Catalog: Antiques (496)

A wonderful sterling silver footed basket by Gorham. The edges are decorated in an ornate Victorian floral motif that is echoed on the handle. The scrolled feet are accented with a shell motif. The rounded sides of the basket have a superb pierced floral design that sets this basket apart from most others. The basket is of the very finest quality made by Gorham in the Edwardian era. The basket would be ideal for a small floral arrangements or potpourri. The bottom is hallmarked with one of Gorham’s earlier marks and the date code for 1908.

Origin: America, 1908. Condition: excellent, a very slight bend to the handle. Size: 7-13/16” x 5-5/8” x 5-1/2” tall. Weight: 217.5 grams.

Late Victorian sterling silver olive spoons/spears such as this are the perfect accompaniment for a sophisticated bar set-up. They can be used for olives, of course, but also for cocktail onions or cherries. They can also be used as a stir in a cocktail pitcher or shaker. The spoon retains its original semi-matte gilding. The stem is marked “925/1000 Sterling.”

Origin: America, ca. 1900. Condition: excellent. Dimensions: 8-1/8” long. Weight: 11.7 gr.

A fun pressed brass picture frame in the form of an early automobile. The frame is cleverly designed with vanishing point perspective to appear three dimensional. Apparently, it was originally a desk calendar and the original calendar inserts from 1907 have been used as a backing for the current photograph.

Origin: America, 1907. Condition: excellent. Dimensions: 3-1/8” x 2-3/8”.

An elegant Art Nouveau glass vase decorated with enameled poppies. The blossoms are worked in shades of cream, yellow, rose and violet, while the foliage is stained a reddish-purple and highlighted with a complex, lacy pattern of gilding. The upper rim of the vase is decorated with a band of stained and gilt flowers, as well. The vase is blown in pillar form with an optic paneled design. The workmanship is very fine. Unsigned, but almost certainly the product of Mont Joye (also known as Verreries Saint-Denis or Legras).

Origin: France, ca. 1900. Condition: excellent, no cracks, no enamel or gilding wear, a 1/32" flake at the upper rim. Size: 8".

A very fine 13-piece gilt silver coffee or tea service by Bruckmann & Soehne, one of Imperial Germany's leading silversmiths. Peter Bruckmann established the Deutscher Werkbund in 1907 to bring designs by the major German artists into the public realm. This service, strikingly decorated with classical figures, is a quintessential example. The slightly angular spade-shaped handles look forward to the Art Deco, while the subject matter itself depicts traditional Greek gods and goddesses. The spoons and tongs are presented in their original fitted case lined with silk and kid leather. The interior of the lid is embossed with the retailer's mark. Each piece is hallmarked with Bruckmann's hallmark, including the Imperial warrant.

Origin: Germany, ca. 1900. Condition: excellent, all original. Size: spoons, 3-3/4" long; tongs, 3-7/8" long. Weight: 114.50 grams.

A very nice sterling silver pincushion and sewing box by Tiffany & Co. The pierced sterling silver walls enclose a sewing box (or jewelry box) with two hinged tops that serve as pincushions. The current dark purple velvet is a replacement, but is placed over the original box structure. The pierced handle has an area that can be monogrammed (never been monogrammed). The whole is raised on bun feet. The bottom is marked with the Tiffany hallmark in use 1902-07.

Origin: America, 1902-07. Condition: excellent, velvet replaced, never monogrammed. Size: 6-7/8” x 3-1/2” x 4-1/2” tall.

Very heavy sterling silver soup ladle in Gorham's elegant 1901 "Florentine" pattern. The handle is decorated with a satyr mask surrounded by vines, dolphins, clusters of fruit, acanthus leaves and various other classical decorative elements. The design spills from the handle onto the back rim of the bowl. The back of the handle has complementary decoration. Hallmarked by Gorham and with the patent date, indicating an earlier date of manufacture.

Origin: America, ca. 1905. Condition: excellent, sharp detail, no dings, no monogram. Size: 12-1/2" long. Weight: 262.0 grams.

