Catalog (2409)

A very fine Victorian silver plated flip-top card case, both sides heavily decorated with nautical themes. The front features a scene of a sloop in roiling waves passing a lighthouse in the background. The scene is surrounded by a border of seashells and seaweed, and a bare-breasted mermaid watches from one of the lower corners. The back of the is decorated in a pattern of waterlilies and foliage. The detail in the design is superb--one can even just make out the stars and stripes of the ship's American flag. The case is fitted with two pairs of loops so is can be worn suspended from a heavy chain.

Origin: America, ca. 1890. Condition: some plating wear along the edge near one of the chain loops and an area of dings on the bottom edge; the design areas are all in excellent condition. Size: 2-2/1" x 3-3/4" x 3/8".

A classic pair of vintage 14K yellow gold cufflinks by Larter. The oval faces are collet-set with black onyx plaques inlaid with gold reserves decorated in a Florentine finish. The gold inlays are star-set with round brilliant cut diamonds of nice quality. The toggle backs are stamped with Larter’s hallmark and are also marked “14K”.

Origin: America, ca. 1960. Condition: excellent. Size: 3/4” x 9/16”. Weight: 12.5 grams. Approximate Total Diamond Weight: .1 ct.

A nice 19th century Mexican folk retablo on tin depicting San José. In his role as the husband and protector of the Virgin Mary, Saint Joseph became one of the more popular retablo subjects, representing an estimated 7% of 19th century pieces. According to the Apocrypha, Mary’s suitors left their staffs in the courtyard of her home overnight, and by the next morning, Joseph’s has sprouted blossoms, indicating he was God’s choice as her husband. The lily-covered staff became a primary attribute of Saint Joseph, and in this retablo it is shown just behind the infant Jesus. The saint is dressed in his traditional colors of green and yellow, the colors of fertility, new life and marriage. This retablo has a pleasant, particularly “folky” feel to it because of the outlining treatment of the fingers and Jesus’ unique garment that looks almost like a modern footed pajama.

Origin: Mexico, ca. 1880. Condition: very good, normal bending at corners and normal moderately-light paint loss. Size: 9-7/8” x 13-3/8”.

A nice pair of 14K yellow gold cufflinks, the faces in the traditional baton style, but with a twist—literally! The toggle backs are marked “14K”.

Origin: America, ca. 1970. Condition: excellent. Size: 7/8” x 3/8”. Weight: 7.9 grams.

A very fine and rare antique glass paperweight by Pairpoint. There sphere encloses a translucent red and opaque white double twist within a cloud of controlled bubbles. The foot is engraved in a design known as "Pattern No. 220". Pairpoint called this design "Veneti" and used it to produce candlesticks, compotes, vases and stemware. Veneti paperweights are quite uncommon.

Origin: America, ca. 1915. Condition: excellent, no chips or cracks. Dimensions: 3-3/4" tall.

A muscular dressage horse leaps through a gold ring in this handsome French 18K gold equestrian pendant or charm. The bail is stamped with French 18K gold marks.

• France, ca. 1960.
• Dimensions: 1-1/8” x 1” (excluding jump ring).
• Weight: 3.9 grams.

An elegant love knot pendant in 18K gold and platinum set with rose cut diamonds and a ruby at the center. The gold surface has a matte finish typical of French jewelry at the end of the 19th century. The pendant was originally a scarf clip and still retains the clip mechanism. A double bail allows it to be worn as a pendant. The bail's surface finish matches the rest of the knot, and the maker's marks are applied to the bail rather than to the body of the clip, suggesting that the double bail is original to the piece. NOTE: The chain is shown only for display purposes.

• France, ca. 1900.
• Excellent condition; original finish; no dings.
• 11/16" diameter (excluding bail).
• 2.8 grams.

Converted from an antique Art Nouveau stickpin, this lovely ring features a round brilliant cut blue sapphire flanked by curving gold borders that form a faintly heart-shaped. The design is accented at the top and bottom with tiny seed pearls. The sapphire has a pretty cornflower blue color and excellent clarity. Both the crown and the band are 14K.

• Origin: America, ca 1900.
• Condition: excellent.
• Dimensions, crown, 7/16 x 7/16”.
• Finger Size: 6 1/4.
• Weight: 1.7 grams.
• Approximate Total Sapphire Weight: .38 carat.

