Catalog: Antiques (496)

A very good sterling silver wine bottle or decanter coaster by Gorham. The flared lip is heavily decorated with a floral scrolled border in the Rococo style. The repousse decoration is finely done. The bottom of the coaster is fully hallmarked with one of the older Gorham hallmarks, the design copyright date 1889, the pattern number 325 and the date symbol for 1891.

Origin: America, 1891. Condition: excellent, one pinpoint ding visible on very close inspection, no monogram. Size: 6-3/4" diameter. Weight: 135.6 grams.

A classic 19th century 2nd standard (800/1000 pure silver) tastevin, inset at the base with a 1669 coin bearing the likeness of King Louis XIV surrounded by "Louis XIV by grace of God King of France and Navarre." The obverse of the coin can be seen from the bottom of the tastevin. The coin is surrounded by the typical pattern of "perles" and elongated "godrons" designed to create reflections in the wine to better judge its color and clarity. The handle is formed as a pair of intertwined snakes grasping an apple in their mouths as an allusion to the Garden of Eden. The tastevin is stamped with French silver marks and with an illegible maker's mark.

• Origin: France, ca 1840.
• Conditions: very good; a slight flattening to the rim opposite the handle; coin has significant wear as expected of a 350 year-old coin.
• Dimensions: 3-3/8 xx 4-1/4" x 7/8".
• Weight: 95.0 grams.

Extremely rare relief-molded jug by the Sandford Pottery in Wareham, Dorset. This jug was designed to honor the contributions of volunteers during the Crimean War (1853-56). The sides of the jug are decorated with a procession of a soldier, a sailor, a marine and a Scots Highlander. Under the lip is a representation of a young Queen Victoria. Above the foot is impressed "Our Army & Navy & Brave Volunteers". The coloring is very rich and the majolica glaze very deep and glossy. The design was registered on September 28, 1860. Sandford Pottery was a small firm and only produced three relief-molded jugs. The jug is listed in "Relief-Moulded Jugs: 1820-1900" by R.K. Henrywood.

Origin: England, circa 1860. Condition: excellent, no chips, or cracks. Size: 10-5/8" tall.

Very nice dovetailed wooden writing box or work box, the hinged lid decorated with a handpainted grapevine motif against a mustard painted background. The interior of the box has four fitted compartments along the back side. The bottom and top are attached to the dovetailed sides with old square nails. The inside of the lid is inscribed illegibly in pencil "Hannah ??".

Origin: New England, ca. 1870. Condition: very good paint, the original lock is now missing, an age split to the bottom and to the front side of the lid. Size: 10-1/4" x 8-3/4" x 4-1/4".

A beautiful Victorian sterling silver souvenir spoon from Saratoga Springs, New York. The handle depicts a Native American Chief wearing a feathered war bonnet, his bust surrounded by ears of corn and foliage. The bowl has a design picturing a young Native American man drinking from the natural springs and bears the legend “High Rock Spring Saratoga”. The bowl retains its original gilt surface. The back of the spoon is decorated with a tomahawk, bow and quiver of arrows. The stem is marked sterling and has the hallmark for Howard (1878-1902).

Origin: America, ca. 1890. Condition: near mint. Size: 4-3/16” long. Weight: 11.4 grams.

Outstanding Victorian figural picture frame in the form of a map of Australia! The metal is very heavy gauge and the coloring is white (I believe it is constructed of white brass with a yellow-tinted lacquer). The detail is superb, including outlines of rivers, the political boundaries (Western Australia, Northern Territory, South Australia, Queensland, New South Wales, and Victoria), and the locations of cities (Perth, Adelaide, Melbourne, Sydney, and Brisbane).

The reverse side is stamped "R. Golding/Rd. No. 30/Tasmania". The back has an easel which is removable for hanging on the wall with the attached hook.

Origin: Tasmania, Australia, late 19th century. Condition: excellent, with some wear to lacquer around edges. Size: 8" x 6-1/4".

A matching frame (missing the glass) is also available.

Gorgeous Qing Dynasty Chinese export porcelain vase with Rose Medallion enameled decoration. The body has a beautiful white color and intricate painted decoration of peonies, quince fruit, waterlilies, butterflies and birds. The foot, rim and shoulder are decorated with enameled flowers against a gilt background. The shoulder border is punctuated with reserves framing peony blossoms.

Origin: China, circa 1850.