An extraordinary pair of painted tin toleware planters in the form of canoes. One is painted white with blue and red accent stripes and the other is red with blue and white accents. Each of the canoes has its original leather-wrapped wire hanger, and the undersides have trays to catch water drips. The drip trays also allow the canoes to placed on a surface instead of hanging. The paint is completely original and has a great crusty surface. The shape has the distinctive exaggerated upturned bow and stern associated with birchwood canoes.

Origin: America, ca. 1900. Condition: excellent, all original, white canoe has some paint loss on the drip tray legs, red canoe has some paint loss long the top edges of the plant holder. Dimensions: 15-1/2 x 4-1/4 x 7-3/4 inches.

A lovely sterling silver fancy serving fork in an unnamed Art Nouveau pattern by the Baird-North Co. The handle is beautifully decorated with a thorny vine of wild roses. The back is decorated in a simpler design of roses. The splayed tines are ornately pierced. A fork of this shape would probably have been used to serve bacon, but it might also be useful for cold meats. The reverse is marked “Sterling/Pat. 1903”. There is no maker’s mark (maker’s marks were not legally required until 1906), but we’ve had pieces in this pattern that have bear Baird-North’s hallmark.

Origin: America, ca. 1903-1906. Condition: excellent, sharp detail, no monograms. Size: 8” long. Weight: 35.5 grams.

An exquisite set of four sterling silver blotter corners by M.C. Cone. Each corner is made up of a pair of leaves flanking a stylized dogwood blossom, all worked from sheet silver. The upper two corners have the initials “AB” worked into the design, indicating that these were commissioned for the original owner. The backs are signed “Cone Sterling”. M.C. Cone, listed as a metalworker in the 1906/07 edition of the “National Directory of Workers in the Artistic Crafts” worked in West Hartford, Connecticut, not far from where these blotter corners were found. The quality of both design and workmanship is of the very highest level.

Origin: America, ca. 1905. Condition: excellent, all original, no dings. Size: 2-3/4” x 2-3/4”. Weight: 158.5 grams.

A wonderful boxed set of six 800 silver Jugendstil (“Art Nouveau”) demitasse or chocolate spoons, each featuring a scene from different Brothers Grimm fairy tales. The tales include “Bremen Town Musicians”, “The Frog Prince”, “Little Red Riding Hood”, “Hansel & Gretel”, “Sleeping Beauty”, and “Puss in Boots”. Bruckmann, one of the most important Imperial German silversmiths of the Jugendstil period, worked with many leading designers. In this case, the designer was Hugo Cauer who created the “Märchen” (“Fairy Tales”) line in 1903/04. Bruckmann and Cauer were responsible for the most important silver pieces entered into Germany’s display at the 1900 World Exposition in Paris. The “Fairy Tale” design occasionally appears on children’s table ware such as napkin rings or drinking cups, so it’s possible the spoons were intended to do double duty as chocolate spoons, as well. The spoons are presented in their original fitted box marked with the logo of the luxury jeweler Oscar Stodt. The back of each is stamped with Stodt’s retailer’s mark, as well as Bruckmann’s maker’s mark and appropriate hallmarks for 800 silver.

• Origin: Germany, ca. 1904.
• Condition: excellent, original gilding intact.
• Dimensions: spoons, 3-3/4” long.
• Weight: 55.6 grams.

Pretty late Victorian porcelain child's cup. One side has a polychrome transfer image of a playful dog, while the other shows another dog with a blue ribbon around his neck. The rim and handle are decorated with gilt bands. Porcelain cups such as these were prized by Victorian children. The bottom is marked "Germany".

Origin: Germany, ca 1900. Condition: excellent, no chips or cracks, light wear to gilding at rim. Size: 2-3/16" tall.

A wonderful Art Nouveau sterling silver cracker scoop in Blackinton’s 1904 “Daisy” pattern. The handle, decorated with flowers and foliage, nicely accents the ruffled edge of the bowl. Cracker scoops were originally used to serve small crackers similar to today’s oyster crackers. Now, the piece could be used to serve a variety of foods. Blackinton made a small line of very good sterling silver flatware in the Art Nouveau style. All U.S. embassies worldwide use Blackinton flatware for formal occasions. The back is marked with Blackinton’s hallmark.

