Catalog: Estate Jewelry (1605)

A fine pair of Art Deco cufflinks, featuring round discs of green jade simply set in 14K yellow gold. The faces are connected by chains to backs shaped as lengths of bamboo. The jade has moderate translucency and strong green coloring with even mottling. The color is natural. The cufflinks are presented in their original fitted box, the lid of which is marked "Jade Green Shanghai". Tested and guaranteed 14K.

Origin: China, ca. 1920. Condition: excellent. Size: 11/16" diameter. Weight: 5.8 grams.

An outstanding pair of antique 18K yellow gold cufflinks set with diamonds and rubies in the "Japanesque" style produced by Tiffany & Co. for a very brief period following the opening of Japan to western trade in the 1850s. Pieces in this style were wildly popular and always drew from traditional Japanese natural motifs, in this case chrysanthemum blossoms. Each slightly-domed face is ornately worked in a series of overlapping petals, centering old European cut diamonds and cushion cut rubies. The prongs holding the gemstones are fashioned as tiny flower petals--an element not visible except under magnification. The diamonds are estimated at H color and VS1 clarity, while the rubies are strongly-saturated medium-dark, slightly purplish-red in color. The rubies show no signs of heat treatment and are likely Burmese in origin. The faces are joined by chain links, and the backs are marked "Tiffany & Co." in the old style. Tested and guaranteed 18K.

The chrysanthemum was a symbol reserved exclusively for the use of the Japanese emperor and his immediate family. As a further nod to the Japanesque style, Tiffany chose to use gemstones in shades of red and white--the official colors of the Meiji Imperial dynasty.

Origin: America, 1877-1883. Condition: excellent, all original. Size: 5/8" diameter. Weight: 11.4 grams. Approximate Total Gemstone Weight: diamond, .172 ct; ruby, .367 ct.

A very fine Art Deco 14K yellow gold necklace of filigree links centering a collet-set carved jadeite disc suspending another filigree link and a large oval plaque of jadeite carved in a floral pattern. The workmanship of the filigree is superior, with finely detailed millegraining on nearly all the surfaces. The use of yellow gold in filigree jewelry of the period is quite unusual, but is very attractive as a foil to the rich green of the gemstones. The jade plaques nicely carved in a traditional floral pattern. The stones are semi-translucent, medium-textured, and moderately mottled from very saturated green to a light slightly grayish-green. There are no signs of dye. The necklace has an interesting invisible clasp mechanism that is marked "Pat. Appl'd For". Tested and guaranteed 14K.

Origin: America, ca. 1920. Condition: excellent, all original. Size: 16" long; pendant jade drops 2-7/16" from the bottom of the jade disc. Weight: 23.1 grams.

A pretty Victorian fob locket, the front cover decorated with a three-dimensional image of bird tending her nest of eggs, all worked in yellow, rose and green gold. The locket is attached to a swinging bail and would originally have been worn on either a fob chain or a chatelaine, rather than as a pendant. The hinged back cover is plain and was never monogrammed. Tested and guaranteed 14K.

Origin: America, ca. 1880. Condition: excellent, back cover has a few small dings commensurate with the locket’s age. Size: overall (excluding jump ring), 1-1/4” x 1”; locket only, 3/4” x 3/4”.

An attractive pair of mid-century 14K gold cufflinks, the faces divided diagonally into contrasting triangles. On each face, one triangle is deeply ribbed, while the smooth portion features a gypsy-set diamond. The angularity of the design makes for a very modernistic appeal. The diamonds are graded as J/I2. The backs are marked “14K”.

Origin: America, ca. 1955. Condition: excellent. Size: 5/8” x 1/2”. Weight: 10.8 gr. Approximate Total Diamond Weight: .10 ct.

A very nice 14K yellow gold 5mm cable twist bracelet with domed ends set with pearls and rubies from the “Cable Classics” collection by David Yurman. The 4.8mm pearls are beautifully accented with rows of channel-set round rubies. This design is one of the earlier pieces from the “Cable Classics” collection, and is no longer in production. The original retail price was $2,450. The open cuff is flexible and can be spread to fit nearly any wrist. The interior of the bangle is signed “D. Yurman 14K”.

Origin: America. Size: 5mm diameter. Weight: 15.7 grams. Approximate Total Gemstone Weight: ruby, .51 ct.

A lovely pair of 18K yellow gold earrings set with diamonds by David Yurman. This design, part of the “Cable Buckle” collection, combines Yurman’s classic cable motif with an open buckle pave-set with round brilliant diamonds, graded as G/VS2. The earrings have posts with Omega clips. The earrings hug the ear closely, so they are appropriate for either day or evening wear. The backs are signed “D. Yurman 18K”. This design is no longer being made, but the original retail price was $3,950.

Origin: America, ca. 2000. Condition: excellent. Size: 7/8” long; 1/2” wide. Weight: 15.7 grams. Approximate Total Gemstone Weight: .45 ct.

