Catalog: Vintage Arts (283)

A French Art Deco cocktail pick set in the form of a large snail worked in chrome on a mahogany base. The design is by the famed French Art Deco illustrator Benjamin Rabier, who had a side job designing entertaining barware. The twelve picks have red bakelite finials. Cocktail pick holders ("porte-piques") were once a fixture of every French bar and café. Today, they can be use to spear olives of cherries in a cocktail, or to serve small hors d'oeuvres.

• Origin: France, ca. 1930.
• Dimensions: 5 3/8” x 2 7/8” x 4 1/2”.
• Condition: excellent, all original; no chrome loss.

A French Art Deco cocktail pick set in the unusual form of a large snail accompanied by a pair of baby snails. The snail is usually alone or perhaps with just one smaller one. They are worked in chrome and are set on a mahogany base. The design is by the famed French Art Deco illustrator Benjamin Rabier, who had a side jpb designing entertaining barware. The twelve picks have unusual green bakelite finials. Sets such as this were used on bar and café counters to serve cocktail garnishes, canapés, or even escargot.

• Origin: France, ca. 1930
• Condition: excellent; very light wear to wooden edges; all original
• Dimensions: 7” x 3-1/8” x 4-1/4”.

A French Art Deco cocktail pick set in the unusual form of a large snail accompanied by a pair of baby snails. The snail is usually alone or perhaps with just one smaller one. They are worked in chrome and are set on a mahogany base. The design is by the famed French Art Deco illustrator Benjamin Rabier, who had a side gig designing entertaining barware. The twelve picks have red bakelite finials. Sets such as this were used on bar and café counters to serve cocktail garnishes, canapés, or even escargot.

• Origin: France, ca. 1930.
• Condition: excellent; all original.
• Dimensions: 6-7/8” x 3-1/8” x 4-1/4”.

A French Art Deco cocktail pick set in the form a wishing well. A water bucket hangs from the winch and six red bakelite-topped cocktail picks are stored in the well itself. The The whole is set on a Macassar ebony base. Sets such as this were used on bar and café counters to serve cocktail garnishes, canapés or even escargot.

• Origin: France, ca. 1930.
• Condition: good; typical wear to bakelite spheres; no rust; one metal stem seems to have been cut off just above the bakelite "cherr".
• Dimensions: 5-3/4” tall.

A delightful French Art Deco cocktail pick set in the form of a carved rosewood cat arching his back to hiss at a little chrome snail. A wooden rack holds six chrome cocktail picks, each topped with a snail. All are presented on a macassar ebony base. Sets such as these were used in French homes as well as on the bar counters at cafes.

• Origin: France, ca. 1935.
• Condition: excellent, all original, one pick has very minor plating wear visible on close inspection.
• Dimensions: 5-7/8" x 3-1/4" x 4" high.

A wonderful French Art Deco cocktail pick set featuring a Scottie dog (Scottish terrier) carved from Indonesian Macassar ebony. The severely linear carving of the dog is nicely accented by the natural markings of the wood. The dog has inlaid white eyes. The set is completed with eleven cocktail picks topped with colorful orbs. This set could certainly be used for olives or cherries in a cocktail, but could also be used as food picks for hors d'oeuvres.

• Origin: France, ca. 1930.
• Condition: excellent; no cracking to wood; one blue pick missing.
• Dimensions: 5-1/2" x 3-1/8" x 3-1/2" tall.

A classic Art Deco porcelain water jug advertising Ricard Anisette. In the south of France, tradition dictates that Ricard and other anise-flavored spirits be drunk with a side of water. Makers such as Ricard and Pernod provided advertising pitchers to local bars to increase their sales. This globe form is the classic shape from the first half of the 20th century. The bottom is marked "Ateliers de Céramique Ricard/Made In France".

Origin: France, ca. 1930. Condition: excellent, no chips or cracks. Dimensions: 6" tall at handle.

