Catalog: Estate Jewelry: Cufflinks and Accessories (503)

A nice pair of 14K yellow gold cufflinks, the faces set with 12x14mm oval cabochons of green jadeite. The gold settings are hand-pierced in a foliate pattern. The jade is semi-translucent with moderate color mottling and a fine grain. The toggle connectors are marked “14K”.

Ca. 1950. Size: 7/8” x 11/16”. Weight: 9.9 grams.

A heavy pair of 18K yellow gold baton cufflinks, the faces with Florentined engraving and bands of round rubies at either end. The rubies have nicely saturated, strongly purplish-red coloring and eye-clean clarity. The back batons are finished with reeded engraving. The toggle connectors are marked with French 18K gold import marks.

• Circa 1950
• Excellent condition
• Dimensions: longer batons, 27/32"
Weight: 14.8 grams
• Approximate Total Ruby Weight: .50 carat.

Nice vintage sterling silver cufflinks, the faces decorated with an appliqued anchor and chain. The toggle backs are hinged so that the faces lie flat against the cuff. The toggles are marked "Sterling" and also have a patent number for the toggle mechanism.

Origin: America, ca. 1950. Condition: excellent, all original. Size: 11/16" x 11/16". Weight: 15.25 grams.

A handsome pair of vintage 14K yellow gold cufflinks, the square faces in a basketweave pattern. Each open square is filled with a prong-set brilliant round cut blue sapphire. The sapphires are a medium-blue color with eye-clean clarity. The stones are nicely cut for maximum light return and have excellent brilliance as a result. The exposed gold surfaces have a finely engraved Florentine finish. The hinged backs are marked “14K”.

Origin: America, ca. 1955. Condition: excellent. Size: 3/4” x 3/4”. Weight: 16.5 grams. Approximate Total Gemstone Weight: 1.612 cts.

A handsome pair of double-faced cufflinks, the platinum faces engraved in a basketweave pattern bordered with a ring of white champleve enamel. Each face is centered with a 10-point diamond (J color/SI2 clarity) in a mix of old European and modern brilliant cuts. The faces are joined with arched gold connectors. The connectors are stamped for 18K and the platinum parts are tested and guaranteed platinum.

• Origin: likely Switzerland, ca 1955
• Condition: excellent
• Dimensions: faces, 5/8” diameter
• Weight: 14.6 grams
• Approximate Total Diamond Weight: .40 carat

A heavy pair of 18K yellow gold mesh stirrup-style cufflinks. A round diamond is set into each end of the closing mechanisms. The mesh is distinguished with diamond-shaped punched decoration that adds more texture to the design than is ordinarily seen. The diamonds are of nice quality, graded as I/J color, SI1 clarity. Each cufflink is fully stamped with French 18K gold hallmarks and also bears an unidentified maker's mark.

Origin: France, ca. 1960. Condition: excellent, all original. Dimensions: 3/8" wide. Weight: 20.2 grams. Approximate Total Diamond Weight: .20 carat.

A handsome pair of 18K yellow and white gold stirrup cufflinks by Cartier. The design is similar to the "Trinity" design, but features just two rings with a wavy profile. This is the first time we've seen this particular pattern. The cufflinks are hinged at the back and snap shut at the top of the arch. Each cufflink is fully marked with serial numbers, the master goldsmith's mark and "Cartier Paris."

Origin: France, ca. 1950. Condition: excellent. Dimensions: 7/8" diameter; 1/4" wide. Weight: 17.9 grams.

Handsome pair of vintage 14K yellow gold cufflinks, the elongated diamond-shaped faces set with cabocochon-cut blue sapphires. The stones have excellent, bright color. The faces are lightly textured in a starburst pattern emanating from the sapphires toward the faceted edges. The fronts are attached with solid connectors to the toggle backs. The connectors are marked "585" for 14K.

Origin: Continental Europe, ca. 1950.

Condition: excellent, all original.

Size: 5/8" x 7/8".

Weight: 5.0 grams.

Approximate Total Gemstone Weight: .62 carat.