Origin: America, ca. 1905. Condition: excellent, sharp detail, no monogram. Size: 9-13/16” long. Weight: 133.0 grams.

A pair of carved bone master salt spoons decorated with elephants on the handles. Circa 1900. Excellent condition. 2-3/4” long.

A nice pair of painted cast iron curtain tiebacks in the form of sunflowers. The original paint is nicely applied with good shading.

Origin: America, ca. 1900. Condition: excellent, original paint, very minimal paint chipping along edges. Size: 2-1/4” diameter.

An elegant sterling silver pierced olive spoon with an ornately pierced gilt bowl and and the handle decorated with wild roses enclosed in a curving border. The back is marked “Sterling Pat. 1903”.

Origin: America, ca. 1903. Condition: excellent, sharp detail, original gilding intact, no monogram. Dimensions: 6-3/8” long. Weight: 13.4 grams.

A very good cut glass vase by Clark in the "Iris" pattern. The lower third and the flared rim are cut with elongated hobstars flanked by mitred triangles of strawberry diamond cutting enhanced with fans; and the neck is cut with panels of printies alternating with notched prisms. The base is cut with a 20-point hobstar and has Clark’s script acid signature. The pattern is either "Iris" or a variant of “American Beauty”. The cutting is very precise and the polish is excellent.

Origin: America, ca. 1900. Condition: excellent, a small nick to only one tooth at the rim. Size: 10-1/4” tall.

Gilt sterling silver replica of the anointing spoon used for the coronation of English monarchs. The original spoon, dating from the 12th Century, is the oldest continuously used piece in the entire English royal regalia. The spoon is used to apply holy anointing oil onto the sovereign during his or her coronation. This replica commemorates the coronation of George V. The handle is stamped with the appropriate hallmarks for London, 1910 and the maker’s mark “CS/FS”.

Origin: London, England, 1910. Condition: excellent, sharp detail, original gilding. Size: 4-1/4” long. Weight: 12.0 grams.

An outstanding Arts & Crafts style 900 silver letter opener, the top embellished with an enameled horses head against a stippled background. The letter opener is quite heavy and both the silver and the enamel are of the finest quality. Marked “900”.

Origin: Continental Europe, ca. 1900. Condition: excellent, all original, no enamel damage. Size: 8” long. Weight: 69.5 grams.

Very nice vintage South Jersey glass paperweight featuring a frit design of an ivy-covered blue cross against an opaque white ground. The foreground has a wave-like frit design. The opaque ground is most unusual in a South Jersey weight. The crown rises quite high into a pronounced cowlick more typical of New England weights. The bottom has a pontil mark and slight basal concavity, and there is an incised line around the periphery at the top edge of the opaque ground.

Origin: America, ca. 1900. Condition: excellent, very light surface scratching as expected. Size: 3-1/4” diameter; 2-1/4” tall.

Exceptionally fine Edwardian tortoishell letter box decorated with gold pique. The serpentine front is inlaid in a pattern of floral swags flanking a center wreath. The curved top has a matching wreath and swags as well as songbirds. The gold has a beautiful rose tint that contrasts nicely with the rich golden-brown of the tortoise, and the surfaces are intricately engraved to enhance the appearance. The use of gold for pique work was reserved for only the most expensive and impressive items. The back and sides of the box are covered in burgundy Morocco leather and the interior is covered in red silk moire. The workmanship and overall style of this piece suggests the workshop of William Comyns, though he more frequently worked in silver. Signed boxes by Comyns feature exactly the same lining and side upholstery and similar swag and wreath designs.

Origin: England, ca. 1905. Condition: very good, the front has a few hairlines (no hairlines on top), six of the tiny pins along the edge of the top are lacking, no loss to pique. Size: 10-1/8" x 5-3/4" x 7-1/4" tall.

NOTE: This item cannot be shipped outside the United States.

Lovely sterling silver demitasse spoon, the handle decorated with four shades of translucent enamel. The plique-a-jour technique allows light to shine through, creating a stained glass effect. The exposed areas of silver are gilt. The back of the bowl is marked "JT830".

Origin: Europe, ca 1900. Condition: excellent, no enamel damage, original gilding. Size: 4-5/8" long.