A classic Art Deco porcelain water jug advertising Ricard Anisette. In the south of France, tradition dictates that Ricard and other anise-flavored spirits be drunk with a side of water. Makers such as Ricard and Pernod provided advertising pitchers to local bars to increase their sales. This globe form is the classic shape from the first half of the 20th century. The bottom is marked “Ateliers de Céramique Ricard/Made in France”.

Origin: France, ca. 1930. Condition: good, there is a firing line in the spout and a flattened area on the foot, both original to the making; no subsequent chips or cracks. Size: 6” tall at handle.

A classic late Art Deco or early modernist porcelain water jug advertising Ricard Anisette. In the south of France, tradition dictates that anise-flavored aperitifs should be served with water to dilute the drink. Makers such as Ricard and Pernod provided advertising pitchers to local bars and cafes to increase their sales. This squared-off rectangular form is less common than the traditional globe-shaped pitcher and became popular after World War II. The bottom is marked "Ateliers de Céramique Ricard/Made in France".

Origin: France, ca. 1950. Condition: excellent, no chips or cracks. Size: 9" x 3-3/4" x 5-1/2" tall.

A classic Art Deco first standard (950/1000 pure) silver jigger by the Parisian silversmith Auguste Roustang. The tapered form is simply decorated with a series of increasingly narrower steps at the base for a streamline look. The rim is hallmarked by Roustang.

• Origin: France, 1909-29
• Condition: excellent, no dings
• Dimensions: 1-15/16” tall
• Weight: 34.9 grams

An elegant French Art Deco silverplate jigger in the form of a champagne bucket. The form is completed by a pair of spherical handles typical of champagne coolers of the era. The bottom is stamped with an illegible maker’s mark.

• Origin: France, ca. 1930.
• Dimensions: 1-7/8” diameter; 2” high.
• Condition: excellent; no dings; a 2mm area of plating wear to the interior near the bottom.

A terrific Art Deco spun aluminum ice bucket for chilling wine and champagne. The front is decorated with a copper plaque depicting the label of a very well-known French winery in Alsace. The winery is famous for its Riesling, but also for Crémant, a sparkling wine native to Alsace. Alsatian wines are traditionally bottled in tall, narrow bottles, hence the shape of this bucket. The bottom is marked "URBA Made In France". Ice buckets were offered by wineries to cafés and distributors as a way of advertising their products.

Origin: France, ca. 1930. Condition: surface scratching from normal use. Size: 10-3/4" tall.

An elegant second standard (800/1000 pure silver) French tastevin. Rather than the typical "perles" and fluted "godrons", the bowl of this tastevin is decorated with repousse grape leaves and berries in the 18th century style. This treatment is sometime see in tastevins made by Parrod, one of the most influential makers of tastevins in the 19th and early 20th centuries. The handle is in the tradition form of two entwined snakes grasping an apple in their mouths, thought to remind drinkers of temptation and sin. The tastevin is fully hallmarked and has an illegible maker's mark.

France, ca. 1925. Condition: excellent, sharp detail. Dimensions: 3-1/4" x 4-1/4" x 1". Weight: 53.5 gr.

An elegant second standard (800/1000 pure silver) French tastevin. Rather than the typical "perles" and fluted "godrons", the bowl of this tastevin is decorated with repousse grape leaves and berries in the 18th century style. This treatment is the classic Dijonais interpretation of the form. The handle is in the tradition form of two entwined snakes grasping an apple in their mouths, thought to remind drinkers of temptation and sin. The tastevin is fully hallmarked and has an unidentified maker's mark (EE with a plumb bob).

• France, ca. 1925
• Condition: excellent, sharp detail, a small porosity blemish (1/4") under the rim on one side
• Dimensions: 3-1/4" x 4-3/16" x 1"
• Weight: 55.7 grams

An elegant cranberry-cut-to-clear perfume bottle, likely by Cristallerie de Saint Louis or Cristalleries de Nancy. The bottle is worked in a classic pattern of pillars finished with step cutting at the shoulders and panels cuts on the neck. The base is also cut-to-clear in a star pattern. The hollow-blown stopper is cut in a matching pattern.

