Catalog: Estate Jewelry (1615)

An elegant pair of Art Nouveau floral double-sided floral cufflinks worked in 20K yellow gold. The faces are very finely hand-chased with an ornate pattern of daisies. The high gold content gives the cufflinks are very bright yellow color and heavy weight. The connecting chains are marked with an illegible maker's mark and a continental European mark for 20K.

Origin: Europe, ca. 1890. Condition: excellent, sharp detail. Dimensions: 13/16" x 11/32". Weight: 7.8 grams.

This fabulous snarling tiger is glowing with lifelike translucent enamels in multiple shades of gold, orange, brown and black. The nostrils and tongue are accented with deep red enamel. Each eye is set with an old European cut diamond and the fangs grasp a third diamond. The stones are good quality, graded at I color, SI1 clarity. The pendant is deeply three-dimensional with superb detailing. The back is also stamped with Alling & Co.’s mark. Alling was manufacturer for leading retailers such as Tiffany & Co., Bailey, Banks Biddle and C.D. Peacock.

The back is ornately engraved “EBP From the Armour Boys/Sioux City, IA/June 1907.” Our research suggests that the “Armour Boys” were the owners of the meatpacking company Armour, and that “EBP” was Elizabeth Ann Brasker Plankinton, daughter of their partner in the company. One of Armour’s largest factories opened in Sioux City in 1907.

NOTE: The pendant is shown with a 16" 14K gold chain that is available for an additional $125.

• Origin: America, 1907.
• Condition: excellent condition.
• Dimensions: 1 3/32” wide x 1 1/8” tall (excluding bail and jump ring).
• Weight: 11.5 grams.
• Approximate Total Diamond Weight: .15 carat.

A lovely, colorful Art Nouveau 14K gold, seed pearl and enamel pin in the form of a violet by the Newark firm Crane & Theurer. The flower petals are enameled in cream darking gradually through lilac to deep violet along the edges. Each of the petals is finished with an arc of tiny seed pearls echoing the larger pearl set at the flower's center. The reverse is stamped with the maker's hallmark and "14K."

• Origin: America, ca. 1910.
• Condition: excellent.
• Dimensions: 13/16" x 7/8".
• Weight: 4.1 gr.

A classic Art Nouveau brooch / pendant decorated with lush pale blue, medium blue, cream, and yellow matte enamels. The flower is centered with a round diamond. The pin is unmarked but is certainly by one of the Newark jewelers. The back retains the original pinstem and clasp. A bail could easily be added for wear as a pendant. Tested and guaranteed 14K.

• Origin: America, ca. 1900
• Condition: excellent, no enamel damage
• Dimensions: 7/8” x 7/8”
• Weight: 4.3 grams
• Approximate Diamond Weight: .02 carat.

A classic Art Nouveau brooch / pendant decorated with lush purple, cream, maroon, and yellow matte enamels. The flower is centered with a round brilliant cut diamond. Though this example is unmarked, it is likely by A. J. Hedges. Hedges’ enameled flowers stood out from the competition because they were generally heavier and displayed more sculptural detail. The diamond is graded H/SI2. The back retains the original pinstem, clasp, and folding pendant bail. The bail is stamped “14K.”

• Origin: America, ca. 1900
• Condition: excellent, no enamel damage
• Dimensions: 1-3/16” x 1-3/16”
• Weight: 11.6 grams
• Approximate Diamond Weight: .16 carat.

You can nearly hear this glowering lion roaring. Decorated in spectacular translucent enamels, the lion’s eyes are studded with old European cut diamonds and the mouth grasps an old mine cut diamond. The diamonds are graded as H/VS1. The brooch is deeply three-dimensional, with a lot of detailing in the mane. The back of the pin retains the original pinstem and a watch hook. The hook would have been used to suspend a pocket watch but could now be used to suspect a gemstone drop. It is also marked with an American maker’s mark (almost certainly an uncommon variation of the Alling & Co. mark) and a design patent date of Oct 13, 1903. The pin can easily be converted to a pendant with the addition of a folding bail.

• America, ca 1903.
• Excellent condition; a nick to the enamel on the nose.
• Dimensions: 1-1/4 diameter.
• Weight: 11.2 grams.
• Approximate Total Diamond Weight: .20 carat.

A lovely Art Nouveau honeymoon pin in 14K yellow gold featuring an enameled violet centered with a small old European cut diamond. The petals are are worked in delicate shades of purple, cream marroon and are finished with repousse gold borders frequently sometimes seen in Larter enamels. In the Victorian flower language, the combination of a crescent moon shape with a flower was suggestive of the word "honeymoon." Small pins such as this were popular gifts for a new bride. The back is stamped with Larter's 14K hallmark.

• Origin: America, ca 1900
• Condition: excellent, no enamel loss
• Dimensions: 1-1/16" x 9/16"
• Weight: 2.0 grams
• Approximate Diamond Weight: .03 carat

A stunning Art Nouveau 14K yellow gold locket, the cover with repousse decoration illustrating the Byzantine Empress Theodora. Though we’ve never seen this particular design before, Byzantine motifs were widely used in Art Nouveau jewels, especially in France where they were copied from costumes created for the actress Sarah Bernhardt and posters by Alphonse Mucha. The Empress is sumptuously dressed in a flowing robe with a wide jeweled collar, bracelets and earrings. She wears a heavy crown and sits on a throne. The quality of decoration is excellent. The back of the locket has a period three-letter monogram in elegant Art Nouveau script. Tested and guaranteed 14K.