A handsome pair of vintage 14K yellow gold cufflinks by Tiffany & Co. The round faces are accented with sunburst engraving and are centered by round mixed-cut blue sapphires. The sapphires are very slightly greenish-blue in color, with dark tone and moderately strong saturation. They have excellent clarity. The toggles are marked “14K” and the toggles are marked “Tiffany & Co.”

Origin: America, ca. 1950. Condition: very good, light abrasions to the faces consistent with normal use. Size: 3/4" diameter. Weight: 15.6 grams. Approximate Total Gemstone Weight: .65 ct.

A handsome, heavy pair of 18K yellow gold and onyx cufflinks, each fashioned as two spheres joined by chain-like connectors. The design is a play on positive/negative space. The larger spheres are constructed in gold decorated with concentric rings and inset at the equator with a recessed band of black onyx. The smaller spheres are the opposite—onyx spheres inset with a slightly protruding band of gold at the equator. The gold mountings on the onyx spheres and the middle of each connector are decorated with concentric rings to echo the larger spheres. Altogether, this is an understated, but very sophisticated design. Each cufflink is fully stamped with French hallmarks for 18K gold and with a master goldsmith’s mark.

Origin: France, ca. 1950. Size: large spheres, 1/2" diameter; small spheres, 11/32” diameter. Weight: 13.7 grams.

A handsome pair of 14K yellow gold cufflinks in a brushed finish with prong-set sapphires. The design of a cut-out triangle superimposed over a solid triangle creates a layered effect that lends a nice feeling of depth to the cufflinks. The toggle backs are marked "14K".

li>Origin: America, ca. 1950.
• Dimensions: faces, 3/4" x 3/4".
• Weight: 13.5 grams.
• Approximate Total Sapphire Weight: .15 carat.
• Condition: excellent, one toggle has a minute ding on the edge.

A fine, heavy pair of 18K yellow gold cufflinks in the “mors de filet” or “snaffle bit” style. When the ends are flipped up into their closed position, the entire cufflink has the look of horse bit, especially with the raised diamond patterns on each end. The ends of the connectors are inset with round brilliant cut diamonds. The cufflinks are marked indistinctly with French gold hallmarks.

Origin: France, ca. 1955. Condition: excellent. Dimensions: faces, 13 x 15 mm (1/2 x 9/16 in). Approximate Total Diamond Weight: .20 ct.

A wonderfully witty 14K gold tie bar in the form of a snow ski by Tiffany & Co. As expected of a mid-century Tiffany design, the workmanship is very finely detailed and executed right down to the details of the bindings. The back is engraved with a period three-letter monogram “WLT” and is also marked “14K Tiffany & Co.”.

Origin: America, ca. 1950. Condition: excellent, sharp detail. Size: 2-11/16” x 5/16” (front width). Weight: 6.2 grams.

A classic pair of 18K yellow gold stirrups in the “stirrup” style popularized by Cartier. The surfaces are decorated with engraved parallel lines. This type of decoration, combined with the unusually angular shape, gives this pair of cufflinks a very modernist feel. The cufflinks are fully stamped with French 18K gold hallmarks.

Origin: France, ca. 1970. Condition: excellent. Size: 3/4" deep; 1/4" wide. Weight: 8.3 gr.

A very unusual pair of 14K yellow gold barbell cufflinks, one end the traditional ball shape and the other in a geometric “rooftop” shape. Louis Tamis & Sons opened in 1909 and quickly became the leading American maker of gold boxes and other luxury objects. In the 1930s, the company manufactured for Paul Flato. By mid-century, it had become on of New York’s most exclusive manufacturing jewelers, creating commissioned pieces for Tiffany & Co., Cartier and Van Cleef & Arpels. Each cufflink is stamped “14K” and bears Tamis’ hallmark.

• Origin: America, ca. 1940.
• Dimensions: “rooftop” faces, 1/2” x 1/2”; ball faces, 3/8” diam.
• Weight: 10.3 grams.
• Condition: excellent.