Condition: excellent, no chips or cracks, normal wear to gilding, a tiny bit of wear to some of the enamels.

Size: 10" tall; 4" wide at shoulder; 3-1/8" wide at mouth.

A very fine Imperial Russian lacquer box by Vishniakov. The lid is decorated with a winter scene showing an empty troika, still tethered to its horse, located just outside a snow-covered log building. The scene is beautifully detailed. The interior is lacquered in the dark rust shade characteristic of Vishniakov.

Origin: Russia, ca. 1880. Condition: the top shows considerably alligatoring, but no paint loss; two of the top corners have flakes (visible in photos); the interior has wear to the finish. Size: 5-3/4" x 3-7/8" x 1-11/16".

Gorgeous sterling silver berry spoon in Durgin's 1891 "Watteau" pattern. The rococo design of the handle is wonderful on its own, but when combined with the decoration of the bowl, it's stunning! The back is hallmarked by Durgin.

Origin: America, ca. 1895. Condition: excellent, all original, period monograms on both the front and back. Size: 7-1/2" long.

Very rare pair of sterling silver salad servers in the 1888 "Rococo" pattern by Dominick & Haff. This is one of the company's most desirable patterns. The pieces are quite simply, enormous! The handles are beautifully decorated with an ornate floral pattern that is repeated at the top of the bowl and tines. The backs of the handles are simply decorated with a vine motif along the edges. The bowl and tines retain their original gilding. The backs are marked with Dominick & Haff's hallmark and the patent date.

Origin: America, ca. 1890. Condition: excellent, all original, no monogram, gilding intact. Size: 11-1/2" long. Weight: 276.0 grams.

Fabulous 19th century sterling silver christening cup by Whiting Manufacturing Company--one of the America's most sophisticated silver companies. The entire surface is covered with repousse decoration of roses, lilies, and philodendron leaves. A reserve, just opposite the handle, is engraved "Lily". Cups such as these were used as presentation gifts for babies when they were christened. Most often, they were given by the godparents. Obviously, this particular cup was chosen because of the link between the child's name and the design that incorporates lily blossoms! The bottom is stamped with Whiting's hallmark.

Origin: America, ca. 1870. Condition: excellent, sharp detail, no dings, period engraved "Lily". Size: 2-7/8" tall. Weight: 90.0 grams.

Outstanding majolica pitcher in the form of an owl. Modeled by the George Morley Co., this pattern is an icon of American majolica production. The colors are very nice, including the medium-pink interior. Unsigned.

Origin: American, 1884-91. Condition: sharp details, no chips, a hairline running along the back of the pitcher from near the top of the handle to the base, note that the dark areas that look like chips on the base are actually the remnants of adhesive used to hold on old felt pads. Size: 9" tall.

Stunning single-vase epergne in blue opaline glass. The deeply ruffled edges of the trumpet vase contrasts with the gentler ruffle of the lower bowl. The coloring is particularly nice.

Origin: probably France, possibly England, c. 1840. Condition: the very bottom of the trumpet is broken off, but when the trumpet is in place, the break is below the juncture with the lower bowl and no problems are visible (there is a remote possibility that this damage was in the making); otherwise excellent. Size: 8-3/4" tall; 7" diam.

A pretty Victorian mercury glass vase in rare peacock blue. The surface is frosted and enhanced with painted decoration of fuchsias an autumnal colors. Some areas of the background are left unfrosted for a nice contrast. Blue is a very unusual color for mercury glass pieces.

Origin: America, ca. 1850. Condition: very good, no chips or cracks, lead plug is missing and some oxidation in the foot and light oxidized pinpoints the main part of the body. Size: 8” tall.

A very fine pair of cast and engraved Louis XVI style bronze dore candlesticks. The round bases are decorated with beading and an ornate wreath of acanthus leaves. The pillars are fluted and broaden slightly before reaching the upper knop, also with acanthus leaf decoration. The sockets are likewise decorated. The original gilding is largely in place.

Origin: France, ca. 1890. Condition: excellent, no cracks. Size: 9-1/2" tall.

A delightful Bennington-type yellowware cow creamer with mottled brown glaze. The cow stands on a concave oval base. This example is more nicely potted than some, with good detailing in the ribcage area and a quirky facial expression. These creamers were made in both America and England, but the style of modelling suggests this is an American example. The tail has been reglued nicely, and a professional restorer could make the repair completely invisible.

