Catalog: Estate Jewelry (1632)

A wonderful pair of Victorian cufflinks, the faces fashioned as bloodstone (heliotrope) spheres encircled by gold snakes. The stones are nicely mottled with red and green colors and spin freely on their axes. The snakes circle around the bloodstones at the equator and their heads rise up over the top. The gold is finished in the slightly matte “Russian finish” often used in Art Nouveau jewelry and the snakes are lightly engraved with scaly details. The faces are attached by arched connectors to bean backs. In Victorian symbology, snakes represented eternal love. Tested and guaranteed 18K.

Origin: America, ca. 1890. Condition: excellent. Dimensions: faces, .5 x .5 inches. Weight: 7.3 grams.

A nicely detailed 14K gold anchor pendant. In Victorian jewelry, the anchor was meant to convey a sense of hope, security and steadfastness. This classic example is enhanced with a detailed spiral or rope and sharp prongs. The piece is large enough to wear as a pendant or could be used as a charm on a chunky bracelet. Stamped “14K.”

• Origin: America, ca 1890
• Condition: excellent
• Dimensions: 11/16” x 1-1/8 (excluding jump ring)
• Weight: 1.9 grams

An elegant pair of 18K yellow gold cufflinks in a style blending elements of Aesthetic and Art Nouveau design. The round faces are decorated with a finely-pierced design of grapevines complete with clusters of fruit. The faces are joined by chains to torpedo backs. These would be a wonderful gift for the true wine lover and connoisseur. Fully marked with French hallmarks for 18K.

Origin: France, ca. 1890. Condition: excellent; sharp detail. Size: 9/16” diameter. Weight: 5.8 grams.

An extraordinarily fine Victorian 14K yellow gold and enamel pocket watch chain in the Aesthetic style. The heavy chain comprises ribbed open links joined by doubly-interlocking textured open links. Near each end, the chain is set with a shell-motif bead accented with opaque black taille d’epargne enamel. The original t-bar is heavily decorated with acanthus leaves and geometric motifs typical of the Aesthetic era, all enhanced with enamel. At 15-1/4” long, the chain is just long enough to be worn about the neck as a short necklace or doubled twice at the wrist as a bracelet. And of course, it can still be used with a pocket watch and fob. Tested and guaranteed 14K.

Origin: America, ca. 1870. Condition: excellent, all original, enamel intact. Size: 15-1/4” long. Weight: 27.0 gr.

A very nice pair of 14K yellow gold bean-back cufflinks by L. E. Garrigus & Co. The oval faces center buff-cut amethysts surrounded by gold borders ornately engraved in a foliate pattern. The smooth upper domes of the amethysts contrast nicely with the faceted pavilions that add a little shimmer. The connectors are stamped with Garrigus' 14K hallmark.

Origin: America, ca. 1890. Condition: excellent. Dimensions: 11/16 x 9/16 inch. Weight: 6.8 grams. Approximate Total Gemstone Weight: 8.6 carats.

A stunning heavy 18K gold bracelet enhanced with ornate chased engraving and royal blue champlevé enamel. Each link of the bracelet is hinged for comfortable wear, but the appearance is that of a solid bangle. The arched links are superbly engraved in a floral/foliate pattern that appears to be either mistletoe or myrtle. In the Victorian flower language, mistletoe would have been used to convey the meaning “I surmount all obstacles in the pursuit of love” and myrtle, “Good luck in marriage”. The arched links are finished with enameled borders in a Greek key design. The vertical hinge bars a enhanced with enamel in a checkerboard pattern. The design is so detailed that even the tongue of the concealed clasp, invisible when being worn, is fully engraved. Stamped with a French 18K mark.

• Origin: France, ca. 1860
• Condition: excellent, three areas (1/4”, 1/8” and 1/16”) of enamel loss along the borders
• Dimensions: 15/16” wide; interior circumference 7-1/4”
• Weight: 50.0 grams

A handsome 14K gold and amethyst dress set presented in its original fitted leather, velvet and silk case embossed "Tiffany & Co. New York Paris London." The amethyst cabochons are simply mounted in collet settings. The gold has a slightly rosy tint that beautifully accents the rich color of the amethysts. Tiffany relied on Newark makers such as Krementz, Larter and Carrington to supply many of their cufflinks. Sometimes, the pieces were re-hallmarked by Tiffany, and sometimes not. These cufflinks are not marked, but are etched with individual inventory numbers as Tiffany fequently did. They set is original to the fitted case. Tested and guaranteed 14K.