A magnificent and generously-sized Essex crystal set in a 14K yellow gold brooch and pendant mounting. The reverse carved crystal depicts a marshland scene with a group of ducks taking flight from a fox that has invaded their nesting ground. The scene is painted in the most delicate shades that aptly fit the fineness of the carving. The brooch is backed with mother-of-pearl that provides a distinctive luminosity to the scene. The back has a brooch clasp as well as a folding bail so it can be worn as a pendant. Tested and guaranteed 14K.

Origin: America, ca. 1920. Condition: excellent. Size: 1-11/16” diameter.

An interesting pair of cufflinks carved from pieces of coral and shaped as koi. Each fish has the distinctive ruffled tail fins that are typical of the species. The fronts are joined with silvered chains to the backs which are simple pieces of coral branch. The color is very nice and is completely natural.

Origin: Southeast Asia, ca. 2000. Condition: excellent. Size: 7/8” x 1/2”.

A beautiful 18K yellow gold locket in the Art Nouveau taste, the front cover depicting a water nymph, her streaming hair entwined with seaweed studded with small rose-cut diamonds. Her ear is adorned with an earring in the form of a coral branch. Her head appears just above delicately rippling waves that high the word “Eau” for water. This design was part of a four-part series designed by Bargas representing the four elements of earth, air, fire and water. They are sometimes seen as buttons, but very rarely worked in gold and used as a locket. Like many French lockets of the period, this example opens by swiveling sideways rather than being hinged. The interior retains its original fittings and glass cover. The back cover has the slightly matte finish typical of Art Nouveau jewels and has a period “ES” monogram. The bail is fully hallmarked with 18K gold marks and with the maker’s mark (partially obscured).

Origin: France, ca. 1900. Condition: excellent, sharp detail. Size: 1-1/8” x 1-3/8” excluding jumpring). Weight: 9.9 grams. Approximate Total Diamond Weight: .05 ct.

An extremely fine 14K white gold and pearl brooch by Mikimoto. Even by Mikimoto’s standards, the pearls are particularly good quality, with cream body color and strong rose overtones. The pearls are also quite generously sized, ranging from 7.85mm to 8.35. The surfaces have only slight natural blemishes and offer superb, clear reflections. AA pearls of this size were only rarely used by Mikimoto in brooches, as they were more often set aside for use in strands. The back of the pin is signed with Mikimoto’s oyster shell hallmark and is marked “WG 14K”.

Origin: Japan, ca. 1960. Condition: excellent, all original. Size: 2-1/4” x 1-1/8”. Weight: 14.0 grams.

A beautiful, delicate Edwardian hinged bangle bracelet in 14K yellow and white gold, set with blue sapphires and pearls. The traditional double knife-edge frame is decorated on the front side with a foliate-design plaque worked in white gold. The plaque is set with an alternating row of blue sapphires and 2.95mm pearls. The sapphires are a lovely bright cornflower blue with a hint of violet (graded as vB5/4) and show no indications of heat or other treatment. They are typical of stones from Ceylon (Sri Lanka). The pearls, though small, are fine quality with ivory body color and rose overtones. The overall effect is very elegant. The clasp is stamped with a variation of the hallmark used by A. J. Hedges & Co., a leading American jeweler of the period.

Origin: America, ca. 1910. Condition: excellent. Size: 3/16” wide; 6-7/8” interior circumference. Weight: 11.2 gr. Approximate Total Gemstone Weight: .73 ct.

A delightful Retro 14K yellow and rose gold lucky four-leaf clover pin by Tiffany & Co. In the typical Retro style, the gold surfaces are large and mostly unadorned except for simple veining along the middle of the clover leaves. The back retains the original “fur clip” allowing the pin to be worn without actually piercing a garment’s fabric. The back is marked “14K Tiffany & Co.”.

Origin: America, ca. 1940. Condition: excellent, all original. Size: 1-1/4” x 1-5/16”. Weight: 7.9 gr.

A very good Victorian 14K yellow gold stickpin in the Art Nouveau taste. The top of the pin is in the shape of a horse’s head completed with beautiful enameling. The eye is set with a small round cut ruby. The head is superimposed over a gold horseshoe studded with small old European cut diamonds. The gemstones, though small, are very good quality and provide a nice amount of sparkle. The back is marked “14K”.

Origin: America, ca. 1900. Condition: excellent, no enamel damage. Size: overall length, 2-13/32”; head, 5/8” x 5/8”. Weight: 2.5 grams.

A classic 14K yellow gold “Tree of Life” pin by Mikimoto. This design is an enduring classic available only from the higher-end Mikimoto boutiques. The pin is set with twelve cultured pearls, ranging in size from 4.01 to 5.18mm. The pearls are of exceptional AA quality, with cream body color and pronounced rose overtones. The luster is very bright and the surfaces are nearly blemish-free. The back is marked 14K and has Mikimoto’s oyster shell signature. At Mikimoto’s Place Vendome boutique in Paris, this pin is currently offered for approximately $1,500.

Origin: Japan. Size: 1-3/8” x 1-1/8”. Weight: 5.9 gr.

