Catalog (2428)

A terrific pair of Art Deco double-sided cufflinks in 14K yellow and white gold by Harvey Avedon. The front faces feature a white gold circle engraved in a pattern of off-center concentric circles surrounded by a yellow gold border. The yellow gold back faces are decorated in a matching pattern of concentric circles. The design is typical of the strong geometric motifs used by Avedon from the late 1940s on. He was a maker of fine cufflinks, lighters and other men's accessories. Avedon was featured by many upscale retailers including Tiffany & Co.The connectors are marked “Avedon” and “14K”.

• Origin: America, ca. 1940
• Condition: excellent, all original
• Dimensions: faces, 3/4” diameter; back faces, 9/16” diameter
• Weight: 20.5 grams

Handsome pair of vintage 14K yellow gold cufflinks, the elongated diamond-shaped faces set with cabocochon-cut blue sapphires. The stones have excellent, bright color. The faces are lightly textured in a starburst pattern emanating from the sapphires toward the faceted edges. The fronts are attached with solid connectors to the toggle backs. The connectors are marked "585" for 14K.

Origin: Continental Europe, ca. 1950.

Condition: excellent, all original.

Size: 5/8" x 7/8".

Weight: 5.0 grams.

Approximate Total Gemstone Weight: .62 carat.

A stunning early Art Deco platinum bracelet set with diamonds and emeralds. The bracelet comprises seven rectangular plaques, each centered with an old European cut diamond. The plaques are hand-pierced in an ornate foliate pattern accented with a total of 84 smaller old European and single cut diamonds and 70 calibre-cut natural emeralds. The primary diamonds (two .44ct; two .46ct; two .55ct; and one .61ct) are very well matched and are graded G/SI1. Each plaque is slightly arched to accommodate the curve of the wrist. The clasp has a hidden safety catch and is stamped with French platinum hallmarks.

Origin: France, ca. 1925.

Condition: excellent, all original, normal wear to emerald surfaces consistent with age.

Size: 11/32” wide; 6-3/4” long.

Weight: 27.5 grams.

Approximate Total Gemstone Weight: diamond, 6.22 cts; emerald, 1.47 cts.

A lovely Art Nouveau enameled 14K gold wreath pin by Krementz. The leafy wreath, worked in shaded green enamels is studded with tiny gold berries, four seed pearls and four small old European cut diamonds. The sparkle of the diamonds against the colored enamel is very nice. The back retains the original pinstem and c-clasp, marked with Krementz’ hallmark.

Origin: America, ca. 1900.

Size: 7/8” diameter.

Approximate Total Gemstone Weight: .06 carat.

A marvelous pair of Retro Moderne 18K yellow gold dress clips formed as a bouquet of diamond-studded platinum flowers, the stems tied with a ribbon set with calibre-cut rubies, all against a scrolled gold background. Buds represented by diamonds set in platinum and rubies set in gold are scattered around the flowers. The design is quite sophisticated and the stones are of very nice quality. The clips are perfectly sized—one worn alone isn’t so small that it gets lost, but the two worn together aren’t overwhelming, either. The pair can be worn on jacket lapels or on either side of a dress neckline. The backs retain the original hinged double-prong coat clip and anchor pin often seen on better French jewelry of the period. A good jeweler could convert the clips to be worn as either pierced or clip-back earrings. Tested and guaranteed 18K gold and platinum.

Origin: probably America, ca. 1940.

Condition: excellent, all original.

Size: 1-1/4” x 3/4".

Weight: 16.5 grams.

Approximate Total Gemstone Weight: diamond, .9 carat; ruby, .6 carat.

A very handsome pair of 14K yellow gold and onyx cufflinks with a matching tie pin by K. Uyeda. The oval onyx faces are topped with oval, gold pyramids. The gold surfaces are intricately decorated with engine-turned engraving in a basketweave pattern. The connectors are marked in the traditional Japanese manner, "K14". The set is presented in its original velvet and silk box from K. Uyeda. Located in Tokyo's Imperial Hotel, Uyeda is one of Japan's most exclusive jewelers, and all their products are of the very finest quality. The catch on the tie pin is not gold.