• Origin: America, ca. 1890.
• Condition: cufflinks and studs, excellent; case, negligible wear.
• Dimensions: cufflinks faces, 11/16" x 3/8"; studs, 5/16" diameter.
• Weight: 12.9 grams.
• Approximate Total Amethyst Weight: 27.49 carats.

A French silver watch chain with a button hook on one end and a locking swivel on the other. The beauty of this chain is its absolute simplicity. It would look great paired with additional silver chains of various styles to create a longer necklace. Paired correctly, the button hook would make a superb hook for a locket or charms. The chain is stamped with a boar’s head hallmark for 800/1000 silver purity.

• Origin: France, ca. 1880
• Condition: excellent, all original
• Dimensions: 11-5/8” long
• Weight: 16.9 grams

A heavy, outstanding pair of Victorian figural cufflinks in the form of acorns and oak branches, all worked in 14K yellow gold. The larger front faces are fashioned as highly detailed acorns, while the backs are branches. The quality of engraving is excellent and really brings out the subtlest textural details. In the Victorian "language of flowers", the acorn symbolized life and immortality while the oak tree and its branches represented strength and virility. The faces are joined by their original chain connectors. Tested and guaranteed 14K gold.

Origin: America, ca. 1870. Condition: excellent, sharp detail. Size: acorns, 27/32" x 15/32". Weight: 11.7 grams.

An early Victorian 14K yellow gold locket enhanced with a pretty design of painted enamel roses and taille d'epargne tracery. The exposed gold surfaces are further decorated with engraving. The back cover has a style of engine-turned engraving usually found only in the late Georgian or very early Victorian periods. The interior retains both of the original glass covers and gold frames.

• Origin: America, ca. 1840
• Condition: excellent; no enamel damage; a pinpoint ding to the back cover
• Dimensions: 1-1/16" x 1-1/2" (excluding jump ring)
• Weight: 8.2 grams

A lovely Art Nouveau pendant worked in gilt silver depicting a pair of hounds against a background of oak leaves and acorns. The quality of the casting and chasing is very nice. The reverse is marked "800".

• Origin: Europe, ca 1900
• Condition: excellent
• Dimensions: 1-9/32" diameter
• WeightL 13.0 grams

An extraordinarily fine Renaissance Revival 14K gold ball fob, suspended from its original chain. The orb is beautifully decorated with foliate engraving in the English style crisscrossed with bands of small natural pearls. The upper half of the orb is set with three blue sapphires in pinched floret mountings. The chain, fashioned as a series of florets, is alternately set with antique cushion cut sapphires and rubies flanked at compass points by natural seed pearls. The chain terminates with its original swivel hook. The rubies and sapphires have good color and show no evidence of heat treatment. The pearls have very luster. Tested and guaranteed 14K.

Origin: America, ca. 1870. Condition: excellent, all original. Size: sphere, 15mm diameter; chain & fob overall length, 117mm. Weight: 11.9 gr. Approximate Total Gemstone Weight: ruby, .10 ct; sapphire, .18 ct.

A very fine Edo period Japanese mixed-metal brooch depicting a crane standing underneath flowering cherry trees alongside a rushing stream. The gold and silver details glisten against the coppery background. The back retains the original extended pinstem and c-clasp.

This type of work, sometimes mistakenly called “shakudo”, derives from the decorations used for samurai armor. After the demise of the samurai system in the 19th century, artisans who made mixed-metal decorations for armor turned to jewelry-making. These pieces became very popular in Europe and America when Japan was opened to trade.

Origin: Japan, ca. 1865. Size: 1” x 1-1/8”.

A fine Victorian 18K yellow gold fancy link long chain necklace. The 45” chain has ornate scrolling plaques separated by smaller simple links. The fancy links are further highlighted with beaded decoration. The generous length allows the chain to be worn doubled or tripled. In fact, the chain has an ingenious clasp that holds the necklace at just the right staggered length (21” and 25”)when doubled. The chain can be worn doubled, or at full length by releasing one of the clasps. Necklaces of this style are distinctly French and were popular from the Second Empire through the beginning of the 20th century. This example is stamped with French 18K gold hallmarks and an illegible master goldsmith’s mark.

