Catalog: Antiques (496)

Outstanding American late Classical mirror framed in solid well-figured mahogany with a gilt applied composition border of bellflowers. The gilding has a particularly rich patina. The glass is old and 1/4" thick, but probably not original, and has dulled to a very nice patina. The plate is backed with a wood panel that is covered with paper. The nails holding the plate in place have been replaced.

Origin: America, probably mid-Atlantic region, ca. 1840. Condition: all original surfaces; the tip of one bellflower is broken off; crackling of composition elements appropriate to age. Size: 14.5" diameter.

A very nice Victorian lacquered papier-mache folding corner shelf decorated with Chinese court scenes depicting a pair of noble ladies relaxing amidst their finery. The design is worked in gold and silver metallic inks and is accented with iron red and flesh-tone colors. Lacquered papier-mache with Chinese motifs were popular in both England and France, and the style of this example suggests and English origin. Ca. 1840. Condition: excellent, bright colors, all original. Size: 5” on each side; extends 5-1/2” from back corner.

A wonderful late Victorian tea caddy in the form of a miniature William IV style double-pedestal sideboard with a scallop shell backsplash. The lid lifts to reveal three small compartments for storing caddy spoons and other implements. The two outer compartments have removable pegs that allow the fronts of each of the pedestals to be removed, revealing two drawers for the storage of tea. The center area between the pedestals would have been used to store a crystal mixing bowl. The front of each pedestal has tombstone inlays in bird’s-eye maple, while the sides are decorated with a diamond pattern of rosewood and maple. The hinged top is edged with holly or sycamore stringing. Figural tea caddies and miniature furnishings are quite rare and desirable.

Origin: England, ca. 1870. Condition: some warping to the hinged lid, a 2-1/2” x 1/2" area of missing veneer on the front edge of the right pedestal (not very visible because the mahogany veneer is set over the mahogany carcass), the scalloped backsplash has split and has been secured with old nails, the teeth of the brass lock are missing. Size: 14-7/8” wide; 11-1/4” high; 6” deep.

Excellent Staffordshire children's cup illustrating the letter "H". The blue transfer decoration shows the letter amidst scenery filled with "H" words--horse, house, hound and horn. The cup has very nice color and a thick bluish glaze typical of Staffordshire pottery.

Origin: England, circa 1850. Condition: very good, a tiny (1/8") flake at the top rim. Size: app. 3" diam., 3-1/8" high.

A lovely set of twelve sterling silver demitasse spoons by Whiting. This pattern, probably referred to as “39”, was most likely only made as demitasse spoons. Whiting produced a number of patterns in the 1880s and 90s that were limited in this way. The handles, beautifully decorated with a pierced pattern of lilies of the valley, blend into corkscrew twist stems that connect to bowls enhanced with repousse decoration of chrysanthemums. Exactly what chrysanthemums and lilies of the valley have to do with each other is not clear, but the design certainly works from an aesthetic point of view! The bowls are highly polished, but the flowers on the handle have a matte surface that really highlights the floral details and adds to the realistic appearance. The backs are marked with Whiting’s earlier hallmark, the pattern number 39, and “Sterling”. The spoons are presented in their original fitted box covered in lilac velvet and silk.

Origin: America, ca. 1890. Condition: excellent, no monograms. Size: 4-1/16” long. Weight: 115.0 grams.

A classic 19th century French second standard (800/1000 pure silver) silver tastevin of traditional form and the bottom inset with a silver coin from the reign of Louis XV. The sides of the tastevin are decorated with the traditional raised “perles,” recessed “cupules,” and elongated “godrons” for assessing the depth of color and concentration of a wine. The coin, dating to 1732, depicts the profile of the king surrounded by the Latin inscription “Louis XV, by grace of God, king of France and Navarre.” The taster is completed with an especially fine double-snake handle. While double snakes are the traditional handle form for Burundian tastevins, the pretzel-like shape and the realistic appearance of the entwined snakes is a most unusual treatment. The handle and bowl are stamped with French 2nd standard silver hallmarks and the bowl also has an unidentified master silversmith's mark.

• Origin: France, ca. 1880.
• Condition: very good; a small ding to one side of the bowl; typical wear to the front of the coin; reverse side of the coin has sharp detail.
• Dimensions: 2-13/16” x 3-5/8” x 3/4".
• Weight: 56.4 grams.

A very good Classic Period glass paperweight with a pinchbeck design. The scene depicts the "Descent from the Cross" and shows two centurions, Joseph of Arimathea and Nicodemus taking the body from the cross while Mary weeps at Jesus' feet. The pinchbeck insert is finished in a silver tone rather than the more common gold. The crystal dome is of very good quality, with excellent clarity and good optical magnification to highlight the detail of the scene. The bottom of the weight retains its original red and gilt-painted decoration.

Origin: England or Continental Europe, ca. 1850. Condition: excellent, light surface scratching at the top of the crown. Size: 2-5/16" diameter; 1-1/4" high.

A wonderful sterling silver trout set in Towle's 1884 "Arlington" pattern. The handles are decorated in the repousse style with a profusion of roses and foliage. The decoration lends itself to being mixed with many of the repousse patterns from the Baltimore area. It is the blade of the trout knife, wonderfully decorated with an engraved trout leaping into the air after biting a lure (the entire casting rod in the background), that really sets these servers apart. Complete Victorian services included fish sets, but trout servers are extremely uncommon. They are a bit smaller than regular fish servers and have a slightly different shape. Towle, in particular, seems to have been fond of the form. The backs are stamped with Towle's hallmark and the retailer's mark "H. G. Shupp".

Origin: America, ca. 1890. Condition: excellent, light surface wear, a small bend at the tip of the knife's upper lip. Size: fork, 8-1/8" long; knife, 10-1/4". Weight: 140.5 grams.