A wonderful cut opaline glass egg-shaped perfume caddy by Baccarat. The hinged lid opens to reveal an area that would have been used to store a plain stoppered bottle of perfume. The milky white translucent glass contrasts beautifully with the rich gild bronze acanthus leaf mountings. The crystal is cut simply with vertical parallel ribs. The glass has the fiery shots or orangey-red typical of opaline glass made by Baccarat. The bottom retains a fragment of an original paper label and a partial acid-etched signature “France”.

Origin: France, ca. 1890. Condition: excellent, all original, gilding intact. Size: 4-1/4” tall.

A lovely late Victorian brooch featuring an oval-cut amethyst flanked by a pair of 7mm half-pearls surrounded by rose-cut and old-mine cut diamonds. The amethyst has nice coloring and clarity that contrasts nicely with the creamy color and soft luster of the pearls. The tiny diamonds add just a hint of sparkle. The back retains the original pinstem and c-clasp. Tested and guaranteed 14K gold.

Origin: probably America, ca. 1900. Condition: excellent, all original. Size: 1-9/16” x 5/8”. Weight: 7.75 grams. Approximate Total Gemstone Weight: amethyst, 4.85 carats; diamond, .25 carat.

A beautiful ring converted from an antique French stick pin. The ring features an 18K gold and platinum crown set with sparkling rose cut diamond in an openwork mounting. The diamond crown is attached to a 14K yellow gold band. The delicate style of this ring makes it perfect for wearing as a stacking ring or for a young lady's first gemstone ring.

Finger Size: 6-1/2 (can easily be sized). Dimensions: crown, 3/8" x 3/8" (9x9mm). Weight: 2.1 gr. Approximate Diamond Weight: .11 ct.

1924 watercolor painting of Red Mountain, California, by listed artist Arthur J. Hammond (signed and titled lower left). This is a beautiful work employing soft desert colors in shades of blues, greens, and purples.

The frame is not comtemporary to the piece.

Hammond was born in Vernon, Connecticut in 1875 but lived mostly in Rockport, Massachusetts.

Listed in

• AskART.com's "The Artists Bluebook: 23,000 North American Artists", 2000
• P.H. Falk's "Who Was Who In American Art: 1564-1975", 1999, p. 7433
• the National Academy of Design's "Annual Exhibition Record: 1901-1950", 1990, p. 622
• Falk's "Dictionary of Signatures & Mongrams", 1988, p. 556
• G.B. Opitz' "Mantle Fielding's Dictionary of American Painters, Sculptors, et. al.", 1986, p. 1081
• Falk's "Who Was Who in American Art: Artists Active 1898-1947", 1985, p. 707
• Opitz' "Dictionary of American Artists", 1982, p. 372
• P. & H. Samuels' "Encyclopedia Artists American West", 1976, p. 549
• D.T. Mallett's "Index of Artists", 1948, p. 811.

Sight size 11"x8-3/4". Condition: excellent, although it appears to have two 3/4" paint runs immediately above the roof of the house (visible in the enlargement); more vivid and brightly colored than it appears in the photographs.

We will soon be offering another oil painting of a Rocky Mountain scene by Hammond.

Sterling silver and 14 karat gold bangle bracelet, set with three pearls and three rubies, each mounted in yellow gold. The gems are set equidistant from one another. The pearls are deeply lustrous and have a fine, faint pink tint. The pear-shaped rubies are also of good color and clarity. The pearls are 6mm in diameter; the rubies are approximately 4mm x 2mm. Ca. 1950's.

Very fine Victorian gold brooch composed of a coral bar surmounted by a gold grapevine motif, all against a scalloped-edge gold plaque, hung with three cone-shaped gold pendants. The back retains the original tube hinge and c-clasp. There is also a ring for attaching a safety chain. The brooch was made by Ball, Black and Company of New York City.

An matching brooch is in Martha Fales collection of important American jewelry at the Metropolitan Museum of Art. The museum's collection, comprising approximately 140 pieces, is considered the world's finest collection of American jewelry. The brooch, with matching earrings and studs is pictured on page 136 of the April 2002 edition of "The Magazine Antiques."

Origin: New York, circa 1860-70. Condition: excellent. Size: 1-1/8" x 1-1/2".

Edwardian enameled 14K gold “bean-back” cufflinks. The faces are decorated with elegant engine-turned engraving and a wide border of opaque white enamel. The shanks are marked for gold content, and also for the maker, Wordley, Allsopp & Bliss Co. (1909-15) of Newark, NJ.