A fun 18K yellow gold multi-gem H Stern “Sputnik” charm or pendant. Stern was the world’s leading dealer in colored gemstones and created this line of jewelry in the late 1950s to showcase the wonderful array of colored gemstones mined in Brazil, where the company was headquartered . Amethysts, aquamarines, citrines, garnets and green and pink tourmalines are collet-set above the gold sphere. The unusual design was considered very modernistic and dubbed “Sputnik” because of its perceived resemblance to the Soviet space satellite. Each piece of Sputnik jewelry has a unique appearance, depending on the choice of gemstones used. Rings were the most common pieces in the line, but pendants and earrings are quite rare. The small size of this piece makes it ideal to be worn from a charm bracelet or as a pendant from a delicate chain. Marked “750” and signed with Stern’s hallmark.

Origin: Brazil, ca. 1960. Condition: excellent. Size: 9/16” diameter. Weight: 2.1 gr. Approximate Total Gemstone Weight: 1.83 cts.

An extremely rare pair of 18th century silver double-faced cufflinks set with old European cut colorless paste gemstones. The crystals are held in place in traditional cut-down settings typical of the period and the faces are joined with the quatrefoil connector almost always seen on this type of cufflink. The backs of the crystals are foiled in silver to provider a brighter appearance. Cufflinks such as these are usually broken up into two pairs of earrings, so it is quite uncommon to find a pair in original condition.

Origin: England, ca. 1780. Condition: excellent, original patina. Size: 17/32” diameter.

A very rare pair of Victorian 14K yellow gold cufflinks set with boulder opal cabochons. The opals have much finer play of color than is typical of boulder opal, with a preponderance of blue and green that almost seems to glow from within. The contrast with the matte brown of the host matrix is very attractive. The opals are set collet-set in simple frames finished with ropetwist borders. The outer dimensions of the faces vary in size by 1/32", suggesting that the mountings were custom-made for stones already in the original owner's collection. One opal is a little narrower and higher, while the other is broader and flatter. When being worn, of course, the size difference is unnoticeable. The quality of the opals suggests Lightning Ridge, Australia as the most likely source.

Origin: America, ca. 1900. Condition: excellent. Size: 17/32" and 16/32". Weight: 6.4 gr.

A delightful vintage 18K yellow gold brooch in the form of a leopard by Fred of Paris. The leopard's spots a created of black enamel and his eyes are set with round emeralds flanked by round single-cut diamonds. The gemstones are of superb quality, as expected from one of the world's great jewelry houses. The brooch has a two-prong clip on the back. It bears French 18K gold hallmarks and is signed "Fred-Paris."

Origin: France, ca. 1960. Condition: excellent. Size: 2-3/8" x 1-9/16". Approximate Total Gemstone Weight: diamond, .13 ct; emerald, .04 ct. Weight: 27.8 gr.

A striking pair of 18K yellow gold earrings accented with hardstone inlay by Angela Cummings for Tiffany & Co. Each slightly domed oval earring is set with polka-dots of carnelian, mother-of-pearl and onyx. Cummings pioneered the use of the mosaic technique in modern jewelry during her early years at Tiffany. These earrings were created in the early 1970s, before Tiffany began allowing Cummings to sign her designs with her own name. The backs are marked “Tiffany & Co. 750”.

Origin: America, ca. 1972. Size: 13/16” x 15/16”. Weight: 17.2 gr.

An attractive pair of simple Art Deco double-sided cufflinks, each face formed from a round cabochon amber simply set in a 14K yellow gold collet. The amber has superb clarity and appears to be foiled underneath to enrich the color to a strong yellowish-orange and to create a stronger reflection. The result would look good with a blue suit, but even better with khaki or brown. The backs are signed for Sansbury & Nellis and are marked “14K.”

Origin: America, ca. 1930. Condition: excellent. Size: 1/2” diameter. Weight: 9.4 grams.

A nice pair of vintage 14K yellow gold cufflinks, each in the form of a large and a small button, complete with raised gold beads to suggest the stitches. The faces are connected by chains. Tested and guaranteed 14K.

Origin: America, ca. 1980. Condition: excellent. Size: 3/4” & 9/16” diameter. Weight: 11.5 grams.

A handsome pair of vintage 14K yellow gold cufflinks, the square faces in a basketweave pattern. Each open square is filled with a prong-set brilliant round cut blue sapphire. The sapphires are a medium-blue color with eye-clean clarity. The stones are nicely cut for maximum light return and have excellent brilliance as a result. The exposed gold surfaces have a finely engraved Florentine finish. The hinged backs are marked “14K”.

Origin: America, ca. 1955. Condition: excellent. Size: 3/4” x 3/4”. Weight: 16.5 grams. Approximate Total Gemstone Weight: 1.612 cts.

A very fine vintage pair of double-sided cufflinks and three matching shirt studs by Tiffany & Co. The classic design features round brilliant cut sapphires surrounded by a wide, flat gold border finely incised with lines radiating outward toward the edges. The sapphires have the most desirable color (B6/6--medium dark vivid blue) and have eye-clean clarity. The stones show no indication of heat or other treatment. Each piece is marked "Tiffany & Co." and "14K".