• America, ca. 1900
• Excellent condition; sharp detail; a few small dings on the back side
• Dimensions: 1-5/32” diameter
• 5.7 grams

A lovely, medium-size Art Nouveau enameled 14K gold pin in the form of a violet. Each of the petals is beautifully decorated in shaded translucent enamels in tones of violet and yellowish-cream. The translucency and high gloss of the enamel create a tremendous sense of depth in the design. The edges of the petals are set with rows of tiny seed pearls and the flower is centered with an old European cut diamond, graded as I/J, SI2. The reverse retains its original clap and pinstem and is marked for 14K.

Origin: America, ca. 1910. Condition: excellent, all original, no enamel damage. Dimensions: 1-1/8” x 1-1/8”. Weight: 6.8 grams. Approximate Total Diamond Weight: .25 ct.

A gorgeous enameled pansy, worked in several shades of bluish-purple is featured in this ring converted from a Victorian pin. The enamel has a soft velvety appearance and is accented at the center with a small pearl. The pansy is set on a sturdy 14K gold split shank. Pansies are generally associated with remembrance, but in Victorian flower symbology, they also carried the sentiment, "Think of me." So whether you're in love or just feeling nostalgic, this ring is perfect! Tested and guaranteed 14K.

NOTE: We are offering a matching pendant converted from the same Victorian pin. Item #1412579

• Origin: America, ca. 1900
• Condition: converted from a brooch; no enamel damage
• Dimensions: crown, 3/4" x 11/16"
• Finger Size: 6 1/2
• Weight: 4.0 grams.

An unusually large Art Nouveau enameled violet pin /pendant worked in opaque white and purple shades over 18K gold. The petals are arranged around an old mine cut diamond (I/J; SI1). In Victorian flower symbology, purple violets conveyed the sentiment "modesty" and white violets conveyed "innocence." Perhaps the colors chosen for this piece were intended to represent a mix of meanings. The back retains the original pinstem and clasp, as well as a bail so the flower can be worn as a pendant. Tested and guaranteed 18K.

• Origin: probably European, possibly American, ca 1900
• Condition: excellent; the peta on the lower right has a tiny enamel nick visible only under 10X magnification
• Dimensions: 1-1/8" x 1-5/16"
• Weight: 8.7 grams
• Approximate Diamond Weight: .25 carat

A sweet good luck charm in the form of a 14K gold wishbone entwined with a branch of bright blue enameled forget-me-nots. In Victorian flower language, forget-me-nots represented remembrance. Combined with the wishbone, a piece such of this might have been given as a farewell gift. Stamped with the maker's mark for Winthrop Manufacturing Co (Attleboro, MA).

NOTE: The pendant is shown with a 16" 14K gold chain available for an additional $125.

• Origin: America, ca. 1910.
• Condition: perfect enamel; original pinstem and clasp were removed and replaced with a hidden bail by our jeweler.
• Dimensions: 1-5/8" x 1/2".
• Weight:2.7 grams.

A delicate Art Nouveau 10K gold pin featuring a pansy decorated with translucent violet, pink and cream enameled. The flower center and a bud are set with small seed pearls. The brooch retains its original pinstem and clasp stamped "10K." In Victorian flower language, the pansy conveyed the meaning "Think of me." Small pins such as this were popular gifts for new brides.

• Origin: America, ca 1910
• Condition: very good; a small enamel flake to the tip of one petal (superficial only and does not affect the color)
• Dimensions: 3/4" x 1-1/8"
• Weight 2.5 grams.

A lovely 14K gold pendant necklace featuring a colorfully enameled violet blossom centered with a seed pearl and suspending a freshwater pearl. The flower petals and leaves are enhanced with translucent enamels in shades of purple, green, yellow and burgundy. In Victorian flower symbology, the violet represented "modesty." The pendant is suspended from its original chain, marked 14K on the clasp. The pendant is unmarked, but tested and guaranteed 14K.

• Origin: America, ca 1900
• Condition: excellent; no enamel damage
• Dimensions: pendant, 3/8" x 15/16"; chain length, 16"
• Weight: 6.0 grams.

A lovely Art Nouveau pendant worked in gilt silver depicting a pair of hounds against a background of oak leaves and acorns. The quality of the casting and chasing is very nice. The reverse is marked "800".

• Origin: Europe, ca 1900
• Condition: excellent
• Dimensions: 1-9/32" diameter
• WeightL 13.0 grams

A lovely 14K gold Art Nouveau pin in the form of a bouquet of violets by Krementz. Three flowers on long golden stems are accented with a pair of leaves decorated with iridescent translucent enamel. Each flower comprises five dark purple enameled petals surrounding a seed pearl. In the Victorian flower language, the violet represented modesty. The back retains the original pinstem and clasp, marked 14K and bearing Krementz's hallmark.

• Origin: America, ca 1920
• ConditionL excellent
• Dimensions: 1-13/16" x 7/8"
• Weight: 4.5 grams

A pretty Art Nouveau 10K yellow gold locket by Elias Rees & Son, depicting a young woman surrounded by a bower of flowers. The back cover bears a period monogram, nicely worked in ornate Art Nouveau script. The interior retains the original frames and glass covers on both sides and is hallmarked by Rees.

Origin: America, ca. 1915. Condition: excellent; nice detail. Dimensions: 1" diameter (excluding bail and jump ring). Weight: 5.8 gr.