• Origin: France, ca. 1880.
• Condition: excellent; all original.
• Length: 45”.
• Weight: 34.6 grams.

A lovely Art Nouveau 14K yellow gold medallion pin depicting Hamlet’s beloved Ophelia (the brooch uses the French spelling “Ophelie”) surrounded by cattails, willow branches and waterlilies, all symbols of her watery grave after she was spurned by Hamlet. Her hair is studded with small old mine cut diamonds. The back has a hook that would have been used to suspend a watch. The back retains the original c-clasp (marked 14K) and extended pinstem. Unlike most Art Nouveau medallion pins, this example is not hollow and is heavy. This design was created by the French jeweler Emile-Séraphin Vernier (1852-1927) and was introduced at the 1908 Exposition de la Parure de la Femme in Paris.

Origin: America, ca. 1900. Condition: excellent, sharp detail. Size: 1” diameter. Weight: 7.4 grams. Approximate Total Diamond Weight: .1 carat.

A lovely Victorian tortoise shell pique pendant in a heart shape. The puffed surface is worked with gold and silver inlay in an ornate floral pattern within a scalloped inlaid border. The pattern of two flowers joined together by a ribbon, and of course, the overall heart shape suggest that the pendant would have been given as a love token. The tortoise has very nice markings and translucency when held to the light.

Origin: America or England, ca. 1860. Condition: excellent, no inlay loss, no chipping or cracking, (the line visible in the last image is a surface scratch only--not a crack). Size: 1-1/16” x 1-3/16”.

An superb 14K yellow gold Art Nouveau locket, the cover decorated with an ornate image of a Valkyrie, one of the "Choosers of the Slain" in Norse and Germanic mythology. The image is beautifully detailed with fine facial features, flailing hair and, of course, the winged helmet set with an old European cut diamond for a touch of sparkle. She is depicted in mid-flight with a background of swirling clouds. The interior retains the original frames and covers. The back has a period "CEC" monogram. Tested and guaranteed 14K.

Noted for both their beauty and their iron will, the Valkyries were responsible for choosing who would die a hero and who would simply die. Once the heroes were ensconced in the afterlife, the Valkyries provided them with wine, food and various other desirable services for all eternity.

Origin: America, ca. 1890. Condition: excellent; sharp detail. Dimensions: 1-1/16" diameter. Weight: 6.6 gr. Approximate Total Diamond Weight: .03 ct.

A phenomenal Victorian 18K yellow gold brooch in the Etruscan Revival taste. The brooch features a large azurite-malachite cabochon weighing more than 60 carats. The natural fissures, and blue and green color mottling is striking, especially against the richness of the gold. The setting is one of the best Etruscan frames we’ve seen, befitting a minerological specimen that would have been considered extravagantly exotic (probably originating in Afghanistan). The stone is set in a collet surrounded with a border of beaded rosettes flanked on either side with delicate twisted wire. The frame is decorated at compass points with shell motifs outlined with twisted wirework. Cyma scrolls and graduated beading fill the space between the shells. The surface of the gold has the slightly matte bloomed finish that lends the appearance of antiquity to the better Etruscan pieces. The back of the brooch retains the original c-clasp and extended pinstem. Tested and guaranteed 18K gold.

Origin: America or England, ca. 1860. Condition: excellent, the border has two of the tiny rosettes and a tiny portion of one cyma scroll missing, but these are noticeable only upon very close inspection. Size: 2” x 1-11/16”. Weight: 19.75 grams.

A beautiful pair of Art Nouveau 18K yellow gold cufflinks designed by Louis Armand Rault. The design features a maiden with large flowers in her hair. The edges of the faces are irregularly cut to conform to the outlines of the design. The faces are connected with chains to backs decorated in a strapwork motif. Louis Rault worked primarily for Boucheron and was widely considered the finest gold and silver chaser of his time. He largely set the foundation for Boucheron's gold medal victory at the 1900 Exposition Universelle. Each face is signed with Rault's monogram and each cufflink is stamped with French 18K gold marks.

Origin: France, ca. 1890. Condition: excellent, sharp detail. Dimensions: front face, 5/8" diameter. Weight: 6.5 grams.

An elegant ring converted from an antique French 18K gold and diamond stick pin. The design shows a coiled snake with a diamond-set head. The 18K gold snake is mounted on a 14K gold band.