Origin: America, ca. 1940. Condition: excellent, all original. Size: cufflinks, 19/32" diameter; studs, 3/8" diameter. Weight: 21.6 grams. Approximate Total Gemstone Weight: 1.932 carats.

An extremely rare pair of 22K yellow gold cufflinks designed by the famous surrealist painter Salvador Dali. Inspired by his hero, Louis XIV, Dali minted a limited number of his own gold coins in 1966. The artist called his gold coin the "Dali d'or" after the "Louis d'or" coins created for the French king. The coins were minted in four sizes and values, and Dali occasionally used them to pay debts he owed to friends.

In 1967, a year after creating the money, Dali collaborated with the luxury jeweler Piaget to create a line of jewelry incorporating the remaining coins. Dali d'or jewels are quite rare, but can be found as watches, pendants, earrings, brooches and cufflinks.

Like the royal coins, Dali's personal coins featured his likeness along with that of his wife, Gala, on the front. Their faces are surrounded by laurel leaves, fleurs-de-lys and eggs, the last element a recurring symbol of rebirth in Dali's works. The same motifs are repeated on the back, but without the faces and in an even more surrealistic design. Each coin is signed and dated by Dali and is incised with its edition number. The coins used for this pair of cufflinks are #1495 and #1499.

The toggle findings are worked in 18K gold and are signed "Piaget".

Origin: Spain and France, 1967. Condition: excellent, sharp detail. Size: 1" diameter. Weight: 35.8 grams.

A wonderful Victorian 18K gold acrostic gemstone brooch the shape of an artist's palette. The bright dabs of paint are indicated by a ruby, emerald, garnet, amethyst, ruby and diamond, the first letters of which spell out the sentiment "Regard". The gems are The design of the pin also includes paint brushes, a drafting instrument, and a hand rest, all tied together with a rag. The gold surfaces are enhanced with a softly bloomed "Russian finish" that was popular in the last decades of the 19th century. Details such as the bindings on the brushes, the lead in the drafting pencil and the pad of the hand rest are detailed in platinum. The gemstones are of fine quality, with bright color. This piece has great wit and the workmanship and detailing are superb. Tested and guaranteed 18K gold and platinum.

Acrostic jewelry first became popular in early 19th century France and remained popular for decades. Gemstones were used to spell sentiments such as "regard", names, important dates, etc. Rings are, by far, the most common pieces of acrostic jewelry. Brooches are quite uncommon.

Origin: probably America, ca. 1895. Weight: 8.8 grams. Size: 2-5/8" x 3/4".

A superb early Edwardian “style guirlande” platinum, gold, diamond, opal and pearl necklace. The fine platinum chain suspends a platinum and gold pendant centering a beautiful oval opal surrounded by an ornate swagged garland of diamonds punctuated with creamy natural pearls. The opal has strong and even play-of-color with strong flashes of bright green, a bit of blue and pale orange. The single cut and old European diamonds have beautiful color (F-H) and have clarity ranging from SI1 to I1. The center drop is articulated in three places, allowing lots of movement when being worn. The quality of workmanship is very fine, with completely hand-sawed openwork behind the stones, fine millegraining, and precise placement of stones. The back has a heavily worn maker’s mark, but the partial serial number would indicate a quality maker. Tested and guaranteed 14K gold and platinum.

Origin: America, ca. 1890. Condition: excellent, all original except the spring clasp which is 14K white gold instead of platinum. Size: necklace, 18-3/16” long; pendant, 2-7/8”W x 2-1/4”L. Weight: 9.0 gr. Approximate Total Gemstone Weight: opal, 1.01 cts; diamond, 1.61 cts.

A very fine and heavy vintage 14K yellow gold necklace by Tiffany & Co. The timeless braided design is enhanced by the gradual tapering of width from the center toward the clasp. The flat braided construction allows the necklace to life flat against the throat. This design has been reinvented several times over the years, and this piece likely dates from the 1960s. It is not currently available, but chains of similar weight are available from Tiffany in the $5,000 range. The clasp is marked “Tiffany & Co. 14K”.

Origin: America, ca. 1960. Condition: excellent, all original. Size: 16-1/4” long; 3/8” wide at center. Weight: 31.2 gr.

A nice 1950's 14K yellow gold tie bar set with rectangular step-cut synthetic rubies. The tie bar is quite short, dating it to the mid-century period when ties were very narrow. Narrow ties are once again in fashion, so this is still the perfect gentleman's accessory. Marked "14K".

Origin: America, ca. 1955. Excellent condition. Size: 1-1/4" long. Weight: 3.4 grams.

A very nice modernist silverplate over copper tie bar decorated with a design of coiled silver wire by studio jewelers Morley & Kim Crimi. This use of coiled wire is characteristic of the maker, who more frequently worked in copper than in silver. The back is marked “Morley-Crimi Hand Wrought”.

Origin: America, ca. 1955. Condition: good, some wear to lacquered finish near solder joints. Size: 2-3/4” x 11/16”.

