Catalog (2449)

A classic target-style ring featuring a luminous pearl surrounded by a ring of calibre-cut synthetic rubies set in an 18K yellow gold setting. Originally a stick pin, this ring was created with the addition of an 18K shank. The rubies are synthetic—as they often were in the Art Deco period—are a beautiful deep red color that nicely accents the creamy white pearl.

• Origin: French stick pin, ca. 1920.
• Condition: excellent; converted from an Art Deco stick pin.
• Dimensions: crown, 11/32" diameter.
• Finger Size: 6-1/4".
• Weight: 1.5 grams.

A very nice peacock or electric blue glass inkwell, the body cut in large facets. The hinged lid is topped with a figural cherub cast in glass of a matching color. The figure is completed with a matte acid finish that contrasts beautifully with the main part of the inkwell’s body. We’ve only seen this particular lid once and the figure was molded in colorless glass.

Origin: America, ca. 1900. Condition: excellent, a very small flake to the cherub's toes. Dimensions: 4-1/4” tall; 3” wide.

A rare and elegant boxed set of six sterling silver citrus spoons in Paye & Baker's "Orange" pattern. The handles are decorated front and back with oranges, orange blossoms and foliage. Paye & Baker primarily made souvenir spoons, and this particular pattern was usually associated with Los Angeles, considered a very exotic location at the beginning of the 20th century. These spoons are the only set we've seen made as citrus spoons. The sharply-pointed deep bowls retain their original matte gilding. Each spoon is fully hallmarked.

• Origin: America, ca. 1900.
• Dimensions: spoons, 5 1/2" long.
• Weight: 158.4 grams.
• Condition: excellent; gilding intact; box has considerable age-appropriate wear and discoloration.

A boxed set of sterling silver demitasse spoons by Paye & Baker. The set comprises two each of three different floral themes, all worked in the same intaglio style with glossy flowers and foliage against a stippled background. Two of the spoons are decorated with a pattern of wild roses, two with morning glories and two with pansies. The edges of the stems and handles are shaped to match the patterns. The bowls are finished with matte gilding. The backs are hallmarked by Paye & Baker and are marked "Sterling". The company made only a small range of products, but their Art Nouveau motifs were expertly designed.

• Origin: America, ca. 1900.
• Dimensions: 4" long.
• Weight: 38.8 grams.
• Condition: spoons, excellent condition, typical light fading of gilding on bowls; box has typical discoloration and wear.

A handsome pair of18K white gold cufflinks featuring flat discs of richly colored synthetic blue spinel. The “Spinel Disc” design is from Longmire’s “Contemporary 18K” line. The simple design and vibrant color has a very 1960s feel about it. The cufflinks are finished with toggle backs. Each is stamped with 18K hallmarks and with Longmire’s maker’s mark. The cufflinks are currently available from Longmire’s London boutique for $2200.

Origin: England, ca. 2015. Condition: excellent. Dimensions: 5/8” diameter. Weight: 9.7 gr.

A very nice pair of Victorian double-faced 14K yellow gold cufflinks, the oval faces set with trios of diamonds, rubies and sapphires. The diamonds are old mine cut, while the sapphires and rubies are cabochons. The colored stones are of very good color and show now indications of heat treatment. The gold surfaces are worked with the slightly matte Russian finish popular for higher quality jewelry of the period. Jewelry set with red, white and blue gemstones tended to gain popularity around key anniversaries or important events in American history. It is likely that these cufflinks date to the centennial year of 1876. The back of each face is marked 14K and has an unidentified maker's mark.

Origin: America, ca. 1876. Condition: excellent, all original. Dimensions: 21/32" x 13/32". Weight: 7.9 grams. Approximate Total Gemstone Weight: diamond, .16 ct; sapphire, .23 ct; ruby, .23 ct.

Outstanding brass match holder the pocket formed in the shape of a shield and punch-decorated in a stars and stripes pattern. The pocket is surmounted by a punch-decorated American eagle underneath the motto “In God We Trust”. This motto was adopted in 1863 as a subtle government reminder during the Civil War that God was on the side of the Union troops fighting to end the evil of slavery. The backplate has a punchwork border and also a hole for hanging.

Origin: America, ca. 1860s. Condition: excellent, all original, nice patina. Size: 3-15/16” x 2-1/2” x 5/8” deep.