Very nice Gorham sterling silver pin cushion/sewing box. The arched rim of the pierced silver holder has a slightly Gothic appearance. The silk velvet top lifts off to reveal an opening for storing thread, buttons, etc. The interior is lined with the original lime green silk. The bottom is stamped with Gorham's older hallmark.

Origin: America, circa 1900. Condition: silver is excellent, the velvet covering shows the normal considerable wear. Size: 4-3/8" x 3-1/4" x 2-1/4" tall.

A delightful sterling silver photograph frame intended to celebrate the arrival of a newborn. Designed by Lebkeucher & Co. (1896-1909), the frame is ornately decorated with storks, song birds and climbing roses. The top border has a reserve for engraving the baby’s name. The bottom border has a reserve for adding the birth date, a clock on which the time of birth can be engraved, and a scale on which the weight may be added. The frame retains its original black composition easel back. Frames of this type were created by other makers well into the 20th century, but very early examples of this quality and with absolutely no prior engraving are exceedingly uncommon. Lebkeucher was especially noted for its ornately engraved wares. The frame has the company’s hallmark and is stamped “Sterling 3187”.

Origin: America, 1896-1909. Condition: excellent, no dings, no monograms. Size: 4-3/8” x 5-3/4”; sight size, 2-7/8 x 4-3/16”. Silver Weight: 61.1 grams.

A nice stoneware ewer in an unusual form by Doulton Lambeth. The bulbous body is decorated with raised flowers and foliage against a cobalt blue ground, while the foot and long tapering neck are finished in a simple pattern of incised rings highlighted with chocolate brown borders. The inside of the foot is stamped with the mark used 1891-1902 and also with the artist's mark which appears to be a conjoined "JH", "HL" or possibly just an ornate "H". There is also an assistant's mark, "b".

Origin: England, ca. 1895. Condition: no chips or cracks. Size: 11-5/8" tall.

Nice ruby- or cranberry-flashed pressed glass souvenir mug. The sides are engraved "Atlantic City 1904" on one side and "Willie S." on the other.

Origin: America, ca. 1904. Condition: excellent, no wear to flashing, no chips or cracks. Size: 3-1/4" tall.

A fine boxed set of 12 sterling silver demitasse spoons in Gorham's 1896 "Maryland" pattern. The fronts of the handles are decorated scrolls, shells and pendant bouquets, while the backs are accented with simple scrolling and a shell motif near the bowls. The bowls are parcel gilt. This is a particularly lovely pattern--ornate, but not over the top. The spoons are presented in their original fitted box, the inside lid of which is marked with the logo of Gorham's New York City retail store. Each spoon is stamped with an older Gorham hallmark and the patent date.

Origin: America, ca. 1900. Condition: excellent, all original, no monograms. Size: 4-1/16" long. Weight: 104.5 grams.

A lovely set of six sterling silver and plique-a-jour enamel cocktail picks by acclaimed Norwegian silversmith and enamelist Johan G. Kjaerland. Kjaerland worked in Bergen, Norway, and was particuarly well-known for his excellent plique-a-jour enamels. This is the first set of cocktail picks we've seen in plique-a-jour. Each is hallmarked appropriately.

• Origin: Norway, ca. 1900
• Condition: excellent, no enamel damage, gilding intact
• Dimensions: 3-11/16" long
• Weight: 16.7 grams

A stunning cranberry-cut-clear cut glass claret jug with a hammered sterling silver collar and hinged lid with a palmate finial. The Aesthetic-style hammered silver makes are particularly nice counterpoint to the Gothic-inspired design of the cutting which combines tall arches of small diamond cutting divided at the top with elongated triangles of larger diamond cutting. The bottom of the jug is cut with a 36-point star. The applied handle is worked in clear crystal. The silver mounting is fully hallmarked by Martin Hall & Co., with a Birmingham city mark and the date letter for 1904.

Origin: England, 1904. Condition: excellent, no chips or cracks to glass; no dings or monograms to silver. Size: 10-3/4” tall.

Extremely rare sterling silver oyster ladle in the 1900 "Buttercup" pattern by Gorham. Oyster ladles are very difficult to find because they were only included with the most complete services. They were used to serve oyster stews. Today, they could also be used for soups or even for punch. The back of the handle is marked with Gorham's old hallmark and also with the patent date, indicating that this is an early example.