A fine Art Nouveau medallist stickpin depicting Demter (“Ceres”), goddess of the harvest and the seasons, in 14K gold by Louis Rault. She is shown in profile with several of her attributes including a tiara of wheat and a scythe. Louis Armand Rault was a leading designer for Boucheron 1868-75 and this is one of his signature designs. His designs were sometimes licensed to other jewelers, hence this American 14K version. The stickpin is finished in a soft bloomed texture. The pinstem is stamped iwth Carter, Gough's 14K mark. The stickpin could easily be converted to a ring or pendant.

• Origin: America, ca 1880
• Condition: excellent, sharp detail
• Dimensions: head, 9/16” diameter, length, 2-1/2”
• Weight: 2.0 grams

A fine Art Nouveau medallist brooch depicting Demeter (Ceres), goddess of the harvest, in 18K gold by Louis Rault. She is shown in profile with several of her attributes a tiara of wheat and poppies and a scythe. The wears a rose-cut diamond earring, a diamond toga clasp, and a third in her tiara. Louis Armand Rault was a lead designer for Boucheron 1868-75 and this is one of his signature designs. The brooch is stamped with French 18K gold marks and also with an illegible maker's mark. The front is also marked with Rault's monogram. The brooch could easily be converted to a pendant with the addition of a folding bail.

• Origin: France, ca. 1880.
• Condition: excellent; sharp detail; all original.
• Dimensions: 1" diameter.
• Weight: 7.4 grams.
• Approximate Total Diamond Weight: .03 carat.

A stunning Art Nouveau medallist brooch depicting Athena, goddess of wisdom and war, and patron of the arts, in 18K gold. The goddess is depicted with several of her attributes, including a dragon-topped war helmet, a wreath of olive leaves, an owl, and a drama mask representing the arts. Her helmet is studded with a star-set ruby and a band of rose-cut diamonds and she wears a necklace of rose-cut diamonds. This design was created by Louis Armand Rault, a lead designer for Boucheron 1868-75. This is once of his most iconic designs, though it is unusual in having quite so many gemstones added. Rault apparently licensed many of his designs to various makers, though the gold examples are French more often than not. This example is fully stamped with French marks for 18K and has an illegible maker's mark. The front is also marked with Rault's monogram. The pin could easily be converted to a pendant with the addition of a folding bail.

• Origin: France, ca. 1880.
• Condition: excellent; sharp detail; all original.
• Dimensions: 1" diameter.
• Weight: 5.0 grams.
• Approximate Gemstone Weight: ruby, .02 carat; diamond, .05 carat.

A very rare Art Nouveau Mardi Gras ball favor jewel in 14K gold depicting Greek goddess. The exposed areas of gold have a soft "bloomed" finish typical of higher quality Art Nouveau jewels that constrasts beautifully with the translucent enamels. The back is stamped "14K" and is engraved "COMUS 1908."

The Mystick Crewe of Comus is the oldest and most exclusive of New Orleans' Mardi Gras organizations. The theme selected for the 1908 event was "Gods & Goddesses." Favors were bestowed on the ladies in attendance. Usually, these were inexpensive items, but in 1908, the "trinket" were these lovely gold pins.

• Origin: America, 1908
• Condition: excellent, no enamel loss
• Dimensions: 1" x 7/8"
• Weight: 5.5 grams.

A very fine 14K multicolored gold pendant/pin in the form of a ruffled pansy. Each of the petals is subtly sahded from rose gold at the edges through shades of yellow and finally, to a grayish gold (possibly platinum) where the petals join. The surface is finished with a lightly stippled texture. The center of the flower is set with a round blue sapphire and three of the petals are set with old mine cut diamond "dew drops". The diamonds are small, but are very good quality (F/VVS1) and sapphire has rich violetish-blue coloring. The reverse retains the original folding bail and pinstem/clasp, and is marked "Pat." Tested and guaranteed 14K.

Origin: America, ca. 1900. Condition: excellent, all original. Dimensions: 1" x 1-1/8". Weight: 6.2 grams. Approximate Total Diamond Weight: sapphire .39 carat; diamond, .08 carat.

An astonishing figural pendant necklace featuring a natural semi-baroque pearl in the shape of a pear, accented with platinum and 18K yellow gold leaves and a stem, all set with old European cut diamonds. The pearl has very fine orient, with all the colors of the rainbow skating over the creamy white surface. The diamonds are graded at an average of H/SI1. Converted from an Edwardian stickpin, the pear is now a gorgeous pendant hanging from a French 18K white gold chain.

NOTE: The pendant is also available without the chain for $1050.

• France, ca. 1910.
• Excellent condition; pendant converted from a stickpin.
• Pendant, 11/16" x 1/2"; overall necklace length, 16-3/8".
• 3.8 grams.
• Approximate Total Diamond Weight: .26 carat.

Three glowing opals punctuate each this pair of Art Nouveau 14K gold dress clips. Triangular in shape, the clips are entirely hand-pierced and chased in a swirling foliate pattern. The leaves extend beyond the triangular borders to create a slightly assymetrical shape. The opals are much more attractive in person than in the photos, and have fine play of green, blue, orange and red color, evenly spread over the gemstones. Clips of this sort would have originally been worn on either side of a neckline, on a fur, or attached to shoes. They can still be worn those ways, of course, but they're terribly versatile and could be worn on jacket or coat lapels, clipped onto a grosgrain or velvet ribbon and worn as a choker, and dangling from a chain. The clips have a a jeweler's inventory number, but no maker's mark. Tested and guaranteed 14K.