A very good first standard (950/1000 pure) silver small-size tastevin by the highly regarded Dijon silversmith Marc Parrod. This example retains the classic round shape with a convex bottom, but the usual "godrons" and "cupules" gare replaced by repoussé grape clusters alternating with raised "perles". Each grape cluster is accented with stylized vines. Parrod was particularly noted for this unique variation. The handle is in a rather unusual shape slightly suggestive of the double snake handles sometimes found on tastevins from the Bourgogne region. These smaller tastevins are less common than the larger ones. Smaller tastevins from the Bordeaux region were often used for tasting Cognac, so perhaps the smaller Burgundian versions were used for some other spirit, as well as wine. The bottom and handle are stamped with first-standard silver marks and with Parrod's mark.

• Origin: Dijon, France, ca. 1903-1944
• Condition: excellent, no dings or monograms, sharp detail
• Dimensions: 2-1/4” diameter (excluding handle)
• Weight: 25.8 grams

A very good first standard (950/1000 pure) silver small-size tastevin by the highly regarded Dijon silversmith Marc Parrod. This example retains the classic round shape with a convex bottom, but the usual "godrons" and "cupules" are replaced by repoussé grape clusters alternating with "cupules". Each grape cluster is accented with stylized vines. Parrod was particularly noted for this unique variation. The handle is in the traditional form of two snakes grasping an apple, alluding to the the Garden of Eden snake and reminding the drinker of temptation. These smaller tastevins are less common than the larger ones. Smaller tastevins from the Bordeaux region were often used for tasting Cognac, so perhaps the smaller Burgundian versions were used for some other spirit, as well as wine. The bottom and handle are stamped with first-standard silver marks and with Parrod's mark.

• Origin: Dijon, France, ca. 1903-1944
• Condition: excellent, no dings or monograms, sharp detail
• Dimensions: 2-1/4” diameter (excluding handle)
• Weight: 24.6 grams

A superb Rococo-style first standard (950/1000 pure silver) tastevin by the master silversmith Marc Parrod. This large example retains the round shape of a traditional tastevin but replaces the usual bowl decoration with ornate bunches of grapes tied with ribbon bows and a remarkable handle treatment illustrating a young couple stomping grapes while holding hands. Parrod created excellent classic Burgundian tastevins, but his fantasy pieces stand apart from all the other Dijon masters. The tastevin is stamped with Parrod's master's mark as well as 1st standard silver marks from the Beaune assay office. That office closed in 1914, so we know that this example is from the earlier part of Parrod's career.

• Origin: Dijon, France, ca 1903-14.
• Condition: excellent; all original; one tiny ding on the top edge of the bowl.
• Dimensions: 3-3/4" x 4-15/16" x 1-5/8".
• Weight: 122.8 grams.

A terrific first standard (950/1000 pure) silver tastevin by the acclaimed Dijon silversmith Marc Parrod. Though working in the very early 20th century, Parrod was fond of creating tastevins in fantasy styles of the 18th and early 19th centuries. Among his catalog of motifs were sides with repoussé decoration of grape clusters and leaves, bottoms inset with royal coins or medallions, double snake handles representing temptation in the Garden of Eden, and handles with engraved scenes or witty sayings. He must have had some /extra time when he made this tastevin, because it includes all these except the snake handle. In its place is a “tab handle” engraved with a cluster of grapes surrounded by a heart below the saying “A bon vin bonne humeur” (“To good wine and a good mood”). The bottom features a medallion (“jeton”) with the image of Louis XVI surrounded by a legend translated as “the most Christian King Louis XVI 1785”. The reverse of the medallion shows the coat of arms of the Duchy of Burgundy and the inscription “Comitia Burgundiae.” Silver jetons were struck by various civic governments (in this case, the Three Estates of Burgundy) or by the Crown itself to honor important people, significant historic occasions, or personal visits by the King. The rim is engraved with the name of the tastevin’s original owner Paulin from the wine village of Corton. The handle is stamped with Parrod’s mark and first-standard silver marks.

• Origin: Dijon, ca. 1903-1944 (most likely toward the earlier part of this period)
• Condition: excellent, no dings or monograms, sharp detail
• Dimensions: 2-7/8” x 3-13/16”
• Weight: 67.2 grams

An exceptionally fine Pampillonia 18K gold brooch in the form of a running thoroughbred horse mounted by a jockey. The workmanship is simply outstanding. Every detail of the horse's flying tail and the musculature underlying the coat are beautifully worked. The folds and wrinkles of the jockey's silks are equally detailed. The horse's eye is set with a small round ruby and the hoof of a hind leg touches on a .18-carat round brilliant cut diamond, graded as J color, SI2 clarity. The use of a yellow-green gold is an inspired choice that somehow keeps the rather heavy brooch from appearing overwhelming. The pin is unsigned, but is definitely by Pampillonia. Marked 18K.