Lovely panel-cut footed crystal compote, the stem with a blown teardrop. The foot is shaped to conform to the panel cutting. The crystal is top quality, with excellent weight and color. The bottom has a polished pontil.

Origin: England or Ireland, circa 1830. Condition: excellent, no chips or cracks. Size: 5-5/8" tall, 7-7/8" diameter; bowl is approximately 2" deep.

A handsome Victorian bronze pen tray with a native American motif. One end of the tray has a very detailed representation of an Indian wearing a feathered headdress and various jewelry. The tray itself has a wonderful relief scene depicting an encampment. A group of warriors are gathered around a fire smoking a pipe and wearing feathered bonnets and loincloths. Teepees are in the background, along with a number of palm trees. Even as late as the end of the 19th century, European representations of Native American scenes often included such inconsistencies. Most of the artists and craftsmen, having not traveled to America themselves, were blissfully unaware that the Great Plains generally weren’t dotted with palm tree groves. The casting is excellent. The bottom edge is marked “Austria”.

Origin: Austria, ca. 1895. Condition: excellent, original patina. Size: 9-7/8” x 3-3/4”.

A rare sterling silver pickle fork in Towle’s 1887 “Pomona” pattern. The long handle is decorated with a cornucopia overflowing with peaches, pears and grapes amidst foliage. The handle twists before leading into the matte gild three-tined fork. This piece would have been used for pickled vegetables, but could now be used for a variety of foods. The long size is much more difficult to find than the shorter version. The back is stamped with Towle’s hallmark and the patent date.

Origin: America, ca. 1890. Condition: excellent, sharp detail, original gilding, period two-letter monogram. Size: 9” long. Weight: 28.0 grams.

A very rare sterling silver chamber stick in a repousse floral pattern by Shiebler. The overall floral decoration depicts buds and full-blown rose blossoms against a background of leaves. Areas between the leaves are finished with a stippled texture. The knop of the candle socket and the bobeche are plain and make a nice contrast to the elaborate decoration. The thumbpiece is accented with a fan-shaped element that is suggestive of Shiebler’s more Aesthetic-style pieces. The bottom of the bobeche is stamped with Shiebler’s hallmark, the pattern number 1174, and the retailer’s mark “J. E. Caldwell & Co.”

Origin: America, ca. 1890. Condition: excellent, a small rim ding and a couple of pinpoints on the bobeche. Size: 6” diameter; 3-1/2” tall. Weight: 211.0 grams.

Very nice Staffordshire spaniel well-painted with black spots, gray accents and a gold padlock collar.

Origin: England, circa 1860. Condition: excellent, except for a 1/8" glaze flake on the back of one ear. Size: 3-7/8" tall.

An extremely rare sterling silver ladle for serving warm alcohol-based punch. The globe-form bowl is the traditional shape for toddy ladles. Today, the ladle could be used for various sauces or beverages such as egg nog—or even a toddy! The straight handle is ornamented with simple turnings before swelling to an olive-shaped terminal decorated with bright-cut floral engraving. The back of the terminal has a period three-letter monogram engraved in a matching style. The inner and outer surfaces of the bowl are heavily stippled and gilt. The back of the handle bears the retailer’s mark “J E Caldwell”. The style indicates this is an early piece of sterling, probably made just after the sterling standard was introduced in America by Tiffany.

Origin: America, ca. 1865. Condition: excellent, all original gilding. Size: 8-3/4” long. Weight: 113.0 grams.

A lovely cobalt blue blown glass hyacinth or bulb vase in the classic cone shape. The flared rim was intended to hold a hyacinth or other bulb just above the water line to root. Forcing bulbs was a popular Victorian pursuit and hyacinth vases were lovely adornments for kitchen and conservatory windows. The quality of glass is very good and cobalt blue is a desirable color. The bottom has a sheared pontil.

Origin: America, probably New England, ca. 1890. Condition: no chips or cracks. Size: 6-1/8" tall.

Superb sterling silver powder box covered with beautiful floral repousse decoration. The design features a dense covering of daisies, chrysanthemums and roses surrounding a pair of rococo reserves framed with assymetrical scrolls. Neither of the reserves has ever been monogrammed. The decoration is really excellent and is of a quality that would rival the best of the repousse decorators. The interior retains the original gilding. The bottom is marked with Gorham’s late 19th century mark and has the date code for 1894. It is also marked with the pattern number “735”.

Origin: America, 1894. Condition: excellent, the concealed inside lip of the lid has some bends that are not at all visible when the lid is in place. Size: 4” diameter; 3-1/8” high. Weight: 145.5 grams.

Very unusual glass paperweight from the New England Glass Company. The weight is worked in a patriotic theme with shards of red, white and blue opaque glass rods making up the scrambled design--possibly in celebration of America's centennial in 1876. The center of the setup is punctuated with a large icepick bubble--a technique I have never seen used in an American scrambled weight. There is also a rare silhouette cane of a pine tree. The crown is high and has a lightly swirled finish. The basal concavity is quite deep and irregularly finished.

Origin: America, circa 1876. Condition: excellent, no chips or cracks, no deep scratches. Size: 2-1/2" diameter; 2" high.

Very unusual Victorian sterling silver grapefruit spoon with a wonderful plique-a-jour enamel assymetrical handle decorated in six shades of translucent enamel. It is quite unusual for plique-a-jour enamel to have been used on a grapefruit spoon, as it was so fragile that it was usually reserved for more delicate pieces like demitasse spoons. The back is marked with Imperial Austrian marks in use 1866-1922.

Origin: Austria, ca. 1880. Condition: excellent, no enamel damage, original gilding. Size: 5” long.