Origin: America, 1909-15. Condition: faces are excellent with no damage to enamel; the “bean” backs have the usual light dings from normal wear and one shank is slightly bent (does not affect wearability, stability or appearance). Size: 13/16” x 9/16”. Weight: 6.0 grams.

Lovely 14K yellow gold Retro Modern brooch set with blue sapphires and diamond. The wreath-like form of this pin is very unusual, and is especially effective when placed against dark fabric. One side of the wreath is anchored by a spray of sapphire "flowers" tied with a diamond-set ribbon. The setting is quite heavy. Tested and guaranteed 14K gold.

Origin: America, circa 1935. Condition: excellent, all original. Size: 2-1/8" x 1-1/4". Weight: 9.5 grams. Approximate Total Gemstone Weight: sapphire, .55 carat; diamond, .10 carat.

A very nice Victorian silver brooch set with agates. The brooch is shaped as a modified Jerusalem cross. The stones, including banded agate and bloodstone, have good color contrast and are surrounded with delicate engraved decoration. Silver and gold jewelry set with Scottish agate became very popular when Queen Victoria started the fashion for all things Scottish. The back retains the original c-clasp and extended pinstem.

The Jerusalem cross, first appearing during the crusades, is made up of five interlocking crosses that represent the five European nations active in the crusades—Britain, France, Germany, Spain and Italy. The crosses also reference the five principalities of the kingdom of Jerusalem and the five wounds inflicted during the crucifixion.

Origin: Scotland or England, ca. 1860. Condition: excellent, all original. Size: 1-17/32” x 1-5/16”. Weight: 5.25 grams.

An attractive 1950s 18K yellow gold brooch prong-set with round brilliant-cut chrysoprase. The stones are brighter green than usual—nearly an emerald color—and could easily be mistaken for emeralds except for their translucent quality. The gold setting is reminiscent of a cactus. The gold surfaces are nicely textured. The back retains the original pinstem and trombone clasp with French 18K gold hallmarks.

Origin: France, ca. 1955. Condition: excellent, all original. Size: 1-3/4” x 13/16”. Weight: 7.0 grams. Approximate Total Gemstone Weight: .2 carat.

An elegant modernist-style brooch in 14K yellow gold accented with pearls, diamonds and sapphires. The brooch is composed of a pair of gold arcs, one highly-polished and the other textured. The intersection of the arcs is set with a cluster of variously sized cultured pearls interspersed with prong-set round brilliant-cut diamonds and blue sapphires. The pearls range in size from 3.6mm to 6.75 mm, and are of very fine Mikimoto-like quality. The body color is cream with a silvery overtone. The nacre is thick and the surfaces are good. The sapphires and diamonds are also of good quality and nice color. The back is marked “14K”.

Origin: America, ca. 1965. Condition: excellent, all original. Size: 2-9/16” x 1-5/8”. Weight: 12.0 grams. Approximate Total Gemstone Weight: diamond, .06 carat; sapphire, .2 carat.

A handsome late Victorian stick pin featuring a reverse-carved crystal depicting a bulldog. Essex crystals, especially those showing dogs and sporting subjects, were very popular during the last quarter of the 19th century. This example is nicely carved and subtly colored in taupes and blacks. The dog wears a red collar. The crystal is simply set in a yellow gold mounting. Tested and guaranteed 14K gold.

Origin: America, ca. 1900. Condition: very good. Size: head, 9/16” x 1/2"; overall length, 2-5/8”. Weight: 2.5 grams.

A very fine 13-piece gilt silver coffee or tea service by Bruckmann & Soehne, one of Imperial Germany's leading silversmiths. Peter Bruckmann established the Deutscher Werkbund in 1907 to bring designs by the major German artists into the public realm. This service, strikingly decorated with classical figures, is a quintessential example. The slightly angular spade-shaped handles look forward to the Art Deco, while the subject matter itself depicts traditional Greek gods and goddesses. The spoons and tongs are presented in their original fitted case lined with silk and kid leather. The interior of the lid is embossed with the retailer's mark. Each piece is hallmarked with Bruckmann's hallmark, including the Imperial warrant.

Origin: Germany, ca. 1900. Condition: excellent, all original. Size: spoons, 3-3/4" long; tongs, 3-7/8" long. Weight: 114.50 grams.