• Origin: America, ca. 2010
• Condition: excellent, all original
• Dimensions: 1-1/2" x 2-3/8"
• Weight: 30.8 grams

A handsome pair of sterling silver sugar tongs from the reign of King William IV. The sides are decorated in a classical late Georgian shell and thread motif. The quality is very fine. The interior have pristine hallmarks for London, 1834-35, and the maker’s mark for William Eaton.

Origin: England, 1834-35. Condition: nearly mint, no monogram, sharp detail. Size: 6-1/8” long. Weight: 69.5 grams.

A lovely pair of hyacinth vases in teal blue glass. The classic shape is slightly conical with a widely flaring rim for resting the bulb over the water. These vases are especially attractive because of their rich color. Forcing hyacinths and other bulbs to bloom indoors was something of a Victorian passion that continued well into the 20th century.

Origin: America, ca. 1900. Condition: excellent, no chips or cracks. Size: 7" tall.

A very fine matched pair of Victorian 14K yellow gold hinged bangle bracelets presented in their original fitted box. Each bracelet is fashioned with a buckle design and accented with ornate engraved and basse taille enamel decoration in a foral pattern. The edges of the bangles have bright cut engraving that lends a little glitter. The bracelets are generously sized with 3/4" width.

Origin: America, ca. 1870. Condition: the exterior of both bangles are in mint condition with absolutely no enamel damage or dings; the interiors of both have a very few, shallow pinpoints; one bracelet retains the original patented safety mechanism (dated 1870), while the other has been replaced with a safety chain; the original fitted case shows considerable wear. Size: 3/4” wide; interior opening, 2-1/8” x 1-11/16”. Weight: 68.4 grams.

A wonderful sterling silver trout set in Towle's 1884 "Arlington" pattern. The handles are decorated in the repousse style with a profusion of roses and foliage. The decoration lends itself to being mixed with many of the repousse patterns from the Baltimore area. It is the blade of the trout knife, wonderfully decorated with an engraved trout leaping into the air after biting a lure (the entire casting rod in the background), that really sets these servers apart. Complete Victorian services included fish sets, but trout servers are extremely uncommon. They are a bit smaller than regular fish servers and have a slightly different shape. Towle, in particular, seems to have been fond of the form. The backs are stamped with Towle's hallmark and the retailer's mark "H. G. Shupp".

Origin: America, ca. 1890. Condition: excellent, light surface wear, a small bend at the tip of the knife's upper lip. Size: fork, 8-1/8" long; knife, 10-1/4". Weight: 140.5 grams.

An extraordinary pair of painted tin toleware planters in the form of canoes. One is painted white with blue and red accent stripes and the other is red with blue and white accents. Each of the canoes has its original leather-wrapped wire hanger, and the undersides have trays to catch water drips. The drip trays also allow the canoes to placed on a surface instead of hanging. The paint is completely original and has a great crusty surface. The shape has the distinctive exaggerated upturned bow and stern associated with birchwood canoes.

Origin: America, ca. 1900. Condition: excellent, all original, white canoe has some paint loss on the drip tray legs, red canoe has some paint loss long the top edges of the plant holder. Dimensions: 15-1/2 x 4-1/4 x 7-3/4 inches.

Pair of kettle-form sterling silver salt dishes raised on ball feet. The top edges are decorated with a simple beaded border, ensuring that the salts will coordinate well with any silver pattern. The bottoms are hallmarked by Watrous.

Origin: America, ca. 1900. Condition: excellent, no dings or monograms.

Pair of elegant cut crystal bud vases with sterling silver footrims. The vases are cut with a simple starburt pattern near the upper rims. Marked "Wallace Sterling R-62".

Origin: America, circa 1960. Condition: excellent, no dents or chips. Size: 8" tall.

Handsome pair of large cobalt glass oval open salt dishes in pierced sterling silver holders. The bottoms are hallmarked by Watrous.

Origin: America, ca. 1930. Condition: excellent. Size: 3-3/16" x 2-1/4" x 1-1/16" tall.

These lovely sterling silver spoons are in a Colonial Revival pattern, simply decorated with a shell at the tip of the handle. The backs are stamped with the high-end retailer's name "Bigelow, Kennard & Co." of Boston, indicating a date before 1922. The backs of the handles also have a monogram "T" in a style that would point to ca. 1890-1900, and the mark 925/1000 which would also support that date range.

Although the maker is unknown, it is very similar to a number of patterns called "Shell" that were made by virtually all the more important silver manufacturers at the time (Gorham in 1890; Reed & Barton in 1900; Towle in 1889; Frank Smith in 1890; Mt. Vernon in 1865; and Lunt in 1888). It appears most similar to Frank Smith's version, but would work nicely with any of these or other Colonial Revival patterns.