A lovely strand of Mikimoto cultured pearls finished with a signed 18K yellow gold and pearl clasp. The strand comprises 113 6.0x6.5 mm fine-quality pearls, graded as A+. They have cream body color, nice silver overtones, and bright luster. The pearls are well-matched and are finished with Mikimoto’s signature bow-shaped 18K gold clasp set with a small pearl and signed with Mikimoto’s oyster shell hallmark. This strand has slightly smaller pearls than are usually used in opera length strands, giving it a lightness that makes it more versatile and appropriate for current fashion. Mikimoto currently prices strands of this quality and length at approximately $8,000.

Origin: Japan. Size: 32-3/4” long. Condition: excellent, secure stringing.

An extremely heavy pair of double-sided 18K yellow gold cufflinks, the face set with cabochon blue sapphires. Each circular face is fashioned with deeply-incised concentric rings centering the sapphires. The sapphires are of very fine quality, graded as medium-dark vivid blue (B6/7). The connectors are marked for 18K.

Ca. 1970. Condition: excellent. Size: 17/32" diameter. Weight: 18.1 gr. Approximate Total Gemstone Weight: .60 ct.

A fine pair of 18K yellow gold double-sided cufflinks set with lapis lazuli and rubies. Each face features a lapis cut to resemble the crown portion of a round brilliant cut diamond with a bezel-set round mixed-cut ruby in the center. The rubies have fine, strongly saturated slightly purplish-red color and medium-dark tone. The lapis is of equally fine quality, with strong color and a nice smattering of glittery pyrite flecks. The heavy settings show very good workmanship. Marked "18K".

Origin: America, ca. 1980. Condition: excellent, all original. Size: 9/16" diameter. Weight: 13.5 gr. Approximate Ruby Weight: 1.05 cts.

A handsome pair of Victorian 14K yellow gold double-sided cufflinks, the square faces highlighted with a hammered texture and star-set with very good quality antique cushion-cut diamonds, sapphires and rubies. One pair is diamond and ruby and the other is diamond and sapphire. The stones show no indications of heat treatment. The ruby and sapphire are most likely from Burma and Ceylon, respectively. The use of red, white and blue stones was particularly popular around the time of the American Centennial celebration in 1876. Tested and guaranteed 14K.

Origin: America, ca. 1876. Condition: excellent, all original. Size: 1/2” x 1/2”. Weight: 6.7 gr. Approximate Total Gemstone Weight: diamond, .15 ct; ruby, .05 ct; sapphire, .05 ct.

A truly exceptional example of American Art Nouveau enameled gold jewelry, this pendant features a deeply three-dimensional waterlily enameled in translucent lavender. The blossom is surrounded by bright green leaves and another bud about to open. A pair of baroque freshwater pearls flank the blossom, and the whole is presented against a gold frame incorporating whiplash curves and suspending a freshwater dogtooth pearl. The pearls are of exceptional quality, with bright orient in rainbow colors. The pendant is suspended from a leaf-shape plaque. The depth of the design is amazing. The pendant can be removed from the chain and originally had a removable pinstem mechanism so it could be worn as a brooch. The mechanism is now missing, but could easily be recreated by a competent goldsmith. All in all, this is one of the very best Art Nouveau enameled pendants we’ve owned. Tested and guaranteed 14K.

Origin: America (probably Newark), ca. 1900. Condition: excellent, no enamel damage. Size: length of pendant from the top of the leaf element to the bottom of the dogtooth pearl, 2”; width of pendant element, 1-3/16”; chain length, 18”. Weight: 8.2 gr.

A very fine and exceedingly rare mid-17th century low-karat gold “Stuart crystal” memorial slide. Such pieces were secretly worn by loyalists to mourn the deposed and executed King Charles I in 1649. Eventually, they were used to mourn other deaths, as well as to celebrate betrothals and weddings. This is a particularly fine example, combining a crystal-encased miniature portrait of a well-nourished lady, regally dressed in a gown of red velvet with gold embroidery and ermine fur trim. A black mourning veil with a widow’s peak covers her hair. Four rose-cut crystals appear at the corners. Two of them enclose a gold wirework crown over a bed of woven hair, while the other two feature gold wirework entwined “CC” ciphers over a hair background. Slides such as this were threaded onto a wide black ribbon and worn on the wrist. They are generally oval or rectangular with rounded corners, but the addition of the four “jeweled” corners is most unusual. Since the portrait miniature depicts a woman in mourning, it is most likely that the image is of the slide’s owner herself rather than the deceased. The entwined “CC” cipher used in conjunction with the crown imagery suggests that this slide is an early piece that actually commemorated the death of King Charles rather than a later piece memorializing someone in the lady's family. To the casual observer it would have looked only like a miniature portrait with decorative corners, allowing the lady to express her secret grief without unfortunate political consequences for herself.

Origin: England, ca. 1650. Condition: excellent, vivid coloring to the portrait, no losses or water damage to the wirework or hair. Size: 1-1/8” x 1-1/16”.

