Catalog: Antiques: Decorative Art: Metals (281)

A very nice sterling silver sardine fork by the Campbell-Metcalf Silver Company. Originally intended to serve sardines—a Victorian luxury food—the fork could now be used for various hors d’oeuvres, cheeses, etc. The design is clearly based on Scandinavian motifs that later showed up in the work of Georg Jensen and other European makers. In some ways it is similar to Jensen’s 1913 “Rose” pattern. Campbell-Metcalf was in business for only six years during the last decade of the 19th century. The back is hallmarked.

Origin: America, 1892-98. Condition: excellent, sharp detail, no monograms. Size: 5-7/8” long. Weight: 22.5 grams.

A magnificent sterling silver claret spoon by Dominick & Haff. This example is strikingly decorated in a pattern representing three different varieties of chrystanthemums. The decoration appears to be loosely based on Dominick & Haff's "#10" pattern, though this is much more ornate. The area around the flowers is intricately pierced in the rococo style. The back bears Dominick & Haff's hallmark and the pattern number "32".

Claret spoons were produced for a short time at the end of the 19th century. Despite being named for the famous red wine, their function really had nothing to do with wine. Small fruits and berries, perhaps soaked in an alcohol or other liquid, were often served from tall, narrow pitchers of cut glass, porcelain or silver. The long claret spoon was used to remove from the fruit from the pitchers. Today, the spoon could be used to serve sangria as well as various desserts based on fresh fruit.

Origin: America, ca. 1980. Condition: nerly mint, period "BBS" monogram. Size: 17" long. Weight: 113.0 grams.

Fabulous brass and copper picture frame in the Aesthetic Japonaise style. The basketweave pattern of the brass frame is detailed with raised copper decorative elements that include a crane standing in a stream, bamboo and cherry blossoms. The back has an easel. The frame is 3.5" x 2.75". The oval opening with glass is 2.25" x 1.5". Circa 1870.

A very finely-made coin silver pastry or cake server, the handle decorated with a spray of flowers in the Aesthetic style. The blade has ornately shaped sholders and wonderful bright-cut engraving. The back of the handle has a period 3-letter monogram "MSS" and is marked "Pure Coin Pat. App. For". The retailer's mark is "Hutchinson & Connell".

Origin: America, ca. 1860. Condition: excellent, a very slight bend at the very tip of the blade and light surface wear, sharp details, traces of original gilding on blade. Size: 8-7/8" long. Weight: 70.0 grams.

19th century cast iron figure of an angel raising a laurel wreath above her head and holding a ship's anchor. Obviously intended as a symbol of the wishes for a sailor's safe return from the sea, the plaque was probably used to decorate the wall of a sailor's home in an Atlantic coast seaport.

Origin: America, circa 1860s. Condition: excellent, light rusting on surface. Size: 14" tall.

Outstanding and rare Victorian sterling silver berry or casserole spoon by Gorham in the 1885 "Nightingale" pattern. The design uses bright-cut engraving to show a nightingale amid foliage singing to a crescent moon (just visible i the upper left side of the design). The bowl is equally well-designed with bright-cut engraving, ribbing, and swirled edges. The surface has its original matte finish that contrasts nicely with the engraving. The handle is engraved with the name "Robina", leading to the assumption that the original owner may have chosen this piece because the bird looks much like a robin. The back is stamped with an early Gorham hallmark.

Origin: America, ca 1885. Condition: near mint, a miniscule pinpoint ding in the bowl. Size: 8-1/2" long. Weight: 64.5 grams.

Fabulous and extremely rare hand-forged iron trade sign in the form of a pretzel. The sign retains an old gilt surface. There is a strong trace of red, yellow and blue paint on the back side and edges of the pretzel, no doubt the colors that were used on the wall or backboard to which the sign was attached through the 13 mounting holes. There also appears to be a red layer underneath the gold. This layer was probably intended to be an undercoating to give the gilding more depth. I don't think the pretzel was originally red and then gilded later. In any case, the gilt surface has considerable age, and probably dates from at least the late 19th century. Approximately 10% of the gilt surface shows wear (nearly all of it on the left side.

Origin: America, found in south-central Pennsylvania, circa mid-19th century. Condition: see paint description above, no cracks. Size: 18-1/2" x 15-1/2" x 1".