Origin: Japan, ca. 1980.

Condition: excellent, all original.

Size: cufflink faces, 5/8" x 1/2"; tie pin, 1/2" diameter.

A nice pair of mid-century 14K yellow gold cufflinks set with blue sapphire cabochons. The rectangular faces are engraved in a sunburst pattern, with one end rolled over. A round cabochon sapphire is set in to each end of the opening created by the rolled edge. The stones have fine slightly violet-blue color and good clarity. The backs have toggle closures. The cufflinks are not signed, but are almost certainly by either Larter or Krementz. Marked "14K".

Origin: America, ca. 1950. Condition: excellent. Size: 7/8" x 5/8". Approximate Total Gemstone Weight: .76 ct. Weight: 10.2 gr.

A very nice pair of 18K yellow gold baton cufflinks, the batons worked with engraved reeding and each bound in a diagonal slash of gold with a hand-stippled surface. The baton faces are hinged so they can lie tightly against the cuff. The connectors are marked “18K Cherny”.

Origin: America, ca. 1960. Condition: excellent. Size: faces, 7/8” long. Weight: 10.6 gr.

An elegant 14K rose and yellow gold bow brooch featuring a “knot” invisibly-set calibre-cut green tourmalines. The brooch is also accented with a pair of pearls set in white gold. The tourmalines have very fine bright coloring. The golden bow is worked in both a polished surface and a micro-beaded finish. The latter is a technically difficult texture to achieve and shows the hand of a master jeweler. The back of the pin is marked “RMU” and “585” for 14K gold. The back retains the original trombone clasp.

Origin: Europe, ca. 1940. Condition: excellent, all original. Size: 2-3/8” x 1-1/4”. Weight: 11.5 grams. Approximate Total Gemstone Weight: .76 carat.

A fine pair of vintage 18K yellow gold cufflinks in the "stirrup" style popularized by Cartier in the late 1940s. The cufflinks are constructed from a solid bar, finished at each end with interlocking arches. By pulling on the ends, the arches can be unfolded for each in putting the cufflinks through the cuff holes. Then, a simple flip up causes the arches to hold the fabric tightly together. Cufflinks of the sort are seen in a number of variations, but this is a particularly handsome pair. The bars are marked with French 18K gold hallmarks, and also with an unidentified maker's mark "GP".

Origin: France, ca. 1955. Condition: excellent, all original. Size: faces, 3/4" x 9/16". Weight: 11.5 grams.

A fine pair of Victorian bean-back cufflinks, each oval face set with a round color-change sapphire flanked by a pair of old European cut diamonds. The sapphires change from blue in sunlight to violet in incandescent light. One stone exhibits a more pronounced color change than the other. This is normal because of the difficulty in matching a pair of stones for size, clarity and color under varying lighting conditions. The diamonds are fine quality with bright color. The gold surfaces have the softly-bloomed matte texture prized in the Art Nouveau era. The bean backs have original bright-cut monograms. Marked “14K” and with an unidentified American maker’s mark.

Origin: America, ca. 1900. Condition: excellent. Size: 5/8” x 1/2”. Weight: 5.5 grams. Approximate Total Gemstone Weight: sapphire, .44 ct; diamond, .12 ct.

A nice pair of vintage 14K yellow gold rectangular cufflinks, each face engraved in a starburst pattern emanating from a bezel-set round diamond. The diamonds are I/J color, VS2 clarity. The backs are marked 14K.

Origin: America, ca. 1950. Condition: excellent. Size: 11/16” x 1/2”. Weight: 7.9 grams. Approximate Total Diamond Weight: .06 ct.

A handsome pair of vintage 14K yellow gold cufflinks by Tiffany & Co. The round faces are accented with sunburst engraving and are centered by round mixed-cut blue sapphires. The sapphires are very slightly greenish-blue in color, with dark tone and moderately strong saturation. They have excellent clarity. The toggles are marked “14K” and the toggles are marked “Tiffany & Co.”

