”.
• Weight: 34.3 grams.

A fine Victorian 18K yellow gold fancy link long chain necklace. The chain comprises alternating large and small oval links, each inset with an ornate scrolling pattern with millgrained accents. The design is reminiscent of the stone tracery separating the panels in a Gothic stained glass window. Necklaces of this style are distinctly French and were popular throughout the Second Empire and into the Belle Epoque. The necklace is stamped with French 18K marks and an illegible goldsmith’s mark.

Origin: France, ca. 1880. Condition: excellent. Dimensions: 29-1/4" long. Weight: 27.1 gr.

A very fine 18K yellow gold fancy link chain necklace featuring round and teardrop links interspersed with smaller navette-shaped links. Each of the handmade fancy links is further enhanced with elegant beaded decoration. Necklaces in this style were a quintessentially French design near the end of the 19th century and they look especially elegant when layered with other chains. The length is sufficient to be worn doubled. Stamped with French 18K marks.

Origin: France, ca. 1900. Condition: excellent. Dimensions: 32" long. Weight: 46.3 gr.

A terrific 18K yellow gold stick pin in the form of a German shepherd’s head. The detail work is especially well-done, with very accurate representation of the fur, the texture of the snout, etc. The pinstem is stamped with the “tete d’aigle” hallmark for 18K gold.

Origin: France, ca. 1880. Condition: excellent, sharp detail, all original. Size: overall length, 3”; head, 1/2” x 9/16”. Weight: 4.5 grams.

A lovely double-sided 18K yellow gold and crystal “porte-photo” (photo locket), the gold rim accented with small blue sapphires. The bail is attached to a screw mechanism that allows the gold frame to expand for access to the inside of the locket. Porte-photos were often used to display a “public” photo one side and a more private keepsake on the other. They’re usually very simple; a design of this type is uncommon. These pieces are becoming increasingly difficult to find. The bail is stamped with French 18K marks.

Origin: France, ca. 1890. Condition: excellent, no chips or cracks to crystal. Dimensions: 1-1/8” diameter (excluding bail).

A lovely double-sided 18K yellow gold crystal “porte-photo” (photo carrier), the gold rim elegantly decorated with a bound reed design in the Louis XVI style. The crystal covers are faceted in a star design on both sides. The locket is cleverly constructed with a hidden screw mechanism that allows the gold frame to expand so the crystal covers can be removed for adding or changing the contents. Double-sided porte-photos were often used to display a photo on one side and a tiny lock of hair, a pressed flower or other memento. They could also be used to display a “public” photo on one side and a more “private” image on the other. They are usually round or oval; a hexagonal example is rather uncommon. These lovely little pieces have become increasingly difficult to find. The porte-photo is fully stamped with French 18K gold hallmarks.

Origin: France, ca. 1890. Condition: excellent, no chips or cracks to crystal. Size: 1-3/32” diameter (excluding bale).

A lovely double-sided 18K yellow gold and beveled crystal porte-photo (“photo carrier”), the gold rim simply decorated with a bound reed design in the Louis XVI style. It is cleverly constructed with a hidden screw mechanism that allows the gold frame to expand so the crystal covers can be removed for adding or changing the contents. Double-sided porte-photos were often used to display a photo on one side and a tiny lock of hair or a memento such as a pressed flower on the other. They could also be used to display a "public" photo on one side and a more "private" photo on the reverse. They are usually round or oval; lozenge-shaped examples such as this are uncommon. These lovely little pieces are becoming increasingly difficult to find. The porte-photo is fully stamped with French 18K gold hallmarks.

Origin: France, ca. 1880. Condition: excellent; very minor surface scratching on crystal consistent with age. Size: 1-5/16” x 1-1/2” (excluding jump ring). Weight: 6.0 grams.

A lovely double-sided 18K yellow gold and beveled crystal porte-photo (“photo carrier”), the gold rim simply decorated with a bound reed design in the Louis XVI style. It is cleverly constructed with a hidden screw mechanism that allows the gold frame to expand so the crystal covers can be removed for adding or changing the contents. Double-sided porte-photos were often used to display a photo on one side and a tiny lock of hair or a memento such as a pressed flower on the other. They could also be used to display a "public" photo on one side and a more "private" photo on the reverse. These lovely little pieces are becoming increasingly difficult to find. The porte-photo is fully stamped with French 18K gold hallmarks.

Origin: France, ca. 1880. Condition: excellent; very minor surface scratching on crystal consistent with age and a small roughness of the edge of the crystal (not visible when inside the frame). Size: 29/32” x 1-3/8” (excluding jump ring). Weight: 5.3 grams.