• America, ca. 1915.
• Excellent condition; all original.
• 1 1/4" x 1 1/4".
• 21.0 grams.
• Approximate Total Opal Weight: 2.22 carats.

A fine and very lovely Art Nouveau pendant or brooch worked in platinum and 18K yellow gold, every visible surface is set with old mine cut and old European cut diamonds of various sizes. The design depicts are central flower surrounded by foliage twisted into whiplash curves and sprinkled with flower buds. The construction is very solid and quite heavy, but the openwork maintains a feeling of lightness. The back retains the original pinstem and safety clasp as well as a folding bale so the jewel can be worn as either a brooch or pendant. Tested and guaranteed platinum and 18K.

Origin: America, ca. 1905. Condition: excellent, all original. Size: 1-13/32” x 1-3/32” (excluding bale). Weight: 10.8 grams. Approximate Total Diamond Weight: 1.4 carats.

A very fine Art Nouveau pendant formed from an exceptionally large natural freshwater pearl mounted in platinum and gold and set with diamonds. The floral platinum mounting features a .15 carat old European diamond and nine single-cut diamonds. The bail is shaped as a clover and is set with three additional diamonds. The pearl has fine luster with rose and green orient. Tested and guaranteed platinum and 14K gold. The contemporary chain is 14K white gold.

• Origin: America, ca. 1910
• Condition: excellent
• Dimensions: pendant, 1-9/16" x 1/2"; chain, 16"
• Weight: 5.5 grams
• Approximate Total Diamond Weight: .45 carat

14K gold Art Nouveau pendant necklace featuring a flower set with a blue sapphire center and a seed pearl bud enclosed within a heart-shaped frame of foliage. The gold has a slightly greenish cast and is engraved to suggest the velvety leaves. Originally a brooch, the pendant now hangs on a 14K gold split chain as an elegant necklace. Tested and guaranteed 14K.

• Origin: Continental Europe, ca. 1900
• Condition: excellent.
• Dimensions: pendant, 1" x 1"; necklace length, 18-3/4".
• Weight: 4.2 grams.
• Approximate Total Sapphire Weight: .06 carat.

A very rare pair of Art Nouveau silver cufflinks, the round faces decorated with fine renderings of a bicycle racer in the medallion style. Some of the leading French sculptors of the day created such medallions for various sporting events and government functions. The faces are signed, but illegibly so. The backs are fully hallmarked for silver.

Origin: France, ca. 1900. Condition: excellent. Dimensions: 21/32" diameter. Weight: 9.4 grams.

A great pair of Art Nouveau sterling silver bean-back cufflinks in the form of dogwood flowers. The faces are very nicely detailed. The backs of the faces and the connectors are marked “Sterling”.

Origin: America, ca. 1900. Condition: excellent, all original. Size: 13/16” x 9/16”. Weight: 7.5 grams.

A rare pair of sterling silver bean-back cufflinks, the faces with very detailed images of a Native American in profile. The Indian's long hair is woven with feathers and the edges of the cufflinks are decorated with stalks of corn. These latter details are very much in the Art Nouveau taste. The backs of the cufflinks are marked "Sterling." Both Unger and Kerr made an Indian design with a full-face image. These cufflinks are of equal quality, but we do not know the maker.

Origin: America, ca. 1900. Condition: excellent; sharp detail. Dimensions: 13/16 x 1/2". Weight:

Lovely Art Nouveau sterling silver bar pin comprised of three maidens with flowing hair. Each of the faces is cast and is solid. Each is marked "Sterling", as is the c-clasp fastener.

Origin: America, circa 1890. Condition: excellent, all original. Size: 1-11/16" x 9/16". Weight: 6.0 grams.

A wonderful pair of Art Nouveau 18K yellow gold cufflinks by Tiffany & Co. The faces feature finely detailed images of a bearded, horned devil with pointed ears and wild hair shown against a fiery background. The workmanship of the chasing and engraving is superb. Mythological subjects were especially popular during the Art Nouveau period, and certainly this devil's head could be seen as an extension of that popularity. The faces are attached to plain oval backs, which have never been engraved with a monogram. Each cufflink is signed with the Tiffany & Co. mark used around 1900 and is marked for 18K.

Origin: America, ca. 1900. Dimensions: 3/4 x 3/8". Weight: 10.4 grams.

An elegant pair of 18K yellow gold Art Nouveau cufflinks set with rose and single cut diamonds. The cufflinks have a classic design of whiplash curves typical of Art Nouveau jewelry. They are worked in both slightly matte bloomed and polished textures for added interest. The torpedo backs are connected by wired bridges. The cufflinks are stamped with French import marks, apparently those used for temporary admission into the country so they could be displayed at one of the international design salons around the turn of the 20th century.

• Origin: Continental Europe, ca 1900
• Condition: excellent
• Dimensions, faces, 3/4" x 13/32”
• Approximate Total Diamond Weight: .66 carat
• Weight: 6.5 grams

A handsome pair of Arts and Crafts (Aesthetic) period cufflinks in 14K yellow gold. The oval faces have irregularly pierced faces set with buff-cut amethysts. The amethysts have nice medium coloring. Their smooth upper surfaces match the simple overall style, while the faceted pavilions provide a little shimmer. Tested and guaranteed 14K gold.

Origin: America, ca. 1890. Condition: excellent. Dimensions: 11/16 x 13/16 inches. Weight: 13.2 grams. Approximate Total Amethyst Weight: 11.68 carats.