Origin: America or England, ca. 1840. Condition: mint aside from the tail. Size: 6-7/8" x 3" x 5-3/8".

Lovely pair of sterling silver sugar tongs with opaque turquoise and white enamel decoration. The quality of these tongs is apparent from the ornate and elegant piercing of the tips. Stamped on the inside “Sterling 1212” and hallmarked by the H. H. Curtis Co. (North Attleboro, MA, 1891-1915).

Origin: America, circa 1900. Condition: excellent, no missing enamel, no monogram, faint lemony gilding. Size: 3-1/4” long.

English porcelain teacup and teabowl featuring three fine transfer designs printed in a stunning magenta color that is so intense it almost takes on the appearance of pink luster. The teabowl is decorated with a scene entitled "Winchester College" and the cup has "Macduff's Castle" and "Berwick Salop [sp?]". The saucer is further decorated with two concentric rings around the edge and the cup has two matching rings around the inside lip. Both pieces are in very fine condition, with only minimal scratching of the top surface of the teabowl. English, ca. 1840. Saucer 5-1/4" diam.; cup 2-1/2" tall.

Nice Bohemian glass paperweight featuring a concentric millefiori design. The outermost ring is composed of alternating pink and blue complex star canes. The canes are placed over a scrambled ground. The base is flat and is clearly defined. The glass is heavy and of quite good quality.

Origin: Bohemia, circa 1850. Condition: very good, a couple of moons at the top of the crown and a fleabites at the edge of the bottom. Size: 1-13/16” diameter; 1-5/16” high.

Outstanding American late Classical mirror framed in solid well-figured mahogany with a gilt applied composition border of bellflowers. The gilding has a particularly rich patina. The glass is old and 1/4" thick, but probably not original, and has dulled to a very nice patina. The plate is backed with a wood panel that is covered with paper. The nails holding the plate in place have been replaced.

Origin: America, probably mid-Atlantic region, ca. 1840. Condition: all original surfaces; the tip of one bellflower is broken off; crackling of composition elements appropriate to age. Size: 14.5" diameter.

A fine mid-19th century pressed glass paperweight in the form of a recumbent lion resting on an opaque glass base. The lion is beautifully detailed and finished in a frosted surface. This lion is similar to one produced by Gillinder for the 1876 Centennial Exposition, but it is much more finely made. The underside of the black base is impressed “490”.

Origin: probably America, ca. 1870. Condition: excellent; there are a few very minor fleabites along the bottom edge of the base and a couple of small ones (probably from rings) on the lion’s head, where a user would likely pick up the paperweight (these are very difficult to see due to the complexity of the design). Size: 5-3/4” x 3-3/8” x 3-3/4”.

Excellent Staffordshire children's cup illustrating the letter "H". The blue transfer decoration shows the letter amidst scenery filled with "H" words--horse, house, hound and horn. The cup has very nice color and a thick bluish glaze typical of Staffordshire pottery.

Origin: England, circa 1850. Condition: very good, a tiny (1/8") flake at the top rim. Size: app. 3" diam., 3-1/8" high.

A beautiful enameled silver patch or pill box by Nicholai Alexeyev. The hinged box is fully covered with enamels worked in shades of opaque white, aqua, periwinkle and royal blue, accented with translucent red and green. The cover and bottom are worked in a stylized starburst pattern, while the sides feature floral banding flanked by traditional triangular and dotted patterns. Exposed areas of silver are stippled and lightly gilt. The interior is also gilt. The interior of the body and lid are marked with the Moscow city mark, the 88 standard, and the maker’s mark for Nicholai Alexeyev. The lid closes securely and can be used as a functional pill box, if desired.

Origin: Moscow, ca. 1890. Condition: excellent, no enamel damage. Size: 2-1/8” diameter; 1” high. Weight: 53.0 grams.

A classic 19th century French second standard (800/1000 pure silver) silver tastevin of traditional form and the bottom inset with a silver coin from the reign of Louis XV. The sides of the tastevin are decorated with the traditional raised “perles,” recessed “cupules,” and elongated “godrons” for assessing the depth of color and concentration of a wine. The coin, dating to 1732, depicts the profile of the king surrounded by the Latin inscription “Louis XV, by grace of God, king of France and Navarre.” The taster is completed with an especially fine double-snake handle. While double snakes are the traditional handle form for Burundian tastevins, the pretzel-like shape and the realistic appearance of the entwined snakes is a most unusual treatment. The handle and bowl are stamped with French 2nd standard silver hallmarks and the bowl also has an unidentified master silversmith's mark.

