Catalog (2428)

A nice set of sterling silver cocktail picks, the tops decorated with colorful enameled roosters. The use of the rooster (“cock”) motif in Art Deco barware was a play on the word “cocktail”. Each pick has a hook on the back of the rooster so that it can hang from the edge of the glass. Each is fully hallmarked for Birmingham, 1927. The picks are presented in their original fitted case embossed Abercrombie & Fitch.

Origin: England, 1927. Condition: all original, no enamel damage, box has significant wear. Size: 3-3/16” long. Weight: 13.5 grams.

An elegant English sterling silver, cut glass and bakelite cocktail pick set. Each of the pics terminates in a red bakelite cherry. The silver is hallmarked for John Grinsell & Sons, Birmingham, 1933.

Origin: England, 1933. Condition: very good, a few very tiny roughnesses can be felt with the fingertips (but not seen) along the edge of the glass. Dimensions: 4" diameter; 4" tall.

A delightful set of six sterling silver Art Deco cocktail picks with finials in the form of the Devil. The little naked figure grasps a flaming torch in one upraised hand and his tail is replaced by the business end of the cocktail pick. No doubt, the picks were intended to remind one, rather tongue in cheek, of the sin of drinking! Each pick is fully hallmarked for Barker Brothers Silver Ltd. The picks are presented in their original velvet- and silk-lined fitted case.

• Origin: Birmingham, England, 1929.
• Condition: picks are excellent; box is very good with minor discoloration to the velvet lining.
• Dimensions: picks, 3-17/32” long.
• Weight: 26.8 grams.

A very rare pair of 14K yellow gold, diamond and lapis lazuli cufflinks designed by Erté in the "La Dentelle-State I" pattern. The faces of the cufflinks are shaped as stylized birds, with lapis cabochons for eyes. The exposed gold surfaces are engraved and cast in an intricate pattern of geometric bars and swirls to suggest feathers. Short bands of bead-set single-cut diamonds finish the design.

Known throughout his career as a costume designer and illustrator, Erté began designing jewelry in 1979. At the time of his death in 1990, he had produced just over 300 different designs, most of them made in rather small limited editions. Only 100 examples of the "La Dentelle-State I" cufflinks were made. The backs are signed "Erté", "CFA 14K", and "11/100".

• Origin: America, ca. 1980.
• Dimensions: 2 1/8" x 7/8".
• Weight: 20 Condition: excellent. Size: 2-1/8" x 7/8". Weight: 20.1 grams.
• Approximate Total Gemstone Weight: lapis, 4.8 carats; diamond, .42 carat.

An Art Deco pendant or charm displaying four playing cards each with the pip for an ace worked in black or red enamel. Four aces is an unbeatable hand in poker unless an opponent has a flush. The bottom edge of the charm is engraved “Réussité” (“Success”). The charm and the original jump ring are stamped with French 18K guarantee marks.

• Origin: France, ca. 1930
• Condition: excellent, no enamel damage
• Dimensions: 1/2" x 11/16” excluding jump ring
• Weight: 2.2 grams

An exquisite pair of Art Deco heavy 18K yellow gold snap cufflinks. Each round face is designed as a lion’s head superimposed over the classic French sunburst motif that made a reappearance in the decorative arts during the Art Deco period. The quality of workmanship is superb, with outstanding detailing in the design. Gold snap cufflinks are quite uncommon. The cufflinks are fully stamped with French 18K “tete d’aigle” gold hallmarks and with a master goldsmith’s mark.

Origin: France, ca. 1930. Condition: excellent, sharp detail. Size: 3/4” diameter. Weight: 17.0 grams.

A nice pair of vintage 18K yellow gold stirrup cufflinks. Unlike most stirrup cufflinks that have a rounded triangular shape, this pair has a severe angled shape that heightens the Art Deco appeal of the design. This type of cufflink was first popularized by Cartier in the late 1940s and remained popular in France through the mid-century. The surfaces are decorated with bright-cut engraving. Each cufflink is fully hallmarked with French "tete d'aigle" hallmarks for 18K and with an unknown maker's mark.

Origin: France, ca. 1960. Condition: excellent. Size: 3/4" x 1-1/8" x 9/32" wide. Weight: 9.3 grams.

A handsome man’s 14 yellow gold ring set with a large bloodstone tablet. The dramatically tapered shank is engraved on either side of the stone with a stylized papyrus motif. The bloodstone has a slightly lighter than usual greenish tint that contrasts nicely with its red markings. The interior of the shank is stamped “14Kâ€.

Origin: America, ca. 1920. Condition: excellent, all original. Dimensions: crown, 13/16†x 3/4"; shank tapers from 13/16†to 1/8â€. Finger Size: 10. Weight: 9.0 gr.

An attractive pair of gilt 800 silver double-faced cufflinks. The round faces are simply decorated with concentric rings bordering central gilt reserves. The faces are joined with the hinge bridge connectors more often seen in Scandinavian designs. The connectors are marked “800” and have an unidentified maker’s mark “EP” in a diamond-shaped punch.

Origin: Germany, ca. 1930. Condition: excellent, original gilding intact. Size: 9/16” diameter. Weight: 8.7 gr.