In Victorian times, the snake was a symbol of everlasting love, without beginning or end. Prince Albert gave a snake ring to Queen Victoria on the occasion of their marriage.

Size: 6-1/2 (can easily be sized up or down). Dimensions: crown, 1/2" x 5/8". Weight: 2.4 gr. Approximate Diamond Weight: .01 ct.

A wonderful, finely detailed 18K gold pendant / brooch featuring a cat surrounded by an ivy-covered wood wreath. The cat has bright emerald eyes and wears a platinum collar with an old European cut diamond at the front. The pendant is finely engraved to represent the cat’s fur and the wood and foliage textures of the frame. Even the back is engraved in a wood texture. Cat jewelry is extremely difficult to find—this example is one of the two best we have had in the last 20 years. Stamped “15 Ct.”

• Origin: England, ca. 1870
• Condition: excellent
• Dimensions: 1-1/4” diameter
• Weight: 18.8 grams
• Approximate Total Gemstone Weight: emerald, .02 carat; diamond, .05 carat

A wonderful and extremely rare Victorian 15K rose gold brooch set with Scottish agate. The brooch is in the form of the 19th century Prince of Wales’ crown enclosing the traditional feathers in fleur-de-lys arrangement, over a banner with the legend “Ich Dien”. The feathers are set with jasper and bloodstone. The engraved decoration of the gold is first-rate. The back bears a registry mark, dating the brooch to 1891. In 1891, Queen Victoria’s eldest son, the future Edward VII, celebrated the fiftieth anniversary of his investitute as Prince of Wales. Due to his mother’s longevity, however, Edward was the first Prince of Wales to reach that mark. Agate jewelry set in gold is quite uncommon, and this is the only example we’ve found of this particular design. Tested and guaranteed 15K.

Origin: England, 1891. Condition: excellent, all original. Size: 1-5/16” x 1-1/4”. Weight: 6.0 grams.

A fine pair of late Victorian 14K yellow gold bean-back cufflinks, the front faces decorated with ornately fashioned coiled snakes. The gold surface is treated to the soft, semi-matte bloomed finish sometimes seen in Victorian and Art Nouveau jewels. Kirby seemed particularly partial to snakes and produced several different serpent designs for cufflinks. In Victorian symbology, snakes conveyed sentiments of eternal love. Each cufflink is stamped “14K” and bears the maker’s mark for H. A. Kirby & Co.

• Origin: America, ca. 1890.
• Dimensions: faces, 3/4" x 1/2".
• Weight: 4.9 grams.
• Condition: excellent; all original.

A fine pair of Victorian 14K yellow gold tassel earrings. The foxtail chains are suspended from surmounts enhanced with foliate engraving, black taille d'epargne enameled borders and Etruscan ropetwist "ram's horns". The foxtail chains terminate in small gold balls. The earrings are a bit longer than most tassels and have a lot of movement when being worn. Tested and guaranteed 14K.

• ORIGIN America, ca 1880
• LENGTH 2 3/8" from tops of wires
• WEIGHT 12.3 grams
• CONDITION excellent; new 14K wires

An outstanding 18K gold shield-form perfume locket ("vinaigrette"), opening to reveal two compartments separated by a hinged crystal cover. The front cover is worked in an ornate pierced and engraved design in the Persian taste. The tiny pierced openings are concealed within the design and are intended to permit the escape of scent from a tiny perfume-soaked sponge that can be wedged inside the front cover. Vinaigrettes of this sort were used by ladies to ward off the unpleasant odors of the streets. The back cover is more simply decorated in a stippled pattern that vaguely suggests fleurs-de-lys. When opened, the back side can accommodate a portrait. The two halves are separated by a thick crystal cover with beveled edges set in gold. The locket hangs from a scrolled bail ornament. The gold has a slightly rosy tint. The inside edges are stamped with French “tete d’aigle” hallmarks for 18K.

• Origin: France, ca. 1870
• Condition: very good, sharp detail; the back cover has a few small dings visible in strong raking light
• Dimensions: 1-9/16” x 15/16” (40 x 23 mm)
• Weight: 21.0 grams

A very fine matched pair of Victorian 14K yellow gold hinged bangle bracelets presented in their original fitted box. Each bracelet is fashioned with a buckle design and accented with ornate engraved and basse taille enamel decoration in a foral pattern. The edges of the bangles have bright cut engraving that lends a little glitter. The bracelets are generously sized with 3/4" width.