• Origin: France, ca. 1880.
• Condition: very good; a small ding to one side of the bowl; typical wear to the front of the coin; reverse side of the coin has sharp detail.
• Dimensions: 2-13/16” x 3-5/8” x 3/4".
• Weight: 56.4 grams.

A rare sterling silver pickle fork in Towle’s 1887 “Pomona” pattern. The long handle is decorated with a cornucopia overflowing with peaches, pears and grapes amidst foliage. The handle twists before leading into the matte gild three-tined fork. This piece would have been used for pickled vegetables, but could now be used for a variety of foods. The long size is much more difficult to find than the shorter version. The back is stamped with Towle’s hallmark and the patent date.

Origin: America, ca. 1890. Condition: excellent, sharp detail, original gilding, period two-letter monogram. Size: 9” long. Weight: 28.0 grams.

A wonderful sterling silver trout set in Towle's 1884 "Arlington" pattern. The handles are decorated in the repousse style with a profusion of roses and foliage. The decoration lends itself to being mixed with many of the repousse patterns from the Baltimore area. It is the blade of the trout knife, wonderfully decorated with an engraved trout leaping into the air after biting a lure (the entire casting rod in the background), that really sets these servers apart. Complete Victorian services included fish sets, but trout servers are extremely uncommon. They are a bit smaller than regular fish servers and have a slightly different shape. Towle, in particular, seems to have been fond of the form. The backs are stamped with Towle's hallmark and the retailer's mark "H. G. Shupp".

Origin: America, ca. 1890. Condition: excellent, light surface wear, a small bend at the tip of the knife's upper lip. Size: fork, 8-1/8" long; knife, 10-1/4". Weight: 140.5 grams.

A lovely cobalt blue blown glass hyacinth or bulb vase in the classic cone shape. The flared rim was intended to hold a hyacinth or other bulb just above the water line to root. Forcing bulbs was a popular Victorian pursuit and hyacinth vases were lovely adornments for kitchen and conservatory windows. The quality of glass is very good and cobalt blue is a desirable color. The bottom has a sheared pontil.

Origin: America, probably New England, ca. 1890. Condition: no chips or cracks. Size: 6-1/8" tall.

A handsome Victorian bronze pen tray with a native American motif. One end of the tray has a very detailed representation of an Indian wearing a feathered headdress and various jewelry. The tray itself has a wonderful relief scene depicting an encampment. A group of warriors are gathered around a fire smoking a pipe and wearing feathered bonnets and loincloths. Teepees are in the background, along with a number of palm trees. Even as late as the end of the 19th century, European representations of Native American scenes often included such inconsistencies. Most of the artists and craftsmen, having not traveled to America themselves, were blissfully unaware that the Great Plains generally weren’t dotted with palm tree groves. The casting is excellent. The bottom edge is marked “Austria”.

Origin: Austria, ca. 1895. Condition: excellent, original patina. Size: 9-7/8” x 3-3/4”.

An elegant late Victorian jewelry box in the Louis XVI style. The sides and lid are decorated with delicate raised birds and floral sprays against a stippled background. Engraved volutes at the corners accent the main decoration. The edges are decorated in a typical French bound reed design. The whole is raised on turned feet. The brass plating is beautifully patinated to a lustrous sheen.

Ca. 1890. Condition: excellent, sharp detail, virtually no wear, the interior fabric has been replcaed with felt and could easily be replaced with something nicer. Size: 5-1/2" x 3-1/2" x 3-1/2".

A very rare sterling silver chamber stick in a repousse floral pattern by Shiebler. The overall floral decoration depicts buds and full-blown rose blossoms against a background of leaves. Areas between the leaves are finished with a stippled texture. The knop of the candle socket and the bobeche are plain and make a nice contrast to the elaborate decoration. The thumbpiece is accented with a fan-shaped element that is suggestive of Shiebler’s more Aesthetic-style pieces. The bottom of the bobeche is stamped with Shiebler’s hallmark, the pattern number 1174, and the retailer’s mark “J. E. Caldwell & Co.”

Origin: America, ca. 1890. Condition: excellent, a small rim ding and a couple of pinpoints on the bobeche. Size: 6” diameter; 3-1/2” tall. Weight: 211.0 grams.