Extremely rare pair of Victorian cast iron flamingo garden ornaments. Dating from the late 19th century, these flamingos are exceptional. I've seen many later versions in concrete or plastic, but never another pair this old or made of cast iron. These birds appear to be enjoying their third or fourth layer of paint, but the newest layer appears to be a good 50 years old. The outermost and innermost layers are nearly the same color, with an intervening layer of softer pink. The most recent painter splattered some of the pink paint onto the green bases. Each bird was cast in two parts. The legs are screwed into openings at the bottom of the birds and then into the cast bases. The detail is outstanding, with even the bases having a rocking texture. I cannot find a signature, but there could possibly be one underneath the paint.

Origin: American, possibly by Fisk or another iron foundry of equal stature, late 19th century. Condition: see description of paint history above; no missing parts or cracks; rust appropriate to age. Size: 15" and 19.75" tall.

An elegant sterling silver trumpet vase with an opaque glass liner by either Jenkins or Armiger for F. Bucher & Sons. This silver is ornately decorated wthroses, forget-me-nots, wild roses, chamomiles and daises against a stippled background. Bucher was a retailer who stamped wares with his own mark, even though they were actually made by Jenkins, Armiger, Schofield or other leading Baltimore silversmiths of the day. The treatment of the chamomile blossoms and the use of cyma scrolls in the narrow borders are distinctly similar to Jenkins’ work, but the use of ferns amongst the foliage is more often seen in Armiger’s. The liner is opaque white glass with a translucent pink border at the undulating, flaring rim, and appears to be original. The base is marked “F. Bucher & Sons. Sterling”.

Origin: America, ca. 1900. Condition: excellent, sharp detail. Size: 10-3/8” tall. Silver Weight: 161.4 grams.

Unusual Victorian copper ladies' button-up boot. The Victorians often placed these along their mantles for purely decorative purposes. Most examples are made of brass, but this piece is entirely copper. Another nice touch is the applied scalloped pattern along the front edge of the boot and the white brass buttons.

Origin: England or America, ca. 1880. Condition: excellent. Size: 5" tall.

A gorgeous pair of Victorian sterling silver serving spoons, the handles and bowls amazingly decorated with repousse, chased and engraved designs. The handles are decorated with reserves of winged cherubs hanging garlands of flowers, the reserves surrounded by rococo shell motifs. The stems are decorated with floral garlands leading to the amazing decorative bowls, covered in repousse floral designs. The backs of the handles are as attractive as the fronts and are engraved with a very handsome three-letter monogram. The spoons are fully hallmarked for London, 1894, and bear a script maker’s mark “AB” or “AR”. These spoons are extremely heavy, and are of the absolutely finest quality being produced at the end of the 19th century.

Origin: England, 1894. Condition: excellent, very sharp detail. Size: 8-7/16” long. Weight: 164.0 grams.

A very good sterling silver wine bottle or decanter coaster by Gorham. The flared lip is heavily decorated with a floral scrolled border in the Rococo style. The repousse decoration is finely done. The bottom of the coaster is fully hallmarked with one of the older Gorham hallmarks, the design copyright date 1889, the pattern number 325 and the date symbol for 1891.

Origin: America, 1891. Condition: excellent, one pinpoint ding visible on very close inspection, no monogram. Size: 6-3/4" diameter. Weight: 135.6 grams.

A superb pair of bronze candlesticks from the Jockey Club de Paris. The candlesticks’ trefoil bases are decorated with riding equipment and tackle interspersed with the rosettes awarded to race winners. The edges of the bases are finished with borders that suggest horseshoes. Slender columns rise to a central element featuring three fully three-dimension horseheads capped by a spiraling ribbon engraved “Jockey Club”. Shields bearing coats of arms decorate the candle sockets.

Founded in 1833 ostensibly to promote horse racing, the club was in fact the most exclusive Anglos-French social club in France and among the most prestigious in the world. With the Emperor’s half-brother serving as president, the membership in the 19th century was strictly limited to 297 gentlemen and included the reigning kings of England, Belgium and the Netherlands.

Origin: France, ca. 1880. Condition: excellent, sharp detail. Size: 8-3/4” tall.

An absolutely delightful bronze calling card tray, the center designed with a small frog atop a traditional baroque-style wave. The top edge of the dish has a wonderful scene of four frogs riding big-wheel bicycles along a road. They have quite good balance, as all have their arms crossed. The lead frog is even smoking a pipe. Road markers reading “2Km” and “3Km” mark their progress. The frog and bicycle design was taken directly from a J & P Coats thread company advertisement used on trade cards in the 1880s. More than likely, the tray was designed to be used to hold the cards in an exclusive Parisian dressmaker’s or tailor’s shop.