• Origin: France, ca 1920
• Condition: excellent, no chips
• Dimensions: 2-9/16” x 2-9/16” x 6-1/2”
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A very rare French first standard silver (950/1000 pure silver) tastevin, the bottom bearing the coat of arms of the Confrerie des Chevaliers du Tastevin. The arms depict St. Vincent, patron saint of winemakers. The body is further decorated with the traditional raised “perles” for highlighting the reflections in the wine and recessed “cupules” and elongated “godrons” intended to concentrate the color during the tasting process. The handle is worked in the snake motif traditional in Burgundian tastevins. The rim is stamped with the master silversmith’s mark for Emile Mémery & Henri Hours.

The Confrerie was established in 1934 to promote the wines of Burgundy. Modeled on Medieval guilds, membership in the Confrerie is strictly controlled and is open only to sponsored candidates. A tastevin bearing the arms of the Confrerie could only have belonged to a member. Tastevins used by the Confrerie come in a few different variations (not all the members are wealthy and must make do with a silverplate taster), with the being the rarest and most prized. Known for their service to the elite of Burgundy, Alsace and Lorraine, Mémery & Hours were the preferred silversmiths to the Confrerie’s elite.

• Origin: Lyon, France, ca 1935
• Condition: excellent; sharp detail on the coat of arms; a minor ding on each of two “cupules”
• Dimensions: 3-1/16” x 4” x 1”
• Weight: 96.8 grams

A very rare French first standard silver (950/1000 pure silver) tastevin, the bottom bearing the coat of arms of the Confrerie des Chevaliers du Tastevin. The arms depict St. Vincent, patron saint of winemakers. The body is further decorated with the traditional raised "perles" for highlighting the reflections in the wine and recessed "cupules" and elongated "godrons" intended to concentrate the color during tasting. The handle is worked in the snake motif traditional in Burgundian tastevins. The rim is stamped with an unidentified silversmith's mark.

The Confrerie was established in 1934 to promote the wines of Burgundy. Modeled on Medieval guilds, membership in the Confrerie is strictly controlled and is open only to sponsored candidates. A tastevin bearing the arms of the Confrerie could only have belonged to a member. Tastevins used by the Confrerie come in a few different variations, with this being the rarest and most prized.

Origin: France, ca. 1935. Condition: excellent, light wear to coat of arms consistent with age, a minor ding to one cupule. Dimension: 3-1/16" diameter (excluding handle). Weight: 91.6 grams.

A witty cocktail pick holder in the form of a marching drum. The drum is made of aluminum and is finished with a sort of rubberized coating and real string to mimic the rope ties on an old-fashioned drum. The ten picks have colorful ball finials.

Origin: France, ca. 1950. Condition: excellent. Dimensions: 3-7/8" tall.

A nice mid-century modern French cocktail pick set featuring a blonde wood stylized snail with a chrome shell. He's perched on a set of chrome leaves that hold the six chrome and plastic-topped cocktail picks. Cocktail pick holders ("porte-piques") were once a fixture of every French bar and café. They can be used to spear olives or cherries for cocktails or to serve small hors d'oeuvres.

• Origin: France, ca. 1960.
• Dimensions: 5-1/2" x 2-1/2" x 3-5/8" high.
• Condition: excellent; tiny amount of chrome wear.

A classic mid-century porcelain water jug advertising Ricard anisette. In the south of France, tradition dictates that a pitcher of water should be served alongside anise-flavored aperitifs to dilute the drink. Makers such as Ricard and Pernod provided advertising pitchers to local bars and cafes to increase their sales. The squared-off shape is less common than the traditional globe-shaped pitcher, and only became popular after World War II. This is a miniature version, about half as tall as usual, and was obviously intended for someone who drinks alone! It’s the only miniature we’ve found after many years.