A fine 18K multicolor gold and diamond gentleman's dress watch by Van Cleef & Arpels. The octagonal face is decorated with finely engraved alternating bands of 18K yellow and white gold in a herringbone pattern. The white gold bezel is pave-set with round brilliant-cut diamonds. The stem is topped with a bezel-set diamond and the lugs are also pave-set. The watch retains its original black silk strap, the gold buckle also set with diamonds. The diamonds are graded as G-H color, VS1 clarity. The back of the case is marked "Van Cleef & Arpels/Quartz/G2294.7/25689". The inside of the strap is tamped "Van Cleef & Arpels". The inside of the buckle is marked "V.C.A./750".

Origin: France, ca. 1970. Condition: excellent working condition; case is virtually mint; silk strap shows some wear at edges. Size: case, 1-1/4" diameter; strap, 8-3/4" long. Weight: 40.5 grams. Approximate Total Diamond Weight: 1.75 cts.

Interesting vintage pair of 14K yellow gold cufflinks, the faces set with detailed medallions depicting a Native American above black onyx plaques. The edges are finished in a classic ropetwist motif. The backs are marked "14K."

Origin: America, ca. 1950. Condition: very good, sharp detail; the toggle mechanism on one link is slightly bent, but does not affect functionality and is not visible when being worn. Size: 15/16" diameter. Weight: 20.25 grams.

Fabulous 1960's David Webb seven-strand emerald bead torsade necklace finished with an 18K yellow gold clasp featuring a cushion-shaped rock crystal plaque centering a oval cabochon emerald flanked at the top and bottom with round brilliant-cut diamonds. This design is so evocative of the classic chunky Webb style, and the workmanship is of the finest quality. The diamonds are F color, VVS2 clarity. The 305 carats of fully-faceted emerald beads are fully faceted and are beautifully matched to the 27.28-carat cabochon emerald in the clasp. The emeralds, graded as "medium, moderately-strong, slightly yellowish green" (slyG 4/4), have a very pleasing and lively appearance. The clasp is signed "Webb" and is marked "18K".

When worn with the clasp, the necklace can be worn with the clasp at the front, back or to the side (our favorite). The torsade may also be worn without the clasp. For an even simpler, more modern look, the clasp may be threaded on a black silk cord as a pendant.

Origin: America, ca. 1965. Condition: excellent, all original. Size: overall length, 17-5/8"; clasp, 1-3/8" x 1-3/16". Weight: clasp, 26.0 grams. Approximate Total Gemstone Weight: diamond, 1.16 carats; emerald, 332.28 carats.

A beautiful Georgian mourning pin worked in 15K yellow gold with black enamel accents. The domed crystal cover encloses a watercolor on ivory memorial scene highlighted with snippets of hair. The scene depicts a rifle and hunting bag, a dog and a willow tree. The rifle indicates that the brooch was intended to memorialize a gentleman and the willow tree was a symbol of sorrow. The dog waits patiently at attention by his master’s belongings, symbolizing loyalty. The concept of loyalty was an important symbol in Georgian jewelry, but the dog motif is not often encountered. The leaves of the willow tree and the grass on the ground are made from very fine snippets of hair. The design is completed with the monogram “L St.” The brooch retains its original extended pinstem and c-clasp. Tested and guaranteed 15K.

Origin: England, ca. 1790. Condition: excellent. Size: 1-5/32” x 25/32”.

Edwardian 18K gold and platinum cufflinks set with diamonds. The front faces are fashioned as spheres, the top half worked in platinum and the lower half in gold. The top of sphere features a bezel-set old European cut diamond. The back faces are designed as a crossbar set with diamonds, the ends terminating in smaller spheres, each set with a diamond. The appearance is very attractive, with a little sparkle but an overall masculine appeal. The backs are marked with unidentified Continental hallmarks.

Origin: Continental Europe, ca. 1910. Condition: excellent. Size: spheres, 3/8" diameter; bars, 3/4" long. Weight: 7.4 gr. Approximate Total Diamond Weight: .70 ct.

A classic pair of mid-century 14K yellow gold cufflinks, the faces comprising gold space-age swoops cradling oval cabochons of nephrite. The toggles are marked "14K" and have an unidentified maker's mark.

Origin: America, ca. 1960. Condition: excellent. Size: 3/4" x 9.16". Weight: 12.0 grams. Approximate Total Gemstone Weight: 6.38 cts.

A nice pair of vintage 14K yellow gold cufflinks, the faces designed as a pair of discs joined by a diamond-shaped reserve. Each of the discs is engraved in a starburst motif, while the reserves feature oval star sapphire cabochons. The sapphires have good translucency and even, grayish-blue coloring. The stars are very distinct, bright and well-centered. The backs are marked "14K".

Origin: America, ca. 1950. Condition: excellent. Size: 1-1/4" x 11/16". Weight: 15.1 grams. Approximate Total Gemstone Weight: 5.75 cts.

A delightful Victorian 10K yellow gold figural ring in the form of a genie. The genie's hands are folded across his chest and grasp a old European cut yellow sapphire. The use of a fancy color sapphire in a piece such as this is quite original. The stone is graded as very light, very slightly grayish Yellow-Green (YG 2/3). The ring's shank is in the form of sinuous snake whose head peers over the genie's shoulder and gazes at the glimmering sapphire. The design is just beautifully thought out and the detailing is excellent. The interior of the shank is marked "10K".