A very good bronze figure of a hound by Piere-Jules Mene (1810-1877). The hound stands alert look over his shoulder at the viewer. The rectangular base is well-textured with rocks and branches, typical of Mene's style. The shape of the base suggests that the casting is from Mene's own foundry and dates to the 1840s. The dogs is nicely detailed. The figure is finished in a dark black/brown patina. The front left corner of the base is signed P. J. Mene. There is no foundry mark.

The tail is cast separately, then attached to the rest of the figure with a threaded bronze pin. It is possibly an early repair, but the perfect match of patina and the precision of the fit suggests that the tail was intentionally cast separately.

Origin: France, ca. 1848. Condition: excellent; a small rub to patina on the back side of the hound's hind flank; see note about the tail above. Size: 5-1/4" x 2-1/8" x 3-1/2" high.

A pretty 18Kyellow gold pin in the shape of a salamander from the reign of Emperor Napoleon III. Animal brooches were very popular in the mid-19th century, and reptiles were especially favored. The salamander has a long history in France, and was the personal symbol of King François whose rule began in the late 15th century. This example is beautifully engraved with delicate scales, claws, and eyes. The back is set with a line of alternating seed pearls and Persian turquoise cabochons. The head is set with a larger turquoise. The original clasp is marked with the “tête de cheval” hallmark used only outside Paris between 1838 and 1919.

Origin: France, ca. 1850. Condition: excellent. Size: 1-7/16” long. Weight: 3.5 grams.

A lovely cut glass perfume bottle cut from cranberry to clear. The design incorporates wide miters separated by combinations of fans, strawberry diamond and star motifs. The shoulders of the bottle are panel cut, and the base is finished with a 24-point star. The lapidary-cut stopper is original to the bottle and is engraved with the same number as the inside of the bottle's neck.

Origin: Europe, possibly Val St. Lambert, ca. 1900. Condition: excellent, no chips or cracks. Size: 5-3/4" tall.

A nice pair of 14K yellow gold cufflinks in the form of horse stirrups. The toggle backs are marked “585” and “Germany 14Kt” and have the maker’s mark “MV”.

Origin: Germany, ca. 1960. Condition: excellent. Size: 3/4” x 5/8”. Weight: 9.0 grams.

A classic pair of mid-century 14K yellow gold cufflinks, the faces comprising gold space-age swoops cradling oval cabochons of nephrite. The toggles are marked "14K" and have an unidentified maker's mark.

Origin: America, ca. 1960. Condition: excellent. Size: 3/4" x 9.16". Weight: 12.0 grams. Approximate Total Gemstone Weight: 6.38 cts.

A beautiful Art Deco green overlay cut crystal perfume bottle in Design "7623" by Cristalleries de Nancy. The bottle is cut in alternating pillars accented with stars and printies. The hollow-blown stopper is cut to match, with a large start at the apex. The base is stamped with the acid signature "Cristal Nancy France." This particular pattern is more often seen in cranberry overlay and in a round shape rather than square. The pattern was likely designed by Auguste Houillon, the company's artistic director.

Cristalleries de Nancy was established in 1921 and after winning the gold medal at the 1925 Art Deco Exhibition in Paris, it became the primary challenger to Daum during the Art Deco period. Luxury perfume bottles and dresser accessories were the company's specialty. The company closed in 1934.

Origin: France, 1921-34. Condition: excellent, no damage to bottle, the stopper has a small moon below the surface at the very bottom of the stopper. Dimensions: 2-5/8" x 2-5/8" x 5".

An uncommon boxed set of twelve Art Deco sterling silver cocktail picks with red bakelite finials in the shape of maraschino cherries. The picks are presented in their original velvet and silk-lined fitted box. Each pick is marked “Sterling Silver”. It's quite rare to find a set of a dozen picks rather than the standard six.

• Origin: America, ca. 1920.
• Condition: picks are excellent; box shows expected wear for the age.
• Dimensions: picks, 3” long.
• Weight: 24.8 gr.

An uncommon silver tastevin, the bottom inset with a Mexican silver coin featuring the likeness of King Ferdinand VII of Spain, the last Spanish emperor to rule over Mexico. The coin is dated 1821, the year Mexico became independent of Spain. The tastevin is constructed in classic French style, with a coiled snake handle, but it lacks the embellishments usually seen on French examples. The bowl is simply decorated with a hammered surface. The tastevin probably dates to the reign of the Emperor Maximilian, who ruled Mexico’s Second Empire (1864-67). Maximilian was established as emperor by the French Emperor Napoleon III, and French decorative arts became very popular among the wealthy of Mexican society.