Origin: France, ca. 1960. Condition: excellent, no chips or cracks. Dimensions: 2-15/16” tall.

A delightful second standard (800/1000 pure silver) French tastevin featuring a mermaid. The overall design is in traditional Burgundian style, with “cupules,” and “perles” for viewing the color and clarity of either red or white wines, but this example is set apart because of the seaweed-surrounded mermaid set into the bottom. She has a distinctly “naughty mermaid” appearance typical of 1950s/60s Playboy illustrations. The thumb ring is worked in a rope motif. Both the thumbpiece and the bowl are stamped with French silver marks and the master silversmith’s mark for Ste Arcaud. The tastevin is presented in its original box from the Rolta boutiqueon rue de l’Opéra in Paris.

• Origin: France, ca. 1960
• Condition: excellent
• Dimensions: 3-5/16” x 4-1/4” x 1”
• Weight: 86.0 grams

An elegant boxed set of gilt sterling silver demitasse spoons with fox head finials. Each spoon is stamped with the hallmark for William Suckling. Each is also stamped “Swaine & Adeney,” one of London’s most exclusive luxury goods shops for more than 270 years. The spoons are presented in their original velvet- and silk-lined fitted case. An extra spoon, apparently from a second box, is included.

• Origin: Birmingham, England, 1938
• Condition: excellent, gilding intact; box shows typical wear
• Dimensions: spoons, 3-13/16” long
• Weight: 84.3 grams.

All sterling silver pastry server in Georg Jensen's 1927 "Viking" pattern (called "Nordisk" in Danish). This is one of the very rarest of all the Jensen patterns, and was designed by Jensen himself. It is beautifully crafted of the heaviest silver and combines traditional Scandinavian motifs with an Art Deco eye for design. The reverse is marked with the old interlocked "GJ" mark. This pattern has been out of production for many years, and it is extremely hard to find.

Origin: Denmark, circa 1927. Condition: light normal patination on sufaces, crisp details, no monogram. Size: 7.5" long.

Sterling silver pastry server in Georg Jensen’s 1927 “Viking” pattern (also called “Nordisk”). This is one of the rarest Jensen patterns, and was designed by the master himself. It is beautifully crafted of the heaviest silver and combines traditional Scandinavian motifs with an Art Deco sensibility. The reverse is stamped with the hallmark used until 1930. This pattern has been out of production for many years, and is extremely hard to find.

Origin: Denmark, 1927-30. Condition: excellent, sharp detail. Size: 7-1/2” long. Weight: 70.5 grams.

A very handsome Art Deco champagne and cocktail stirrer set of imposing size. Each stirrer has a torpedo-shaped finial complete with fins. The stirrers would be inserted with finial down for aerating a glass of champagne or with the thin end down for stirring a cocktail. The underside of the base is stamped the hallmark of B. Borhmann, a silverplate manufacturer in Frankfurt Germany until the mid-1920s. This set has the streamline, machine-age look of the best German Deco design.

Origin: Germany, ca. 1920. Condition: excellent; minute plating wear. Dimensions: 10” tall; stirrers, 6-3/4”.

Lovely gilt bronze-mounted oval dresser tray with handmade lace insert. The bottom is marked "Apollo Made in U.S.A. 2697 12."

Origin: America, ca. 1920. Condition: excellent, except a small area of lace has a tear and slight discoloration (12 o'clock position in second photo). Size: 13-1/2" x 6-1/4" x 3/4".

A fun mid-century chrome and bakelite stoplight handled jigger. The side is marked off in three increments--"Safe", "Caution" and "Danger"--each with a jeweled light. The bottom is marked "Reg'd Design/Glo-Hill Canada". Montreal-based Glo-Hill made a creative range of barware and serving pieces for modern entertaining.

Origin: Canada, ca. 1950. Condition: excellent. Size: 3-13/16" tall.