An elegant pair of past-colored multi-gem earrings set in 18K white gold by Asprey. From the "Daisy" collection, these dangling earrings feature a flower blossom of blue topaz, pink tourmaline, peridot and amethyst petals surrounding a center diamond. A cascading ribbon of matching gemstones descends from the flower. The stones are set so minimal metal shows from the front to add to the delicate appearance. The earrings are signed Asprey and are marked for 18K gold. They are presented in their original suede-lined leather box from Asprey. The original retail price in 2007 was $6500.

Dimensions: 1-5/8" long. Approximate Total Gemstone Weight: blue topaz, 2.64 cts; pink tourmaline, 1.26 cts; amethyst, 1.08 cts; peridot, .88 ct; diamond, .10 ct. Weight: 8.4 grams.

A rare and outstanding six-piece dress set in 14K yellow gold set with cat’s eye chrysoberyls by Larter for A. Sulka & Co. The gemstones are very dramatic and exhibit superior chatoyancy—the cat’s eye effect displayed when the stones are moved in light. Cat’s eye comes in a variety of colors, but the choice of this dark greenish-grayish black with the white eye is perfect for dress wear. The set comprises a pair of double-faced cufflinks and four shirt studs. Each piece is marked with Larter’s 14K stamp. The set is presented in its original fitted case from A. Sulka & Co., one of the most exclusive men’s clothing boutiques of the 20th century. The box can be dated between 1946 and 1973, the only years in which Sulka had a location in Palm Beach.

• Origin: America, ca. 1950.
• Dimensions: cufflink faces, 1/2” diameter; stud faces, 5/16” diameter.
• Weight: 13.3 grams.
• Approximate Total Gemstone Weight: 53.48 carats.
• Condition: excellent; all original; excellent box.

A lovely 18K yellow gold, diamond, and ruby love pendant (“medaille d’amour”) with a rebus spelling out “Plus qu’hier, moins que demain” (“More than yesterday, less than tomorrow”), a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano de Bergerac”) in 1889. In 1907, the Lyonnais jewelry Alphonse Augis created a love token based on the poem. His designs changed over time and this piece is a classic example from the 1960s. The heart-shaped medallion is surrounded by a border of smaller hearts alternating with prong-set synthetic rubies. The front is signed A.A. and the pendant is stamped with French 18K marks.

• Origin: France, ca. 1965
• Condition: very good
• Dimensions: 7/8” x 7/8” (excluding bail and jump ring)
• Weight: 4.7 grams

A lovely 18K yellow and white gold and ruby heart-shaped love pendant (“medaille d’amour”) with a rebus spelling out Plus qu’hier, moins que demain,” (“More than yesterday, less than tomorrow.”) a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano”) in 1889. The word “plus” is symbolized by a plus sign in white gold and the word “moins” by a minus sign set with rectangular cut synthetic rubies. The remainder of the text is designed in a softly rounded font introduced in 1975. The size is perfect for either a neck chain or a charm bracelet. The pendant is fully stamped with French 18K gold marks and with Augis’ maker’s mark. It is also signed "Augis."

• Origin: France, 1969.
• Condition: excellent; sharp detail
• Dimensions: 5/8” x 11/16" (excluding bail and jump ring).
• Weight: 1.4 grams.
• Approximate Total Gemstone Weight: ruby, .02 carat; diamond, .005 carat.

A lovely 18K yellow gold, diamond, and ruby love pendant (“medaille d’amour”) with a rebus spelling out “Plus qu’hier, moins que demain” (“More than yesterday, less than tomorrow”), a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano de Bergerac”) in 1889. In 1907, the Lyonnais jewelry Alphonse Augis created a love token based on the poem. The word “plus” is represented by a plus sign set with a diamond and the word “moins” with a minus sign set with rectangular synthetic rubies. This example is in the original style with a “crêpe de chine” textured background and laurel wreath border. The back is monogrammed “MG.” The front is signed A.A. and the bail is stamped with French 18K marks.

• Origin: France, ca. 1930
• Condition: excellent, sharp detail
• Dimensions: 11/16” diameter (excluding bail and jump ring)
• Weight: 3.5 grams

A lovely 18K yellow gold, diamond and ruby love pendant (“medaille d’amour”) with a rebus spelling out Plus qu’hier, moins que demain,” (“More than yesterday, less than tomorrow.”) a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano”) in 1889. The word “plus” is symbolized by a plus sign set with a rose cut diamond and the word “moins” by a minus sign set with rectangular cut synthetic rubies. In 1907, the Lyonnais jewelry Alphonse Augis created a love token based on the poem. This example has the starburst-textured background paired with the simple beveled border used in the 1950s. The smaller size is perfect for either a neck chain or a charm bracelet. The pendant is fully stamped with French 18K gold marks and with Augis’ maker’s mark.

• Origin: France, 1950.
• Condition: excellent; sharp detail.
• Dimensions: 21/32” diameter (excluding bail and jump ring).
• Weight: 2.1 grams.
• Approximate Total Gemstone Weight: diamond, .01 carat; ruby, .06 carat.

A lovely 18K yellow gold, diamond and ruby love pendant (“medaille d’amour”) with a rebus spelling out Plus qu’hier, moins que demain,” (“More than yesterday, less than tomorrow.”) a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano”) in 1889. The word “plus” is symbolized by a plus sign set with a rose cut diamond and the word “moins” by a minus sign set with rectangular cut synthetic rubies. In 1907, the Lyonnais jewelry Alphonse Augis created a love token based on the poem. This example has the starburst-textured background paired with the simple beveled border used in the 1950s. The smaller size is perfect for either a neck chain or a charm bracelet. The pendant is fully stamped with French 18K gold marks and with Augis’ maker’s mark.