Porcelain decanter in the shape of a bellhop, complete with his ring of keys, decorated with overglaze red, black and pink enamels. The bottom is marked "Germany" and also has a decorator's mark.

Origin: Germany, ca. 1920. Condition: Light glaze crazing; a small chip on the cap and three small flakes at the bottom edge are visible in the photos (all could be easily repaired). Size: 9-1/2" tall.

A stunning Art Deco gentleman’s dress set comprising a pair of double-faced platinum cufflinks and three shirt studs. The round platinum faces are enhanced with ridged decoration and feature round old European-cut diamonds. The faces are attached with removable connectors for ease in putting them through cuff holes. The backs are marked with Swiss platinum hallmarks and Imperial Austrian import marks. Both marks are no longer in use, and by cross-referencing the marks, we can determine that the cufflinks date to 1914-21.

The set is completed with a vintage set of matching shirt studs commissioned from Gübelin, one of the world’s most exclusive jewelers, in the 1950s. Working only in Switzerland, Gübelin is known especially for its peerless selection of gemstones and for the workmanship of its Swiss master jewelers. The studs match the cufflinks perfectly, and each is stamped with Gübelin’s hallmark and the custom order number. The toggle backs are 18K white gold, and the faces are hallmarked for platinum. The studs are presented in their original fitted suede-covered Gübelin case, which also has enough room for the cufflinks.

Gübelin did not have its own jewelry manufacturing facilities until the late 1920s, and given the perfect match between the cufflinks and the studs, it seems likely that the cufflinks, themselves, were probably originally retailed by Gübelin.

Origin: Switzerland. Size: cufflinks, 1/2" diameter; studs, 13/32” diameter. Weight: 13.5 grams. Approximate Total Diamond Weight: .95 carat.

An elegant Art Deco bracelet comprising nine plaques joined with double rosette links. The cast plaques are decorated with an ornate floral pattern and are richly gilt. Each is collet-set with a squared cabochon chrysoprase. The milky green color of the gemstones is very nice against the dark gold of the gilding. The clasp is marked with Hungarian silver hallmarks, and the back is marked “Made In Hungary”, indicating the piece was made for export to the U.S.

Origin: Hungary, ca. 1930. Condition: excellent, all original, gilding intact. Size: 7-1/4” long. Weight: 27.0 grams. Approximate Total Gemstone Weight: 12.6 carats.

A sterling silver corkscrew by International Silver in one of the company’s 1930s Art Deco designs. Clearly patterned after the popular Scandinavian designs of the period, this design is very similar to “Royal Danish”, “Sonja” and “Norse”. The handle is marked with International’s older hallmark and the pattern number “NX14”.

Origin: America, ca. 1940. Condition: excellent, no dings, sharp details. Size: handle width, 4-5/16”; length, 4-5/8”.

A fine Art Deco 800 silver graduated jigger in an exaggerated flaring design. The sections measure 1, 1 1/2, and 2 1/2 ounces. The bottom is stamped for 800 silver and has an Italian mark used 1935-38 that was applied to finished silver goods already in the inventories of Italian jewelers and silversmiths.

• Origin: Italy, ca 1930
• Condition: excellent, no dings or monograms
• Dimensions: 2 1/8” tall; 2 1/2” wide at rim
• Weight: 36.0 grams

A beautiful pair of Art Deco 14K yellow gold and natural green chalcedony cufflinks by Krementz. The cut-cornered rectangular faces are set with plaques of vivid green chalcedony surrounded by borders decorated in an angular raised diamond pattern. Cufflinks set with green gemstones are difficult to find, and this is a particularly attractive pair. The connectors are stamped 14K and have the Krementz hallmark.

Origin: America, ca. 1920. Condition: excellent. Dimensions: 5/8 x 1/2 inch. Weight: 9.3 grams.

Lovely Art Deco quadruple strand necklace composed of white seed beads flanking two lapis lazuli hemispheres alternating with three rings of channel-set paste.

Origin: American, ca. 1925. Condition: excellent. Size: 15" long.

A fine pair of Art Deco 14K yellow gold double-sided cufflinks, the faces set with sugarloaf cabochons of colorful jasper chalcedony. The pattern of inclusions is similar to moss agate, but the greenish wisps appear against a semi-transparent background of deep rust instead of the more typical creamy beige. They’re really quite attractive stones in an unusual pattern. The faces are attached by solid connectors stamped with Larter’s 14K hallmark.

Origin: America, ca. 1925. Condition: excellent. Size: 9/16” x 9/16”. Weight: 9.5 grams.

Stunning set of four enameled cocktail glasses, almost certainly by Moser. The quality of the glass is superlative. The enameled rooster motif is magnified through the thick glass of the base, so that it looks quite large from inside the bowl (it might be a bit frightening after drinking an entire martini!) The bowls are lightly paneled and are edged in a thin line of gilding.

One glass has a flake at the bottom edge (see photo) and two pinpoint roughnesses along the top rim. Another has a couple of pinpoint roughnesses underneath the bottom edge (not noticeable from the top).

3-1/2" tall.

These are certainly among the finest cocktail glasses we've seen and would look great with a classic cocktail shaker featuring a rooster motif.