Terrific Gorham silverplate figural shot glass in the form of an early American leather fire bucket. The front side is enameled with the emblem of the Chicago Fire Department surrounded with the words “Little Giant Engine Co. 1871”. The back side is modeled to show the leather handle. The bottom is marked “Gorham EP YC3098 CAP 3oz.” Origin: America, ca. 1955. Condition: excellent, no dings, minute wear to enamel on word "Fire Dept". Size: 2-3/4” tall.

A vintage sterling silver figural jigger by Gorham, the sides marked off with enameled stoplights in green, yellow and red. Each light corresponds to the 1, 2-1/2 and 3-1/2 ounce markings on the jigger’s bottom. The bottom is hallmarked by Gorham.

Origin: America, ca. 1950

Condition: excellent; no dings, monograms or enamel loss

Dimensions: 2-7/16” tall

Weight: 49.8 grams

A vintage sterling silver figural jigger by Gorham, the sides marked off with enameled stoplights in green, yellow and red meant to signify "go," "caution," and "stop." Each light corresponds to the 1, 2-1/2, and 3-1/2 ounce markings on the jigger's bottom. The bottom is hallmarked by Gorham.

Origin: America, ca. 1950.

Condition: Excellent; a very shallow 1/8" ding on the back side near the bottom. Slight paint loss to the red stoplight.

Weight: 53.0 grams

A vintage sterling silver figural jigger by Gorham, the sides marked off with enameled stoplights in green, yellow and red meant to signify "go," "caution," and "stop." Each light corresponds to the 1, 2-1/2, and 3-1/2 ounce markings on the jigger's bottom. The bottom is hallmarked by Gorham. Origin: America, ca. 1950.

• Condition: very good, three dings (one on the side and two under the very edge of the bottom rim; enamel stoplights have excellent color; professionally polished
• Weight: 51.1 grams

A vintage sterling silver figural jigger by Gorham, the sides marked off with enameled stoplights in green, yellow and red. Each light corresponds to the 1, 2-1/2 and 3-1/2 ounce markings on the jigger’s bottom. The bottom is also hallmarked by Gorham.

Origin: America, ca. 1950. Condition: excellent; no dings, monograms or enamel loss. Dimensions: 2-7/16” tall. Weight: 51.7 gr.

A vintage sterling silver figural jigger by Gorham, the sides marked off with enameled stoplights in green, yellow and red meant to signify "go," "caution," and "stop." Each light corresponds to the 1, 2-1/2, and 3-1/2 ounce markings on the jigger's bottom. This example is noticeably heavier than other Gorham stoplights we've had, suggesting that it's of an earlier date. The bottom is hallmarked by Gorham.

• Origin: America, ca. 1950.
• Condition: very good; a very shallow 1/8" ding on the rim (to the left of the lights) and shallow 1/8" ding on the back side near the bottom.
• Weight: 56.9 grams

A vintage sterling silver figural jigger by Gorham, the sides marked off with enameled stoplights in green, yellow and red meant to signify "go," "caution," and "stop." Each light corresponds to the 1, 2-1/2, and 3-1/2 ounce markings on the jigger's bottom. The bottom is hallmarked by Gorham.

Origin: America, ca. 1950.

Condition: excellent. No dings. The enamel stoplights have excellent color. The jigger has been professionally polished.

Weight: 52.2 grams

A vintage sterling silver figural jigger by Gorham, the sides marked off with enameled stoplights in green, yellow and red meant to signify "go," "caution," and "stop." Each light corresponds to the 1, 2-1/2, and 3-1/2 ounce markings on the jigger's bottom. The bottom is hallmarked by Gorham.

• Origin: America, ca. 1950
• Condition: very good, a small ding on the bottom edge visible in raking light; professionally polished Weight: 53.5 grams

Phenomenal Art Deco cocktail shaker and six matching cocktail glasses by Gorham. The gently curving surface has a quilted appearance created by deeply incised vertical and horizontal lines. The spout and handle are attached to the body with a cobweb-like decorative device. The cocktail glasses are raised on tall stems with knops decorated to match the bowls. The same decorative element is repeated where the stems meet the flaring bases. The interiors of the bowls retain the original gilding. The bottom of each piece is fully hallmarked for Gorham with the year mark for 1928. The shaker is marked with the pattern number GA 13825 and the glasses with GA 13826.