Very nice Staffordshire spaniel well-painted with black spots, gray accents and a gold padlock collar.

Origin: England, circa 1860. Condition: excellent, except for a 1/8" glaze flake on the back of one ear. Size: 3-7/8" tall.

An extremely rare sterling silver ladle for serving warm alcohol-based punch. The globe-form bowl is the traditional shape for toddy ladles. Today, the ladle could be used for various sauces or beverages such as egg nog—or even a toddy! The straight handle is ornamented with simple turnings before swelling to an olive-shaped terminal decorated with bright-cut floral engraving. The back of the terminal has a period three-letter monogram engraved in a matching style. The inner and outer surfaces of the bowl are heavily stippled and gilt. The back of the handle bears the retailer’s mark “J E Caldwell”. The style indicates this is an early piece of sterling, probably made just after the sterling standard was introduced in America by Tiffany.

Origin: America, ca. 1865. Condition: excellent, all original gilding. Size: 8-3/4” long. Weight: 113.0 grams.

Very unusual glass paperweight from the New England Glass Company. The weight is worked in a patriotic theme with shards of red, white and blue opaque glass rods making up the scrambled design--possibly in celebration of America's centennial in 1876. The center of the setup is punctuated with a large icepick bubble--a technique I have never seen used in an American scrambled weight. There is also a rare silhouette cane of a pine tree. The crown is high and has a lightly swirled finish. The basal concavity is quite deep and irregularly finished.

Origin: America, circa 1876. Condition: excellent, no chips or cracks, no deep scratches. Size: 2-1/2" diameter; 2" high.

Superb sterling silver powder box covered with beautiful floral repousse decoration. The design features a dense covering of daisies, chrysanthemums and roses surrounding a pair of rococo reserves framed with assymetrical scrolls. Neither of the reserves has ever been monogrammed. The decoration is really excellent and is of a quality that would rival the best of the repousse decorators. The interior retains the original gilding. The bottom is marked with Gorham’s late 19th century mark and has the date code for 1894. It is also marked with the pattern number “735”.

Origin: America, 1894. Condition: excellent, the concealed inside lip of the lid has some bends that are not at all visible when the lid is in place. Size: 4” diameter; 3-1/8” high. Weight: 145.5 grams.

A very nice Imperial Russian enameled silver spoon by Gustav Klingert. The bowl is beautifully decorated in five shades of opaque cloisonné enamels and in translucent red and amethyst. The design I modified floral pattern with a Persian-style reserve. The handle is finished in a fish-scale enameled pattern. Exposed areas of silver are stippled and gilt. The interior of the bowl is engraved “Moscow”, indicating that the spoon was sold as a souvenir to an American or English visitor. The handle is fully hallmarked with the city mark for Moscow and Klingert’s maker’s mark. The date mark is obscured, but the assay master Lev Oleks was active only between 1890 and 1896.

Origin: Moscow, 1890-96. Condition: excellent, no enamel damage, gilding intact. Size: 4-7/32” long. Weight: 15.9 grams.

Elegant sterling silver footed basket with flaring, reticulated sides and a hoop handle. The swirling pattern of the piercing echoes the basket's scalloped rim. The top of the handle has a reserve for a monogram, but was never monogramed. The bottom has Durgin's early hallmark and the retailer's mark "Hodson, Kennard & Co." Many of Durgin's earlier products were sold through such upscale Boston retailers.

Origin: America, circa 1890. Condition: excellent, no dings. Size: 5-1/4" x 4-1/4" x 7-3/4" high. Weight: 153.0 grams.

Superb gilt bronze figural inkstand depicting a still pond afloat with water lilies. Separately cast lily pads float just above the surface of the bronze "water", three buds in various stages of development rise above the leaves, and the whole is topped off by a fabulous full-blown waterlily inkwell with a honeybee finial. One of the buds serves as a pen holder. The "pond" is raised on three feet cast in the form of salamanders so fully detailed that their coiled bodies are visible only when the inkstand is turned upside down.

Origin: probably English or French, c. 1870. Condition: excellent; some minor pitting from the corrosive inks; the glass insert is missing; some of the details show very nice green patination. Size: 12-1/2" x 8-1/2" x 3-1/2".