Excellent condition. 8.5" long.

Pair of Staffordshire pottery cake plates with light blue transfer decoration in the Canton or "Willow" theme. Neither plate is marked.

Origin: England, circa 1850. Condition: one plate has a crow's foot visible only from the back; the other has a 1/2" flake on the back of the rim; both have some staining, particularly along the rims. Size: 10" diam.

Rare pair of Staffordshire earthenware figurines of whippets. Each dog poses over a rabbit he has brought to the master of the hunt. The cushion bases are decorated with a simple gilt line.

Origin: England, circa 1850. Condition: excellent, a tiny bit of glaze roughness on the tip of one nose, blacklight examination indicates no repairs or repainting. Size: 3-7/8" tall.

Lovely pair of porcelain compotes in the "Dresden Garland" pattern by Schumann. The pierced rims are heavily decorated with colorful flowers and gilding. Each compote is centered with a floral bouquet surrounded by entwined gilt and floral garlands. The decorative motifs are echoed on the pedestals. The bottoms are marked by Schumann.

Origin: Germany, ca. 1920. Condition: mint. Size: 7-1/2" diameter; 4-5/8" tall.

A marvelous pair of Retro Moderne 18K yellow gold dress clips formed as a bouquet of diamond-studded platinum flowers, the stems tied with a ribbon set with calibre-cut rubies, all against a scrolled gold background. Buds represented by diamonds set in platinum and rubies set in gold are scattered around the flowers. The design is quite sophisticated and the stones are of very nice quality. The clips are perfectly sized—one worn alone isn’t so small that it gets lost, but the two worn together aren’t overwhelming, either. The pair can be worn on jacket lapels or on either side of a dress neckline. The backs retain the original hinged double-prong coat clip and anchor pin often seen on better French jewelry of the period. A good jeweler could convert the clips to be worn as either pierced or clip-back earrings. Tested and guaranteed 18K gold and platinum.

Origin: probably America, ca. 1940.

Condition: excellent, all original.

Size: 1-1/4” x 3/4".

Weight: 16.5 grams.

Approximate Total Gemstone Weight: diamond, .9 carat; ruby, .6 carat.

Extremely rare pair of Victorian cast iron flamingo garden ornaments. Dating from the late 19th century, these flamingos are exceptional. I've seen many later versions in concrete or plastic, but never another pair this old or made of cast iron. These birds appear to be enjoying their third or fourth layer of paint, but the newest layer appears to be a good 50 years old. The outermost and innermost layers are nearly the same color, with an intervening layer of softer pink. The most recent painter splattered some of the pink paint onto the green bases. Each bird was cast in two parts. The legs are screwed into openings at the bottom of the birds and then into the cast bases. The detail is outstanding, with even the bases having a rocking texture. I cannot find a signature, but there could possibly be one underneath the paint.

Origin: American, possibly by Fisk or another iron foundry of equal stature, late 19th century. Condition: see description of paint history above; no missing parts or cracks; rust appropriate to age. Size: 15" and 19.75" tall.

Pair lovely Minton porcelain cabinet plates featuring handpainted pastoral scenes. One shows a footbridge over a rushing stream and the other shows a pair of cows wading in a pond. Both are surrounded by Minton's famous turquoise blue. The edges are gilt and embossed with a foliate pattern. The backs are impressed "Minton" and have the year mark for 1879. Origin: England, 1879. Condition: the bridge plate is excellent, with about 10% loss to the gilding along the rim; the cow plate is good, with about 70% loss to the gilding along the edge and along the inner rim. Size: 9-1/8" diam.

A lovely pair of imperial Russian spoons, the backs of the bowls decorated with finely engraved scenes depicting portions of the Arsenal and the State Historical Museum on Moscow’s Red Square. The handles are finished in the traditional twist motif. The surfaces are gilt, and the engraving is worked through the gilding in some areas and more lightly in others, allowing a nice contrast of colors within the design. Each is fully hallmarked for Moscow, dated 1889 and with the maker’s mark for Ivan Alexeyev (1876-1912).

Origin: Moscow, 1889. Condition: excellent, gilding intact. Size: 5” long. Weight: 27.2 grams (the pair).

A beautiful pair of 14K yellow gold double curb link bracelets. The links are enhanced with ornate repousse decoration but could be worn inside out when a smoother look is called for. The clasp of each bracelet is stamped with Viennese 14K gold marks used 1872-1902. The bracelets are priced as a pair, but are available separately.

• Origin: Austro-Hungarian Empire, 1872-1902
• Condition: excellent, no dings
• Dimensions: 7-3/4” long; 1/2” wide
• Weight: 47.3 grams

Wonderful pair of Hubley cast iron paperweights in the form of African-American children. The little girl wears a yellow jumper over a white blouse and the little boy wears yellow pants and a white shirt. This is the only pair of black memorabilia iron paperweights we’ve seen.