Origin: France, ca. 1885. Condition: excellent; original patina; sharp details. Dimensions: 7-1/2 x 4-1/4 in.

Elegant pair of large sterling silver salad servers in Frank Whiting’s 1893 “Tyrolean” pattern. This is one of the simpler Victorian designs and works nicely with a wide variety of other patterns. The pieces are quite heavy. The backs are marked with Whiting’s second hallmark.

Origin: America, ca. 1930. Condition: excellent, sharp detail, no monogram. Size: spoon, 9” long; fork, 9-3/16” long. Weight: 196.5 grams.

A lovely set of six sterling silver strawberry forks in Lunt’s 1893 “Navarre” pattern. This pattern was actually developed by A. F. Towle & Sons, which eventually was purchased by Lunt Silversmiths. The handles are beautifully decorated in an asymmetric pattern of volutes, acanthus leaves and flowers. The slightly splayed double tines retain their original matte gilding. The backs are marked with the A.F. Towle hallmark and the retailer’s mark “G. Frank”.

Origin: America, ca. 1895. Condition: excellent, sharp detail, original gilding, no monograms. Size: 4-25/32” long. Weight: 52.0 grams.

An elegant set of 12 sterling silver oyster forks in Dominick & Haff’s desirable 1880 “Kings” pattern. The handles are decorated in the Georgian style with scroll, acanthus and shell motifs. The backs are decorated to match the fronts. The tines are heavier than most cocktail/seafood forks. The backs are stamped with Dominick & Haff’s hallmark.

Origin: America, ca. 1890. Condition: excellent, sharp detail, no monograms. Size: 5-5/16” long. Weight: 231.0 grams.

A wonderful set of 10 sterling silver egg spoons in Tiffany’s rare 1872 “Vine” pattern in the “Wild Rose” variant. “Vine” was made in several variations, all of which depicted flowers and fruit that grown on vines. The elongated rounded bowls nicely complement the wavy handles decorated with sinuous wild rose vines. The backs are fully marked with Tiffany marks used 1875-91.

Origin: America, ca. 1880. Condition: excellent, very sharp detail, no monograms. Size: 4-1/16” long. Weight: 107.5 grams.

A lovely set of twelve sterling silver demitasse spoons presented in their original fitted velvet and silk box. The design features a scroll of acanthus leaves along the stem with an asymmetrical shell at the handle. The backs are stamped “Sterling” (prior to 1915), American silver was not required to bear a maker’s mark. The pattern is nearly identical to Knowles’ “King” pattern. The spoons are presented in their original velvet and silk fitted box from Hamilton & Diesinger of Philadelphia (1895-1900).

• Origin: America, ca. 1895
• Condition: spoons are excellent except one which has a tiny ding right at the tip of the bowl; sharp detail; no monogram; box is functional, but has significant wear. One of the 2 latches is broken at the top of the latch.
• Dimensions: spoons, 3-7/16” long
• Weight: 77.2 grams

Sterling silver berry spoon in Whiting's 1891 "Louis XV" pattern. This is the smaller-sized berry spoon, and is appropriate for serving a wide range of side dishes or, of course, berries. The back is marked with Whiting's hallmark and the patent date, indicating that this is an older piece.

Origin: America, circa 1890s. Condition: excellent, sharp details, no monogram. Size: 7-5/8" long.

An extremely rare sterling silver ladle for serving warm alcohol-based punch. The globe-form bowl is the traditional shape for toddy ladles. Today, the ladle could be used for various sauces or beverages such as egg nog—or even a toddy! The straight handle is ornamented with simple turnings before swelling to an olive-shaped terminal decorated with bright-cut floral engraving. The back of the terminal has a period three-letter monogram engraved in a matching style. The inner and outer surfaces of the bowl are heavily stippled and gilt. The back of the handle bears the retailer’s mark “J E Caldwell”. The style indicates this is an early piece of sterling, probably made just after the sterling standard was introduced in America by Tiffany.

Origin: America, ca. 1865. Condition: excellent, all original gilding. Size: 8-3/4” long. Weight: 113.0 grams.

