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Edward Everette Oakes (1891-1960) was perhaps the foremost Arts & Crafts jeweler in America. He was a member (and medallist) of the Boston Arts & Crafts Society, and became the first living artist to have a work acquired for the permanent collection of the Metropolitan Museum of Art. He trained with Frank Gardner Hale and worked for three years with Josephine Hartwell Shaw before opening is own studio in 1917. Oakes' work shows a certain similarity to both Hale and Shaw, but his mature style is noticeably original. Most of his pieces are unsigned, but can be identified based on their unique decorative motifs and construction techniques.
Oakes regularly visited Camp Deephaven and Camp Rockywold on Squam Lake in New Hampshire. The original owner of this ring purchased it directly from Oakes during one of her 68 consecutive annual summer stasys at the camps. The purchaser will be supplied with a copy of a letter from the original owner's niece describing her aunt's purchases.
Origin: America, ca. 1920. Condition: excellent, has been sized. Size: 3/4" wide at crown. Finger Size: 7. Weight: 6.1 gr. Approximate Total Gemstone Weight: 1.88 cts.
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VCA quotes a price for Estelle rings only at the time of order, and the price fluctuates depending upon the carat weight , which in turn fluctuates based on the size of the ring and client's wishes. The Estelle ring set with slightly less than 1.0 carats last retailed at $6,500. A 2-carat would be roughly in the $12,000 range.
Origin: America, ca. 1990. Condition: excellent. Finger Size: 7-3/4. Size: 1/4" wide. Weight: 7.9 grams. Approximate Total Diamond Weight: 2.1 carats.
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Origin: Brazil, ca. 1955. Condition: all excellent except one dome that has a ding around one of the stones (not particularly visible unless you're really looking for it). Dimensions: 27/32" wide; 7-1/2" long. Weight: 23.6 grams. Approximate Total Gemstone Weight: 18.34 carats.
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In 2006, Gehry became the first designer allowed to sign his own works for Tiffany since Paloma Picasso in 1980. Gehry’s designs draw on his expertise as one of the 20th Century’s greatest architects. The “Equus” line is based on the abstract, undulating “horse head” motif that appears in some of his buildings, most notably the auditorium inside the DG Bank headquarters in Berlin.
Origin: America, ca. 2006. Size: 1-1/4” x 1-5/8” long. Weight: 12.5 grams. Approximate Total Diamond Weight: .4 carat.
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Origin: France, ca. 1999. Condition: excellent. Finger Size: 7-1/2 to 8. Dimensions: width varies from 3/16" to 3/8". Weight: 15.3 grams. Approximate Total Gemstone Weight: sapphire, 1.06 carats.
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Jean Dinh Van is one of the most important modernist French jewelers. He apprenticed at Cartier before starting his own studio in 1965. Dinh Van collaborated with most of the avant-garde fashion designers of the era, including Pierre Cardin and Paco Rabanne. The squared-off outline and simple placement of a single pearl is very typical of Dinh Van's work for Cardin, yet this is the first example we've seen of this design. One of his designs for Cardin is included in the permanent collection of the Musée des Arts Décoratifs in Paris and is published in numerous books.
Origin: France, ca. 1966. Condition: excellent. Finger Size: 5-1/2. Dimensions: shank, 1/8" wide at front, 1/4" wide at back. Weight: 5.7 grams.
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Origin: Italy, 2003. Condition: excellent, all original. Size: 5/16" wide; 7-1/8 long. Weight: 28.7 gr.
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Origin: America, ca. 2000. Condition: excellent. Size: chain, 18-1/4” long; pendant, 1” x 1-1/16” (25 x 27 mm). Weight: 10.5 grams.
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Acrostic jewelry spelling out such sentiments was very popular in the Victorian era. The gemstones are 19th century antique cuts and Tiffany apparently custom-set them in this piece at a client’s request. The nature of the clarity characteristics suggests that the ruby is Burmese in origin, while the sapphire is Kashmir. Neither shows evidence of treatment, nor are the emeralds filled. The “Tree of Life” pattern was often set with birthstones representing the owner’s children or grandchildren, but the acrostic “DEAREST” is most unusual.