Origin: America, ca 1920. Condition: very good, expected paint wear on high spots. Size: 1-3/8” tall.

A very nice pair of Staffordshire spaniels highlighted with gilt decoration. Each dog wears a collar with a padlock and a chain. The muzzles are decorated with pink and black overglaze enamel, and the eyes are set with glass eyes. Both have the whimsical "Joan Crawford" eyebrows. Spaniels with glass eyes, although a bit later than some of the other Staffordshire figures, are difficult to find.

Origin: England, ca. 1890. Condition: excellent, no damage, one dog has a slightly open seam on top of the ear that is original to the making. Size: 8-1/2" x 3-1/4" x 9" tall.

A pair of sterling silver berry spoons of the finest quality dating to the reign of George III. The quality of the repousse and bright cut decoration is beyond compare. The design of the bowl includes cherries, applies, pomegranates and foliage. The backs are clearly hallmarked for London, 1800 and for the maker Thomas Wallis. Excellent condition; no monograms or removals. 9" long.

A gorgeous pair of Victorian sterling silver serving spoons, the handles and bowls amazingly decorated with repousse, chased and engraved designs. The handles are decorated with reserves of winged cherubs hanging garlands of flowers, the reserves surrounded by rococo shell motifs. The stems are decorated with floral garlands leading to the amazing decorative bowls, covered in repousse floral designs. The backs of the handles are as attractive as the fronts and are engraved with a very handsome three-letter monogram. The spoons are fully hallmarked for London, 1894, and bear a script maker’s mark “AB” or “AR”. These spoons are extremely heavy, and are of the absolutely finest quality being produced at the end of the 19th century.

Origin: England, 1894. Condition: excellent, very sharp detail. Size: 8-7/16” long. Weight: 164.0 grams.

Very nice pair of sterling silver napkin rings in their original silk- and velvet-lined fitted box. The inside lid of the box is embossed with the mark "Viner's of Sheffield By Appointment To The Late King George V". Each napkin ring is fully hallmarked for Sheffield, England, 1966.

Condition: mint. Size: 2-3/8" x 11/16" x 3/4".

Very fine pair of George VI sterling silver master salt dishes. The salts are raised on paw feet surmounted by lion masks. The everted rims are gadrooned. The salts retain the original cobalt blue glass liners. The salts are identical, but were made in different years by the same silversmith. One has the date mark for 1936 and the other for 1939. The only difference is that glass liner in one is a little thicker than the other.

Origin: London. Condition: excellent, all original, no dings or monograms. Size: 2-7/8" diameter; 1-1/2" tall. Weight: 202.0 grams (silver only).

A superb pair of sterling silver footed baskets by Lambert & Co., one of the most highly-esteemed Victorian silversmiths in London (mentioned by Charles Dickens in his writings). The baskets are ornately pierced and rise on ornate scrolled foot collars. The rims are decorated classically with acanthus leaves and scrolls, but a hint of Art Noveau appears in tiny irises, chrysanthemums and forget-me-nots that are scattered along the rim. The swing handles are also pierced and heavily decorated with matching floral motifs. The baskets are ideal for small flower arrangements, nuts, candies, etc. These baskets are of the finest quality and are fully hallmarked for London, 1908-09, and with the maker’s mark for Lambert & Co. as well as the company’s retail shop at 12 Coventry St.

Origin: England, 1907-08. Condition: excellent, sharp detail, no dings or monograms. Size: 5-1/2” diameter; 5-1/2” tall. Weight: 507.0 grams.

A pretty pair of Dresden porcelain candlesticks with traditional hand-painted floral decoration. Dresden candlesticks are rather uncommon. The squared bases are intricately pierced and decorated with flowers and gilt highlights. The columns are similarly decorated. Bobeches separate the columns from the candle sockets. The bobeches are original and have not been repaired, but at some point, a previous owner decided to paint her own flowers on the bottom sides of the bobeches and to add more gilding along the rim. Each candlestick is marked by an unidentified maker in underglaze blue, and is also marked "Dresden Germany".

Origin: Germany, ca. 1920. Condition: excellent with alternations as noted above. Size: 9-1/2" tall.

Elegant pair of Chinese export porcelain soup plates decorated with a floral scene in the famille rose palette. Pheasants, beetles and butterflies are scattered among the pink peonies, orange pomegranates and blue-green bamboo stalks. The rim is decorated with a striking band of blue and gold strapwork in the Persian taste. The contrast of the restrained formal border pattern against the exuberant naturalistic design of the bowl is striking.