Very rare sterling silver oyster ladle in Whiting's classic 1880 "Bead" pattern. The simplicity of the handle decoration is relieved by the ruffled edge of the bowl. It's simplicity enables the pattern to work with a wide range of other American Colonial-inspired patterns. The oyster ladle form is quite rare, as only the most complete silver services ever had such serving pieces. Hallmarked with Whiting's early hallmark and "Pat Appd For" (indicating an early date).

Origin: America, 1880. Condition: excellent, no monogram, sharp detail, a pinpoint ding in the bowl. Size: 10-1/2" long. Weight: 120.0 grams.

A set of six sterling silver demitasse or coffee spoons in Gorham's early (1870) "Swiss" pattern. The design is similar to Gorham's other early sterling patterns, with a decidedly classical decoration of anthemion leaves. The bowls have a matte finish which contrasts nicely with the handles. The backs are engraved with a period 3-letter monogram "LBE". The backs are marked with Gorham's early hallmarks.

Origin: America, circa 1870. Condition: excellent, no dings, sharp detail. Size: 4-9/32" long.

Lovely Victorian bonbon spoon by Gorham in the 1894 “Imperial Chrysanthemum” pattern. The ornate handle is decorated with chrysanthemum blossoms, while the gilt bowl is pierced with a pattern suggesting chrysanthemum foliage. The back of the handle is as ornate at the front. The back is marked with old Gorham hallmark.

Origin: America, ca. 1900. Condition: excellent, all original including gilding, no monogram. Size: 4-3/4” long. Weight: 20.5 grams.

Very handsome and heavy sterling silver master salt dish in the Georgian style. The flattened spherical body has a modified egg and dart border and is raised on acanthus leaf legs terminating in animal paw feet. Goodnow & Jenks was Boston's finest silversmith, albeit only for a short period, 1893-1905. The bottom is marked with the maker's mark, as well as a partially obscured retailer's mark.

Origin: America, ca. 1895. Condition: no dings or deep scratches, light pitting to the interior that can be removed by a light buffing. Size: 2-3/4" diameter; 1-5/8" tall. Weight: 73.5 grams.

Very rare pair of sterling silver salad servers in the 1888 "Rococo" pattern by Dominick & Haff. This is one of the company's most desirable patterns. The pieces are quite simply, enormous! The handles are beautifully decorated with an ornate floral pattern that is repeated at the top of the bowl and tines. The backs of the handles are simply decorated with a vine motif along the edges. The bowl and tines retain their original gilding. The backs are marked with Dominick & Haff's hallmark and the patent date.

Origin: America, ca. 1890. Condition: excellent, all original, no monogram, gilding intact. Size: 11-1/2" long. Weight: 276.0 grams.

Handsome gilt bronze figure of a reclining dog (some variety of hound) mounted as a paperweight on a butterscotch marble base. The statue retains its original gilt surface and has achieved a very pleasing patina. The marble base is richly colored with gray veining.

Origin: France, circa 1850. Condition: some flaking to bottom edges of marble base, no cracks, no damage to bronze figure. Size: 4-1/4" x 2-3/8" x 2-1/4" tall.

Superb ornate Victorian sterling silver soup ladle in the 1882 "Aeolian" pattern by Knowles. This is just a terrific pattern--easily on par with Gorham, Whiting or any of the other great Victorian silversmiths. The handle is ornately decorated with trailing fuchsias and foliage. The bowl is formed as a large leaf with very nice engraved details. The bowl is matte finished for added texture. The back is hallmarked by Knowles.

Origin: America, ca. 1890. Condition: excellent, no dings, no monogram. Size: 11" long. Weight: 141.0 grams.

A very fine pair of cast and engraved Louis XVI style bronze dore candlesticks. The round bases are decorated with beading and an ornate wreath of acanthus leaves. The pillars are fluted and broaden slightly before reaching the upper knop, also with acanthus leaf decoration. The sockets are likewise decorated. The original gilding is largely in place.

Origin: France, ca. 1890. Condition: excellent, no cracks. Size: 9-1/2" tall.

A lovely set of twelve sterling silver demitasse spoons by Whiting. This pattern, probably referred to as “39”, was most likely only made as demitasse spoons. Whiting produced a number of patterns in the 1880s and 90s that were limited in this way. The handles, beautifully decorated with a pierced pattern of lilies of the valley, blend into corkscrew twist stems that connect to bowls enhanced with repousse decoration of chrysanthemums. Exactly what chrysanthemums and lilies of the valley have to do with each other is not clear, but the design certainly works from an aesthetic point of view! The bowls are highly polished, but the flowers on the handle have a matte surface that really highlights the floral details and adds to the realistic appearance. The backs are marked with Whiting’s earlier hallmark, the pattern number 39, and “Sterling”. The spoons are presented in their original fitted box covered in lilac velvet and silk.