A handsome pair of double-sided button-style cufflinks, the round faces formed from discs of mother-of-pearl surrounded by borders of opaque royal blue enamel. Each face is centered with yellow gold “stitches”. The mother-of-pearl has nice iridescence. The faces are joined by removable connectors. Marked “585” for 14K.

Origin: Europe, ca. 1940. Condition: excellent, no enamel damage. Size: 9/16” diameter. Weight: 7.0 grams.

A rare pair of World War II era 14K yellow gold double-sided figural cufflinks, the faces in the form of airplane propellers. The front faces have three blades, while the back faces have two. Cufflinks with an airplane theme would have been considered a patriotic statement in gentleman’s jewelry at the time. The connectors are marked “14K” and have the hallmark for Richardson Manufacturing Company, a Newark jeweler.

Origin: America, ca. 1940. Condition: excellent. Size: front faces, 3/4" diameter. Weight: 4.7 grams.

NOTE: We are also offering a matching tie bar.

A handsome pair of sterling silver cufflinks by Georg Jensen. The rectangular faces are severely designed in the Art Deco style, with only a series of parallel raised bands as decoration. The solid connectors are attached to hinged oval backs. The cufflinks are marked with the pattern number 80 and bear post-1945 Jensen hallmarks.

Origin: Denmark, ca. 1950. Condition: excellent. Size: 15/16" x 3/8". Weight: 15.6 grams.

A very fine vintage pair of double-sided cufflinks and three matching shirt studs by Tiffany & Co. The classic design features round brilliant cut sapphires surrounded by a wide, flat gold border finely incised with lines radiating outward toward the edges. The sapphires have the most desirable color (B6/6--medium dark vivid blue) and have eye-clean clarity. The stones show no indication of heat or other treatment. Each piece is marked "Tiffany & Co." and "14K".

Origin: America, ca. 1940. Condition: excellent, all original. Size: cufflinks, 19/32" diameter; studs, 3/8" diameter. Weight: 21.6 grams. Approximate Total Gemstone Weight: 1.932 carats.

A fascinating pair of 14K yellow gold cufflinks set with emeralds. This is only the second pair we've seen with this particular type of mechanism. The "wheat-style" chain is inserted through the cuff and then wrapped around the emerald-set head. It works much like the more traditional stirrup-style, but with more flexibility. Each head is set with a pair of rectangular emeralds. As is typical of the Retro period when trade was restricted by World War II, the emeralds are synthetic. The stones have beautiful, deeply-saturated color. Tested and guaranteed 14K.

Origin: America, ca. 1940. Condition: excellent, all original. Dimensions: head, 3/8 x 1/8 inch. Weight: 10.2 grams.

A handsome pair of 14K yellow gold cufflinks and three shirt studs fashioned as buttons. The buttons are nicely detailed, complete with gold “stitches.” The cufflinks are signed “Tiffany & Co.”, the studs are signed “T & Co.”, and each piece has Larter’s 14K manufacturer’s mark.

Origin: America, ca. 1950. Condition: excellent. Size: cufflinks, 9/16” diameter; studs, 5/16” diameter. Weight: 14.3 grams.

A handsome pair of double-sided cufflinks featuring oval carnelian cabochons simply set in 14K yellow gold mountings. The carnelians have exceptionally rich color and translucency, creating a particularly striking look. Each cufflink is stamped "585" for 14K and also with an unidentified European maker's mark "FA".

• Origin: Continental Europe, ca. 1940.
• Dimensions: faces, 1/2" x 11/16".
• Weight: 9.5 grams.
• Condition: excellent.

A handsome pair of Art Deco multistone cufflinks, the emerald cut green tourmaline, amethyst, yellow citrine and orange citrine simply set in yellow gold bezels. The stones have rich, even coloring, excellent brilliance and very good clarity. The faces and removable connectors are stamped with an unidentified maker's mark "MV in a hexagon" and "585" for 14K.

Origin: Continental Europe, ca. 1930. Condition: excellent, all original. Dimensions: 17/32" x 7/16". Weight: 10.2 grams. Approximate Total Gemstone Weight: tourmaline, 6.28 cts; amethyst, 6.48 cts; citrine, 9.8 cts.