Origin: America, ca 1900. Condition: nearly mint, no monogram, no dings, sharp detail. Size: 10-3/4" long. Weight: 165.25 grams.

Outstanding sterling silver soup ladle in a repousse pattern. The design is a very finely worked pattern of roses and other flowers and foliage. The bowl is deeply lobed and has a scalloped edge. The pattern is similar to Kirk’s “Repousse”, but not identical. The back is marked “Sterling” but is not marked with a maker’s name (a frequent practice until around 1910). Clearly, the ladle is a Baltimore piece, and could be the work of Schofield, Warner, Jacobi or Kirk.

Origin: America, ca. 1900. Condition: excellent, sharp detail, no monogram. Size: 11-1/2” long. Weight: 124.5 grams.

Elegant sterling silver bread fork, the handle decorated with beading and acanthus leaves. The decoration at the top of the curved tines repeats the motif of the handle. Bread forks are relatively uncommon and were used for serving various breads and rolls. The handle is marked by an unknown maker.

Origin: America, ca. 1900. Condition: excellent, sharp detail, no monogram. Size: 6-3/4” long. Weight: 23.0 grams.

Outstanding sterling silver ice cream slice with the fabulous Art Nouveau "Poppy" pattern by Baker Manchester. Both the front and back are beautifully detailed. The blade is lightly matte gilt. During the Victorian era, ice cream was served in a loaf shape, and implements like this were used to slice off pieces for serving. The form often did "double duty" as a fish server. The back is stamped with the hallmark for the Baker Manchester Silver Co. (Providence, RI), a company famous for its ornate serving pieces.

Origin: America, circa 1900. Condition: excellent, sharp detail, no monogram. Size: 9" long. Weight: 54.75 grams.

A rare hammered brass cigar humidor bearing the double-headed eagle insignia of Russia's Romanov dynasty. The tall humidor is of seamed construction and has a hammered surface. The front is decorated with the Romanov eagle applique attached with copper rivets. The interior of the domed lid has a recessed area with a lip that holds a moistened sponge to keep the cigars at the proper humidity. Humidors of this sort are quite rare and were likely used in the offices of lower ranking household officers or staff. The base is stamped with the Imperial warrant, indicating that the maker was an official provider to the Imperial family and its residences.

Origin: Russian, last quarter 19th century. Size: 4-7/8" diameter; 8-1/2" tall.

A boxed set of sterling silver demitasse spoons by Paye & Baker. The set comprises two each of three different floral themes, all worked in the same intaglio style with glossy flowers and foliage against a stippled background. Two of the spoons are decorated with a pattern of wild roses, two with morning glories and two with pansies. The edges of the stems and handles are shaped to match the patterns. The bowls are finished with matte gilding. The backs are hallmarked by Paye & Baker and are marked "Sterling". The company made only a small range of products, but their Art Nouveau motifs were expertly designed.

• Origin: America, ca. 1900.
• Dimensions: 4" long.
• Weight: 38.8 grams.
• Condition: spoons, excellent condition, typical light fading of gilding on bowls; box has typical discoloration and wear.

Exceedingly rare custom-made sterling silver golf trophy by Shreve & Company, California's premier 19th century silversmiths. The trophy, in the form of wine ewer or pitcher and displaying the sinuous curves of the Art Nouveau style, is fainly reminiscent of some of Gorham's Martélé pieces. The body is decorated with a superb applied design cast in the form of a laurel wreath woven with golf clubs. The quality is breathtaking. Notice that one club is a putter, and the other is an wood. The body is raised on an assymetrically lobed foot decorated with applied thistle blossoms and foliage--reminding the viewer of golf's Scottish heritage. The ewer is finished with an exagerated curving handle. The trophy was never engraved. The bottom is marked "Shreve & Co./San Francisco/Sterling". This is a simply phenomenal piece of earlier California silver and a phenomenal piece of silver trophy art.

Origin: America, ca. 1900. Condition: excellent, a 1/2" flat ding on one side (could be professionally removed). Size: 12-3/4" tall. Weight: 941.0 grams.