• Origin: France, 1950.
• Condition: excellent; sharp detail.
• Dimensions: 21/32” diameter (excluding bail and jump ring).
• Weight: 2.3 grams.
• Approximate Total Gemstone Weight: diamond, .01 carat; ruby, .06 carat.

A lovely 18K yellow gold, diamond and ruby love pendant (“medaille d’amour”) with a rebus spelling out “Plus qu’hier, moins que demain,” (“More than yesterday, less than tomorrow”) a line from the love poem written by Rosemond Gérard to her husband Edmond Rostand (author of “Cyrano de Bergerac”) in 1889. In 1907, the Lyonnais jewelry Alphonse Augis created a love token based on the poem, and his designs became iconic. In this example, the word “moins” is represented by a minus sign set with a synthetic ruby. This is the first time we’ve seen a medaille d’amour incorporated into a larger pendant design that also features a rose and a heart. The pendant is stamped with French 18K marks and Augis’ maker’s mark. The pendant is sold with its chain which is not gold.

• Origin: France, ca. 1950s or early 60s
• Condition: excellent
• Dimensions: 3/4” x 5/8”
• Weight: 2.2 grams.

A lovely 18K yellow and white gold, ruby and enamel love pendant (“medaille d’amour”) with a rebus spelling out Plus qu’hier, moins que demain,” (“More than yesterday, less than tomorrow.”) a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano”) in 1889. The word “plus” is symbolized by a plus sign in white gold and the word “moins” by a minus sign set with rectangular cut synthetic rubies. The remainder of the text is highlighted in black enamel. In 1907, the Lyonnais jewelry Alphonse Augis created a love token based on the poem. This example has the starburst textured background paired with a bright-cut border in a style introduced in 1969. It is signed “A.A.” The medium size is perfect for either a neck chain or a charm bracelet. The pendant is fully stamped with French 18K gold marks and with Augis’ maker’s mark.

• Origin: France, 1975.
• Condition: excellent; sharp detail. Dimensions: 3/4” diameter (excluding bail and jump ring).
• Weight: 2.6 grams.
• Approximate Total Ruby Weight: .04 carat.

A lovely 18K yellow gold, diamond and ruby love pendant (“medaille d’amour”) with a rebus spelling out Plus qu’hier, moins que demain,” (“More than yesterday, less than tomorrow.”) a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano”) in 1889. The word “plus” is symbolized by a plus sign set with a rose cut diamond and the word “moins” by a minus sign set with rectangular cut synthetic rubies.

In 1907, the Lyonnais jewelry Alphonse Augis created a love token based on the poem. This example, signed A.A., is in the original style with a “crêpe de chine” textured background and floral wreath border. The use of a rose cut diamond, the Augis signature and the patent mark indicates that this is an earlier example. The small size is perfect for either a delicate chain or to wear as a charm on a bracelet. The pendant is fully stamped with French 18K gold marks and with Augis’ maker’s mark.

• Origin: France, 1930.
• Condition: excellent; sharp detail.
• Dimensions: 5/8” diameter (excluding bail and jump ring).
• Weight: 2.8 grams.
• Approximate Total Gemstone Weight: diamond, .01 carat; ruby, .03 carat.

A lovely 18K yellow and white gold, ruby and enamel love pendant (“medaille d’amour”) with a rebus spelling out Plus qu’hier, moins que demain,” (“More than yesterday, less than tomorrow.”) a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano”) in 1889. The word “plus” is symbolized by a plus sign in white gold and the word “moins” by a minus sign set with rectangular cut synthetic rubies. The remainder of the text is highlighted in black enamel.

In 1907, the Lyonnais jewelry Alphonse Augis created a love token based on the poem. This example has the starburst textured background paired with a bright-cut border in a style from the 1970s. It is signed “A.A.” The medium size is perfect for either a neck chain or a charm bracelet. The pendant is fully stamped with French 18K gold marks and with Augis’ maker’s mark.

• Origin: France, 1975.
• Condition: excellent; sharp detail.
• Dimensions: 13/16” diameter (excluding bail and jump ring).
• Weight: 2.6 grams.
• Approximate Total Ruby Weight: .04 carat.

A lovely 18K yellow and white gold, ruby and enamel love pendant (“medaille d’amour”) with a rebus spelling out Plus qu’hier, moins que demain,” (“More than yesterday, less than tomorrow.”) a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano”) in 1889. The word “plus” is symbolized by a plus sign in white gold and the word “moins” by a minus sign set with rectangular cut synthetic rubies. The remainder of the text is highlighted in black enamel. In 1907, the Lyonnais jewelry Alphonse Augis created a love token based on the poem. This example has the starburst textured background paired with a bright-cut border in a style introduced in 1969. It is signed “A.A.” The medium size is perfect for either a neck chain or a charm bracelet. The pendant is fully stamped with French 18K gold marks and with Augis’ maker’s mark.

• Origin: France, 1975.
• Condition: excellent; sharp detail.
• Dimensions: 3/4” diameter (excluding bail and jump ring).
• Weight: 2.7 grams.
• Approximate Total Ruby Weight: .04 carat.