A striking pair of David-Andersen sterling silver double-sided cufflinks, the faces decorated with guilloche enamel in a translucent deep red shade. The underlying engine-turned engraving is in a sunburst pattern. The hinged connectors are marked with appropriate sterling silver hallmarks and the maker’s mark used from 1925.

• Origin: Norway, ca. 1930.
• Face Dimensions: 31/32” x 15/16”.
• Weight: 11.6 grams.
• Condition: excellent; tiny age-appropriate surface wear visible under 10x magnification.

A rare World War II era 14K yellow gold tie bar in the form of an airplane propeller. This motif would have been considered a patriotic statement in gentleman’s jewelry at the time. The back is marked “14K” and has the hallmark for Richardson Manufacturing Company, a Newark jeweler.

Origin: America, ca. 1940. Condition: excellent. Size: 2-9/16” x 7/16”. Weight: 6.4 grams.

NOTE: We are also offering a matching pair of cufflinks.

A fun vintage 14K yellow gold tie bar by Richardson & Co. in the form of a baseball bat. Figural tie bars, often doubling as money clips, were popular from the 1930s to the 50s. They were often sporting themes, such as skis, golf clubs, and fishing rods, but this is the first baseball bat we’ve seen. The back is stamped “14K” and also has Richardson’s hallmark.

• Origin: America, ca. 1940
• Condition: excellent
• Dimensions: 2-5/8” long
• Weight: 4.8 grams

A handsome pair of 18K yellow gold cufflinks featuring collet-set rectangular garnet plaques in a deep wine red shade. The faces are connected by chains to classic baton backs. The cufflinks are stamped with French 18K gold marks and an illegible master goldsmith's mark.

• Origin: France, ca. 1940.
• Dimensions: faces, 9/16" x 11/16" (14x18mm).
• Condition: excellent.
• Weight: 13.2 grams.

Art Deco 18K gold and sapphire stirrup cufflinks in the style first popularized by Cartier. The heavy mesh sides are accented with two blue sapphire sugarloaf cabochons on each cufflink. Each is stamped with French 18K gold hallmarks.

• France, ca. 1950
• Excellent condition
• Dimensions:13/16" x 1-3/32"
• Weight: 16.9 grams
• Approximate Total Gemstone Weight: .72 carat

A very nice pair of Retro 18K yellow gold cufflinks in the stirrup (“etrier”) popularized by Cartier. During the war years, even the most exclusive European jewelers frequently used synthetic rubies and sapphires because natural material simply wasn’t available. The square cut stones are channel set along the sides of the cufflinks, and a single stone is collet-set at either end of the closing mechanism. When being worn, the band of rubies goes fully around the outsides of the shirt cuff. The cufflinks are stamped with French 18K gold hallmarks.

Origin: France, ca. 1940. Condition: excellent. Size: 1-1/16” x 11/16”. Weight: 10.2 grams. Approximate Total Gemstone Weight: 2.52 cts.

A vintage pair of 14K gold double-sided cufflinks, the faces set with blue sapphires by Tiffany & Co. The faces are engraved in a geometric rayed pattern for a little extra sparkle. The faces are joined by bar connectors, one of which is marked “Tiffany & Co.” Tested and guaranteed 14K.

• Origin: America, ca. 1950
• Condition: excellent
• Dimensions: 5/8” diameter
• Approximate Total Sapphire Weight: .60 carat
• Weight: 14.1 grams

A very fine five-piece 14K yellow gold and sapphire dress set by Van Cleef & Arpels. Each piece is fashioned as a reeded baton circled by a collar of channel-set blue sapphires. The sapphires are of superb slightly violetish-blue color, with medium tone and vivid saturation. One baton on each cufflink is hinged for ease in putting them through the cuff. Each shirt stud is signed "VCA NY", and is stamped with the serial number and "14K". The cufflinks are marked only "14K". Van Cleef employed several jewelers to manufacture their designs during this era, and it's not uncommon to find sets in which not every piece is marked by VCA.