Origin: America, ca. 1950. Condition: very good, light abrasions to the faces consistent with normal use. Size: 3/4" diameter. Weight: 15.6 grams. Approximate Total Gemstone Weight: .65 ct.

A lovely 14K yellow gold 5mm cable twist bracelet with a gem-set station from the “Renaissance” collection by David Yurman. The square station features a square step-cut rhodolite garnet flanked with cabochon emeralds at the top and bottom. This design is one of the earlier pieces from the Renaissance collection, and is no longer in production. The open cuff is flexible and can be spread to fit nearly any size wrist. The interior of the bangle is signed “D. Yurman 14K”.

Origin: America. Size: 5mm diameter. Weight: 14.3 grams. Approximate Total Gemstone Weight: garnet, .79 ct; emerald, .26 ct.

A terrific pair of 14K yellow gold cufflinks, each fashioned as a pair of ridged spheres topped with round sapphires. The gemstones have a nice medium-light violet-blue color that contrasts nicely with the gold. Tested and guaranteed 14K.

Origin: America, ca. 1940. Condition: excellent. Size: 3/4" x 7/16". Weight: 6.4 grams. Approximate Total Gemstone Weight: .392 carat.

An extraordinarily fine Victorian 14K yellow gold and enamel pocket watch chain in the Aesthetic style. The heavy chain comprises ribbed open links joined by doubly-interlocking textured open links. Near each end, the chain is set with a shell-motif bead accented with opaque black taille d’epargne enamel. The original t-bar is heavily decorated with acanthus leaves and geometric motifs typical of the Aesthetic era, all enhanced with enamel. At 15-1/4” long, the chain is just long enough to be worn about the neck as a short necklace or doubled twice at the wrist as a bracelet. And of course, it can still be used with a pocket watch and fob. Tested and guaranteed 14K.

Origin: America, ca. 1870. Condition: excellent, all original, enamel intact. Size: 15-1/4” long. Weight: 27.0 gr.

Rare sterling silver ice tongs in Kirk’s popular “Old Maryland Plain” pattern. This pattern, designed in 1850, is one of the oldest patterns in Baltimore silver. Because it is so simple, it can appear both Colonial or contemporary, and works well with nearly any silver pattern. The tongs are marked with later 20th century Kirk hallmarks.

Origin: America, ca 1980. Condition: excellent, no monogram. Size: 6-1/4” long. Weight: 84.5 grams.

Handsome pair of sterling silver ice tongs in the "John Winthrop" pattern by International Silver Co. This is one of the classic American Colonial patterns developed during the early 20th century when people were first beginning to be interested in American antiques. Curiously, the simple design was also a perfect match for the upcoming Art Deco styles of the 20s and 30s. Ice tongs were an uncommon serving piece and are very difficult to find today. The tongs are marked with International's older hallmark.

Origin: America, ca 1911. Condition: excellent, no dings, period "S" monogram. Size: 6-3/4" long. Weight: 63.0 grams.

A classic sterling silver double jigger by Reed & Barton. Unlike most double jiggers, this style has the two bell-shaped measures joined directly at the middle rather than having a spacer, creating a more compact shape. The inside of one cup is hallmarked by Reed & Barton.

• Origin: America, ca. 1955
• Condition: excellent, no monograms or dings
• Dimensions: 3-1/4” tall
• Weight: 45.5 grams

A classic bell-shaped sterling silver double jigger. The bell shape and rolled edges of the cups are reminiscent of “Revere” bowls that were in turn based on Colonial designs by Paul Revere. Stamped “Sterling.”

• Origin: America, ca 1950
• Condition: excellent, no dings or monograms
• Height: 3-7/8”
• Weight: 46.4 grams

A classic mid-century bell-shaped sterling silver double jigger. This example is a little taller than some, lending a more elegant appearance. The neck is stamped “Web-Sterling.”