Origin: China, ca. 1800. Condition: no chips or cracks, normal moderate wear to gilding. Size: 9-3/4” diameter.

A stunning pair of 18K yellow gold hinged bangle bracelets from the "Cometes" line by Chanel Haute Joaillerie. The bracelets are designed as simple band of channel-set brilliant round diamonds punctuated at regular intervals with 5-armed stars, each bead-set with a brilliant round diamond. Though the bracelets appear to be solid, each of the sections is hinged at the star, so the bracelet is flexible and comfortable to wear. The clasps are hidden beneath one of the stars. Each bracelet comprises 72 diamonds of exceptional quality, with F/G color and VVS clarity. The total carat weight of each bracelet is approximately 3.5 carats. Each bracelet is fully stamped with French 18K gold hallmarks and is signed "Chanel." Each is also marked with its unique serial number.

Chanel's fine jewelry is sold in only a few of the company's major boutiques (Paris, New York, etc.) and is never sold at any other retailer. These bracelets are accompanied by a letter on Chanel's letterhead dated May 6, 2009 indicating a replacement value of $19,700 each. The letter includes the information that the bracelets were originally purchased from the New York boutique in 2007 and the serial numbers noted in the letter match those on the bracelets.

Stars were one of Coco Chanel's favorite motifs and she used them in the very first piece of fine jewelry she designed for herself in 1932. Chanel launched its fine jewelry collection in 2003 with the "Cometes" line which uses five-armed stars in endless varieties.

Origin: France, 2007. Condition: excellent, all original. Size: interior opening, 2-3/16" x 1-3/4"; width, 5/16", interior circumference, 6-3/16". Weight: pair, 48.3 grams. Approximate Total Gemstone Weight: 7.00 carats (pair).

NOTE: Though they look wonderful worn together, we will consider selling the bracelets separately.

A pair of carved bone master salt spoons decorated with elephants on the handles. Circa 1900. Excellent condition. 2-3/4” long.

A pair of elegant Art Nouveau enameled Bohemian glass bowls with floriform decoration. The petals of a vivid pink flower curl up the sides and are interspersed with green tendrils. The flowers are echoed in the undulating rim decorated with a thin line of gilding. The overall workmanship is superb. This sort of decoration was produced by Theresienthal, Meyr’s Neffe, Lobmeyr or Fritz Heckert, and the quality of these pieces is consistent with any of those makers. Typically, this style is seen in goblets, but other tablewares such as these are more uncommon.

Origin: Bohemia, ca. 1895-1905. Condition: excellent, light wear to gilding at rim, no other enamel wear, no chips or cracks. Size: 3” tall, 4-1/2” diameter.

A beautiful pair of cut glass square bowls, the steep sides blown out into a scalloped shape. The bottoms are cut in Russian pattern, with the buttons cut in Harvard, diamond and a diamond variant. The sides are in panels of a Harvard variant, panels of Russian matching the bottoms, and panels of diamond. The panels are topped with flashed star cuts and are separated by columns of vertical fluting. The edge is finished with teeth. The cutting is very precise and extremely sharp, and the bowls are hand-polished. Unsigned. Both bowls fluoresce yellow under UV light.

Origin: America, ca. 1890. Condition: excellent, one bowl has a 3/16” flake on the outside of one tooth and a few extremely tiny roughnesses on the interior of the teeth. Size: 6” x 6” x 2-7/8”.

A delightful composition Easter rabbit figurine from the 1920s. The dapper figure is shown in a walking pose while wearing yellow shoes, a bright red jacket and a white waistcoat. He carries a spun cotton carrot over his shoulder. The bottom is stamped “Japan.”

• Origin, Japan, ca 1925
• Condition: excellent, a smattering of extremely tiny paint nicks
• Dimensions: 3-1/8” tall

The second figure is a happy Easter white rabbit nodder wearing a red jacket with a blue collar. The face and insides of the ears are painted in bright pink. The nodder mechanism allows the head to turn and jiggle slightly.

• Origin: Japan, ca. 1925
• Condition: excellent, a few minor paint scuffs along the ends
• Dimensions: 2-7/8” tall

A nice pair of vintage “Sputnik” earrings set with citrines. This style was popularized by H. Stern in the 1950s as a way to show of the company’s unparalleled access to the world’s finest colored gemstones. The design eventually became known as “Sputnik” because of the perceived resemblance to the Soviet satellite active during the early years of the space race. Generally, Sputnik pieces were set with multi-colored stones, but occasionally a piece turns up set only with one stone, as in this case. The citrines have medium-dark, strongly saturated yellowish-orange color that contrasts beautifully with the more yellowish color of the gold mountings. Marked 14K.