Origin: America, ca. 1900. Condition: excellent, sharp detail; wear consistent with age to the facet junctions on the crown of the sapphire. Finger Size: 8-1/2. Size: 13/16" wide at widest. Weight: 9.1 grams. Approximate Total Gemstone Weight: 1.53 ct.

An outstanding pair of modernist 18K yellow gold and blue topaz cufflinks by exclusive Brazilian jewelry designer Haroldo Burle Marx. He is known for his bold use of colorful, large gemstones native to Brazil. His designs for men's jewelry are extremely uncommon. Each cufflink is roughly formed as a highly-polished "c" enclosing a Florentine-finished background. A brilliant oval blue topaz completes each cufflink. The gemstones are fine quality, graded as very slightly bluish-green hue with medium tone and very slightly grayish saturation (vslgB 5/3). Both stones are eye-clean and have good cut. Each cufflink is signed "Burle Marx" and is stamped "18K" and "No Bras".

Marx was chosen by the Brazilian government to create gifts for visiting heads of state and their wives, including the Empress Nagako of Japan, the Empress Farah Diba of Iran, Queen Margrethe of Denmark, and Indira Gandhi. He was also a favored jeweler of Natalie Wood and Merle Oberon. One of his most famous commissions was a gem-set cross for Pope John Paul II.

Origin: America, ca. 1970. Condition: excellent, all original. Size: 1-1/8" x 7/8". Weight: 29.0 grams. Approximate Total Gemstone Weight: 28.5 cts.

A stunning late Art Deco pair of diamond and palladium dress clips by Tiffany & Co. The clips are fully convertible with a duette mechanism into a single round brooch of substantial presence. Each clip features a pair of stylized flowers with curving foliage and are faintly in the cornucopia shape popular in Deco and Retro jewels. The clips are extremely versatile--they can be worn singly, as a pair or joined as the larger brooch. The diamonds are G color and VVS2-VS1 clarity. The back of each clip is marked "950 Palladium Tiffany & Co." and each as a scratched inventory number. The duette mechanism is worked in gold. The clips are presented in their original Tiffany box.

Origin: America, ca. 1940. Condition: excellent, all original. Size: 1-3/8" x 3/4" each; 1-3/8" x 1-1/2" joined. Weight: 16.4 grams. Approximate Total Diamond Weight: 4.88 cts.

Fine Napoleon III 18K yellow gold pansy brooch, the upper large petals accented with a lacy pierced floral border and the lower petals with a row of alternating rose cut diamonds and antique cushion cut rubies. The gold surfaces have a matte finish that mimics the velvety texture of pansy blossoms. Delicate engraving brings out the veining on the lower petals. The diamonds and rubies are of fine color. In the Romantic language of flowers, the pansy was used to symbolize remembrance (the French word for pansy is the same as the word for thought). The diamond and ruby border is faintly heart-shaped, perhaps adding another layer of secret meaning. The back retains the original extended pinstem and c-clasp fully stamped with French 18K hallmarks.

Origin: France, ca. 1850. Condition: excellent, all original. Size: 1-3/8" x 1-7/32". Weight: 5.7 grams. Approximate Total Gemstone Weight: diamond, .37 ct; ruby, .72 ct.

A fine, heavy pair of 18K yellow gold cufflinks, the faces set with round brilliant-cut rhodolite garnets. The gemstones have very good color with a strong purplish-red component that is accented nicely with the gold setting. The faces are connected with solid arched bridges to flat oval backs. The bridges are marked “18K” and one is signed “A Shoon” (?).

Origin: America, ca. 1990. Condition: excellent. Size: faces, 7/16” diameter. Weight: 15.1 grams.

A handsome pair of Victorian 14K yellow gold double-sided cufflinks, the faces set with cabochon agates. The variety of agate is called “landscape agate” because the colors and markings resemble painted landscapes. These particular stones suggest colorful sunsets behind wooded landscapes. The bezel settings are finished with fine millegraining. The connectors are marked 14K and have an unknown American maker’s mark.

Origin: America, ca. 1890. Condition: excellent. Size: 5/8” x 9/16”. Weight: 10.4 grams.

A very good, large 18K yellow gold Sputnik ring by H Stern. The dome is studded with a variety of bezel-set tourmalines, amethysts, citrines, aquamarines and garnets. Stern popularized the style in the 1950’s to show off the variety of gemstones mined in the company’s native Brazil. Due to its spiky appearance, the design eventually became known as “Sputnik”. The rings were made in a variety of dome sizes, and this example is exceptionally large. The inside of the shank is marked with Stern’s hallmark and with 18K hallmarks.

Origin: Brazil, ca. 1955. Condition: excellent. Finger Size: 8-3/4. Size: dome, 1-1/8” diameter. Weight: 8.7 grams. Approximate Total Gemstone Weight: 8.0 cts.

A very good pair of doubled-sided 18K yellow gold cufflinks, the faces made from carved mother-of-pearl punctuated with gold “stitches” and finely-worked laurel wreath borders. The backs of the faces are beautifully decorated in an engraved foliate pattern. The faces are connected by chains. Fully marked with French “tete d’aigle” hallmarks for 18K.