• Origin: America, ca. 1960
• Condition: excellent, no monograms or dings
• Height: 4-3/8”
• Weight: 49.2 grams

A steel cowbell hand-painted on one side with a detailed rendering of a living room with stockings hung above a roaring fireplace, a grandfather clock showing midnight, and a sleeping cat (or dog). “’Twas the night before Christmas.” the opening line of Clement Moore’s 1823 poem “A Visit from St. Nicholas” is painted at the top. One narrow side of the bell is painted, “Happy New Year,” and the other with “The year is going, let him go,” a line from Alfred Lord Tennyson’s 1850 poem “Ring out, wild bells.” The other large side shows a woman walking along a snowing path, her arms laden with holly wreaths and the legend, “Merrie Xmax,” Given the literary references of the other decoration, this image must refer to some long-forgotten Christmas or New Year’s tale.

• Origin: America or England, ca. 1875
• Condition: good, considerable darkening of painted scene (darker than in photos), some rust (see photos)
• Dimensions: 4-3/4” high; 3-1/2” wide; 2-1/2” deep

A very rare cobalt blue version of the Santa Claus or Belsnickel bottle created around 1900 by Monroe Gandy Husted of the Husted-Hall Mold Works in Bridgeton, NJ. The bottle was blown into a three-part mold. This example retains the original quatrefoil-shaped front label showing a snow-covered mountain cabin surrounded by a holly leaf border. The clear bottles have an embossed “M.G. Husted” signature, but the cobalt bottles do not, leading some to suspect the blue versions were reproductions. The original label and the wear marks on the basal rim clearly indicate an early date. Husted died in 1923, so it’s likely that these bottles were made in the years following his death, up to the 1930s.

• Origin: America, 1923-38
• Condition: excellent, no chips or cracks, original paper label intact
• Height: 12-1/4”

A colorful vintage Germany Santa Claus squeeker toy. He has a composition face and cotton batting beard. His suite is red and blue wool felt with white trim. The boots are pressed paperboard. The body conceals the bellows for the squeeker. The bellows still moves, but no longer makes noise. The original “Made In Germany” sticker is still inside one foot.

• Origin: Germany, ca. 1930
• Condition: excellent painted details, a 1/4" hole to one side of the felt hood, no noise
• Height: 7”

An set of twelve English sterling silver coffee spoons and a matching sugar tong in an elegant rococo pattern by silversmith Joseph Rodgers. The handles are lightly monogramed with an “H.” The bowls are a bit larger than typical demitasse spoons, so they could easily be used for tea service, as well. The set is presented in its original fitted case lined with royal blue velvet and silk. The interior of the lid is embossed with the retailer’s stamp for William Batty & Sons, one of England’s finest watchmakers and jewelers outside of London at the time.

• Origin: Sheffield, England, 1910
• Condition: excellent; interior of case is excellent; case exterior is mostly good, but with bookbinding tape at the hinge side
• Dimensions: spoons, 4-5/16” long; tong 4-1/2” long
• Weight: 206.4 grams.

A 1930's Santa Clause figurine with a composition face and boots, a cotton batting beard, a felt jacket, and a cotton toy bag and pants. He stands on a mica-covered paperboard base. Unmarked, but definitely pre-war Japanese. Some of the Japanese Santas have rather fearsome faces, but this one is quite jolly. At 7" tall, he's also a bit larger than most.

Origin: Japan, ca 1930
• Condition: excellent, bright colors
• Height: 7"

A colorful antique iron Christmas feather tree stand decorated with three gnomes dancing under a mushroom. In German folklore the mushroom was considered a good luck omen and it frequently pops up as a motif in antique German Christmas decorations. The stand is heavy enough to hold a very large feather tree. It would also make a great centerpiece for a Holiday table.

• Origin: Germany, ca 1900-30
• Condition: good; some paint loss and rust (see photos)
• Dimensions: top diameter, 7-1/2"; base diameter, 10-3/4"; opening diameter, 1"; height, 8-3/4"

An elegant second standard (800/1000 pure silver) French tastevin. Rather than the typical “perles” and fluted “godrons”, the bowl is decorated with repousse grape leaves and berries in the 18th century style. This treatment is sometimes seen in tastevins made by Parrod, one of the most influential makers of tastevins in the 19th and 20th centuries. The single snake handle, thought to represent the snake from the Garden of Eden, thus reminding drinkers of temptation, has an unusually well-detailed head. The tastevin is fully hallmarked and has an illegible maker’s mark, possibly Parrod’s.

