Catalog: Antiques: Decorative Art: Metals (281)

A very nice sterling silver sardine fork by the Campbell-Metcalf Silver Company. Originally intended to serve sardines—a Victorian luxury food—the fork could now be used for various hors d’oeuvres, cheeses, etc. The design is clearly based on Scandinavian motifs that later showed up in the work of Georg Jensen and other European makers. In some ways it is similar to Jensen’s 1913 “Rose” pattern. Campbell-Metcalf was in business for only six years during the last decade of the 19th century. The back is hallmarked.

Origin: America, 1892-98. Condition: excellent, sharp detail, no monograms. Size: 5-7/8” long. Weight: 22.5 grams.

A magnificent sterling silver claret spoon by Dominick & Haff. This example is strikingly decorated in a pattern representing three different varieties of chrystanthemums. The decoration appears to be loosely based on Dominick & Haff's "#10" pattern, though this is much more ornate. The area around the flowers is intricately pierced in the rococo style. The back bears Dominick & Haff's hallmark and the pattern number "32".

Claret spoons were produced for a short time at the end of the 19th century. Despite being named for the famous red wine, their function really had nothing to do with wine. Small fruits and berries, perhaps soaked in an alcohol or other liquid, were often served from tall, narrow pitchers of cut glass, porcelain or silver. The long claret spoon was used to remove from the fruit from the pitchers. Today, the spoon could be used to serve sangria as well as various desserts based on fresh fruit.

Origin: America, ca. 1980. Condition: nerly mint, period "BBS" monogram. Size: 17" long. Weight: 113.0 grams.

Fabulous brass and copper picture frame in the Aesthetic Japonaise style. The basketweave pattern of the brass frame is detailed with raised copper decorative elements that include a crane standing in a stream, bamboo and cherry blossoms. The back has an easel. The frame is 3.5" x 2.75". The oval opening with glass is 2.25" x 1.5". Circa 1870.

A very finely-made coin silver pastry or cake server, the handle decorated with a spray of flowers in the Aesthetic style. The blade has ornately shaped sholders and wonderful bright-cut engraving. The back of the handle has a period 3-letter monogram "MSS" and is marked "Pure Coin Pat. App. For". The retailer's mark is "Hutchinson & Connell".

Origin: America, ca. 1860. Condition: excellent, a very slight bend at the very tip of the blade and light surface wear, sharp details, traces of original gilding on blade. Size: 8-7/8" long. Weight: 70.0 grams.

19th century cast iron figure of an angel raising a laurel wreath above her head and holding a ship's anchor. Obviously intended as a symbol of the wishes for a sailor's safe return from the sea, the plaque was probably used to decorate the wall of a sailor's home in an Atlantic coast seaport.

Origin: America, circa 1860s. Condition: excellent, light rusting on surface. Size: 14" tall.

Outstanding and rare Victorian sterling silver berry or casserole spoon by Gorham in the 1885 "Nightingale" pattern. The design uses bright-cut engraving to show a nightingale amid foliage singing to a crescent moon (just visible i the upper left side of the design). The bowl is equally well-designed with bright-cut engraving, ribbing, and swirled edges. The surface has its original matte finish that contrasts nicely with the engraving. The handle is engraved with the name "Robina", leading to the assumption that the original owner may have chosen this piece because the bird looks much like a robin. The back is stamped with an early Gorham hallmark.

Origin: America, ca 1885. Condition: near mint, a miniscule pinpoint ding in the bowl. Size: 8-1/2" long. Weight: 64.5 grams.

Fabulous and extremely rare hand-forged iron trade sign in the form of a pretzel. The sign retains an old gilt surface. There is a strong trace of red, yellow and blue paint on the back side and edges of the pretzel, no doubt the colors that were used on the wall or backboard to which the sign was attached through the 13 mounting holes. There also appears to be a red layer underneath the gold. This layer was probably intended to be an undercoating to give the gilding more depth. I don't think the pretzel was originally red and then gilded later. In any case, the gilt surface has considerable age, and probably dates from at least the late 19th century. Approximately 10% of the gilt surface shows wear (nearly all of it on the left side.

Origin: America, found in south-central Pennsylvania, circa mid-19th century. Condition: see paint description above, no cracks. Size: 18-1/2" x 15-1/2" x 1".

Extremely rare pair of Victorian cast iron flamingo garden ornaments. Dating from the late 19th century, these flamingos are exceptional. I've seen many later versions in concrete or plastic, but never another pair this old or made of cast iron. These birds appear to be enjoying their third or fourth layer of paint, but the newest layer appears to be a good 50 years old. The outermost and innermost layers are nearly the same color, with an intervening layer of softer pink. The most recent painter splattered some of the pink paint onto the green bases. Each bird was cast in two parts. The legs are screwed into openings at the bottom of the birds and then into the cast bases. The detail is outstanding, with even the bases having a rocking texture. I cannot find a signature, but there could possibly be one underneath the paint.

Origin: American, possibly by Fisk or another iron foundry of equal stature, late 19th century. Condition: see description of paint history above; no missing parts or cracks; rust appropriate to age. Size: 15" and 19.75" tall.

An elegant sterling silver trumpet vase with an opaque glass liner by either Jenkins or Armiger for F. Bucher & Sons. This silver is ornately decorated wthroses, forget-me-nots, wild roses, chamomiles and daises against a stippled background. Bucher was a retailer who stamped wares with his own mark, even though they were actually made by Jenkins, Armiger, Schofield or other leading Baltimore silversmiths of the day. The treatment of the chamomile blossoms and the use of cyma scrolls in the narrow borders are distinctly similar to Jenkins’ work, but the use of ferns amongst the foliage is more often seen in Armiger’s. The liner is opaque white glass with a translucent pink border at the undulating, flaring rim, and appears to be original. The base is marked “F. Bucher & Sons. Sterling”.