Origin: America, ca. 1940. Condition: excellent. Size: cufflinks, large faces, 15/16" long; small faces, 7/8" long; studs, 9/16" long. Weight: 24.8 grams. Approximate Total Sapphire Weight: 2.37 carats.

A very handsome pair of vintage 18K yellow gold cufflinks, the faces featuring rectangular-cut citrines. Each rectangular face is intricately engraved with a sunburst motif radiating out from the gemstones, as if the stones were emanating light. The citrines are very high quality, with an intense amber-orange color very close to topaz. Interestingly, one corner of each face is turned dog-eared, showing a plain surface. The faces are connected with chains to plain baton backs. Tested and guaranteed 18K.

• Origin: America, ca. 1940.
• Condition: excellent, all original.
• Size: 29/32" x 19/32".
• Weight: 9.5 gr.
• Approximate Total Gemstone Weight: 8.0 carats.

A handsome pair of 14k yellow gold cufflinks, the faces set with Essex crystals depicting dogs (definitely terriers, and most likely fox terriers). The dogs are colorfully painted on the reverse-carved crystal and set against mother of pearl backgrounds. The cufflinks are finished with toggle backs. The toggles are stamped “14K” and have a patent number, indicating the patent was still active when the cufflinks were made.

• Origin: America, ca. 1950.
• Dimensions: 17/32” (14 mm) diameter.
• Weight: 7.2 grams.
• Condition: excellent, no scratches or moisture damage.

A handsome pair of 18K yellow gold cufflinks worked in the Etruscan Revival style with applied bead rosettes. The spherical faces are attached by chains to baton backs, also decorated with applied bead rosettes. The gold surfaces have a slight matte finish. The cufflinks are hallmarked with the French “hibou” import mark.

Ca. 1940. Condition: excellent, each sphere has an intentional vent hole and one sphere has a second small hole original to the casting; neither the vents nor the extra hole are distracting. Size: spheres, 7/16” diameter; batons, 3/16” x 15/16”. Weight: 5.0 grams.

A fine and very early pair of silver cufflinks in the “Maya” pattern by Margot de Taxco. Margot established her own studio in 1948. The “Maya” pattern, displaying a strongly-featured native Mexican man in profile, became one of her iconic designs. The cufflinks are generously sized and retain a nice patina. The backs of the faces are stamped with marks used before the introduction of the eagle system in 1948, so the cufflinks can be dated to a very early date for Margot.

Origin: Mexico, ca. 1948. Condition: excellent; sharp detail. Size: 1” x 3/4”. Weight: 13.6 grams.

A handsome pair of reversible heavy 18K yellow gold flip-up cufflinks. One side of each end is finished smooth, while the reverse side is engraved in a zigzag pattern. The flip-up style was popularized by Cartier in the 1930s and continued to be popular in France through the mid-century. Each cufflink is fully hallmarked with the “tete d’aigle” stamp for 18K gold and with an unidentified maker’s mark.

Origin: France, ca. 1940. Condition: excellent. Size: 1/2” x 1/2”. Weight: 11.6 grams.

A heavy pair of vintage 18K yellow gold double-sided cufflinks. Each round face is decorated with a band of opaque royal blue enamel surrounding a collet-set round brilliant cut diamond. The diamonds are about I/J color and are SI1 clarity. The faces are finished with pierced gallery sides. The quality of workmanship is excellent. The bar connectors are marked “750” and have a worn maker’s mark.

Origin: Europe, ca. 1940

Condition: excellent, no enamel damage

Size: 5/8” diameter

Weight: 14.5 grams

Approximate Total Diamond Weight: .20 ct.

A handsome pair of 14K yellow gold cufflinks in the "etrier" style originally popularized by Cartier. The design was meant to suggest a horsebit. When worn, only the circles are visible. The circles are finished with a twisted rope design. Most cufflinks of this style were made by French jewelers, and it is unusual to find an American pair in 14K gold. Stamped with an unidentified maker's mark.