A lovely set of six sterling silver strawberry forks in Lunt’s 1893 “Navarre” pattern. This pattern was actually developed by A. F. Towle & Sons, which eventually was purchased by Lunt Silversmiths. The handles are beautifully decorated in an asymmetric pattern of volutes, acanthus leaves and flowers. The slightly splayed double tines retain their original matte gilding. The backs are marked with the A.F. Towle hallmark and the retailer’s mark “G. Frank”.

Origin: America, ca. 1895. Condition: excellent, sharp detail, original gilding, no monograms. Size: 4-25/32” long. Weight: 52.0 grams.

Nice Victorian brass ladies' lace-up boot. This example has holes drilled to represent the holes for laces. The Victorians often placed these along their mantles for purely decorative purposes.

Origin: England or America, ca. 1880. Condition: excellent, light scratching near the toe. Size: 4.5" tall.

Extraordinary majolica tile raised on bun feet. The tile features a sinuous painted Art Nouveau design of elegant swans swimming in a river with a cityscape beyond, surrounded by a border of bamboo. The design has a distinctly impressionist look that brings to mind some of the Rookwood vellum patterns. The bottom is impressed "66" and has an illegibly impressed maker's mark.

Origin: European, circa 1880. Condition: superficial glaze scratching from normal wear; glaze crazing only on the underneath side. Size: 9.25" square; 1.5" high.

Very unusual Victorian sterling silver grapefruit spoon with a wonderful plique-a-jour enamel assymetrical handle decorated in six shades of translucent enamel. It is quite unusual for plique-a-jour enamel to have been used on a grapefruit spoon, as it was so fragile that it was usually reserved for more delicate pieces like demitasse spoons. The back is marked with Imperial Austrian marks in use 1866-1922.

Origin: Austria, ca. 1880. Condition: excellent, no enamel damage, original gilding. Size: 5” long.

An elegant first standard (950/1000 pure silver) French silver tastevin in typical 18th century Burgundian style. Rather than with the typical "perles" and fluted "godrons", the bowl of this tastevin is decorated with repousse grape leaves and berries in the 18th century style. This treatment is sometimes seen in tastevins made by Parrod, but the particular decoration is different than any other we've seen. Similarly, the handle, in the form of two duck heads grasping an apple is a very exaggerated variation of the usual form seen on tastevins from Lyon. The base is fully hallmarked and has an unidentified silversmith's mark "M tête grec D".

Origin: France, ca. 1850. Condition: excellent. Dimensions: 3-3/16" diameter (excluding handle). Weight: 72.3 grams.

A handsome Imperial Russian medium-size hammered brass oval tray with cast brass handles. A tray of this size would probably have been used to serve vodka, and could still be used as a cordial tray or even on a buffet table. One end is stamped with the maker’s name and the Imperial Romanov double eagle warrant. The handles are attached with copper rivets and are cast in a ropetwist design.

Origin: Russia, last quarter 19th century. Condition: excellent, no dings, untouched patina, wear to the Imperial warrant. Size: 14-1/4” x 7-3/8” x 1/2”.

An elegant sterling silver soup ladle in Whiting’s 1890 “Old King” pattern. The shell and acanthus leaf design elements of the handle appeared in many flatware variations since the Georgian era, and has become an established classic for its restrained elegance. The bowl is parcel gilt for nice contrast. The back of the ladle is stamped with the retailer’s mark for Theodore B. Starr. Starr had agreements with several major silversmiths who provided the store with fine silver to which they applied the retailer’s mark rather than the manufacturer’s.

Origin: America, ca. 1895. Condition: excellent, sharp detail, light fading to the original gilding, no monogram. Size: 13-/4” long. Weight: 218.0 grams.

A nice tin tray with tole floral decoration. The center is painted with a colorful bouquet including roses, tulips, peonies, lilies and ferns. The bouquet is surrounded by a foliate border, and the edges of the tray are highlighted with an orange-gold sand paint. The tray is handmade with soldered seams and rolled edges.

Origin: America, ca. 1900. Condition: excellent original paint. Size: 18-5/8” x 12-5/8” x 1-3/16”.

A classic Sandwich glass hyacinth vase in a rich teal shade. The vase is entirely hand blown and shows the traces of hand marvering. The deeply concave base has a rough pontil and a basal ring showing the expected wear. Hyacinth vases, sometimes called tuplip vases or bulb vases, were used to force flowering bulbs for wintertime blooms indoors. They were quite the rage and some Victorian homes had numbers of vases arrayed on windowsills. Pieces by Sandwich are uncommon. An identical example to this, except in cobalt blue and with a large rim chip, sold at auction in July 2006 for $2127.50.