Origin: France, ca. 1900. Condition: excellent, all original. Size: 9/16” diameter. Weight: 6.3 grams.

A heavy pair of 18K yellow gold and diamond cufflinks in the “Signature” or “Signature X” pattern by Tiffany & Co. This classic design was created in 1992 and is no longer available at Tiffany. The arms of the X are set with single-cut diamonds (I color, VS2 clarity). The toggle backs are marked “Tiffany & Co. 1992 750”.

Origin: America, 1992. Condition: excellent. Size: 17/32” x 17/32”. Weight: 14.9 grams. Approximate Total Diamond Weight: .63 ct.

A heavy 18K yellow gold Venetian Etruscan Revival style fob charm of elongated lantern form set with almandine garnet cabochons. The gold surfaces are heavily decorated with beaded and ropetwist decoration. The jump ring is marked “Italy 750”.

Origin: Italy, ca. 1955. Condition: excellent. Size: 1-1/4” long excluding jump ring. Weight: 11.1 grams. Approximate Total Gemstone Weight: 14.1 cts.

A lovely pair of 18K yellow gold dome earrings studded with bezel-set tourmaline, topaz, garnet, citrine and aquamarine. This style was popularized by H Stern in the 1950’s and was used to show off the variety of gemstones available from the company’s native Brazil. Due to its spiky appearance, the design was eventually called “Sputnik”. The style was mostly used for rings, but also for pendants, charms and earrings. Earrings are quite uncommon. The earrings retain the original post-and-clip backs, but the posts could be removed if desired. The clips are marked “MN 750”.

Origin: Brazil, ca. 1955. Condition: excellent. Size: 13/16” diameter. Weight: 7.7 grams. Approximate Total Gemstone Weight: 8.36 cts.

A very fine, heavy 18K yellow gold bracelet in the “Signature” or “Signature X” pattern by Tiffany & Co. This is a classic design that hasn’t been in production for quite some time. Each link is fully articulated so the bracelet lies nicely on the wrist. The clasp is marked “T & Co. 750”. Comparable bracelets at Tiffany currently retail in the $8,000 range.

Origin: America, ca. 1995. Condition: excellent. Size: 7-1/8” long; 5/16” wide. Weight: 29.1 grams.

A very fine pair of platinum, diamond and aquamarine earrings in a classic Art Deco style. The brilliant round-cut diamonds graduate from .20 ct at the top to .30 ct at the bottom. The diamonds are finely matched at H color, VS1 to VS2 clarity, with good to very good cut. The brilliant oval-cut aquamarines have fine color color, very good brilliance and SI clarity. The aquamarines are unheated. Each gemstone is set in a fully articulated mounting with a pierced gallery. The earrings have screw posts. Tested and guaranteed platinum.

Size: 1-3/4" long. Total Gemstone Weight: diamond, 2.52 carats; aquamarine, 3.52 cts. Weight: 9.0 grams.

A stunning pair of 18K yellow gold earrings in the "Heliocoidal" pattern by lauded designed Michael Good. The earrings are constructed in the anticlastic raising technique in with the piece is formed from a sheet of gold and then twisted along all three dimensions to create an organic shape that Good refers to as "molten energy." Each piece is created entirely by hand and does not employ any machine made parts such as earwires or clasps. Older examples of Good's jewelry is difficult to find. Each earring is marked "750 M Good".

Origin: America, ca. 1987. Size: 2-7/8" long. Weight: 8.2 gr.

A lovely Art Nouveau 14K yellow gold honeymoon pin in the form of a pearl-studded horseshoe enclosing a beautifully-enameled violet. The petals are worked in realistic shades of purple fading to pinkish-cream at the centers and the flower is accented with a bright green leaf. In the Victorian language of flowers, the violet was used to symbolize faithfulness. Combined with a horseshoe for good luck, a pin of this sort almost certainly would have served as a going-away gift. The original clasp is stamped 14K and has Krementz' hallmark.

Origin: America, ca. 1890. Condition: excellent, all original, no enamel damage. Size: 13/16" x 3/4". Weight: 3.3 gr.

A handsome mid-Victorian Scottish agate pendant featuring pear-shaped cabochons of bloodstone ("heliotrope") and carnelian in a fine gold setting. The gold surfaces are heavily decorated with fiolate engraving. Queen Victoria personally led the fashion for all things Scottish. Most jewels were set in silver; those set in gold were generally made in London using Scottish stones. Tested and guaranteed 15K.

Origin: Scotland/England, ca. 1870. Condition: excellent, the piece was originally a brooch and the pinstem and clasp were removed and a bail added for wear as a pendant. Size: 1" diameter. Weight: 11.1 gr.

A handsome and heavy pair of 18K yellow gold cufflinks in the classic baton style. The surfaces are decorated with a fine stippled pattern lending a dark patina similar to higher-karat gold. The backs are plain beveled rectangles. The connectors are marked "18K S.&F.".

Origin: America, ca. 1980. Condition: excellent. Size: batons, 1-1/16" long. Weight: 10.0 grams.