Catalog: Vintage Arts (284)

An unusual 1940s French cocktail pick holder depicting a "racoleuse"--a streetwalker--leaning against a lamp post and raising her skirt very high. The chrome is engraved in a way to show that her thin dress does nothing to hide her more perky attributes. A selection of bakelite and chrome cocktail picks a stored in the trash can on the other side of the lamp post. Cocktail picks, often with very elaborate holders, were vastly popular in France and come in infinite variety. This is the only example we've seen of this particular design.

Origin: France, ca. 1948. Condition: excellent, all original; one bakelite sphere is cracked. Size: base, 5-7/8" x 2-1/2"; 9" high.

A very fine and extremely rare Art Deco sterling silver cocktail shaker by exclusive Tuttle Silvermsiths. At the end of the Art Deco era, just before modernism began to take a firm hold, a few leading American silver companies started reinterpreting Stuart adn Georgian silver designs for modern purposes. This shaker is just such an example. The urn finial cresting above the everted rosette cap is a new take on late Stuart and early Georgian design, as is the overall severe cylindrical shape and the double-reeded banding. The final look is an extraordinary blending of 17th century design and the "skyscraper" design of the 1920s and 30s. The bottom of the shaker is marked with Tuttle's maker's mark, as well as the retailer's mark for Shreve, Crump & Low. It is also marked "London Reproduction 1660-1684". And finally, it is marked with the monogram for Harry S. Truman with the Roman number I, indicating the that shaker was made during the first Truman administration (1945-49). Tuttle is not a widely-known American silver company precisely because all its products were made entirely by hand and were extremely expensive. It was available only to the elite.

Origin: America, 1945-49. Condition: excellent, a few insignificant waves from "ice cube dings" only visible in strong, raking light. Size: 14-1/2" tall. Weight: 1,106 grams.

A handsome sterling silver rollover jigger by Cartier. The jigger's two arms rest across the top of a glass or cocktail shaker. After filling, it's simply flipped over the empty the contents without making a mess. The bottom is marked "Cartier Sterling", indicating it would have been sold at Cartier's flagship New York store.

• Origin: America, ca. 1940
• Condition: excellent, no dings
• Dimensions: 5-13/16" wide
• Weight: 47.8 grams

A sterling silver double jigger in International's classic1939 Art Deco "Royal Danish" pattern. The jigger is marked with one of International's older hallmarks. The double jiggers in this pattern are difficult to find.

Origin: America, ca. 1945. Condition: very good, one pinpoint to the side and a few pinpoints on the rim visible upon close inspection, no monogram. Weight: 65.5 grams. Size: 4-9/32" tall.

A vintage sterling silver figural jigger by Gorham, the sides marked off with enameled stoplights in green, yellow and red meant to signify "go," "caution," and "stop." Each light corresponds to the 1, 2-1/2, and 3-1/2 ounce markings on the jigger's bottom. The bottom is hallmarked by Gorham.

Origin: America, ca. 1950.

Condition: Excellent; a very shallow 1/8" ding on the back side near the bottom. Slight paint loss to the red stoplight.

Weight: 53.0 grams

A sterling silver vermouth dispenser in the form of a watering can by Cartier. When tipped, the dispenser lightly sprinkles a drip or two of vermouth into the glass for the perfect martini. The bottom is marked “Sterling” and is signed “Cartier”. These watering cans were made for Cartier’s New York store.

• Origin: America, ca. 1950
• Condition: very good, a few tiny dings visible only in raking light
• Dimensions: 3” tall
• Weight: 52.0 grams

Lovely pair of sterling silver short candlesticks, the sockets with an engraved design and flaring outline suggestive of a tulip blossom. The design has a nice Art Deco feel and is really much more interesting than the typical short candlesticks of this type. The bottoms are marked “Sterling” but have no maker’s mark.

Origin: America, ca. 1950. Condition: excellent, the bottom edge of one stick has a few truly pinpoint-sized dings (not really visible except when upside down). Size: 4-3/8” tall; 3-1/2” diameter at base.

A fine silver tastevin inset with a 1772 silver 8 reales coin from the reign of Carlos III. The deeply-curved sides of the tastevin are decorated in a characteristically Spanish baroque style with ornate chasing and engraving. The handle is in the form of a curled dragon-like creature.

Though they were fashionable in France in the 19th century, coin tastevins only became stylish in Spain around 1950. Generally, they were made by high-end silversmiths as custom orders by clients who provided their own antique coins. In this case, the coin is an 8 reales (known colloquially as a "piece of eight") minted in Mexico City for use in the Spanish colonies and in Spain itself. The tastevin was made by the silversmith Manuel Garrido and bears the retailer's mark of Bagués, Spain's most luxurious jeweler.