Origin: America, ca. 1930. Condition: excellent. Dimensions: faces, 5/8" diameter. Weight: 10.9 gr.

A very handsome pair of 18K yellow gold cufflinks, the faces formed from faceted rhodolite garnets of unusually large size centering old European cut diamonds. The purplish-red hue of the garnets contrasts beautifully with the gold mounting and the white diamonds (G, VS2). The backs are finished with toggles. The connectors are stamped with French marks for 18K gold and with the goldsmith's mark (entered in 1913) for the Parisian jeweler Leon Favrin.

Origin: France, ca. 1940. Condition: excellent. Dimensions: faces, 1/2" diameter. Weight: 7.9 gr. Approximate Total Gemstone Weight: rhodolite, 12.66 cts; diamond, .10 ct.

A handsome pair of Art Deco 14K yellow gold double-sided cufflinks, each face enhanced with “quilted” engraving studded with round brilliant cut diamonds and sapphires. Cufflinks in this design are often marked “Tiffany & Co.” They were made by one of the Newark jewelers such as Larter for retail at Tiffany’s New York store. They always have generous weight and use high-quality gemstones. Sometimes, as in this case, they are marked only “14K”.

• Origin: America, ca. 1940.
• Condition: excellent; all original.
• Dimensions: faces, 1/2" x 1/2”.
• Weight: 11.6 grams.
• Approximate Total Gemstone Weight: diamond, .18 carat; sapphire, .80 carat.

Very nice pair of early toggle-back 14K yellow gold cufflinks, each set with an old European cut diamond. The edges of the faces have a foliate design surrounded a textured center featuring a ribbed collet-set diamond. The stones are very nice quality with excellent clarity and bright color. The backs marked 14K.

Origin: America, ca. 1940. Condition: excellent. Size: 11/16" diameter. Weight: 10.5 grams. Approximate Total Diamond Weight: .25 carat.

A classic 14K yellow gold dress set comprising a pair of double-faced cufflinks and three shirt studs. The round faces are engraved with concentric circles around central old European cut diamonds. The diamonds have bright H-I color and VS clarity. Each piece is marked by Larter, who manufactured jewelry for leading houses including Bailey, Banks & Biddle; Tiffany; Cartier, etc. The set is presented in its original Bailey, Banks & Biddle fitted box. Marked 14K.

Origin: America, ca. 1940. Condition: excellent, all original. Size: cufflinks, 5/8” diameter; studs, 3/8” diameter. Weight: 13.2 grams. Approximate Total Diamond Weight: .29 ct.

A terrific pair of Art Deco double-sided cufflinks in 14K yellow and white gold by Harvey Avedon. The front faces feature a white gold circle engraved in a pattern of off-center concentric circles surrounded by a yellow gold border. The yellow gold back faces are decorated in a matching pattern of concentric circles. The design is typical of the strong geometric motifs used by Avedon from the late 1940s on. He was a maker of fine cufflinks, lighters and other men's accessories. Avedon was featured by many upscale retailers including Tiffany & Co.The connectors are marked “Avedon” and “14K”.

• Origin: America, ca. 1940
• Condition: excellent, all original
• Dimensions: faces, 3/4” diameter; back faces, 9/16” diameter
• Weight: 20.5 grams

A classically elegant pair of 18K yellow gold and blue sapphire cufflinks in a highly-functional “wrap-around” style. The cufflinks comprise a doubled length of Russian braid chain that passes through the cuff hole and attaches on the other side to the solid clasp. The chains are comfortable to wear, flexing easily, but staying firmly closed from the tension of the cuff fabric. The clasps are set at either end with a rich blue sapphire cabochon. Each cufflink is fully stamped with French 18K gold marks, the master goldsmith’s mark and a serial number, and is signed “Boucheron.”

• Origin: France, ca. 1950.
• Dimensions: clasp length 15/16”; chain diameter, 3mm.
• Approximate Total Sapphire Weight: 1.68 carats.
• Weight: 14.6 grams.
• Condition: excellent; all original.