A delightfully whimsical late Victorian 18K yellow gold stick pin depicting a circus elephant balancing atop a pearl ball. The elephant is very nicely detailed. The pin stem is stamped with French 18K gold marks and with an illegible maker's mark.

Origin: France, ca. 1900. Condition: excellent. Dimensions: head, 13/32" x 7/16". Weight: 2.9 gr.

A macabre bronze figural cigar cutter in the form of a guillotine. The perfectly detailed guillotine includes a movable “bascule” and “lunette”. On the full-size models, these were the portions to which the victim was strapped and tilted into the machine and the part with a hole that surrounded the neck to hold the head still. In this case, a cigar is laid on the bascule and the lunette closes around the very tip of the cigar. When the rope is released, the heavy blade drops, lopping off the tip which falls into the bucket underneath. The bronze elements are entirely hand-fashioned and are mounted on a simple mahogany base. Incidentally, cigar cutters, regardless of their shapes, are often called “guillotines” in France.

Origin: France, ca. 1860. Condition: excellent, even the rope appears to be original. Size: 8” tall.

Gorgeous sterling silver pendant accented with enamel and paste stones. The pendant is comprised of a bale set with old-European cut paste stones, suspending a circle set with 30 paste stones, surrounding an articulated central plaque covered in translucent cobalt blue enamel punctuated with a finely worked silver floral motif set with paste. The edges of the central plaque are finely toothed and the reverse is decorated in a starburst pattern.

The reverse is marked twice with the French boar's head mark for silver. The pendant is presented with a contemporary 15" 14K white gold chain. The pendant is presented in its original velvet- and silk-lined fitted case, imprinted with the logo for "Edward Tessier Silver & Goldsmith/Mourning Ornaments". Tessier remains one of London's finest purveyors of antique jewels and is still located at its original New Bond Street location.

Early French paste of this quality is getting exceedingly difficult to find. This is a very fine piece of period French paste jewelry, and the combination of paste and blue enamel is especially pleasing.

Origin: France, circa 1840. Condition: excellent, no damage. Size: 7/8" diameter (excluding bale).

Lovely Louis XVI style sterling silver fish slice. The elegant spade-shaped matte vermeil blade is engraved with the crossed quiver and torch design originally popular in the late 18th century. The blade and handle are marked by the maker, Pot & Cie., and the handle is marked with a French silver hallmark.

Origin: France, ca. 1890. Condition: very good; a bit of discoloration on the blade and very light wear on the handle. Size: 12-1/2" long.

Elegant Napoleon III ivory letter opener and book mark with a French silver handle with repousse decoration. The piece serve as a paper cutter or letter opener, but the double blade can slip over the edge of a page to serve as a book mark. The handle is decorated in a foral pattern and has a reserve which was never monogramed. The end has a loop so that the opener/mark could have a ribbon attached or so that it could be worn from a chatelaine. The handle is marked with French silver hallmarks.

Origin: France, ca. 1870. Condition: excellent, a tiny nick at the very point of the ivory. Size: 5-29/32" long.

PLEASE NOTE THAT THIS ITEM CANNOT BE SHIPPED OUTSIDE THE UNITED STATES.

An elegant classic-style French silver tastevin of traditional form. The bowl is decorated with raised "perles", concave "cupules" and elongated "godrons" for assessing the depth of color in both red and white wines. The curved sides help concentrate the aroma, so only a very small amount of wine has to be poured to judge quality. The looped handle allows the tastevin to be worn suspended from a chain. Tastevins with round thumbpieces are generally from the Paris region. The handle is marked for first standard silver (950/1000 pure silver) and also has partially obscured master silversmith's mark.

• Origin: France, ca. 1900.
• Dimensions: 2 11/16" diameter (excluding handle).
• Weight: 37.0 grams.
• Excellent condition; two small dings on bottom, mostly hidden by the design and two very small (1/16") dings on the upper rim.

An absolutely delightful bronze calling card tray, the center designed with a small frog atop a traditional baroque-style wave. The top edge of the dish has a wonderful scene of four frogs riding big-wheel bicycles along a road. They have quite good balance, as all have their arms crossed. The lead frog is even smoking a pipe. Road markers reading “2Km” and “3Km” mark their progress. The frog and bicycle design was taken directly from a J & P Coats thread company advertisement used on trade cards in the 1880s. More than likely, the tray was designed to be used to hold the cards in an exclusive Parisian dressmaker’s or tailor’s shop.

Origin: France, ca. 1885. Condition: excellent; original patina; sharp details. Dimensions: 7-1/2 x 4-1/4 in.