An elegant Art Nouveau glass vase decorated with enameled poppies. The blossoms are worked in shades of cream, yellow, rose and violet, while the foliage is stained a reddish-purple and highlighted with complex lacy gilding. The upper rim is decorated with a band of stained and gilt flowers, as well. The vase is blown in pillar form with an optic paneled design. The workmanship is very fine. Unsigned, but definitely made by Mont Joye (also know as Verreries Saint-Denis and Legras).

Origin: France, ca. 1900. Condition: excellent, no cracks, no enamel or gilding wear. Size: 9-1/4”.

A rare peacock blue pressed glass Imperial Russian tea box, the lid enhanced with intaglio decoration of Moscow’s elegant Neoclassical Pashkov House. The edges of the hinged lid are pressed in a pattern of diamonds and fans, while the sides are decorated in arched pillars and diamonds. The bottom is impressed with the glassworks’ mark and the date 1911. The edges are mounted in white metal and the box retains its original key. Imperial Russian boxes with architectural scenes on the lids are quite rare.

Origin: Russia, ca. 1911. Condition: very good, minor roughnesses on upper edge, three 1/2” flakes on the underside of the bottom rim. Size: 5-3/4” x 3-1/2” x 3-3/16”.

Porcelain sardine box with a handle in the form of a realistically-painted sardine. The sides and lid of the box are decorated with pink roses. The bottom is marked "Victoria Austria."

Origin: Altrohlau, Bohemia, Austria (now Stara Role, Czech Republic), ca. 1891-1918. Condition: excellent, slight wear to gilding along edges of the lid. Size: 5-1/4" x 4-1/2" x 3".

Art Nouveau Imperial Russian silver opera purse from the reign of Czar Nicholas II and Czarina Alexandra Feodorovna. The purse is beautifully engraved with a spider on her web. The spider's body is set with an oval cabochon emerald and her head is a cabochon ruby. A finely detailed 18 karat yellow gold frog appears to be stalking the spider from the edge of her web. The front of the purse has an applied gold inscription, roughly translated as "Little Love", highlighted with a small cabochon sapphire. The interior pocket of the purse was just large enough to hold theatre tickets and perhaps an "emergency" ruble or two! Hallmarked with the Kokoshnik used in the Odessa region, 1896-1908, and also with an unidentified silversmith's mark (perhaps transliterated V.L.).

Origin: Odessa, Russia, 1896-1908. Condition: a few small dings, mostly along the top edge between the ends of the chain right where rings would hit when being carried; apparently there was another applied gold inscription on the back side that is now missing; the interior shows some wear, but is useable. Size (closed): 3-3/4" x 2" excluding chain handle.

Wonderful pottery candlestick decorated in an underglaze blue floral transfer and clobbered with overglaze iron red, yellow, and purple pigments. The effect is much like chintz china, but with stronger coloring. The bottom is marked with the registration number indicating the piece was designed in 1913 and bears the mark used by Cauldon Potteries from 1905 to 1920. It is also marked "Grip", probably referring to the very uncommon form. It is a very unusual and striking pattern.

Origin: Staffordshire, England, ca. 1913. Condition: mint. Size: 6-1/4” tall; base, 2-3/4” x 4”.

A lovely footed sterling silver salver in the George III style. The salver is perfect for use as a wine coaster, as the size will accomodate a magnum or a champagne bottle. The scalloped stepped border is elegantly decorated with acanthus leaves and gadrooning. The shell-shaped feet are flanked by acanthus leaf returns. Marcus & Co. was one of the most exclusive jewelers in America and was one of the few companies to give Tiffany any serious competition. They did not make their own silver, but retailed high-end makers such as Gorham, Frank Smith, Whiting, etc. The bottom is marked with Marcus’ retail mark, “Sterling” and the pattern number 1928.

Origin: America, 1918-27. Condition: excellent, normal wear and some staining on surface (could be buffed), sharp details, no dings or monograms. Size: 7-7/8” diameter; 1-1/16” high. Weight: 296.0 grams.

