Catalog: Vintage Arts (283)

A fun mid-century chrome and bakelite stoplight handled jigger. The side is marked off in three increments--"Safe", "Caution" and "Danger"--each with a jeweled light. The bottom is marked "Reg'd Design/Glo-Hill Canada". Montreal-based Glo-Hill made a creative range of barware and serving pieces for modern entertaining.

Origin: Canada, ca. 1950. Condition: excellent. Size: 3-13/16" tall.

A witty pair of Art Deco silverplate jiggers, the smaller (1.5 oz) decorated with a hand with one finger upraised and the larger (2.0 oz) with two fingers. The jiggers are heavy and well-made. The jiggers nest together perfectly.

Origin: America, ca. 1940. Condition: excellent, original plating completely intact. Size: 2-5/8” and 3” tall.

A fun Art Deco cocktail pick set designed as a large green and white bakelite dice holding a set of six chrome picks, each with a dice finial. The bottom of the holder is marked “GB Modèle Déposé.”

Origin: France, ca. 1925. Condition: excellent. Size: holder, 2” x 2” x 2”; picks, 3-1/2” long.

Vintage sterling silver figural jigger in the form of a thimble. The rim is engraved "Just a thimblefull." These first became popular during the late Victorian era and remained so through the mid-20th century. This example is hallmarked by Towle.

Origin: America, ca. 1960. Condition: excellent. Size: 2" tall. Weight: 28.2 grams.

An unusual 1940s French cocktail pick holder depicting a "racoleuse"--a streetwalker--leaning against a lamp post and raising her skirt very high. The chrome is engraved in a way to show that her thin dress does nothing to hide her more perky attributes. A selection of bakelite and chrome cocktail picks a stored in the trash can on the other side of the lamp post. Cocktail picks, often with very elaborate holders, were vastly popular in France and come in infinite variety. This is the only example we've seen of this particular design.

Origin: France, ca. 1948. Condition: excellent, all original; one bakelite sphere is cracked. Size: base, 5-7/8" x 2-1/2"; 9" high.

An attractive, colorful frit paperweight showing a pair of hearts shot through with an arrow and surrounded by a laurel wreath and the word "Friendship," all against a bright mottled umbrella ground. The pontil is ground and frosted. The glass is nicely free of striae and bubbles. The quality of workmanship is quite good, and the weight is certainly the handiwork of one of the better West Virginia glass makers, possibly Gentile.

Origin: America, ca. 1950. Condition: very good; extremely minor surface wear to crown. Dimensions: 3-1/4" diameter; 2" high.

A beautiful set of six red-cut-to-clear cocktail glasses designed by Charles Graffart for Val St. Lambert. Graffart was one of the three designers chosen by Val to create their entire exhibit for the 1920 Exposition des Art Decoratifs. The austere angular cutting pattern works beautifully with the overlay.

Origin: Belgium, ca. 1930. Condition: excellent, no chips or cracks. Size: 2-3/4" tall.

NOTE: We also have a matching decanter, signed "Val St. Lambert", in green-cut-to-clear (Item #1093572). Together, they'd make a stunning Christmas decanter set!

A fine sterling silver double jigger in an Art Deco pattern by Tiffany & Co. The austere style is decorated only with an incised band around each lip of the cone-shaped vessels. This severe geometric style is typical of Art Deco wares produced by Tiffany. The jigger is fully hallmarked by Tiffany and is stamped with the date mark used 1907-47.

Origin: America, ca. 1925. Condition: very good, one rim very slightly out-of-round, no monograms. Size: 4-3/4” tall. Weight: 89.0 grams.

A rare vintage sterling silver figural jigger in the form of a swing-handled fire bucket. The side is engraved “Fire Water”. The interior is gilt. The bottom is marked “Lunt Sterling 15”.

Origin: America, ca. 1935. Size: 2” tall to rim; 3-1/4” tall to top of handle. Weight: 32.3 grams.

An elegant sterling silver rollover jigger in Tiffany & Co.’s highly desirable 1961 “Bamboo” pattern. The jigger is designed so the stems on either side of the bowl rest on the rim of cocktail shaker or glass. Once filled, the jigger can simply be tipped sideways, allowing the liquid to drop into the vessel without spills. The handle is marked “Tiffany & Co. Sterling”.

Origin: America, ca. 1970. Condition: excellent, no dings, no monograms. Size: 6” long; 2-3/8” wide. Weight: 67.1 grams.