• Origin: Mexico, ca. 1864.
• Condition: excellent.
• Dimensions: 9 x 11.5 cm (3-9/16 x 4-9/16 in).
• Weight: 112.0 grams.

An elegant Art Nouveau 14K gold enameled honeymoon pin featuring a diamond-set blossom enameled in delicate shades of iridescent translucent rose, yellow and white enamel set against a gold crescent moon. Delicate floral pins of this sort were popular gifts for new brides. In Victorian symbology, flowers could represent honey and crescents, the moon. Thus, honey + moon = honeymoon. The back is marked "14K" and has an unidentified maker's mark.

• Origin: America, ca 1900
• Condition: excellent; no enamel damage; all original
• Dimensions: 1-1/16" x 5/8"
• Weight: 3.0 grams

Handsome pair of vintage 14K yellow gold cufflinks, the elongated diamond-shaped faces set with cabocochon-cut blue sapphires. The stones have excellent, bright color. The faces are lightly textured in a starburst pattern emanating from the sapphires toward the faceted edges. The fronts are attached with solid connectors to the toggle backs. The connectors are marked "585" for 14K.

Origin: Continental Europe, ca. 1950.

Condition: excellent, all original.

Size: 5/8" x 7/8".

Weight: 5.0 grams.

Approximate Total Gemstone Weight: .62 carat.

Elegant sterling silver service for tea or coffee comprised of twelve spoons and sugar tongs. The handle decoration features a simple border of beads with a shell at the tip. All are fully hallmarked, including the maker's mark "D.F.". The original velvet and silk box is stamped "Fattorini & Sons Goldsmiths Bradford."

Origin: London, England, 1917. Condition: all silver is mint condition, no monograms; the box has typical wear. Size: spoon, 4-1/4" long; tongs, 3-1/2" long.

Elegant Victorian sterling silver serving dish with intricate repousse and pierced sides. The sides are finished off with a cyma-curve border punctuated at compass points with baroque shell motifs. The bottom is fully hallmarked for London, 1891-92, and has the maker’s mark “WC”. The piece is quite heavy and is of the very good quality.

Origin: England, 1891-92. Condition: excellent, no dings, no monogram. Size: 9” x 6-1/2” x 1-3/8” high. Weight: 177.5 grams.

A elegant brooch worked in 18K yellow gold filigree centering a round brilliant-cut amethyst surrounded by natural seed pearls. The amethyst’s collet is enhanced with millegraining, as is the remainder of the filigree work. The edge is finished with a border of wirework rosettes. The quality of workmanship is superb. Filigree of this delicacy is usually only seen in platinum. The amethyst is moderately pale with a slightly pinkish tint. The back of the pin is marked “18Kt”, and there is an indistinct mark on the original c-clasp. The brooch could easily be converted for wear as a pendant.

• Origin: England, ca. 1900
• Condition: excellent, all original
• Dimensions: 1-1/8” x 1-1/8” on the diagonal; 7/8" x 7/8" on the square
• Weight: 4.7 grams
• Approximate Amethyst Weight: .68 carat.

Rare Staffordshire spaniel head bank. The spaniel is highlighed with copper lustre spots and a copper luster neck chain/padlock.

Origin: England, last quarter 19th century. Condition: Mint, except for 3/8" flake on the bottom of the foot rim (not visible from the top or side); appropriate glaze crazing for the age. Size: 4-1/4" tall.

Wonderful 7-piece toleware spice set comprised of a handled tray, four spice tins, and two spice tins with sifter tops. Two of the regular tin lids are decorated with a red and yellow pomegranate design; one has a red, yellow and green strawberry design; and one has a red, yellow and green tulip and flower design. The sifter lids are simply decorated with yellow and red arcs. The sides of all the tins are decorated with a squiggly yellow line, as are the sides of the tray. The handle of the tray is decorated with green foliage.

Origin: American, probably central Pennsylvania, 19th century. Condition: excellent; all the tins have wear to the lower third where they rub against the sides of the tray; all original finish with appropriate alligatoring; the lid of one tin is a bit loose, but all the others are very tight. Size: tray--5.5" x 8" x 4" tall; tins--2-7/8" tall x 2-5/8" diam.