A classic pair of French 18K yellow gold cufflinks in a variation of the "mors de filet" or "snaffle" design originally created for Hermès by Gaetan de Percin. Each of the flip-up ends is pierced in a diamond-cut design. De Percin's design was very popular and served as the basis for a number of closely related designs. These cufflinks are stamped with French 18K marks, an unidentified goldsmith’s mark and the notation for "breveté", indicating that the design was patented.

Origin: France, ca. 1940. Condition: excellent, all original. Dimensions: faces, 5/8 x 11/32". Weight: 12.7 gr.

A terrific pair of Retro 14K yellow gold cufflinks, the round faces set with large round cabochons of amethyst. The stones have very good, deep purple coloring. The faces are joined by hinged connectors to rectangular backs enhanced with stippling and rose gold banding. The connectors are marked “585” for 14K. The style of connector suggests that the cufflinks are Scandinavian in origin.

Ca. 1940. Condition: excellent. Size: faces, 3/4” diameter. Weight: 14.9 grams. Approximate Gemstone Weight: 9.7 carats.

A classic pair of French 18K yellow gold cufflinks in a variation of the “mors de filet” or “snaffle” design. Each of the flip-up ends is pierced in a woven design. Each cufflink is fully hallmarked and has the master goldsmith's mark for Gaetan de Percin.

• Origin: France, ca. 1955

• Condition: excellent, all original

• Dimensions: 9 x 16 mm (5/8 x 3/8 in)

• Weight: 9.9 grams

Very nice, heavy pair of 18K yellow gold cufflinks that resemble a link taken from a large chain. One cross-end is fixed, but the other is hinged so the cufflinks can pass through the hole. These cufflinks look very stylish streamlined appearance when being worn. Tested and guaranteed 18K gold.

Origin: America, ca. 1940. Condition: excellent, all original. Size: 15/16” x 3/4". Weight: 14.0 grams.

A very handsome pair of 18K yellow gold double-sided cufflinks, the faces simply set with round brilliant cut citrines. The prongs holding the stones are reeded for an added a touch of elegance. The citrines have good, deep lemon color with just a hint of orange, have excellent brilliance, and are well-matched. Despite the simplicity of the design, the cufflinks are heavy and feel substantial when being worn. They’re particularly attractive on a blue cuff. The connectors are stamped with French 18K marks and with an unidentified master goldsmith’s mark.

Origin: France, ca. 1940. Condition: excellent. Dimensions: faces, 1/2†diameter. Weight: 10.0 gr. Approximate Total Gemstone Weight: 18.44 cts.

A fine pair of 14K yellow gold cufflinks, the faces shaped as a convex curve of gold flanked on either side by square cut natural rubies. The superbly-matched rubies have excellent color and clarity, with no indications of heat or other treatment. The nature of the microscopic inclusions suggests Burma as the region of origin. We have seen a duplicate pair of these cufflinks, except set with sapphires, that were signed "Cartier NY". Cartier's New York store retailed jewelry made by various manufacturers such as Larter and Krementz. Sometimes they were marked with Cartier's retailer mark and sometimes not. Stamped "14K".

Origin: America, ca. 1940. Condition: excellent, all original. Dimensions: 17/32" x 3/4". Weight: 9.0 gr. Approximate Total Gemstone Weight: 1.92 cts.

A classic pair of Art Deco double-sided cufflinks featuring high-domed cabochons of carnelian and aventurine quartz set simply in silver collets. The faces are joined with removable connectors. The color contrast of the gems is rather striking. The faces are marked “830”.

Scandinavia (excluding Denmark), ca. 1930. Condition: excellent. Dimensions: faces, 1/2” diameter. Weight: 7.5 gr. Approximate Total Gemstone Weight: carnelian, 9.72 cts; aventurine, 12.18 cts.

A very attractive and early pair of Art Deco silver cufflink from Taxco, Mexico. The square faces are decorated with an applied and incised design faintly suggestive of a stylized butterfly. The faces are connected with simple oval connectors. Each face is marked with pre-World War II marks “Taxco Silver”. Earlier Mexican silver cufflinks with pre-war marks are becoming increasingly difficult to find.