A fine mid-19th century pressed glass paperweight in the form of a recumbent lion resting on an opaque glass base. The lion is beautifully detailed and finished in a frosted surface. This lion is similar to one produced by Gillinder for the 1876 Centennial Exposition, but it is much more finely made. The underside of the black base is impressed “490”.

Origin: probably America, ca. 1870. Condition: excellent; there are a few very minor fleabites along the bottom edge of the base and a couple of small ones (probably from rings) on the lion’s head, where a user would likely pick up the paperweight (these are very difficult to see due to the complexity of the design). Size: 5-3/4” x 3-3/8” x 3-3/4”.

Cute Victorian porcelain baby's dish decorated with a very pretty transfer illustration of the nursery rhyme "Jack and Jill". The decoration is sweetly sentimental. The rim is gilt "Baby". The bottom is marked "Germany".

Origin: Germany, ca. 1900. Condition: excellent, no chips or cracks, light wear to gilding and transfer. Size: 5-1/8" diameter; 1-1/4" high.

Pretty late Victorian porcelain child's cup. One side has a polychrome transfer image of a playful dog, while the other shows another dog with a blue ribbon around his neck. The rim and handle are decorated with gilt bands. Porcelain cups such as these were prized by Victorian children. The bottom is marked "Germany".

Origin: Germany, ca 1900. Condition: excellent, no chips or cracks, light wear to gilding at rim. Size: 2-3/16" tall.

Superb gilt bronze figural inkstand depicting a still pond afloat with water lilies. Separately cast lily pads float just above the surface of the bronze "water", three buds in various stages of development rise above the leaves, and the whole is topped off by a fabulous full-blown waterlily inkwell with a honeybee finial. One of the buds serves as a pen holder. The "pond" is raised on three feet cast in the form of salamanders so fully detailed that their coiled bodies are visible only when the inkstand is turned upside down.

Origin: probably English or French, c. 1870. Condition: excellent; some minor pitting from the corrosive inks; the glass insert is missing; some of the details show very nice green patination. Size: 12-1/2" x 8-1/2" x 3-1/2".

A wonderful early Victorian portrait locket worked in gilt silver and set with hundreds of Bohemian garnets, including a 10.2-carat rose cut oval at the center. The garnets are set with space between them to lighten the overall effect and better show the bright red coloring of the stones. The locket is suspended from a garnet-encrusted clover shaped bail. The back cover is entirely glass The gilding is intact.

• Origin: probably English, ca. 1845
• Condition: excellent, no missing stones
Dimensions: locket, 1-1/4” x 1-3/8”; overall length, 2-1/8”
• Weight: 14.4 grams

A lovely Victorian pendant in 10K yellow gold set with a round brilliant cut amethyst at the center, surrounded by seed pearls in an ornate starburst pattern. The rays of the star are separated by fleurs-de-lys. The amethyst has nice medium violet color with reddish overtones. The pendant also has a pinstem so that the piece can be worn as an elegant brooch. Tested and guaranteed 10K. NOTE: The chain is not included in the purchase price, but we do have chains available.

• Origin: America, ca. 1880.
• Dimensions: 15/16" diameter.
• Weight: 3.6 grams.
• Approximate Total Amethyst Weight: .28 carat.
• Condition: excellent.

An imposing Victorian butterfly brooch of exceptional quality and grand dimensions, the fore- and hindwings studded with rose cut diamonds set in silver-topped 18K gold and bordered with oval cabochon rubies set in gold. The thorax is formed of a round opal and the abdomen is a large squarish cabochon pink tourmaline. The design is completed with diamond antennae and emerald eyes. The opal has excellent fire with a good deal of orange and green in the flashes of light. The rubies outlining the wings have medium-light color and are well-matched to the large tourmaline forming the butterfly’s abdomen. The back of the brooch shows masterful à jour work with well-finished piercing to allow light through the stones. The back also retains the original gold pinstem and c-clasp that can be removed with a gold screw assembly. The brooch most likely originally had a comb attachment so the butterfly could be worn in the hair. The brooch is stamped with French gold hallmarks.

Origin: France, ca. 1875. Condition: excellent. Dimensions: 2” x 2-7/8”. Weight: 27.2 gr. Approximate Total Gemstone Weight (by estimation and formula): diamond, 2.39 cts; ruby, 14.26 cts; tourmaline, 6.87 cts; opal, .97 cts.

This delightful Victorian Art Nouveau pendant and pin features a four-leaf clover nestled inside a crescent moon, both set with seed pearls. The clover is centered with a .2-carat old European cut diamond. The combination of a flower and a crescent in Victorian jewelry was intended to convey the sentiment "honeymoon" and they were often a gift from a groom to his new bride. The four-leaf clover, of course, conveyed good luck. The reverse retains the original folding bail and a pin that's hidden from view, so the piece can be worn in multiple ways. The clasp is marked "10K."