• Origin: France, ca. 1925
• Condition: excellent, sharp detail
• Dimensions: 3-5/16” x 4-1/4” x 15/16”
• Weight: 58.8 grams

A delightful vintage snowman feather tree topper made of spun cotton batting. He wears a black paper hat and carries and wood walking stick in one hand. Tough made for a feather tree, the size would be appropriate for a small live tree or he could be hung from a thread as an ornament.

• Origin: probably German, ca 1925
• Condition: excellent, all original
• Height: 5-1/8"

A delightful bisque figure of a skiing Santa Claus carrying a cloth sack on his back. The paperboard skis are enhanced with glittery mica snow. The bottom is stamped "Made in Japan."

• Origin: Japan, ca 1925
• Condition: all excellent, except one ski has an old break that was reglued
• Height: 2-3/4"

A nice sterling silver graduated jigger (1 1/2 and 2 ounces), the bottom formed from a 1972-D (Denver mint) Eisenhower silver dollar. The coin has nice detail. Hallmarked by Wallace.

• Origin: America, 1972
• Condition: excellent, no dings or monograms
• Dimensions: 2” tall
• Weight: 40.5 grams

A fine Art Deco 800 silver graduated jigger in an exaggerated flaring design. The sections measure 1, 1 1/2, and 2 1/2 ounces. The bottom is stamped for 800 silver and has an Italian mark used 1935-38 that was applied to finished silver goods already in the inventories of Italian jewelers and silversmiths.

• Origin: Italy, ca 1930
• Condition: excellent, no dings or monograms
• Dimensions: 2 1/8” tall; 2 1/2” wide at rim
• Weight: 36.0 grams

A classic mid-century double-jigger in the form two inverted cones, one measuring 1oz and the other 1.5 oz. Marked “Sterling.”

• Origin: America, ca 1960
• Condition: excellent, no dings or monograms
• Dimensions: 3 11/16” tall
• Weight: 30.7 grams

A vintage sterling silver vermouth dispenser in the form of a syringe by Gorham. These were called “Martini Spikes” when sold by Gorham in the 1960s. The functioning plunger allows vermouth to be drawn up into the syringe and then dispensed in precisely-calibrated medical dosages into your favorite cocktail. The syringe originally cost $10. The syringe is accompanied by an illustrated instruction card and the original fitted box.

• Origin: America, 1967-70
• Condition: excellent, no monograms or dings, typical scuffing and wear to outer surface of the box, bookbinding tape repair top box covering, discoloration to interior lining
• Dimensions: 6-1/4” long

A vintage sterling silver vermouth dispenser in the form of a syringe by Gorham. These were called “Martini Spikes” when sold by Gorham in the 1960s. The functioning plunger allows vermouth to be drawn up into the syringe and then dispensed in precisely-calibrated medical dosages into your favorite cocktail. The syringe originally cost $10. The syringe is accompanied by an illustrated instruction card and the original fitted box.

• Origin: America, 1967-70
• Condition: excellent, no monograms or dings, typical scuffing to outer surface of the box, bookbinding tape repair at the box hinge
• Dimensions: 6-1/4” long

An elegant second standard (800/1000 pure silver) French tastevin. The bowl is engraved with repousse grape clusters and leaves in the 18th century style, but also with the more traditional raised “perles” and “coupules” seen in 19th century examples. The combination of the two is quite unusual. The handle is in the form of two snakes grasping an apple between their jaws—an element thought to stem from the Garden of Eden and intended to remind drinkers of temptation. The tastevin bears regional hallmarks for second standard silver and an unknown maker’s mark (J ancre de marine P). The pinpoint in the bottom of the bowl is a lathe-mark and suggests a date of the mid-19th century at the latest. The rim is engraved with the name of the original owner, “Ane [Antoine] Mouly-Chambon de Chas.”

• Origin: France, Burgundy region, ca 1840
• Condition: excellent
• Dimensions: 3-1/8” x 4-1/4” x 1-5/32”
• Weight: 118.4 grams