Stunning set of four enameled cocktail glasses, almost certainly by Moser. The quality of the glass is superlative. The enameled rooster motif is magnified through the thick glass of the base, so that it looks quite large from inside the bowl (it might be a bit frightening after drinking an entire martini!) The bowls are lightly paneled and are edged in a thin line of gilding.

One glass has a flake at the bottom edge (see photo) and two pinpoint roughnesses along the top rim. Another has a couple of pinpoint roughnesses underneath the bottom edge (not noticeable from the top).

3-1/2" tall.

These are certainly among the finest cocktail glasses we've seen and would look great with a classic cocktail shaker featuring a rooster motif.

Sterling silver sauce ladle in Watson's 1911 "John Adams" pattern. The complete simplicity of the pattern is reminiscent of Colonial American silver, and it would look good mixed with any other pattern. Sauce ladles are a bit smaller than gravy ladles.

Origin: America, circa 1911. Condition: excellent, no monogram. Size: 5-3/4" long.

Sterling silver berry spoon in Knowles' 1900 "Lexington" pattern. Simplicity of decoration is the rule, so that the ribbed bowl with its bright matte gilding is the focal point.

Origin: America, c. 1900. Condition: near mint, no monogram, gilding intact. Size: 7" long.

Elegant crystal trivet with a sterling silver overlay in an orchid pattern. The piercing of the silver is highlighted with engraved details. The center has a silver reserve that was never monogrammed. The side is hallmarked by Webster Silver Co.

Origin: America, ca. 1920. Condition: excellent, no chips or cracks. Size: 6” diameter.

NOTE: We have four matching trivets in this size. One of the four has an elegant monogram "K". Each is priced at $185, except the monogramed trivet, which is $160.

A very good first standard (950/1000 pure) silver small-size tastevin by the highly regarded Dijon silversmith Marc Parrod. This example retains the classic round shape with a convex bottom, but the usual "godrons" and "cupules" gare replaced by repoussé grape clusters alternating with raised "perles". Each grape cluster is accented with stylized vines. Parrod was particularly noted for this unique variation. The handle is in a rather unusual shape slightly suggestive of the double snake handles sometimes found on tastevins from the Bourgogne region. These smaller tastevins are less common than the larger ones. Smaller tastevins from the Bordeaux region were often used for tasting Cognac, so perhaps the smaller Burgundian versions were used for some other spirit, as well as wine. The bottom and handle are stamped with first-standard silver marks and with Parrod's mark.

• Origin: Dijon, France, ca. 1903-1944
• Condition: excellent, no dings or monograms, sharp detail
• Dimensions: 2-1/4” diameter (excluding handle)
• Weight: 25.8 grams

Large sterling silver berry spoon in Blackinton's 1900 "Nautilus" pattern. The handle is elegantly decorated with scrolls and shells, and nicely complements the lobed bowl. The reverse is marked with Blackinton's hallmark.

Origin: America, circa 1900. Condition: excellent, no monogram. Size: 8-1/2" long.

A handsome three-piece gilt bronze desk set by Marshall Field comprising a letter rack, pen wipe and pen tray. Each piece is decorated with intertwined stylized dragons against a ribbed background with a beaded border. The workmanship is very fine. Marshall Field was an active producer of very high-quality metalwares during the Arts & Crafts period. The bottom of the letter rack is marked “Made by Marshall Field & Co. 2 29”. The bottom of the pen tray is marked “MF & Co VIKING”. The bottom of the pen wipe is not marked and has two holes that suggest there may have originally been an undertray of some sort.

Origin: America, ca. 1900. Condition: excellent patina, no cracks, some of the bristles in the pen wipe have been trimmed. Size: letter rack, 8-1/2” wide, 4-7/8” tall, 2-5/8” deep; pen wipe, 2-1/2” wide, 1-7/8” tall; pen tray, 8-7/8” x 3”.

Outstanding sterling silver pastry serving fork in Alvin's rare Art Nouveau "Majestic" pattern. Created in 1900, this pattern was a multi-motif design--each piece was decorated with a slightly different floral pattern. This piece features beautifully detailed daffodils and sinuous foliage. Excellent condition with sharp details and no monogram. 7-1/4" long.