Very nice pair of early toggle-back 14K yellow gold cufflinks, each set with an old European cut diamond. The edges of the faces have a foliate design surrounded a textured center featuring a ribbed collet-set diamond. The stones are very nice quality with excellent clarity and bright color. The backs marked 14K.

Origin: America, ca. 1940. Condition: excellent. Size: 11/16" diameter. Weight: 10.5 grams. Approximate Total Diamond Weight: .25 carat.

Beautiful Mikimoto 18K yellow gold and pearl brooch. Opposing swirls of gold surround a cluster of five Mikimoto pearls, ranging from 5 to 6 millimeters. The quality of the pearls is excellent (estimated at AA quality), with very high luster and a bright white body color and rosé overtones. The back is marked with Mikimoto’s hallmark and “750” for 18K gold.

Origin: Japan, ca. 1990. Condition: excellent, all original. Size: 1-27/32” x 13/16”. Weight: 8.5 grams.

Lovely signed Mikimoto flower-form brooch in 18K yellow gold set with pearls. The flower petals are made up of very fine quality 6-6.5mm pearls, estimated at AA. The nacre is thick and very lustrous. The body color is white with green/rose overtones. The back of the pin is marked with Mikimoto’s hallmark and the gold content.

Origin: Japan, ca. 1990. Condition: mint. Size: 2-1/8” x 1-1/8”. Weight: 6.5 grams.

A very nice sterling silver pincushion and sewing box by Tiffany & Co. The pierced sterling silver walls enclose a sewing box (or jewelry box) with two hinged tops that serve as pincushions. The current dark purple velvet is a replacement, but is placed over the original box structure. The pierced handle has an area that can be monogrammed (never been monogrammed). The whole is raised on bun feet. The bottom is marked with the Tiffany hallmark in use 1902-07.

Origin: America, 1902-07. Condition: excellent, velvet replaced, never monogrammed. Size: 6-7/8” x 3-1/2” x 4-1/2” tall.

A lovely 14K yellow gold round brooch featuring a reverse-carved intaglio of a marlin or swordfish. The fish, recently hooked, is pictured leaping high above the waves. The crystal is nicely painted and retains its bright coloring. The crystal is set in a sunburst frame. Essex crystals first became popular during the Victorian era and usually featured sporting animals such as horses, foxes and fish, or domestic pets. They continued to be popular through the Edwardian period, but few were made after World War II. The back of the pin is marked “14K” and has the maker’s name “Crossroads”.

Origin: America, ca. 1940s. Condition: excellent, all original. Size: 1-7/32” diameter. Weight: 8.5 grams.

A lovely footed sterling silver salver in the George III style. The salver is perfect for use as a wine coaster, as the size will accomodate a magnum or a champagne bottle. The scalloped stepped border is elegantly decorated with acanthus leaves and gadrooning. The shell-shaped feet are flanked by acanthus leaf returns. Marcus & Co. was one of the most exclusive jewelers in America and was one of the few companies to give Tiffany any serious competition. They did not make their own silver, but retailed high-end makers such as Gorham, Frank Smith, Whiting, etc. The bottom is marked with Marcus’ retail mark, “Sterling” and the pattern number 1928.

Origin: America, 1918-27. Condition: excellent, normal wear and some staining on surface (could be buffed), sharp details, no dings or monograms. Size: 7-7/8” diameter; 1-1/16” high. Weight: 296.0 grams.

Nice Art Deco brass cocktail shaker in the form of a wine bottle. The bottle separates at the shoulders to reveal the strainer and the lip of the bottle removes for pouring. The bottom of the shaker is indented just as a glass wine bottle is. We’ve had many figural cocktail shakers, but this is the first bottle we’ve had.

Origin: probably America, ca. 1935. Condition: untouched patina, a couple of ding nears the bottom edge and another at the shoulder. Size: 3” diameter; 12” tall.

A beautiful Art Nouveau panel-cut crystal vase, the surface completely etched in a swirling design of flowers resembling columbines. The etching is highlighted with soft gilt details that bring out the depth of the pattern. The rim of the vase is finished in a sawtooth pattern derived from the shapes of the engraved blossoms. Although often attributed to Moser, this style of engraving with gilt highlights is typical of the Art Nouveau designs from the great Bohemian glasshouse Harrach. The quality of the crystal itself, as well as the workmanship, easily illustrates why Harrach was considered a primary competitor to Moser.

