Catalog (2449)

A boxed set of sterling silver demitasse spoons by Paye & Baker. The set comprises two each of three different floral themes, all worked in the same intaglio style with glossy flowers and foliage against a stippled background. Two of the spoons are decorated with a pattern of wild roses, two with morning glories and two with pansies. The edges of the stems and handles are shaped to match the patterns. The bowls are finished with matte gilding. The backs are hallmarked by Paye & Baker and are marked "Sterling". The company made only a small range of products, but their Art Nouveau motifs were expertly designed.

• Origin: America, ca. 1900.
• Dimensions: 4" long.
• Weight: 38.8 grams.
• Condition: spoons, excellent condition, typical light fading of gilding on bowls; box has typical discoloration and wear.

A classic Victorian honeymoon brooch in 14K yellow gold. The traditional crescent shape supports a gold violet enameled in rich shades of rose, purple and cream and accented with green veining on the petals. The flower is centered with a small ruby. In Victorian flower language, the crescent shape represented “moon” and the flower represented sweetness or “honey”, thus “honeymoon”. Pins such as this were popular gifts from grooms to their new brides. The original early safety clasp has an unidentified maker’s mark.

• Origin: America, ca. 1900
• Condition: very good; a 1/16” flake on the tip of one flower petal; the pinstem is an early gold-filled replacement
• Dimensions: 7/8” x 3/4"
• Weight: 2.5 grams.

A colorful orange and white bakelite dice holds a set of six chrome cocktail picks, each with a dice finial in this Art Deco set. The cocktail pick holder (“porte-piques”) was once a fixture of every French bar or café. Today, they can be used to spear cocktail olive or cherries, or to serve small hors d’oeuvres.

• Origin: France, ca. 1930
• Condition: excellent
• Dimensions: 1-1/2” x 1-1/2” x 3-3/4”

A fine Art Nouveau medallist stickpin depicting Demter (“Ceres”), goddess of the harvest and the seasons, in 14K gold by Louis Rault. She is shown in profile with several of her attributes including a tiara of wheat and a scythe. Louis Armand Rault was a leading designer for Boucheron 1868-75 and this is one of his signature designs. His designs were sometimes licensed to other jewelers, hence this American 14K version. The stickpin is finished in a soft bloomed texture. The pinstem is stamped iwth Carter, Gough's 14K mark. The stickpin could easily be converted to a ring or pendant.

• Origin: America, ca 1880
• Condition: excellent, sharp detail
• Dimensions: head, 9/16” diameter, length, 2-1/2”
• Weight: 2.0 grams

Lovely vintage signed Mikimoto brooch in sterling silver set with eight pearls, ranging from 5 to 6mm. The pearls are of very fine quality with white body color and a silvery overtone. The lustre is excellent, as should be expected of Mikimoto. The brooch is designed in a way that permits it to be worn either horizontally or vertically. The back is marked with Mikimoto's hallmark.

Origin: Japan, latter half 20th century. Condition: excellent, all original. Size: 1-15/16" x 1-1/8". Weight: 8.0 grams.

A delightful and rare Victorian tartanware egg timer covered in an unidentified red, green, black and yellow. The top and bottom plates are in an unusual horseshoe shape. The posts are covered in tartan, as well. Exposed areas of wood are ebonized. The tartan is not named, and the piece is marked “Made in Scotland”. The timer measures exactly 3 mins.

Origin: Scotland, ca. 1895. Condition: very good, light wear to edges and varnish, but no major scuffs or missing paper. Size: 3-3/16” tall.

A fine example of some of the best enameled silver produced by David-Andersen in the late 1950s. This brooch represents "Spring" from the "Four Seasons" line designed for David-Andersen by Thorbjorn Lie-Jorgensen in the late 1950s. The set of designs represent an abstract aerial views of the same landscape in each of the four seasons. "Spring" is worked in lush shades of turquoise, teal blue, gold and brown. The back, with the original patina, retains the original pinstem and c-clasp, and is marked "D-A", "925S" and "Norway-Sterling".

Origin: Norway, ca. 1959. Condition: excellent, no enamel damage. Size: 1-11/16" x 1-5/16". Weight: 16.25 grams.

Outstanding early South Jersey glass paperweight enclosing a frit design of an eagle with an American flag and the words "The American Fire Philadelphia A.D. 1810." I'm not sure if this refers to a fire department or a fire insurance company. The detailing, especially the feathery delicacy of the eagle's wings, is very nice. The glass is very good quality and the design achieves very nice magnification because of its placement low in the crown. The bottom is flat with a polished pontil mark.