Origin: America, ca. 1890. Condition: excellent, no monograms. Size: 4-1/16” long. Weight: 115.0 grams.

Sterling silver berry/serving spoon in Whiting's beautiful 1893 "Imperial Queen" pattern. This is one of the most sought-after patterns by this maker.

Origin: America, ca. 1895. Condition: excellent, sharp detail, no monogram. Size: 7-5/8".

Very heavy sterling silver serving spoon in Dominick & Haff's outstanding 1898 "New King" pattern. This is one of the company's best patterns and is very difficult to find. The reverse is also marked with the retailer's mark for Bailey, Banks & Biddle.

Origin: America, circa 1898. Condition: excellent, sharp details, period monogram "G". Size: 8-5/16" long.

Outstanding sterling silver master salt spoon in a rococo pattern by Gorham. I have not been able to put a name to this assymetrical pattern, although it is very similar to "Marie Antoinette" and "Dresden". The bowl is parcel gilt. The reverse is marked with Gorham's old hallmark.

Origin: America, circa 1885. Condition: excellent, gilding intact, crisp details, period mongram "Y". Size: 3-5/8" long.

Superb gilt bronze figural inkstand depicting a still pond afloat with water lilies. Separately cast lily pads float just above the surface of the bronze "water", three buds in various stages of development rise above the leaves, and the whole is topped off by a fabulous full-blown waterlily inkwell with a honeybee finial. One of the buds serves as a pen holder. The "pond" is raised on three feet cast in the form of salamanders so fully detailed that their coiled bodies are visible only when the inkstand is turned upside down.

Origin: probably English or French, c. 1870. Condition: excellent; some minor pitting from the corrosive inks; the glass insert is missing; some of the details show very nice green patination. Size: 12-1/2" x 8-1/2" x 3-1/2".

Very nice sterling silver sugar spoon with a plique-a-jour enamel handle decorated in three shades of translucent enamel. The matte gilt bowl has a rounded spade shape. The twist handle opens into a stained-glass like terminal. Plique-a-jour enameling was usually reserved for more delicate pieces like demitasse spoons, so a sugar spoon is rather uncommon. Unmarked, but probably European.

Ca. 1880. Condition: excellent, no enamel damage, original gilding. Size: 5-9/16” long.

A macabre bronze figural cigar cutter in the form of a guillotine. The perfectly detailed guillotine includes a movable “bascule” and “lunette”. On the full-size models, these were the portions to which the victim was strapped and tilted into the machine and the part with a hole that surrounded the neck to hold the head still. In this case, a cigar is laid on the bascule and the lunette closes around the very tip of the cigar. When the rope is released, the heavy blade drops, lopping off the tip which falls into the bucket underneath. The bronze elements are entirely hand-fashioned and are mounted on a simple mahogany base. Incidentally, cigar cutters, regardless of their shapes, are often called “guillotines” in France.

Origin: France, ca. 1860. Condition: excellent, even the rope appears to be original. Size: 8” tall.

A handsome Victorian bronze pen tray with a native American motif. One end of the tray has a very detailed representation of an Indian wearing a feathered headdress and various jewelry. The tray itself has a wonderful relief scene depicting an encampment. A group of warriors are gathered around a fire smoking a pipe and wearing feathered bonnets and loincloths. Teepees are in the background, along with a number of palm trees. Even as late as the end of the 19th century, European representations of Native American scenes often included such inconsistencies. Most of the artists and craftsmen, having not traveled to America themselves, were blissfully unaware that the Great Plains generally weren’t dotted with palm tree groves. The casting is excellent. The bottom edge is marked “Austria”.

Origin: Austria, ca. 1895. Condition: excellent, original patina. Size: 9-7/8” x 3-3/4”.

Lovely sterling silver ladle with a masque of Bacchus or some other satyr on the end of the handle. Decorative beading outlines the handle and the bowl. The reverse is marked "925 Sterling 1000". Although by an unknown American maker, this piece probably dates to the late 19th century when Gorham, Tiffany and other quality silversmiths were using lots of mythological motifs. No monogram and in excellent condition. 5" long.