Origin: America, ca. 1870. Condition: the exterior of both bangles are in mint condition with absolutely no enamel damage or dings; the interiors of both have a very few, shallow pinpoints; one bracelet retains the original patented safety mechanism (dated 1870), while the other has been replaced with a safety chain; the original fitted case shows considerable wear. Size: 3/4” wide; interior opening, 2-1/8” x 1-11/16”. Weight: 68.4 grams.

A superb early Edwardian “style guirlande” platinum, gold, diamond, opal and pearl necklace. The fine platinum chain suspends a platinum and gold pendant centering a beautiful oval opal surrounded by an ornate swagged garland of diamonds punctuated with creamy natural pearls. The opal has strong and even play-of-color with strong flashes of bright green, a bit of blue and pale orange. The single cut and old European diamonds have beautiful color (F-H) and have clarity ranging from SI1 to I1. The center drop is articulated in three places, allowing lots of movement when being worn. The quality of workmanship is very fine, with completely hand-sawed openwork behind the stones, fine millegraining, and precise placement of stones. The back has a heavily worn maker’s mark, but the partial serial number would indicate a quality maker. Tested and guaranteed 14K gold and platinum.

Origin: America, ca. 1890. Condition: excellent, all original except the spring clasp which is 14K white gold instead of platinum. Size: necklace, 18-3/16” long; pendant, 2-7/8”W x 2-1/4”L. Weight: 9.0 gr. Approximate Total Gemstone Weight: opal, 1.01 cts; diamond, 1.61 cts.

Excellent pair of Victorian 18K yellow gold drop earrings with Mediterranean coral beads. The earrings are quite heavy and are very well constructed with closed backs that make them attractive from behind, as well. The coral has the nice, even coloring of fine Mediterranean coral from the coast of Italy. The original earwires have been replaced with screwbacks, but because of the way the earrings are constructed, there were no alterations to the earrings themselves. They could easily be re-converted to wires. The gold has a slightly rosy color that complements the coral nicely. Tested and guaranteed 18K gold.

Origin: America, circa 1860. Condition: excellent. Size: 1-3/8” x 11/16”. Weight: 8.5 grams.

A wonderful early Victorian portrait locket worked in gilt silver and set with hundreds of Bohemian garnets, including a 10.2-carat rose cut oval at the center. The garnets are set with space between them to lighten the overall effect and better show the bright red coloring of the stones. The locket is suspended from a garnet-encrusted clover shaped bail. The back cover is entirely glass The gilding is intact.

• Origin: probably English, ca. 1845
• Condition: excellent, no missing stones
Dimensions: locket, 1-1/4” x 1-3/8”; overall length, 2-1/8”
• Weight: 14.4 grams

An extremely fine Victorian tiger claw bracelet mounted in 20K gold filigree. Tiger claws were popular souvenirs of visits to India, especially after Queen Victoria took the title “Empress of India” in 1876. They were sometimes set into jewelry in England or America, but also in India. This bracelet is mounted in the traditional Indian style of ornate filigree work. The claws are finely matched in terms of color and size and are in excellent condition. Tiger claw bracelets are difficult to find, especially at this quality level. The clasp is stamped with an unidentified maker’s mark. Tested and guaranteed 20K.

Origin: India, ca. 1880. Condition: excellent. Dimensions: 1-1/8” wide; 7-1/4” long. Weight: 29.6 gr.

NOTE: This item cannot be shipped outside the United States or to the state of California.

An outstanding pair of antique 18K yellow gold cufflinks set with diamonds and rubies in the "Japanesque" style produced by Tiffany & Co. for a very brief period following the opening of Japan to western trade in the 1850s. Pieces in this style were wildly popular and always drew from traditional Japanese natural motifs, in this case chrysanthemum blossoms. Each slightly-domed face is ornately worked in a series of overlapping petals, centering old European cut diamonds and cushion cut rubies. The prongs holding the gemstones are fashioned as tiny flower petals--an element not visible except under magnification. The diamonds are estimated at H color and VS1 clarity, while the rubies are strongly-saturated medium-dark, slightly purplish-red in color. The rubies show no signs of heat treatment and are likely Burmese in origin. The faces are joined by chain links, and the backs are marked "Tiffany & Co." in the old style. Tested and guaranteed 18K.