Origin: Spain, ca. 1950. Condition: excellent. Dimensions: 3-1/8" diameter (excluding handle). Weight: 76.9 gr.

A classic late Art Deco or early modernist porcelain water jug advertising Ricard Anisette. In the south of France, tradition dictates that anise-flavored aperitifs should be served with water to dilute the drink. Makers such as Ricard and Pernod provided advertising pitchers to local bars and cafes to increase their sales. This squared-off rectangular form is less common than the traditional globe-shaped pitcher and became popular after World War II. The bottom is marked "Ateliers de Céramique Ricard/Made in France".

Origin: France, ca. 1950. Condition: excellent, no chips or cracks. Size: 9" x 3-3/4" x 5-1/2" tall.

A fun mid-century chrome and bakelite stoplight handled jigger. The side is marked off in three increments--"Safe", "Caution" and "Danger"--each with a jeweled light. The bottom is marked "Reg'd Design/Glo-Hill Canada". Montreal-based Glo-Hill made a creative range of barware and serving pieces for modern entertaining.

Origin: Canada, ca. 1950. Condition: excellent. Size: 3-13/16" tall.

A very handsome cut crystal decanter in a most striking shade of green. The decanter, cut with vertical prisms, is very heavy and of the finest quality. The style is very similar to Moser’s post-war designs, and may in fact be by Moser, although it is unsigned.

Origin: Europe, ca. 1950. Condition: excellent, no chips or cracks. Size: 9-3/4” tall.

A mid-Century frosted glass cocktail shaker by the Federal Glass Co. The shaker is decorated with a colorful scene of dancing Native Americans with teepees and smoke signals in the background.

Origin: America, ca. 1950. Condition: excellent, all original, no chips or cracks. Dimensions: 10" tall.

A carved horn cocktail pick set in the form of a flying bird that looks rather like an albatross. The bird has inset glass eyes. The natural coloring of the horn is used to good effect in the bird’s wing and tail feathers. The set is completed with a holder containing ten cocktail picks with horn finials. Cocktail pick holders (“porte-piques”) were once a fixture on the bar of every café in France and were sometimes used in the home as well. Horn sets were popular in the 1950s. Usually made in the Auvergne, the sets were a by-product of the region’s renowned cattle industry. Because the picks have tines, they can be used to spear cherries or olives for cocktails or to serve small hors d’oeuvres.

• Origin: France, ca. 1950.
• Dimensions: 7-3/4” x 3-5/8” x 4” high.
• Condition: excellent; minor flaking at the bottom edge consistent with age and use.

A fun figural sterling silver rollover jigger in the form of a beehive. The jigger is made to rest on the top rim of a cocktail shaker or glass. Once full, it can simply be tipped over to avoid spills. The beehive shape is completed with a silver bee at the top. One handle is marked "Sterling."

Origin: America, ca. 1950. Condition: excellent, no dings or monograms. Dimensions: 2-1/4" tall; 5-1/4" wide. Weight: 26.5 gr.

A witty cocktail pick holder in the form of a marching drum. The drum is made of aluminum and is finished with a sort of rubberized coating and real string to mimic the rope ties on an old-fashioned drum. The ten picks have colorful ball finials.

Origin: France, ca. 1950. Condition: excellent. Dimensions: 3-7/8" tall.

A nice sterling silver double jigger with a turned ebony handle. The jigger has a smaller and a larger cup, each in bell form. The jigger is marked by Edward San Giovanni, who worked in Ridgefield, CT during the 1940s and 50s.

Origin: America, ca. 1950. Condition: excellent, no dings or monograms. Dimensions: 2-13/16 in high; 5-1/8 in long. Weight: 38.8 gr.

A vintage sterling silver figural jigger by Gorham, the sides marked off with enameled stoplights in green, yellow and red. Each light corresponds to the 1, 2-1/2 and 3-1/2 ounce markings on the jigger’s bottom. The bottom is also hallmarked by Gorham.

Origin: America, ca. 1950. Condition: excellent; no dings, monograms or enamel loss. Dimensions: 2-7/16” tall. Weight: 51.7 gr.

An elegant sterling silver small letter opener in Kirk’s “Repousse” pattern. The wide end is beautifully decorated with a pattern of roses and foliage against a stippled background. The flat edge is marked off so it can be used as a ruler. The back is marked with the Kirk hallmarked used 1932-61.

Origin: America, ca. 1950. Condition: excellent, very light wear to the first few 1/16” makers on the ruler at the pointed tip. Weight: 26.5 grams.