Origin: Bohemia, ca. 1910. Condition: excellent, no chips or cracks, gilding intact. Size: 14-1/2” tall.

A delightful Japanese silver and patinated steel short watch fob suspending a heart shaped locket decorated with gold and silver shakudo style inlay. One side of the locket is decorated with a beautifully worked iris and foliage, while the other side has a pair of inlaid swallows. The interior is engraved, either with the maker’s name or with an affectionate inscription. This is a most unusual adaptation of the Western imagery of the heart as a love token with the late 19th century Japanese aesthetic.

Origin: Japan, ca. 1900. Condition: excellent, all original, patination intact. Size: overall, 5-5/8” long; heart, 11/16” x 21/32”. Weight: 17.5 grams.

An extremely rare sterling silver ladle for serving warm alcohol-based punch. The globe-form bowl is the traditional shape for toddy ladles. Today, the ladle could be used for various sauces or beverages such as egg nog—or even a toddy! The straight handle is ornamented with simple turnings before swelling to an olive-shaped terminal decorated with bright-cut floral engraving. The back of the terminal has a period three-letter monogram engraved in a matching style. The inner and outer surfaces of the bowl are heavily stippled and gilt. The back of the handle bears the retailer’s mark “J E Caldwell”. The style indicates this is an early piece of sterling, probably made just after the sterling standard was introduced in America by Tiffany.

Origin: America, ca. 1865. Condition: excellent, all original gilding. Size: 8-3/4” long. Weight: 113.0 grams.

A very fine Nailsea-Stourbridge green bottle glass paperweight with a foiled flower pot design. A large central petunia-type flower arises on a slender stem from the well-formed pot, and is surrounded with two additional circlets of smaller flowers, four to each layer. This example is particularly nice with a good, clear gather of glass and a fine shape. The bottom has the rough pontil.

Origin: England, mid-19th century. Condition: excellent, very light surface wear. Size: 4" diameter; 4-3/4" tall.

A lovely Art Nouveau enameled pin worked in 18K gold. The ornate multi-curved frame encloses a trio of grape leaves decorated with translucent enamel suspending a cluster of grapes formed from small pearls. The pin has a very delicate and elegant look. In the Victorian language of flowers, the grape symbolized "charity." Mark 10K.

Origin: America, ca. 1900. Condition: excellent, no enamel damage, all original. Dimensions: 15/16” x 7/8”. Weight: 2.9 grams.

A lovely Christmas bouquet paperweight by Perthshire. The weight features a colorful bouquet of holly leaves, a red poinsettia and mistletoe surrounded by ring of red, white and green complex canes, all against an opaque snow white ground. The base is embedded with a signature/date cane. The paperweight is finished with 5/1 faceting.

Origin: Scotland, 1996. Condition: excellent, no roughnesses. Dimensions: 3" diameter; 2" high.

A sweet good luck charm in the form of a 14K gold wishbone entwined with a branch of bright blue enameled forget-me-nots. In Victorian flower language, forget-me-nots represented remembrance. Combined with the wishbone, a piece such of this might have been given as a farewell gift. Stamped with the maker's mark for Winthrop Manufacturing Co (Attleboro, MA).

NOTE: The pendant is shown with a 16" 14K gold chain available for an additional $125.

• Origin: America, ca. 1910.
• Condition: perfect enamel; original pinstem and clasp were removed and replaced with a hidden bail by our jeweler.
• Dimensions: 1-5/8" x 1/2".
• Weight:2.7 grams.

A delicate Art Nouveau 10K gold pin featuring a pansy decorated with translucent violet, pink and cream enameled. The flower center and a bud are set with small seed pearls. The brooch retains its original pinstem and clasp stamped "10K." In Victorian flower language, the pansy conveyed the meaning "Think of me." Small pins such as this were popular gifts for new brides.

• Origin: America, ca 1910
• Condition: very good; a small enamel flake to the tip of one petal (superficial only and does not affect the color)
• Dimensions: 3/4" x 1-1/8"
• Weight 2.5 grams.

Very nice Victorian shakudo pin featuring a wonderful scene of Mt. Fuji. The foreground shows two quail, worked in gold, foraging amidst incredibly detailed wildflowers. The snow on the peak of Mt. Fuji is picked out in silver. The entire pin is beautifully patinated. After the samurai system in Japan ended, highly skilled swordmakers turned to jewelry as a way of continuing their centuries-old skills. The pin retains its original pinstem and clasp.