This set was featured in Gorham's 1929 catalogue under the heading, "Sterling Splendor: Eminently Indispensible Silver Necessities of the Luxurious Modern Home." The set was the most expensive shaker offered by Gorham and cost the equivalent of a car or a small farm. Partly as a result of its sellling price, this set is one of the rarest cocktail shakers ever made. Gorham produced silver in the Art Deco and modernist style for only a short period (1926-29) under the guidance of famed silversmith Erik Magnussen worked there. Though it has been attributed to Magnussen (Visakay), it was probably not one of his designs since none of the very few examples are signed by the designer.

Origin: America, 1928. Condition: excellent; shaker has no dings, deep scratches or monograms; two of the glasses have a small flat ding on the edge of the weighted base. Size: shaker, 12" tall; glasses, 5-1/8" tall. Weight: 2,064 grams.

Sterling silver lemon fork in Gorham's 1951 "Rondo" pattern. The back is stamped with Gorham's hallmark and the pattern name.

Origin: America, 2nd half 20th century. Condition: mint, no monogram. Size: 4-7/16" long.

A vintage sterling silver figural jigger by Gorham, the sides marked off with enameled stoplights in green, yellow, and red, meant to signify “go,” “caution,” and “stop.” Each light corresponds to the 1, 2.5, and 3.5 ounce markings on the jigger’s bottom. The bottom is hallmarked by Gorham

• Origin: America, ca. 1950
• Condition: excellent, a couple of extra-small pinpoint dings on the bottom edge
• Dimensions: 2-7/16”
• Weight: 50.4 grams

Sterling silver gravy ladle in Gorham's 1964 "La Scala" pattern. This is one of the heavier and more expensive patterns produced by Gorham in the mid-20th century.

Origin: America, ca. 1964. Condition: near mint, no dings or monograms. Size: 6-7/8" long. Weight: 87.0 grams.

A vintage sterling silver figural jigger by Gorham, the sides marked off with enameled stoplights in green, yellow, and red, meant to signify “go,” “caution,” and “stop.” Each light corresponds to the 1, 2=1/2, and 3-1/2 ounce markings on the jigger’s bottom. The bottom is hallmarked by Gorham

• Origin: America, ca. 1950
• Condition: excellent, two pinpoint dings on the bottom
• Dimensions: 2-7/16”
• Weight: 53.5 grams

A vintage sterling silver figural jigger by Gorham, the sides marked off with enameled stoplights in green, yellow and red, meant to signify “go,” “caution,” and “stop.” Each light corresponds to the 1, 2-1/2 and 3-1/2 ounce markings on the jigger’s bottom. The bottom is hallmarked by Gorham.

Origin: America, ca. 1950

Condition: excellent, no dings or monograms

Dimensions: 2-7/16” tall

Weight: 53.1 grams

A vintage sterling silver figural jigger by Gorham, the sides marked off with enameled stoplights in green, yellow and red, meant to signify “go,” “caution,” and “stop.” Each light corresponds to the 1, 2-1/2 and 3-1/2 ounce markings on the jigger’s bottom. The bottom is hallmarked by Gorham.

Origin: America, ca. 1950

Condition: excellent, a pinpoint ding under the bottom edge visible only when upside down and a few tiny pinpoints on the upper rim

Dimensions: 2-7/16” tall

Weight: 53.5 grams

A vintage sterling silver figural jigger by Gorham, the sides marked off with enameled stoplights in green, yellow and red, meant to signify “go,” “caution,” and “stop.” Each light corresponds to the 1, 2-1/2 and 3-1/2 ounce markings on the jigger’s bottom. The bottom is hallmarked by Gorham.