Origin: Southern New Jersey (Millville area), possibly Whitall Tatum Co., ca. 1900. Condition: the crown has one relatively small moon and the typical surface wear found on weights of this age (interestingly, most of this wear is around the periphery of the weight and not directly over the design); the bottom has the usual wear and somebody's etched initials (J.M.B.). Size: 3-1/4" diam.

Excellent lacquer cocktail shaker and six matching cocktail glasses featuring gilt and painted decoration of an elegant, exotic rooster perched on a cherry tree branch. The shape of the shaker's cap is reminiscent of a pagoda.

Origin: Japan, circa 1920. Condition: near mint. Size: shaker, 9" tall; glasses 4-1/4" tall.

Lovely Edwardian brooch featuring beautifully-crafted floral swirls and filigree of yellow gold surrounding a carved oval plaque of chrysoprase centered with a collet-set white sapphire. The pinstem is marked with partially illegible marks. The maker's mark "WW" (or "MM") is clearly stamped. Tested and guaranteed 14K.

Origin: Continental, circa 1910. Condition: excellent, all original. Size: 1-11/16" x 13/16". Weight: 4.0 grams.

Outstanding majolica pitcher in the form of an owl. Modeled by the George Morley Co., this pattern is an icon of American majolica production. The colors are very nice, including the medium-pink interior. Unsigned.

Origin: American, 1884-91. Condition: sharp details, no chips, a hairline running along the back of the pitcher from near the top of the handle to the base, note that the dark areas that look like chips on the base are actually the remnants of adhesive used to hold on old felt pads. Size: 9" tall.

Fine Victorian 18K rose gold stick pin. The thre-dimensional pin is in the form of a horse's saddle. A bit of the blanket peeks out from underneath and is bordered in rose-cut diamonds. The pin is very nicely detailed. Tested and guaranteed 18K gold.

Origin: England or America, ca 1880. Condition: excellent, all original. Size: 2-1/4" overall length; head 5/8" x 5/8". Weight: 2.0 grams.

Outstanding brass match holder the pocket formed in the shape of a shield and punch-decorated in a stars and stripes pattern. The pocket is surmounted by a punch-decorated American eagle underneath the motto “In God We Trust”. This motto was adopted in 1863 as a subtle government reminder during the Civil War that God was on the side of the Union troops fighting to end the evil of slavery. The backplate has a punchwork border and also a hole for hanging.

Origin: America, ca. 1860s. Condition: excellent, all original, nice patina. Size: 3-15/16” x 2-1/2” x 5/8” deep.

An amusing late Victorian brooch fashioned as two crossed golf clubs. The shafts are worked in 18K yellow gold, while the heads are made in platinum. A small pearl, representing a golf ball rests against each club. Sporting jewelry is quite desirable, and golf-related pieces are particularly rare. The back retains the original pinstem and c-clasp. Stamped with French hallmarks.

Origin: France, ca. 1895. Condition: excellent, all original. Size: 1-3/4” x 3/8”. Weight: 2.0 grams.

Elegant crystal trivet with a sterling silver overlay in an orchid pattern. The piercing of the silver is highlighted with engraved details. The center has a silver reserve that was never monogrammed. The side is hallmarked by Webster Silver Co. This trivet is in the harder to find large size.

Origin: America, ca. 1920. Condition: excellent, no chips or cracks. Size: 8” diameter.

An outstanding Arts & Crafts style 900 silver letter opener, the top embellished with an enameled horses head against a stippled background. The letter opener is quite heavy and both the silver and the enamel are of the finest quality. Marked “900”.

Origin: Continental Europe, ca. 1900. Condition: excellent, all original, no enamel damage. Size: 8” long. Weight: 69.5 grams.

A very good sterling silver wine bottle or decanter coaster by Gorham. The flared lip is heavily decorated with a floral scrolled border in the Rococo style. The repousse decoration is finely done. The bottom of the coaster is fully hallmarked with one of the older Gorham hallmarks, the design copyright date 1889, the pattern number 325 and the date symbol for 1891.

Origin: America, 1891. Condition: excellent, one pinpoint ding visible on very close inspection, no monogram. Size: 6-3/4" diameter. Weight: 135.6 grams.

A black lacquered papier mâché wine coaster, the sides enhanced with an unusual gilt pattern of stylized grape leaves and tendrils along with thistles. The decoration is in excellent condition, with a nice warm patina.

Origin: England, ca. 1800. Condition: excellent; normal crackling to the interior; no structural problems; gilding intact. Dimensions: diameter, 13.4 cm (5-1/4 in); height, 4.8 cm (1-7/8 in).