Extraordinary French bronze jewel box in the Louis XVI style. The lid has a bas-relief design illustrating a boating party preparing to pass below an aqueduct. A city rises in the distance, while the foreground is populated with very detailed trees and shrubs. The scene is draped in fabric, tied at the corners with ribbon and surmounted with a laurel wreath intertwined with a torch and staff, typical Louis XVI devices. The sides are decorated with beautifully detailed swags of roses. Boxes of this type were often souvenirs of the Grand Tour of Europe. They often depicted ancient carvings or sometimes popular artworks. The specific subject of this box is unknown.

Origin: France, ca. 1860. Condition: excellent, the interior lining is a replacement. Size: 4-1/2” x 3” x 2-3/4” high.

Cold-painted Viennese bronze sculpture of a devil by Franz Bergman. This half-goat half-man figure is very well detailed, even showing the individual vertebrae along his back and the curls of his hair.

• Origin: Austria, ca 1900
• Condition: near mint; tiny surface rubs at sharp points such as the fingertips
• Dimensions: 2-1/4" tall

Gorgeous oval bronze jewel box from Russia's Imperial era, the top decorated with opaque champleve enamels. The box is decorated around the bottom edge with a row of cast beads. This decorative element is repeated on the lid. The lid is decorated with typically Russian arabesques worked in five shades of enamel. Exposed areas of bronze around the enameling is further decorated with floral and bright-cut engraving. The interior of the box retains its original royal blue silk velvet lining. The style of enameling, as well as the overal appearance of the box suggests it was more likely made in the Moscow area, rather in the more Westernized area around St. Petersburg.

Origin: Russia, circa 1870. Condition: excellent, old patina, no enamel damage; the lining shows appropriate wear. Size: 5" x 4-1/4" x 3-1/4" high.

Lovely sterling silver sugar tongs in an elegant pattern that seems more Georgian than Victorian. The tongs are of the finest quality and are large enough to be used as bonbon or ice tongs, as well as for sugar. The end has an attractive period “E” monogram. The inside is fully hallmarked for London, 1845-46, and also has the Victoria duty mark. The maker’s mark is “SH/DC”.

Origin: England, 1845. Condition: excellent, sharp detail, period monogram. Size: 5-3/4” long. Weight: 63.0 grams.

A very rare and elegant sterling silver fish server in Whiting's fine 1891 "Louis XV" pattern. The blade retains traces of a very light lemony gilding to protect from the saltiness of fish. The back is marked with Whiting's hallmark alond with the patent date. The server remains in its original box crafted of leather and silk. The inside lid is stamped "G. Seifert/Quebec".

Origin: America, circa 1890s. Condition: excellent, sharp detail, period monogram "AOL"; the leather box has considerable scuffs. Size: 9-1/2" long.

Sterling silver sugar spoon in Whiting's 1891 "Louis XV" pattern. The spade-shaped bowl is slightly scalloped at the neck for decorative appeal. The back is stamped with Whiting's hallmark, the patent date (indicating an older piece) and the retailer's mark "A. Stowell & Co." (Baltimore).

Origin: American, circa 1890s. Condition: excellent, very light wear, no monogram. Size: 6" long.

Handsome Victorian covered brass box with a beaver finial. The beaver is cast in bronze and is shown chomping on a tree stump. The detail and workmanship on the finial is excellent. The box will polish very nicely, but we have left the original patina.

Circa 1890. Condition: excellent, a small ding at the bottom edge. Size: 5-3/4” tall; 2-7/8” diameter.

Elegant sterling silver pickle fork in the 1891 "Corinthian" pattern by the Roger Williams Silver Co. The fork is very heavy and is wonderfully decorated with deep scrolls that rise from the surrounding smooth areas.

Origin: America, 1891-1900. Condition: excellent, no monogram. Size: 6" long.

Very unusual Victorian sterling silver grapefruit spoon with a wonderful plique-a-jour enamel assymetrical handle decorated in six shades of translucent enamel. It is quite unusual for plique-a-jour enamel to have been used on a grapefruit spoon, as it was so fragile that it was usually reserved for more delicate pieces like demitasse spoons. The back is marked with Imperial Austrian marks in use 1866-1922.

Origin: Austria, ca. 1880. Condition: excellent, no enamel damage, original gilding. Size: 5” long.

An elegant late Victorian jewelry box in the Louis XVI style. The sides and lid are decorated with delicate raised birds and floral sprays against a stippled background. Engraved volutes at the corners accent the main decoration. The edges are decorated in a typical French bound reed design. The whole is raised on turned feet. The brass plating is beautifully patinated to a lustrous sheen.