• Origin: America, ca. 1950
• Condition: excellent, one pinpoint underneath the bottom edge
• Dimensions: 2-7/16” tall
• Weight: 51.2 grams

A vintage sterling silver figural jigger by Gorham, the sides marked off with enameled stoplights in green, yellow and red, meant to signify “go,” “caution,” and “stop.” Each light corresponds to the 1, 2-1/2 and 3-1/2 ounce markings on the jigger’s bottom. The bottom is hallmarked by Gorham.

• Origin: America, ca. 1950
• Condition: excellent, except the ounce markings on the bottom ar worn and faint
• Dimensions: 2-7/16” tall
• Weight: 55.5 grams

A very handsome cut crystal decanter in a most striking shade of green. The decanter, cut with vertical prisms, is very heavy and of the finest quality. The style is very similar to Moser’s post-war designs, and may in fact be by Moser, although it is unsigned.

Origin: Europe, ca. 1950. Condition: excellent, no chips or cracks. Size: 9-3/4” tall.

A rare sterling silver bar spoon/cocktail muddler in the "Aztec" pattern by Hector Aguilar. This very handsome design was one of Aguilar's most icon creations. The long spoon can be used to stir cocktails and is heavy enough to be used as a muddler, as well. The reverse is stamped with the mark used by Aguilar from 1955 until 1962.

Origin: Mexico, 1955-62. Condition: excellent, light surface scratching from normal use. Dimensions: 9-1/4" long. Weight 70.3 gr.

A very fine 19th century Imperial Russian wooden Easter egg with polychrome decoration of Christ Pantocrator in the traditional double gesture of blessing and teaching. The figure, especially the face, is beautifully detailed. The back side of the egg bears the gilt letters "XB" for "Christ is Risen." The egg is completed with its original ribbon, appropriately brittle with age. Careful examination of the drill holes in the egg show even oxidation of the wood's unpainted surfaces and the paint has typical aligatoring, consistent with a 19th century date.

Origin: Russia, ca. 1880. Condition: very good; some losses to paint at the upper and middle left of the background around the Christ figure. Dimensions: 2-5/8" long (excluding ribbon).

A lovely early 20th century Imperial Russian wooden Easter egg with polychrome decoration of a young peasant couple engaged in a kiss. The image is very sweet and nicely detailed. The back side of the egg bears the gilt letters “XB” for “Christ is Risen.” Careful examination of the drill holes in the egg show even oxidation of unpainted surfaces and the paint has typical aligatoring, supporting a very late 19th or early 20th century age. The image is a bit more romantic than is typical of earlier 19th century eggs.

Origin: Russia, ca. 1905. Condition: excellent; bright colors; no paint loss. Dimensions: 2-3/16” long.

A sterling silver double jigger in International's classic1939 Art Deco "Royal Danish" pattern. The jigger is marked with one of International's older hallmarks. The double jiggers in this pattern are difficult to find.

Origin: America, ca. 1945. Condition: very good, one pinpoint to the side and a few pinpoints on the rim visible upon close inspection, no monogram. Weight: 65.5 grams. Size: 4-9/32" tall.

Sterling silver bottle opener in Georg Jensen's beautiful 1930 Art Deco "Cactus" pattern. The handle is marked "Georg Jensen" in a dotted oval and "Sterling Denmark"; the opener is marked "Georg Jensen Denmark".

Origin: Denmark. Condition: excellent, no monogram. Size: 4-13/16" long.

An Art Deco sterling silver handled double jigger by silversmith John Hasselbring (Brooklyn, NY). The angularity of the handle contrasts nicely with the traditional shape of the cups. Stamped with Hasselbring's hallmark.

Origin: America, ca. 1930. Condition: very good, a few pinpoints on handle and cups visible in strong, raking light; no monograms. Dimensions: 5-3/8" x 4-1/8". Weight: 78.7 gr.