Origin: America, ca. 1900. Condition: excellent, sharp detail. Size: 10-3/8” tall. Silver Weight: 161.4 grams.

Unusual Victorian copper ladies' button-up boot. The Victorians often placed these along their mantles for purely decorative purposes. Most examples are made of brass, but this piece is entirely copper. Another nice touch is the applied scalloped pattern along the front edge of the boot and the white brass buttons.

Origin: England or America, ca. 1880. Condition: excellent. Size: 5" tall.

A gorgeous pair of Victorian sterling silver serving spoons, the handles and bowls amazingly decorated with repousse, chased and engraved designs. The handles are decorated with reserves of winged cherubs hanging garlands of flowers, the reserves surrounded by rococo shell motifs. The stems are decorated with floral garlands leading to the amazing decorative bowls, covered in repousse floral designs. The backs of the handles are as attractive as the fronts and are engraved with a very handsome three-letter monogram. The spoons are fully hallmarked for London, 1894, and bear a script maker’s mark “AB” or “AR”. These spoons are extremely heavy, and are of the absolutely finest quality being produced at the end of the 19th century.

Origin: England, 1894. Condition: excellent, very sharp detail. Size: 8-7/16” long. Weight: 164.0 grams.

A very good sterling silver wine bottle or decanter coaster by Gorham. The flared lip is heavily decorated with a floral scrolled border in the Rococo style. The repousse decoration is finely done. The bottom of the coaster is fully hallmarked with one of the older Gorham hallmarks, the design copyright date 1889, the pattern number 325 and the date symbol for 1891.

Origin: America, 1891. Condition: excellent, one pinpoint ding visible on very close inspection, no monogram. Size: 6-3/4" diameter. Weight: 135.6 grams.

A superb pair of bronze candlesticks from the Jockey Club de Paris. The candlesticks’ trefoil bases are decorated with riding equipment and tackle interspersed with the rosettes awarded to race winners. The edges of the bases are finished with borders that suggest horseshoes. Slender columns rise to a central element featuring three fully three-dimension horseheads capped by a spiraling ribbon engraved “Jockey Club”. Shields bearing coats of arms decorate the candle sockets.

Founded in 1833 ostensibly to promote horse racing, the club was in fact the most exclusive Anglos-French social club in France and among the most prestigious in the world. With the Emperor’s half-brother serving as president, the membership in the 19th century was strictly limited to 297 gentlemen and included the reigning kings of England, Belgium and the Netherlands.

Origin: France, ca. 1880. Condition: excellent, sharp detail. Size: 8-3/4” tall.

An absolutely delightful bronze calling card tray, the center designed with a small frog atop a traditional baroque-style wave. The top edge of the dish has a wonderful scene of four frogs riding big-wheel bicycles along a road. They have quite good balance, as all have their arms crossed. The lead frog is even smoking a pipe. Road markers reading “2Km” and “3Km” mark their progress. The frog and bicycle design was taken directly from a J & P Coats thread company advertisement used on trade cards in the 1880s. More than likely, the tray was designed to be used to hold the cards in an exclusive Parisian dressmaker’s or tailor’s shop.

Origin: France, ca. 1885. Condition: excellent; original patina; sharp details. Dimensions: 7-1/2 x 4-1/4 in.

Elegant pair of large sterling silver salad servers in Frank Whiting’s 1893 “Tyrolean” pattern. This is one of the simpler Victorian designs and works nicely with a wide variety of other patterns. The pieces are quite heavy. The backs are marked with Whiting’s second hallmark.

Origin: America, ca. 1930. Condition: excellent, sharp detail, no monogram. Size: spoon, 9” long; fork, 9-3/16” long. Weight: 196.5 grams.

A lovely set of six sterling silver strawberry forks in Lunt’s 1893 “Navarre” pattern. This pattern was actually developed by A. F. Towle & Sons, which eventually was purchased by Lunt Silversmiths. The handles are beautifully decorated in an asymmetric pattern of volutes, acanthus leaves and flowers. The slightly splayed double tines retain their original matte gilding. The backs are marked with the A.F. Towle hallmark and the retailer’s mark “G. Frank”.

Origin: America, ca. 1895. Condition: excellent, sharp detail, original gilding, no monograms. Size: 4-25/32” long. Weight: 52.0 grams.

An elegant set of 12 sterling silver oyster forks in Dominick & Haff’s desirable 1880 “Kings” pattern. The handles are decorated in the Georgian style with scroll, acanthus and shell motifs. The backs are decorated to match the fronts. The tines are heavier than most cocktail/seafood forks. The backs are stamped with Dominick & Haff’s hallmark.

Origin: America, ca. 1890. Condition: excellent, sharp detail, no monograms. Size: 5-5/16” long. Weight: 231.0 grams.

A wonderful set of 10 sterling silver egg spoons in Tiffany’s rare 1872 “Vine” pattern in the “Wild Rose” variant. “Vine” was made in several variations, all of which depicted flowers and fruit that grown on vines. The elongated rounded bowls nicely complement the wavy handles decorated with sinuous wild rose vines. The backs are fully marked with Tiffany marks used 1875-91.

Origin: America, ca. 1880. Condition: excellent, very sharp detail, no monograms. Size: 4-1/16” long. Weight: 107.5 grams.