Ca. 1890. Condition: excellent, sharp detail, virtually no wear, the interior fabric has been replcaed with felt and could easily be replaced with something nicer. Size: 5-1/2" x 3-1/2" x 3-1/2".

A beautiful sterling silver berry or casserole spoon in Whiting's desirable 1896 "Dresden" pattern. The handle is decorated on both sides with sprays of roses. The matte gilt bowl is scalloped and decorated with repousse beading and volutes. The spoon is stamped with Whiting's hallmark and has the patent date indicating an early date of manufacture.

Origin: America, ca. 1900. Condition: excellent, original gilding intact, sharp detail, no monogram. Size: 8-3/4" long. Weight: 87.0 grams.

Lovely set of 12 sterling silver cocktail or seafood forks by Davis & Galt. The handles are heavily decorated with an unusual repousse paisley pattern. The workmanship is very nice. The backs are hallmarked by the maker and have the retailer’s mark for Bailey, Banks & Biddle.

Origin: America, ca. 1890. Condition: excellent, sharp detail, no monograms. Size: 5-15/16” long. Weight: 179.5 grams.

Rare hammered brass three-handled loving cup or wedding cup from Russia's Imperial era. The tapering form is nicely accented with forged strap handles attached to the sides with copper rivets. The bottom is stamped with the Imperial Romanov double eagle and the maker's name.

Origin: Russia, ca. 1880. Condition: excellent, no polishing. Size: 4" tall.

A very nice hammered brass jardiniere from Russia's Imperial era. The vessel is raised on cast lion's paw feet and is flanked by ring handles grasped in cast lion's heads. The jardiniere is constructed in the traditional manner with seamed joints and a rolled lip. The bottom is stamped with the Imperial Romanov double-headed eagle.

Origin: Russia, ca. 1880. Condition: excellent, a few very small dings (difficult to see on the hammered surface). Size: 6-1/4" tall; 6-3/8" diameter.

Lovely sterling silver berry or casserole spoon in Towle's 1890 "Albany" pattern. Very Victorian in its styling, the decoration makes good use of delicate flowers, swirling foliage, and a beautifully double-scalloped and matte gilt bowl. The back is marked with Towle's hallmark.

Origin: America, circa 1890s. Condition: excellent, sharp detail, period monogram "H"(?). Size: 9-1/8" long.

Large Victorian sterling silver meat serving fork, the tines with matte gilding and bright-cut engraving. The reverse is marked "925 Sterling 1000". Nice weight. Unknown American maker.

Origin: American, circa 1890. Condition: excellent; no monogram. Size: 8-1/8" long.

A lovely Victorian parcel-gilt sterling silver demitasse spoon, the bowl decorated with enameled Easter lilies. The back is marked “Sterling”.

Origin: America, ca. 1890. Condition: excellent, original enamel and gilding intact, sharp detail. Size: 3-3/8” long. Weight: 4.5 grams.

Victorian brass figural picture frame in the form of a medieval knight's shield with a halbeard and lance. Cut from heavy-gauge brass, this frame shows great originality and design sense. The back has a hinged easel.

Origin: England, ca. 1880. Condition: excellent. Size: 8" x 5".

Lovely Victorian pickle fork with a mother of pearl handle, a sterling ferule and silverplated tines.

Origin: England, ca. 1900. Condition: excellent. Size: 7-1/4" long.

Six lovely Victorian sterling silver cocktail forks decorated in a pattern of roses and foliage. The backs are also decorated and are hallmarked with a 4-leaf clover, but I cannot identify the maker. They are also marked "Sterling Pat. '92[1892]". Very nice quality.

Origin: America, circa 1892. Condition: excellent; period monogram "CLM". Size: 5-5/8" long.

Nice sterling silver sugar spoon in Whiting's classic 1880 "Bead" pattern. Whiting's designs are valued because of the small details such as the scalloped edges of the bowl. The reverse is marked with Whiting's old hallmark.

Origin: America, circa 1880s. Condition: excellent, no monogram.

Ornate sterling silver meat serving fork featuring a heavily scrolled handle with matte-gilt, bright-cut tines. The back is marked "925 Sterling 1000". Many late 19th century silver makers did not otherwise mark their wares.

Origin: America, circa 1890s. Condition: excellent, sharp detail, no monogram. Size: 7-1/2" long.