Origin: America, ca. 1950. Condition: excellent. Size: 1-5/8” diameter. Weight: 17.8 grams. Approximate Total Gemstone Weight: .35 ct.
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Nearly all sapphires marketed in the last 150 years have been heated to improve the color. This is considered a standard practice. Other treatments, such as filling in fractures, altering the color family, etc., though considered bad practice, are nonetheless quite common. Fine Burmese stones from the Mogok region that have not been treated in any way are exceedingly rare and only show up in upscale jewels from makers such as Tiffany and Cartier. This particular stone, with its bright coloring and beautiful cut, is nothing short of stunning.
The AGL Brief (dated April 2008) indicates that the sapphire is natural; displays specific properties and characteristics associated with stones from Burma; measures 7.39 x 6.69 x 5.82 mm; weighs 2.49 carats; is cut in mixed cushion, has blue color, and shows no heat or additional treatments. The brief further indicates that unheated sapphires are scarce. The original brief will accompany the ring.
Origin: America, ca. 1890. Condition: excellent, all original, interior of shank has a period monogram. Finger Size: 4-1/4 (The ring can be sized up and we would recommend that the work be performed by Tiffany). Weight: 6.0 grams. Gemstone Weight: diamond (estimated by measurement), 2.25 carats; sapphire (by actual weight), 2.49 carats.
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Jean Dinh Van is one of the most important modernist French jewelers. He apprenticed at Cartier before starting his own studio in 1965. Dinh Van collaborated with most of the most avant-garde fashion designers of the era, including Pierre Cardin and Paco Rabanne. This design, created in late 1965 or early 1966, was Dinh Van's first independent commission and represented a major milestone in modern French jewelry. The simplicity and squared-off outline that eventually became his signature are already in clear evidence.
An example of the ring is included in France's permanent national jewelry collection housed at the Musee des Arts Decoratifs in Paris. It is also illustrated in "La Collection de Bijoux du Musee des Arts Decoratifs a Paris", "Jewelry & Metalwork in the Arts & Crafts Tradition", "European Designer Jewelry" and "Dictionnaire International Bijou".
Origin: France, ca. 1965. Condition: excellent, all original. Finger Size: 5. Dimensions: shank, 1/8" thick; 3/4" wide. Weight: 5.25 grams.
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Origin: America, ca. 1983. Condition: excellent, all original. Size: 2” x 2-5/8”. Weight: 22.5 grams.
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The ruby is fashioned in an oval mixed cut, measuring approximately 8.75 x 6.85 x 3.60 mm. The ring is accompanied by GIA origin report indicating that the ruby is of Burmese origin and shows no indications of heat treatment. The stone is a strongly saturated, medium-dark purplish-red color (pR 6/5). The cut displays good brilliance and proportions and a fair surface finish. The pear-shaped brilliant-cut diamonds are estimated at F color, VVS1 clarity.
Origin: America, ca. 1960. Condition: light thinning at the back of the shank. Finger Size: 8. Size: 9/16” x 1/2”. Weight: 3.9 grams. Approximate Total Gemstone Weight: ruby, 1.60 carats; diamond, 1.33 carats.
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Origin: France, ca. 1980. Condition: excellent. Size: 8-1/5” long; 5/16” wide. Weight: 19.5 grams. Approximate Total Diamond Weight: .80 carat.
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Origin: France, ca. 1960. Condition: excellent. Size: 2-3/8" x 1-9/16". Approximate Total Gemstone Weight: diamond, .13 ct; emerald, .04 ct. Weight: 27.8 gr.
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Origin: America, ca. 1950. Condition: excellent, all original. Size: 7/8” x 15/16”. Weight: 6.7 grams. Approximate Total Gemstone Weight: 4.5 carats.
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Origin: Japan, ca. 1990. Condition: excellent, all original. Size: 2-1/32” x 1-5/32”. Weight: 11.8 grams. Approximate Total Diamond Weight: .12 carat.
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Origin: America, 1983. Condition: excellent, all original. Size: 13/16" x 7/8". Weight: 11.3 gr.