Origin: America, ca. 1960. Condition: excellent. Weight: 9.5 grams. Approximate Total Gemstone Weight: 9.92 carats. 15/16" in diameter.

19th century cast iron figure of an angel raising a laurel wreath above her head and holding a ship's anchor. Obviously intended as a symbol of the wishes for a sailor's safe return from the sea, the plaque was probably used to decorate the wall of a sailor's home in an Atlantic coast seaport.

Origin: America, circa 1860s. Condition: excellent, light rusting on surface. Size: 14" tall.

Painted cast iron dog paperweight, probably by Hubley.

Origin: America, c. 1920. Condition: good, about 10% paint loss. Size: 1-5/8" tall.

Painted cast iron paperweight, probably by Hubley.

Origin: America, ca. 1920. Condition: very minimal paint loss (less than 5%). Size: 1-5/8" tall.

Outstanding and gorgeous Victorian liquor decanter in cranberry overshot glass. The body is blown in a ribbed shape and is accented with vertical gilt stripes. The neck is fitted with a silverplate collar and the most extraordinary silverplated jockey head stopper.

Origin: probably England, ca. 1890. Condition: excellent, except for two very short, stable hairlines at the neck that are original to the piece; stopper retains the original cork and fits well. Size: 12-3/4" tall.

A very heavy pair of 18K yellow gold stirrup cufflinks retailed by famed New York jeweler Olga Tritt. Stirrup or “étrillé” cufflinks were popularized by Cartier in the 1940s and have appeared in many variations since. This pair is unusual because of the width of the gold mesh and their relative weightiness. The closing mechanism is a bit more decorative than most, even though it can’t be seen when the cufflinks are in place. The mechanism is marked with a French jeweler’s mark indicating 18K. The cufflinks are presented in their original box, the inside of the lid imprinted with Olga Tritt’s logo and Park Avenue address.

Origin: France, ca. 1970. Condition: excellent. Size: 1” x 7/8” x 5/16” wide. Weight: 25.0 grams.

A very heavy pair of 18K yellow gold stirrup (étrier) cufflinks retailed by famed New York jeweler Olga Tritt. Stirrup (étrier) cufflinks were popularized by Cartier in the 1940s and have appeared in many variations since. This pair is unusual because of the gold mesh sides and the unusual decorative shape of the crossbar. The cufflinks are marked with indistinct French master goldsmith’s marks. We have had an identical pair once before, in their original fitted Olga Tritt box. As a French émigré, Tritt manufactured her own line of jewelry and retailed high-quality French jewelry at her Park Avenue boutique.

Origin: France, ca. 1950. Condition: excellent, all original. Dimensions: 21 x 24 mm (13/16 x 31/32 in). Weight: 17.9 gr.

Wonderful old Millville, NJ area glass paperweight wig stand or mantel ornament. The setup is pierced with five elongated icepick bubbles. Small bits of aventurine glass highlight the overall coloring of soft yellow and green. The top is heavily faceted with 33 printies of varying sizes. The cutting strikes me as being similar to the faceting seen on good New England Glass Company paperweights. The weight is raised on a baluster form pedestal and a foot. The glass is very heavy and of the finest quality. A similar wig stand/mantel ornament is pictured in Newell's "Old Glass Paperweights of Southern New Jersery".

Origin: Millville, NJ area, late 19th century. Condition: very good, a fleabite on the edge of the top printy, another about a third of the way down the crown, and another on the edge of the foot; a small moon on the perimeter of the weight. Size: 6" tall; foot 3-1/16" diameter.

Hand wrought sterling silver pickle fork in the classic "Granada" pattern by Old Newbury Crafters. This is among the most sought after makers of fine American silver. Every piece is made entirely by hand. The spoon surface is highlighted with a slight hammered finish. The reverse is marked "Hand Wrought ONC Sterling". The reverse also bears the mark for the artisan who made the piece, Roger R. Rowell.

Silver from Old Newbury Crafters is the service at Blair House, the official U.S. residence of visiting heads of state.

Excellent condition; no monogram. 6-5/8" long.

Colorful pottery sardine box decorated with all manner of seashells in shades of brown, red, blue and grey. The bottom is marked "Handpainted Occupied Japan" around a peacock logo.

Origin: Japan, ca. 1945-52. Condition: excellent. Size: 5" x 3-3/4" x 2-3/4".