Origin: America, ca. 1870. Condition: excellent, no chips or cracks. Size: 9-1/4" tall.

A very attractive French silver (1st standard=950/1000 pure silver) tastevin, the bottom inset with a 1785 silver coin showing the bust of King Louis XVI. This tastevin departs slightly from the traditional form, with the fluted “godrons” placed immediately around the coin and the sides finished with very nice repousse decoration of grapes, vines and leaves. The tastevin is finished with a single coiled snake handle. Tastevins set with royal coins seem to have been popular during various times in the 19th century when France was ruled over by a king or emperor. Tastevins with Louis XVI coins are not often encountered, however. The tastevin is stamped with French silver marks and with an unidentified master silversmith mark.

Origin: France, ca. 1860. Condition: excellent. Dimensions: 7.9 x 10.5 cm (3-1/8 x 4-1/8 in). Weight: 105.4 gr.

An absolutely delightful bronze calling card tray, the center designed with a small frog atop a traditional baroque-style wave. The top edge of the dish has a wonderful scene of four frogs riding big-wheel bicycles along a road. They have quite good balance, as all have their arms crossed. The lead frog is even smoking a pipe. Road markers reading “2Km” and “3Km” mark their progress. The frog and bicycle design was taken directly from a J & P Coats thread company advertisement used on trade cards in the 1880s. More than likely, the tray was designed to be used to hold the cards in an exclusive Parisian dressmaker’s or tailor’s shop.

Origin: France, ca. 1885. Condition: excellent; original patina; sharp details. Dimensions: 7-1/2 x 4-1/4 in.

A gorgeous boxed set of 12 sterling silver demitasse spoons in the “Wild Rose” variation of the “Vine” pattern. The spoons have gilt bowls in the elongated shape often seen in Tiffany demitasse spoons. The bowls enhanced with soft matte gilding. Each is stamped with the Tiffany mark used 1873-1891. The spoons are presented in their original fitted box lined in “Tiffany blue” silk and embossed with the company’s logo. The box includes Tiffany’s original Paris location, dating it to the period 1878-1910

The “Vine” pattern was most likely created by Edward C. Moore, Tiffany’s chief designer, and was introduced in 1872. The design included a variety of floral and vegetable elements including wild roses tomatoes, gourds, irises, wheat sheaves, etc. They with different appearances, the designs were intended to be used together—a reference to the Japanese decorative concept of mismatching that became popular in Europe and America after Japan was opened to trade in the 1850s. Few pieces in the pattern were made after the mid-1880s.

Origin: America, ca 1880. Condition: excellent, sharp detail, gilding intact; box's hinge side has been reinforced with archival bookbinding tape. Dimensions: spoons, 4” long. Weight: 132.8 grams.

19th century cast iron figure of an angel raising a laurel wreath above her head and holding a ship's anchor. Obviously intended as a symbol of the wishes for a sailor's safe return from the sea, the plaque was probably used to decorate the wall of a sailor's home in an Atlantic coast seaport.

Origin: America, circa 1860s. Condition: excellent, light rusting on surface. Size: 14" tall.

Nice porcelain footed mug with a transfer print entitled "Sands & Railway Station Ramsgate--A Present From Ramsgate". The scene shows the railway station in the background with bathers in the foreground. Queen Victoria lived in Ramsgate for a time before ascending the throne. After the railway came to the shore, Ramsgate became a very popular tourist destination. The rim is decorated with a gilt band.

Origin: England, ca. 1870. Condition: very good, slight wear to gilding along the rim, a tight hairline visible only the inside. Size: 3-5/16" diameter; 3-3/16" high.

A wonderful late Victorian tea caddy in the form of a miniature William IV style double-pedestal sideboard with a scallop shell backsplash. The lid lifts to reveal three small compartments for storing caddy spoons and other implements. The two outer compartments have removable pegs that allow the fronts of each of the pedestals to be removed, revealing two drawers for the storage of tea. The center area between the pedestals would have been used to store a crystal mixing bowl. The front of each pedestal has tombstone inlays in bird’s-eye maple, while the sides are decorated with a diamond pattern of rosewood and maple. The hinged top is edged with holly or sycamore stringing. Figural tea caddies and miniature furnishings are quite rare and desirable.