A very uncommon graduated sterling silver handled jigger by one of Mexico’s most important Art Deco and modernist silversmiths, Juvento Lopez Reyes. He opened his studio, Plateria del Recreo in 1935, making most streamlined hollowware items in the Art Deco and modernist taste. The base is fully stamped with mark used by Reyes in the 1930s and 40s. The stepped sides of the jigger mark off .5, 1, 1.5 and 2-oz levels.

Origin: Mexico, ca. 1940. Condition: excellent, except for one very minor ding. Dimensions: 2-1/2” tall. Weight: 54.4 grams.

Lovely glass paperweight button featuring a swirled pink and white rose set off by three green leaves and adventurine on an opaque white ground.

Origin:Possibly Charles Kaziun, Brockton, Mass., ca. 1950s but more likely Czechoslovokia, 1920's. Charles Kaziun produced this same style paperweight button with 4 leaves instead of three and with a looped wire shank without a shankplate. Condition: mint. Size: 7/16" diam.

Rare sterling silver ice tongs in Kirk’s popular “Old Maryland Plain” pattern. This pattern, designed in 1850, is one of the oldest patterns in Baltimore silver. Because it is so simple, it can appear both Colonial or contemporary, and works well with nearly any silver pattern. The tongs are marked with later 20th century Kirk hallmarks.

Origin: America, ca 1980. Condition: excellent, no monogram. Size: 6-1/4” long. Weight: 84.5 grams.

Large sterling silver berry spoon in Kirk's wonderful "Repousse" pattern. Certainly the most famous of all silver patterns to emerge from Baltimore, "Repousse" is filled with flowers such as roses, daisies and forget-me-nots. The bowl of the spoon is decorated with mixed fruit including strawberries, apples, grapes and raspberries. The back is marked "S. Kirk & Son Sterling", the mark used between 1927 and 1961.

Origin: Baltimore, Maryland, 1927-61. Condition: mint, no monogram. Size: 9-1/4" long.

An elegant sterling silver small letter opener in Kirk’s “Repousse” pattern. The wide end is beautifully decorated with a pattern of roses and foliage against a stippled background. The flat edge is marked off so it can be used as a ruler. The back is marked with the Kirk hallmarked used 1932-61.

Origin: America, ca. 1950. Condition: excellent, very light wear to the first few 1/16” makers on the ruler at the pointed tip. Weight: 26.5 grams.

Sterling silver gravy ladle in Kirk's 1937 "Rose" pattern. Fully decorated with a repousse floral design in the great Baltimore silver tradition, this piece would look lovely mixed with similar patterns such as Kirk "Repousse", Stieff "Rose", Schofield "Baltimore Rose", etc. The reverse is marked with Kirk's mark from the period 1927-1961. Excellent condition; no monogram or removal. 7-1/8" long.

A classic sterling silver jigger by Kirk & Son. The simple shape is accented with a gently flared lip and beautiful gilding. The bottom is stamped with the Kirk hallmark used from 1932.

• Origin: America, ca 1960
• Condition: excellent, no dings, gilding complete intact
• Dimensions: 1-15/16” tall
• Weight: 32.9 grams

A classic sterling silver double jigger by Kirk & Son. The two cups measure 1 and 2 ounces. Rather than being bell-shaped, the cups have straighter sides for a more contemporary look. The interior is fully hallmarked by Kirk.

• Origin: America, ca. 1960.
• Condition: excellent, no dings or monograms.
• Dimensions: 3-11/16" tall.
• Weight: 56.5 grams.

Lovely sterling silver low bowl in the "Repousse" pattern by Kirk. Beautifully accented with a scrolling border of shells, the heavily decorated border features roses, daisies, wild roses and other flowers with foliage. The bottom is stamped "Hand Decorated/S. Kirk & Son Inc./Sterling/714".

Origin: Baltimore, Maryland, 1925-32. Condition: excellent; no monograms or removals. Size: 8.25" diam.; 1.25" high. Weight: 8.8 troy ounces.