The chrysanthemum was a symbol reserved exclusively for the use of the Japanese emperor and his immediate family. As a further nod to the Japanesque style, Tiffany chose to use gemstones in shades of red and white--the official colors of the Meiji Imperial dynasty.

Origin: America, 1877-1883. Condition: excellent, all original. Size: 5/8" diameter. Weight: 11.4 grams. Approximate Total Gemstone Weight: diamond, .172 ct; ruby, .367 ct.

A wonderful Victorian 18K gold acrostic gemstone brooch the shape of an artist's palette. The bright dabs of paint are indicated by a ruby, emerald, garnet, amethyst, ruby and diamond, the first letters of which spell out the sentiment "Regard". The gems are The design of the pin also includes paint brushes, a drafting instrument, and a hand rest, all tied together with a rag. The gold surfaces are enhanced with a softly bloomed "Russian finish" that was popular in the last decades of the 19th century. Details such as the bindings on the brushes, the lead in the drafting pencil and the pad of the hand rest are detailed in platinum. The gemstones are of fine quality, with bright color. This piece has great wit and the workmanship and detailing are superb. Tested and guaranteed 18K gold and platinum.

Acrostic jewelry first became popular in early 19th century France and remained popular for decades. Gemstones were used to spell sentiments such as "regard", names, important dates, etc. Rings are, by far, the most common pieces of acrostic jewelry. Brooches are quite uncommon.

Origin: probably America, ca. 1895. Weight: 8.8 grams. Size: 2-5/8" x 3/4".

An important 19th century brooch of carved coral lilies nestled among 18K yellow gold chrysanthemum leaves set with old mine cut diamonds. The lily blossoms are fully three dimensional and are carved from the finest Mediterranean red coral, most likely harvested from the Italian coast near Naples. The heavily detailed gold leaves have a strong sculptural quality with undulating movement. Every surface is set with old mine cut diamonds of exceptional quality, averaging I/J color and SI clarity. Diamonds, collet-set and suspended from knife-edge mountings, also form the flowers' anthers. Diamonds are also set into portions of the stem that can't be seen from the front. Exposed areas of gold are delicately hand-engraved. The back of the brooch retains its original extended pinstem c-clasp. There is also a threaded aperture that was probably originally used to attach the brooch to a comb so it could be worn as a hair ornament. Tested and guaranteed at least 18K (it appears to be a little higher, perhaps 19-20K).

Origin: probably France, ca. 1870. Condition: excellent; one gold stem appears to have an old repair; no breaks in coral; no replacements. Dimensions: 3" x 3-5/8" x 1-1/8". Weight: 54.9 grams. Approximate Total Diamond Weight: 10.0 carats.

A very attractive pair of Victorian 14K yellow gold bean-back cufflinks finished in the softly bloomed “Russian” finish popular in pieces from the Art Nouveau era. The oval faces are simply finished with a beaded border and are star-set with small round brilliant cut rhodolite garnets. The stones have a very pleasing strongly purplish-red hue, easily mistaken for ruby. The backs are marked “14K”.

Origin: America, ca. 1900. Condition: excellent. Size: 3/4” x 9/16”. Weight: 6.8 grams.

A very fine 18K gold watch pin depicting a mythological griffin grasping a pearl in its mouth. The back-swept wings are bordered with rose cut diamonds set in silver. The detailing for the feathers and scales is superb, and even the reverse is realistically engraved. The design is deeply three-dimensional. Mythological subjects were particularly popular in at the beginning of the Art Nouveau period. The reverse is stamped with an 18K hallmark. The back also retains the original watch hook, clasp and pinstem. A bail could easily be added for wear as a pendant.

• Origin: Europe, ca 1880
• Condition: excellent; all original
• Dimensions: 1-1/4" diameter
• Weight: 17.5 grams

A lovely late Victorian 14K yellow gold locket, the front decorated with a coiled snake with a diamond-set head. The serpent’s head and tail are twisted together forming a circle that, in Victorian symbology, represented the eternal nature of love. The snake’s body is very nicely detailed and the 5-point old mine cut diamond has bright color and good clarity. The locket’s smooth surfaces have a slightly matte “Russian” finish that contrasts nicely with the details of the snake. The interior of the locket retains both original frames and glass covers. Tested and guaranteed 14K gold.

Origin: America, ca. 1890. Condition: excellent, a few pinpoints on the back side, no monogram. Size: 1” diameter. Weight: 5.9 grams.