A vintage sterling silver figural jigger by Alvin, the sides marked off with enameled stoplights in green, yellow and red. Each light is accompanied by the words “Go”, “Caution” and “Stop”. The bottom is hallmarked by Alvin.

Origin: America, ca. 1960. Condition: very good, a couple of pinpoint dings on the bottom edge; no enamel damage. Size: 2-1/2” tall. Weight: 35.5 grams.

A classic mid-20th century French silver tastevin of traditional form. The bowl is decorated with angled godrons for evaluating white wines and small convex perles and larger concave cupules for use with red wines. The handle, also, is in the traditional snake form. Up until the mid-20th century, a few silversmiths in France were able to raise an entire tastevin from a single Napoleon III 5-franc coin. The work was accomplished solely with the aid of variously-sized hammers which were used to thin and spread out the original coin and a series of other tools used to form the decorations. They can often be identified by the the exact weight (always 32.5 grams before the addition of the handle). Only a handful of master silversmiths were able to create a tastevin in which the phrase “DIEU PROTEGE LA FRANCE” (“God protect France”), which originally appeared on the rim of the 5-franc coin, was still legible at the rim of the tastevin. The last silversmith with this documented ability stopped working in 1968. The tastevin is stamped with the “Minerve” mark for 800 silver and with an illegible maker’s mark.

Origin: France, ca. 1930. Condition: excellent. Size: 25/32” high; 2-3/4” diameter (excluding handle). Weight: 32.9 grams.

A classic Art Deco porcelain water jug advertising Ricard Anisette. In the south of France, tradition dictates that Ricard and other anise-flavored spirits be drunk with a side of water. Makers such as Ricard and Pernod provided advertising pitchers to local bars to increase their sales. This globe form is the classic shape from the first half of the 20th century. The bottom is marked “Ateliers de Céramique Ricard/Made in France”.

Origin: France, ca. 1930. Condition: good, there is a firing line in the spout and a flattened area on the foot, both original to the making; no subsequent chips or cracks. Size: 6” tall at handle.

A witty sterling silver vermouth dispenser in the form of a watering can by Cartier. When tipped, the dispenser lightly sprinkles just a drip of vermouth into the glass for the perfect martini. The bottom is marked "Sterling" and is signed "Cartier".

Origin: France, ca. 1955. Condition: excellent. Size: 3" tall. Weight: 49.1 gr.

A rare vintage ruby glass cocktail in the form of a fire extinguisher. The side is silkscreened with instructions for use such as, “In emergencies charge with ingredients, shake well and dispense freely until conflagration is under control.” The shaker retains its original coppertone steel lid and interior strainer.

Origin: America, ca. 1950. Condition: excellent, no chips or cracks to glass, no splits to metal. Size: 11-1/2” tall.

A classic late Art Deco or early modernist porcelain water jug advertising Ricard Anisette. In the south of France, tradition dictates that anise-flavored aperitifs should be served with water to dilute the drink. Makers such as Ricard and Pernod provided advertising pitchers to local bars and cafes to increase their sales. This squared-off rectangular form is less common than the traditional globe-shaped pitcher and became popular after World War II. The bottom is marked "Ateliers de Céramique Ricard/Made in France".

Origin: France, ca. 1950. Condition: excellent, no chips or cracks. Size: 9" x 3-3/4" x 5-1/2" tall.

A beautiful Art Deco green-cut-to-clear decanter designed by Charles Graffart for Val St. Lambert. The pyramidal shape capped by an inverted stopper is very linear and perfectly accents the austere overlay cutting pattern. The base is signed "Val St. Lambert" and the stopper is engraved with a number that matches the number inside the decanter's neck.

Origin: Belgium, ca. 1930. Condition: excellent, no chips or cracks. Size: 9-1/8" tall.

A very nice Arts & Crafts bronze round tray with verdigris patina by Carl Sorensen. The surface is decorated in uneven concentric rings of darker and lighter green mottled patination, separated by thin bands of polished bronze. The outer edge is finished with a pair of cast handles in a pattern similar to Georg Jensen's "Blossom" design. Little is known about Sorensen other than that he worked in the Philadelphia area around 1900 and his pieces may have been retailed at Tiffany & Co. The bottom of the tray is marked "Bronze CS" and "Carl Sorensen". The handles are marked "1196".

Origin: America, ca. 1900. Condition: excellent, fine original patina. Size: 13" diameter (15" at handles).