A lovely 18K yellow gold, diamond and ruby love pendant (“medaille d’amour”) with a rebus spelling out Plus qu’hier, moins que demain,” (“More than yesterday, less than tomorrow.”) a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano”) in 1889. The word “plus” is symbolized by a plus sign set with a five rose cut diamonds and the word “moins” by a minus sign set with rectangular cut synthetic rubies.

In 1907, the Lyonnais jewelry Alphonse Augis created a love token based on the poem. This example is in the original style with a “crêpe de chine” textured background and floral wreath border. The use of a rose cut diamond, the A. Augis signature and the patent mark indicates that this is an earlier example. The medium-large size is perfect for either a substantial chain or to wear as a bracelet charm. The pendant is fully stamped with French 18K gold marks.

• Origin: France, 1930.
• Condition: excellent; sharp detail.
• Dimensions: 7/8” diameter (excluding bail and jump ring).
• Weight: 6.5 grams.
• Approximate Total Gemstone Weight: diamond, .05 carat; ruby, .07 carat.

A lovely 18K yellow gold, diamond and ruby love pendant (“medaille d’amour”) with a rebus spelling out Plus qu’hier, moins que demain,” (“More than yesterday, less than tomorrow.”) a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano”) in 1889. The word “plus” is symbolized by a plus sign set with a five rose cut diamonds and the word “moins” by a minus sign set with rectangular cut synthetic rubies.

In 1907, the Lyonnais jewelry Alphonse Augis created a love token based on the poem. This example is in the original style with a “crêpe de chine” textured background and floral wreath border. The use of a rose cut diamond, the A. Augis signature and the patent mark indicates that this is an earlier example. The small size is particularly nice for wear as a pendant from a delicate chain. The pendant is fully stamped with French 18K gold marks.

• Origin: France, 1930.
• Condition: excellent; sharp detail.
• Dimensions: 9/16” diameter (excluding bail and jump ring).
• Weight: 2.0 grams.
• Approximate Total Gemstone Weight: diamond, .01 carat; ruby, .03 carat.

A lovely 18K yellow and white gold, ruby and enamel love pendant (“medaille d’amour”) with a rebus spelling out Plus qu’hier, moins que demain,” (“More than yesterday, less than tomorrow.”) a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano”) in 1889. The word “plus” is symbolized by a plus sign in white gold and the word “moins” by a minus sign set with rectangular cut synthetic rubies. In 1907, the Lyonnais jewelry Alphonse Augis created a love token based on the poem. This example has the starburst textured background paired with a bright-cut border in a style introduced in 1969. It is signed “A.A.” The medium size is perfect for either a neck chain or a charm bracelet. The pendant is fully stamped with French 18K gold marks and with Augis’ maker’s mark.

• Origin: France, 1970.
• Condition: excellent; sharp detail.
• Dimensions: 11/16” diameter (excluding bail and jump ring).
• Weight: 2.2 grams.
• Approximate Total Ruby Weight: .04 carat.

A superb pair of Austrian Art Deco cufflinks, worked in 18K yellow gold. The round faces are centered with moonstone cabochons surrounded by round mixed-cut rubties. The moonstones have fine bluish color and strong adularescence that contrasts beautifully with the richness of the rubies. The rubies are natural and show no signs of heat treatment. The stones are graded as medium-dark, vivid strong purplish red with eye-clean to slightly included clarity. The faces are joined by chains to baton-style backs. The combination of moonstone and ruby was particularly popular during the first quarter of the 20th century, but it's rarely seen with an effect as pleasing as this. Both cufflinks are hallmarked with Austrian hallmarks used in the provinces near Dresden from 1922 until 1925.

Origin: Austria, 1922-25. Condition: excellent. Size: 17/32" diameter. Weight: 10.9 grams. Approximate Total Gemstone Weight: moonstone, 3.4 cts; ruby, 1.43 cts.

A spectacular example of Austro-Hungarian Renaissance Revival jewelry from the period 1876-1918, this necklace features a central pendant drop in the form of a leaping stag suspended by pearl-enhanced chains from a neckchain of sapphire- and ruby-set plaques. The necklace is enameled throughout in shades of opaque white and black, and translucent green, red and purple. The stag is decorated with realistic shaded brown and gold enamels. The stag is set with a sapphire- and ruby-encrusted saddle. The neckchain has alternating wing-shaped plaques set with rubies and decorated green and white enamels, and buckle-shaped plaques set with oval sapphires enhanced with red and white enamels. The backs of the pendant and chain are also enameled. Exposed areas of silver are lightly engraved.

• Origin: Austria-Hungary (likely Vienna), ca. 1880.
• Condition: excellent; all original; only the faintest of wear to enamels on the high points of the stag (visible under magnification).
• Dimensions: necklace length, 15-1/2"; pendant, 1-1/2" wide x 2-1/2" long (including the pearl chains).
• Weight: 29.8 grams.
• Approximate Total Gemstone Weight: sapphire, 3.03 carats; ruby, 1.58 carats.

A classic 14K yellow gold dress set comprising a pair of double-faced cufflinks and three shirt studs. The round faces are engraved with concentric circles around central old European cut diamonds. The diamonds have bright H-I color and VS clarity. Each piece is marked by Larter, who manufactured jewelry for leading houses including Bailey, Banks & Biddle; Tiffany; Cartier, etc. The set is presented in its original Bailey, Banks & Biddle fitted box. Marked 14K.

Origin: America, ca. 1940. Condition: excellent, all original. Size: cufflinks, 5/8” diameter; studs, 3/8” diameter. Weight: 13.2 grams. Approximate Total Diamond Weight: .29 ct.