A gorgeous sterling silver cream ladle rare on two counts. First, Fessenden’s 1910 “Tulip” pattern is very uncommon. Secondly, while spoons were often engraved as souvenir pieces, serving pieces were hardly ever given this treatment. This is the only souvenir cream ladle we’ve seen. The matte gilt bowl is engraved with a very detailed representation of the U.S. Capitol Building underscored by “Washington DC”. The back is hallmarked by Fessenden & Co.

Origin: America, ca. 1910. Condition: excellent, sharp detail, no monogram, original gilding. Size: 4-5/8” long. Weight: 16.0 grams.

Outstanding late Art Nouveau Continental silver cufflinks with a wonderful design of a gold spider sitting in her niello web. The workmanship and design is quite original and accomplished. The backs are marked with unidentified Continental (possibly German) marks, including the jeweler’s mark “HF”.

Origin: Europe, circa 1900. Condition: excellent, all original, no enamel damage. Size: 27/32” x 15/32”. Weight: 5.5 grams.

A lovely Art Nouveau Krementz 14K yellow gold festoon necklace featuring pear-shaped amethyst drops and small natural pearls enhanced with swags of gold links. Each of the amethysts hangs from a gold trumpet flower mounting that echos the central gold plaque. The gold surfaces are worked in the slightly matte Russian finish popular in high quality Art Nouveau jewels. The clasp and the back of the central plaque are marked by Krementz.

Origin: America, ca. 1900. Condition: excellent; the chain has been lengthened from the original 14" to its current 16.5"; the extension is made so the necklace can also be worn at a 15.25" length. Dimensions: length of central drop from the plaque, 1-1/4". Weight: 10.2 grams. Approximate Total Gemstone Weight: amethyst, 10.51 carats.

A wonderful Art Nouveau sterling silver cracker scoop in Blackinton’s 1904 “Daisy” pattern. The handle, decorated with flowers and foliage, nicely accents the ruffled edge of the bowl. Cracker scoops were originally used to serve small crackers similar to today’s oyster crackers. Now, the piece could be used to serve a variety of foods. Blackinton made a small line of very good sterling silver flatware in the Art Nouveau style. All U.S. embassies worldwide use Blackinton flatware for formal occasions. The back is marked with Blackinton’s hallmark.

Origin: America, ca. 1905. Condition: excellent, sharp detail, no monogram. Size: 9-13/16” long. Weight: 133.0 grams.

A beautiful pair of late Victorian 14K yellow gold cufflinks set with cat’s-eye chrysoberyls by M. Nosey Dragon & Co. of Tientsin (now Tianjin), China. Each chrysoberyl is surrounded by a finely detailed gold dragon, complete with scales, claws and whiskers. The chrysoberyls are unusually dark, tending toward a grayish-green instead of the more common golden brown. The cat’s-eye effect is very strong. The faces are connected with chains to torpedo backs signed “Nosey” and marked “K14”. The cufflinks are presented in their original fitted velvet and silk box imprinted with the maker’s name. The port city of Tientsin was opened by treaty with France and England in 1860 and became one of the most important trading and tourism cities in Eastern Asia. Fine jewelry, Chinese antiquities and other goods were readily available to wealthy visitors.

Origin: China, ca. 1895. Condition: excellent, all original. Size: 3/4” X 1/2". Weight: 8.4 grams.

A stunning pair of 18K yellow gold cufflinks by one of Italy's greatest 20th century jewelry artists, Nino D'Antonio Germano. Germano was born into an important family of Roman jewelers in 1926 and came of age during World War II. He was inspired by designs from antiquity, and his pieces often feature ancient Greek, Roman and Etruscan grotesques, masks and other elements. He was principally a sculptor, but made a very small amount of jewelry using the lost wax method of casting. This process is self-destructive and assures that every piece is nearly unique. Original pencil sketches of his jewelry designs are included in the artist's catalogue raisonne "Nino D'Antonio Germano Studio Catalogue Book" (transl, S. Brecker). The quality of the design and its execution is first-rate. The gold surfaces are acid washed to achieve the softly bloomed texture found in ancient jewels. The backs are signed "Germano" and are marked "750" for 18K gold.

Origin: Italy, ca. 1960s. Condition: excellent. Size: 3/4" diameter. Weight: 11.8 grams.

Very unusual glass paperweight from the New England Glass Company. The weight is worked in a patriotic theme with shards of red, white and blue opaque glass rods making up the scrambled design--possibly in celebration of America's centennial in 1876. The center of the setup is punctuated with a large icepick bubble--a technique I have never seen used in an American scrambled weight. There is also a rare silhouette cane of a pine tree. The crown is high and has a lightly swirled finish. The basal concavity is quite deep and irregularly finished.

Origin: America, circa 1876. Condition: excellent, no chips or cracks, no deep scratches. Size: 2-1/2" diameter; 2" high.