Origin: Japan, ca. 1870. Condition: excellent, all original. Size: 2-1/8" x 5/8".

An elegant set of 12 sterling silver nut or mint dishes in Gorham's 1900 "Cromwell" pattern. The sides are decorated with an elegant pierced pattern that accents the scrolled rim with shell ends. The dishes are hallmarked by Gorham with the date mark for 1927.

Origin: America, 1927. Condition: excellent, no monograms. Size: 3-7/8" x 2-1/2" x 1-3/16" high. Total Weight: 258.0 grams.

A delightful late Victorian or Edwardian pendant in the form of a poodle jumping through a hoop. The wonderfully detailed poodle is cast in sterling silver and the hoop is 14K gold. The dog is fully three-dimensional, and the eyes are set with small pyrope garnets. The pendant is marked “14K Sterling.”

• Origin: America, ca. 1910
• Condition: excellent
• Dimensions: 1-9/16” x 3/8” x 1-1/4”
Weight: 11.2 grams

Terrific chair mat or small round rug hooked in a pattern of two white cats with large blue eyes and big red bows against a field of blue-grey surrounded by a burgundy and black double border. Hooked on a burlap foundation with wool and cotton. Very good condition, except for some discoloration and wear to the black border. 15" diameter. American, probably New England, 19th century.

Fascinating watercolor set in the form of a 1930's automobile with working wheels. The top lifts to reveal containers for paints and water; an area for mixing; and a storage compartment for brushes. The back of the car is embossed "Betel Motor Car/Patent No. 75086/Open & Close Type/BF".

Origin: England, circa 1930. Condition: some budding young artist decided to decorate the car with some black paint, which could be removed by polishing the brass; the surface is untouched; no dents or missing parts. Approximately 10" x 5" x 3.75" high.

Superb early Gorham lady’s purse, the exterior decorated in the Aesthetic taste. The surface is matte-finished and accented with areas of matte-finished and glossy parcel gilding. Each side features a triangular area of engraving representing what appears to be a bough of olive branches with olives. The purse’s beveled edges are glossy and are decorated simply with rows of bright-cut engraving. The purse opens with a push on the thumbpiece to reveal an interior divided into three compartments and lined with the original teal blue silk shantung. The purse retains its original chain. The inside rim of the purse is marked with the earliest form of Gorham’s lion-anchor-G hallmark, along with the pattern number “210”, “Sterling” and the date letter for 1871.

Origin: America, 1871. Condition: excellent, a small ding in the engraved area on one side (visible in raking light), all original, the silk lining with almost no wear. Size: 3-1/2” wide, 2-1/2” high, 1-1/2” thick, 11” chain. Weight: 68.0 grams.

Elegant signed Mikimoto brooch of 14K yellow gold with pearls. The pearls, ranging from 5 to 5.5mm are of the quality that only Mikimoto can produce. The body color is a bright white with silver overtones. The lustre is exceptional. The design is a sort of abstract flower basket design. The back is marked with Mikimoto's shell hallmark.

Origin: Japan, circa 1950s. Condition: excellent, all original. Size: 1-3/8" x 1-1/4". Weight: 7.0 grams.

Very fine pair of George VI sterling silver master salt dishes. The salts are raised on paw feet surmounted by lion masks. The everted rims are gadrooned. The salts retain the original cobalt blue glass liners. The salts are identical, but were made in different years by the same silversmith. One has the date mark for 1936 and the other for 1939. The only difference is that glass liner in one is a little thicker than the other.

Origin: London. Condition: excellent, all original, no dings or monograms. Size: 2-7/8" diameter; 1-1/2" tall. Weight: 202.0 grams (silver only).

Very nice vintage South Jersey glass paperweight featuring a frit design of an ivy-covered blue cross against an opaque white ground. The foreground has a wave-like frit design. The opaque ground is most unusual in a South Jersey weight. The crown rises quite high into a pronounced cowlick more typical of New England weights. The bottom has a pontil mark and slight basal concavity, and there is an incised line around the periphery at the top edge of the opaque ground.

Origin: America, ca. 1900. Condition: excellent, very light surface scratching as expected. Size: 3-1/4” diameter; 2-1/4” tall.