An incredibly detailed sterling silver pin depicting a boxer dog. The workmanship is simply outstanding, with every tiny detail of the dog’s fur, wrinkles, etc. fully worked in this deeply three-dimensional brooch. The back is hallmarked “Ballou Sterling”. B. A. Ballou was founded in Providence, RI in the 1870s.

Origin: America, ca. 1920. Size: 1-7/8” x 2-3/16”. Weight: 40.9 gr.

A very fine French Belle Epoque 18K yellow gold brooch set with diamonds, blue sapphires and demantoid garnets around a central sugarloaf cabochon 3.59-carat peridot. The demantoids exhibit the desirable horsetail inclusions characteristic of Russian stones. The combination of blue sapphires and the bright grassy green of the demantoids and peridot is very pleasing. All the smaller stones are old mine cuts. Six small rose-cut diamonds are collet-set in silver. The back retains the original c-clasp and extended pinstem which is fully stamped with French "tete d'aigle" hallmarks for 18K gold and with an illegible goldsmith's mark.

Origin: France, ca. 1890. Condition: excellent, all original. Size: 2" x 19/32". Weight: 6.8 grams. Approximate Total Gemstone Weight: diamond, .15 carat; sapphire, .4 carat; demantoid, .46 carat; peridot, 3.59 carats.

Exquisite and extraordinarily rare French Napoleon III 18K yellow gold and silver locket set with rose-cut diamonds and an en plein enamel plaque. The locket is essentially of geometric shield form relieved at the upper corners with finely chased applied clusters of roses and foliage, and at the bottom with an ornate volute. The shield form, flanked with two arches of rose cut diamonds set in silver, is suspended from a diamond-set urn motif in the Louis XVI style, and itself suspends a rose cut diamond in a pinched collet setting. The locket is very much in the style of the Parisian Belle Epoque master jeweler Eugene Fontenay and his enamelist Eugene Richet.

The front cover features an oval plaque decorated with an en plein enameled scene of two cherubs in a Watteau-like pose. One of the cherubs, however, is special. He has white feathered wings and a quiver of arrows. He represents Amor (aka Cupid or Eros), son of Venus (Aphrodite). He is commonly considered the god of love, but more accurately was the god of desire and erotic love.

The back cover features a beveled glass cover conforming to the shield form enclosing a bed of silk. The interior includes two glass-covered compartments. The bail is stamped with the "tete d'aigle" mark for 18K gold and bears an unidentified master goldsmith's mark.

Origin: France, ca. 1870. Condition: very fine; the glass of one interior compartment is cracked, but seems secure in its frame. Dimensions: 1-1/2" x 2-5/8" (excluding jump ring). Approximate Total Diamond Weight: 1.15 carats.

A fine French Victorian 18K gold and shaded enamel pin featuring an image of Raphael's "Madonna della Seggiola". The enamel scene of Mary, Jesus and John the Baptist is beautifully executed with great attention to detail. The gold background is stippled for added texture and a little sparkle. The reverse retains the original pinstem and clasp, both marked with French 18K stamps. There is also a partially visible maker's mark. This piece could easily be converted to a pendant with the addition of a bail at the top.

• Origin: France, ca. 1860
• Condition: excellent; no enamel damage
• Dimensions: 1-1/8" diameter
• Weight: 4.75 grams

A lovely 18K yellow gold locket, the front cover enhanced with ornate engine-turned engraving in a sunburst pattern with laurel leaf borders. The front cover is centered with a blue sapphire cabochon with rich coloring. The locket’s back cover is more simply decorated with engine-turned stripes. Even the interior edges, which are hidden from view, are engraved in a foliate pattern. The locket is suspended from its original laurel leaf jump ring that matches the border of the front cover. The interior retains both of the original portrait frames. The overall style is typical of French or Russian jewelry at the end of the 19th century, but it is unmarked. Tested and guaranteed 18K.

Ca. 1900. Condition: excellent, all original, sharp detail. Dimensions: 1-3/16” diameter (excluding jump ring). Approximate Sapphire Weight: .24 cts. Weight: 10.3 gr.

An elegant bracelet composed of open links ornately decorated in a pattern of acanthus leaves alternating with blue sapphire oval cabochons. The sapphires do not show indication of heat treatment. Each link is slightly curved, so the bracelet lies nicely on the wrist. The clasp is masterfully constructed to be invisible once closed. Like most Portuguese gold jewelry of the era, it’s quite heavy for its size. The bracelet is stamped with 19.2K gold marks used in the city of Oporto, 1887-1937.

• Origin: Portugal, ca 1900
• Condition: excellent
• Dimeions: 1/2" wide; 7-3/4” long
• Weight: 23.2 grams
• Approximate Total Sapphire Weight: 3.36 carats

A very attractive gold filled bracelet, the cage-like links enclosing glass spheres intended to mimic green chalcedony. The clasp is hallmarked by Binder Bros. Ca. 1950. Condition: excellent, no wear, all original. Size: 7-5/8" long; 3/4" wide.

A heavy and attractive pair of 14K yellow gold Art Deco cufflinks in the flip-up style. The round faces are decorated with engraved lines in a herringbone pattern. After being inserted in the button hole, the ends are flipped up to secure the cuff. This style is rather uncommon in cufflinks from North America, being much more prevalent in French cufflinks from the period. The connectors are signed by Birks and are marked “14Kt”.

Origin: Canada, ca. 1925. Condition: excellent. Size: faces, 19/32” diameter. Weight: 14.3 grams.