Boxed set of six sterling silver fruit knives, with handles decorated in a detailed Art Nouveau floral pattern. The handles are marked "Sterling". The box is upholstered in dark green moire silk.

Origin: American, circa 1900. Condition: extremely minor wear to handles, plated blades are excellent. Size: 7-1/4" long.

A fine glass cocktail shaker by Hawkes. The glass blank is blown in an optic paneled style and highlighted with gilding at the neck. The body is beautifully enameled with a colorful rooster and the reverse side is engraved with the recipe for a "Bronx" cocktail. The stopper is finished with floral intaglio engraving. The The double-lip form of the shaker is very similar to the shape Hawkes used for oil & vinegar cruets. The base and stopper are signed with Hawkes' acid-etched trefoil mark.

Origin: America, ca. 1920. Condition: excellent, no chips or cracks; a small moon on the lower edge of the stopper. Size: 11" tall.

Terrific figural porcelain creamer in the form of a lobster. This example has very nice painted details--note how the paint fades from red to pink to white at the edges of the claws. The bottom is stamped with the blue mark.

Origin: Germany, circa 1919. Condition: excellent, only a few tiny paint scrapes; no chips or cracks. Size: 4" high, 5" across.

Colorful thread box, the hinged top decoupaged with playing cards. Both the inside lid and the bottom have labels proclaiming "Brook's Soft Finish is the Perfection of Sewing Thread."

Origin: America, ca. 1900. Condition: very good, some crackling of finish. Size: 5" x 4" x 2".

Pair of kettle-form sterling silver salt dishes raised on ball feet. The top edges are decorated with a simple beaded border, ensuring that the salts will coordinate well with any silver pattern. The bottoms are hallmarked by Watrous.

Origin: America, ca. 1900. Condition: excellent, no dings or monograms.

Lovely Victorian sterling silver bonbon spoon featuring a matte-gilt bowl with a scalloped edge. The asymetrical rococo design of the handle was popular in the 1890s. The back is marked "925 Sterling 1000". Before 1916, many American silversmiths did not mark their names on flatware. Unknown maker.

Origin: America, circa 1890. Condition: excellent, no monogram. Size: 5-1/8" long.

Elegant sterling silver bonbon server in Kirk's popular "Repousse" pattern--probably the most famous of all the Baltimore silver patterns. The bowl is embellished with intricately designed fruit including grapes, pineapples, strawberries, and peaches. The reverse is marked "S. Kirk & Co. Sterling".

Origin: Baltimore, Maryland, circa 1920. Condition: near mint, no monogram. Size: 5-1/8" long.

An elegant classic-style French silver tastevin of traditional form. The bowl is decorated with raised "perles", concave "cupules" and elongated "godrons" for assessing the depth of color in both red and white wines. The curved sides help concentrate the aroma, so only a very small amount of wine has to be poured to judge quality. The looped handle allows the tastevin to be worn suspended from a chain. Tastevins with round thumbpieces are generally from the Paris region. The handle is marked for first standard silver (950/1000 pure silver) and also has partially obscured master silversmith's mark.

• Origin: France, ca. 1900.
• Dimensions: 2 11/16" diameter (excluding handle).
• Weight: 37.0 grams.
• Excellent condition; two small dings on bottom, mostly hidden by the design and two very small (1/16") dings on the upper rim.

Elegant Edwardian cranberry glass vase with pierced sterling silver mounts by Galt & Bro. The piercings are fan-shaped and the rim has a bound reed motif. The cranberry glass insert flares slightly toward the upper rim and is accented with simple cutting. The base is marked "Galt & Bro." (Washington, DC, 1892-1934).

Origin: America, ca 1910. Condition: excellent, no dings, chips or cracks. Size: 8" tall.

A figural corkscrew in the form of an equestrian boot by the R Blackinton Co. of N Attleboro, MA. The boot is nicely detailed to appear like textured leather. The corkscrew/opener is silverplated steel for strength. The boot is fully hallmarked on the bottom.

Origin: America, ca. 1915. Condition: good, three small creases to the sides of the boot (not particularly noticeable since the boot is designed to have a well-worn appearance with lots of creases), and some typical plating loss to the opener. Dimensions: 3-3/4” tall.