Origin: Mexico, ca. 1930. Condition: excellent, sharp details, all original. Dimensions: 9/16” x 9/16”. Weight: 15.1 grams.

A rare and very interesting pair of flip-up stirrup cufflinks in 14K yellow gold by Carrington. Each end of the connectors are fitted with a green nephrite jade cabochon. This style was popularized by Cartier, and this is the only we’ve seen by the great American maker, Carrington. The use of nephrite is most unusual, as well, instead of the more common onyx or dark blue sapphire. Each cufflink is stamped with Carrington’s 14K hallmark.

Origin: America, ca. 1930. Condition: excellent, all original. Dimensions: faces, 7/16” x 7/16”. Weight: 7.3 gr. Approximate Total Gemstone Weight: 1.48 cts.

A handsome pair of Georg Jensen silver cufflinks in pattern #5. This was an early cufflink design be Jensen and was made with and without a gemstone in the center opening. The round faces are connected by chains to foliate torpedo backs. The cufflinks retain an old patina. The backs of the faces are stamped with the combination of Jensen and assay marks used 1915-30 and with the pattern number “5” and “Kopenhagen”.

Origin: Denmark, 1915-30. Condition: excellent; all original; old patina. Size: 3/4" diameter. Weight: 7.5 grams.

A very uncommon pair of 14K yellow gold stirrup-style flip-up cufflinks, with one face of each set with a golf-themed reverse-carved Essex crystal. The golfers depicted in each crystal are wearing old-fashioned golf clothing. These are the first Essex cufflinks we’ve encountered in the flip-up style. The connectors are stamped “14Kâ€. They are likely by Krementz or Larter.

Origin: America, ca. 1930. Condition: excellent; no moisture damage or scratches to crystals. Dimensions: faces, 19/32†diameter. Weight: 11.5 gr.

A handsome pair of 14K yellow gold cufflinks in a classic barbell design. The larger front faces are star-set with small natural rubies. The stones have intense color that shows nicely against the gold. The connectors are marked "14K."

Origin: America, ca. 1930. Condition: excellent, all original. Dimensions: 1-3/16" long; larger faces, 1/2" diameter. Weight: 9.8 gr. Approximate Total Gemstone Weight: .25 ct.

A pair of Art Deco 14K yellow gold cufflinks, the faces with engine-turned engraving of extraordinary quality. Each face depicts a sailboat in the foreground with a small sailboat in the background, the design completed with waves, birds in the sky and a lighthouse atop a rocky coastline. The faces are joined by gold chains. Each face is stamped "14K" and has an unidentified maker's mark.

Origin: America, ca. 1930. Condition: excellent; sharp detail. Dimensions: larger faces, 3/4" diameter; smaller faces, 5/8" diameter. Weight: 19.7 gr.

A good pair of pre-War Mexican silver cufflinks in a traditional strapwork motif. The square faces are joined to spherical backs. The surface retains an attractive old patina. One cufflink is marked “Sterling Taxco”, thus pre-dating the eagle system of marks introduced in 1948.

Origin: Mexico, ca. 1930. Condition: excellent; old patina. Size: 5/8” x 5/8”. Weight: 10.0 grams.

A nice, heavy pair of 14K gold cufflinks, the faces constructed as ornately interlocking square knots worked in both yellow and rose gold. The baton backs repeat the color theme. The cufflinks are marked “14K”.

Origin: America, ca. 1935. Condition: excellent. Dimensions: front faces, 1/2” x 9/16”. Weight: 12.6 gr.

A handsome pair of Art Deco 14K yellow gold cufflinks, the faces set with oval cabochons of pale greenish-blue tourmaline. The stones' color, resembling aquamarine, is most unusual for tourmaline. The backs are marked "14K."

Origin: America, ca. 1930. Condition: excellent. Dimensions: faces, 3/4" x 5/8". Weight: 12.5 gr. Approximate Total Gemstone Weight: 6.8 cts.