Origin: England, ca. 1870. Condition: some warping to the hinged lid, a 2-1/2” x 1/2" area of missing veneer on the front edge of the right pedestal (not very visible because the mahogany veneer is set over the mahogany carcass), the scalloped backsplash has split and has been secured with old nails, the teeth of the brass lock are missing. Size: 14-7/8” wide; 11-1/4” high; 6” deep.

Flint EAPG ale goblet in the "Colonial" pattern, probably by the Boston & Sandwich Glass Company. The goblet has a very attractive, narrow form. Nice clarity.

Origin: America, ca. 1850. Condition: no chips or cracks, a scratch on the bottom interior of the bowl, normal frosted wear on the bottom. Size: 6-3/8" tall.

Elegant Victorian sterling silver serving dish with intricate repousse and pierced sides. The sides are finished off with a cyma-curve border punctuated at compass points with baroque shell motifs. The bottom is fully hallmarked for London, 1891-92, and has the maker’s mark “WC”. The piece is quite heavy and is of the very good quality.

Origin: England, 1891-92. Condition: excellent, no dings, no monogram. Size: 9” x 6-1/2” x 1-3/8” high. Weight: 177.5 grams.

A wonderful Victorian ironstone footed fruit compote decorated in an underglaze blue floral pattern. Distinctly Asian in flavor, the pattern depicts prunus blossoms and peonies surrounded by rocky outcroppings, foliage and hovering butterflies. The edges are finished in a diaper border. Either end has a leafy handle, heavily accented with gilding similar in style to that found on Old Paris porcelains. The overall shape and use of gilding suggests an early date. The bottom is marked with F. Morley & Co.’s underglaze stamp.

Origin: England, ca. 1845. Condition: excellent, no chips or cracks, there are three small glaze misses near the upper rim, original gilding intact. Size: 12-1/2” x 9” x 5-5/8” tall.

Victorian brass figural picture frame in the form of a medieval knight's shield with a halbeard and lance. Cut from heavy-gauge brass, this frame shows great originality and design sense. The back has a hinged easel.

Origin: England, ca. 1880. Condition: excellent. Size: 8" x 5".

An uncommon set of six nut picks, the mother of pearl handles attached to the silverplate picks with sterling silver ferules. The ferules are decorated with ropetwist borders flanking an ornate acanthus leaf pattern. In the Victorian era, fresh nuts would have been served alongside and cheese and fruit as a dessert course. The ferules are marked "Sterling".

Most sterling silver flatware services before 1900 had mother of pearl cutlery instead of knives that matched the rest of the service. Mother of pearl pieces such as a nut picks are considerable less common than knives.

Origin: America, ca. 1890. Condition: excellent, no plating loss. Size: 5-1/4".

Extremely rare pair of Victorian cast iron flamingo garden ornaments. Dating from the late 19th century, these flamingos are exceptional. I've seen many later versions in concrete or plastic, but never another pair this old or made of cast iron. These birds appear to be enjoying their third or fourth layer of paint, but the newest layer appears to be a good 50 years old. The outermost and innermost layers are nearly the same color, with an intervening layer of softer pink. The most recent painter splattered some of the pink paint onto the green bases. Each bird was cast in two parts. The legs are screwed into openings at the bottom of the birds and then into the cast bases. The detail is outstanding, with even the bases having a rocking texture. I cannot find a signature, but there could possibly be one underneath the paint.

Origin: American, possibly by Fisk or another iron foundry of equal stature, late 19th century. Condition: see description of paint history above; no missing parts or cracks; rust appropriate to age. Size: 15" and 19.75" tall.

A nice Staffordshire inkwell or quill holder in the form of a recumbent deer. The naive painted decoration almost makes it look as if she's wearing a little black hat. The doe is posed on a white base molded as a rocky outcropping. The base is highlighted with a burnished gilt line.

Origin: England, ca. 1850. Condition: excellent, no damage. Size: 4-3/4" x 2" x 4".

A very nice Victorian inkwell in peacock blue glass. The front side is engraved with an ornate floral pattern. The lid has lapidary cutting around the edges and is engraved with the image of a dove in mid-flight and carrying a letter in its beak. Certainly, the suggestion is of a lovebird delivering a sentimental note! The lid is mounted with a brass hinge.

Origin: America, ca. 1860. Condition: excellent, a small flake under the bottom. Size: 2-1/2” x 2-1/2” x 3-1/16” tall.