• America, ca. 1900
• Excellent condition; all original
• Dimensions: 1" diameter (excluding bail)
• Approximate Total Diamond Weight: .2 carat
• 4.1 grams.

Beautiful striped agate mounted in sterling silver and gold. The back of the mounting is silver and the top edges are gold. There are no hallmarks, so the brooch is probably American or a custom-made English piece. It retains its original clasp. 1.25"x1.5"

A wonderful Imperial Russian witch's heart brooch and pendant worked in silver-topped 14K gold and set with 78 rose cut diamonds and a heart-shaped garnet. Interestingly, the garnet is not cut in a standard heart shape, but in a slightly curved fashion that echoes the overall shape of the pin. The heart is topped with a ribbon motif. In Victorian jewelry symbolism, the witch's heart conveyed the meaning, "Bewitched by love." The brooch is Russian, but the pinstem and clasp were replaced around 1920, and at that time the brooch was then marked with a transitional Polish hallmark used 1920-21 to remark items that had been created during the time Poland was occupied by Imperial Russia. The brooch also retains the original Russian maker's mark "KK".

NOTE: The chain is shown for display purposes only.

• Russia, circa 1850
• 15/16" x 1 5/16"
• 7.6 grams
• Approximate Total Gemstone Weight: diamond, 2.0 carats; garnet, 2.66 carats

A lovely Victorian tortoise shell pique pendant in a heart shape. The puffed surface is worked with gold and silver inlay in an ornate floral pattern within a scalloped inlaid border. The pattern of two flowers joined together by a ribbon, and of course, the overall heart shape suggest that the pendant would have been given as a love token. The tortoise has very nice markings and translucency when held to the light.

Origin: America or England, ca. 1860. Condition: excellent, no inlay loss, no chipping or cracking, (the line visible in the last image is a surface scratch only--not a crack). Size: 1-1/16” x 1-3/16”.

Elegant Victoria sterling silver pin cushion by Gorham. The silver surface is encrusted with repousse decoration of chrysanthemums and forget-me-nots. A rococo reserve is engraved with a period 3-letter monogram. This style of decoration is rather unusual for Gorham. The bottom is fully hallmarked, including the date mark for 1901. The pincushion also retains its original red velvet covering, a rare survivor.

Origin: America, 1901. Condition: excellent, no dings or dents; original velvet covering. Size: 3" diameter; 2" tall.

A wonderful sterling silver footed basket by Gorham. The edges are decorated in an ornate Victorian floral motif that is echoed on the handle. The scrolled feet are accented with a shell motif. The rounded sides of the basket have a superb pierced floral design that sets this basket apart from most others. The basket is of the very finest quality made by Gorham in the Edwardian era. The basket would be ideal for a small floral arrangements or potpourri. The bottom is hallmarked with one of Gorham’s earlier marks and the date code for 1908.

Origin: America, 1908. Condition: excellent, a very slight bend to the handle. Size: 7-13/16” x 5-5/8” x 5-1/2” tall. Weight: 217.5 grams.

A very good sterling silver wine bottle or decanter coaster by Gorham. The flared lip is heavily decorated with a floral scrolled border in the Rococo style. The repousse decoration is finely done. The bottom of the coaster is fully hallmarked with one of the older Gorham hallmarks, the design copyright date 1889, the pattern number 325 and the date symbol for 1891.

Origin: America, 1891. Condition: excellent, one pinpoint ding visible on very close inspection, no monogram. Size: 6-3/4" diameter. Weight: 135.6 grams.

Victorian silver plated sugar tongs in the Gothic Revival taste. Each of the twisted sides is decorated with a woman (who looks curiously like a nun) holding a child, and an angel-like figure. The oval tips are gilt.

Origin: probably Continental, circa 1880. Condition: excellent. Size: 4-3/8" long.

A nice pair of mid-Victorian earrings worked in chocolate brown lava set with pearls in 14K yellow gold. The earrings are designed as two acorns flanking an elongated amphora form surmounted by a lady’s head. The girandole arrangement (three elements suspended from a single element at the top) is relatively rare among lava earrings. Archaeological Revival lava jewelry from Pompeii was a very prized souvenir of a wealthy visitor’s Grand Tour through Italy due to the ongoing excavations there that accelerated in the late 1860s. The small pearls are natural and have excellent color and luster. Tested and guaranteed 14K gold.

• Italy, ca 1870
• Condition: excellent, no chips
• Dimensions: 3/4” wide; 1-15/16” long
• Weight: 5.8 grams