Catalog: Estate Jewelry (1639)

A fine pair of platinum-topped 18K yellow gold cufflinks, each faces ornately pierced and set with three old European and mine-cut diamonds, flanked by a pair of small rose cut diamonds and finished with calibre-cut blue sapphires at the corners. The platinum is accented with millgraining. The I1 diamonds are graded as L/M color, and they appear quite bright in the settings. Tested and guaranteed 18K and platinum.

Ca. 1920. Condition: excellent, all original. Size: front faces, 1/2” x 1/2"; back faces, 13/16” long. Weight: 7.4 grams. Approximate Total Gemstone Weight: diamond, 1.0 ct; sapphire, .53 ct.

An elegant pair of Art Deco drop earrings featuring elongated teardrops of rich green chalcedony, accented with small natural pearls, and suspended from 18K white gold leaf-shaped surmounts. The chalcedony has a particularly nice color and excellent translucency. These earrings are a good example of transitional jewelry between the Edwardian style, with its use of white metal and pearls, and the Art Deco style, with its emphasis on scale and color. Tested and guaranteed 18K.

Origin: America, ca. 1920. Condition: excellent, the clutches are 14K. Dimensions: 2-3/8" long. Weight: 5.6 gr.

An elegant Edwardian 14K gold chain comprising bar links engraved in a delicate foliage pattern. The chain is completed with a hidden box clasp. This chain could be worn alone or suspending a single pendant or locket. It would also look fantastic suspending charms between the bar links. Marked 14K.

• Origin: America, ca 1915
• Dimensions: 16 1/2" long
• Condition: excellent
• Weight: 10.8 grams

An extraordinarily fine Art Deco gentleman's ring in the Egyptian Revival style featuring a large cabochon of the finest Afghan-quality lapis lazuli. The setting is formed as a grouping of stylized lotus plants, complete with leaves, buds and full-blown blossoms forming the collets that hold the stone. The quality of the hand-engraving is superb. Ancient Egyptian decorative elements were very popular in European and American jewelry following the opening of Tutankhamun's tomb in 1924. The gold has a bright yellow color, with hints of green that are appropriate for the vegetal nature of the design. The lapis is a seamless expanse of dark violet-blue. Solid blue lapis is far rarer and more desirable than stones with bits of gold-colored mica. At the time this ring was made, such stones could only be found in the mountains of Afghanistan. The stone is cut in an unusual high-domed rectangular shape. The interior of the shank is stamped "14K".

Origin: America, ca. 1925. Condition: excellent, sharp detail. Dimensions: 25/32" wide at crown, tapering to 1/8" at the tack. Finger Size: 8-1/4 (can be sized without damage to the design). Weight: 13.3 gr.

A nice pair of Art Deco 14K yellow gold double-sided cufflinks, the faces set with faceted disks of bloodstone. The bloodstone has nicely mottled red and blackish-green coloring attractively accented with a gold bars in the center of each face. The connectors are marked for 14K gold and bear the hallmark of Enos Richardson & Co.

Origin: America, ca. 1920. Condition: excellent, all original. Dimensions: 15/32" diameter. Weight: 6.8 grams.

An exceptional pair of Art Deco platinum, emerald, diamond and onyx cufflinks by Cartier. Each face is made from a melon-carved emerald bead dating to India's Mughal Empire (17th/18th centuries), topped with a round onyx disk centered with an old European cut diamond. The emeralds, variously weighing approximately 5.94, 5.49, 4.53 and 4.20 carats, totalling just over 20 carats. The emeralds have a strong green color with natural inclusions characteristic of the Chivor mines in Colombia. The diamonds are graded as F color, VVS clarity. The faces are joined with removable dog clip connectors. The fixed mountings are marked with the workshop master's mark used in the 1920s and French platinum marks and are signed “Cartier.” The cufflinks are presented in their original fitted, silk- and velvet-lined, fitted leather case.

Jacques Cartier was one of the first European jewelers to travel to India and to acquire antique emerald, ruby and sapphire beads from the maharajahs. These stones were re-set in Cartier's Paris workrooms. One of the most important commissions using carved Mughal beads was a brooch for Marjorie Merriweather Post. That brooch features emeralds carved in the same shape as those in these cufflinks.

• Origin: France, ca. 1920
• Condition: excellent, all original
• Dimensions: faces, approximately 7/16" diameter
• Condition: excellent; emeralds have surface wear consistent with 300-400 years of use as jewelry
• Weight: 8.4 grams
• Approximate Total Gemstone Weight: diamond, .24 carat; emerald, 20.16 carats

A very fine pair of 14K yellow and white gold engine-turned cufflinks, the faces set with round brilliant cut blue sapphires. The quality of the engine-turned decoration is truly superb—matched by the selection of bright blue sapphires with excellent clarity. These cufflinks are considerably heavier than most other “flats” from the period. The connectors are stamped “14K” and bear the maker’s mark for Strobell & Crane.

• Origin: America, ca. 1920.
• Dimensions: 9/16” x 9/16”.
• Weight: 9.7 grams.
• Approximate Total Gemstone Weight: sapphire, .25 carat.
• Condition: excellent; all original.

A nice pair of oval-faced cufflinks worked in platinum over 18K gold, each face set with a 4-pt single-cut diamond and a 4-pt square step cut blue sapphire. The stones are set on the bias and are highlighted with raised platinum bars that are slightly polished to contrast with the matte finish of the surround platinum background. The faces are connected by chains to gold torpedo backs. Tested and guaranteed platinum and 18K.

Origin: probably continental Europe, ca. 1920. Condition: excellent, all original, one of the torpedo backs has a small ding on the side. Size: 5/8” x 15/32”. Weight: 4.5 grams. Approximate Total Gemstone Weight: diamond, .08 carat; sapphire, .08 carat.

An extremely fine pair of Art Deco cufflinks worked in platinum and 18K yellow gold. Each square face is centered with a gypsy-set old European cut diamond, and has square cut blue sapphires at each corner. The stones have excellent color and clarity, especially the sapphires, which are bright blue. The platinum is finished with a matte surface, causing the gemstones to seem even more vibrant. The faces have pierced galleries around the edges and are attached to baton backs with chains. The outer surface of the batons are also worked in matte platinum. The geometric styling of these cufflinks is a very good example of early Art Deco.

Origin: Europe, possibly France, ca. 1920. Condition: excellent, all original. Size: 15/32" x 15/32". Weight: 7.5 grams. Approximate Total Gemstone Weight: diamond, .25 carat; sapphire, 2.0 carats.

A fantastic set of cufflinks and three shirt studs worked in rock crystal set in 14K yellow gold and studded with emeralds, rubies and sapphires. The double-faced cufflinks feature matte-finished flattened oval cabochons of rock crystal centered with collet-set ruby, emerald and sapphire cabochons. The shirt studs are round rock crystal cabochons set with matching center stones. The center stones are of exceptionally fine quality with intensely saturated color and eye-clean clarity. The gold mountings are stamped "14K".

With boutiques in Vienna, Zurich and New York, Demner is one of the world's most exclusive vintage jewelry dealers. They are known for uncovering high quality pieces in uncommon designs. This set is presented in a leather, silk and velvet fitted box imprinted with Demner's logo.

Origin: America, ca. 1920. Size: cufflink large faces, 5/8" x 1/2"; studs, 11/32" diameter. Approximate Total Gemstone Weight: emerald, .29 ct; ruby, .30 ct; sapphire, .30 ct.

A nice pair of French Art Deco cufflinks, the faces made from lapidary-cut lapis lazuli simply set in 18K yellow gold. The lapis has nice coloring with small flecks of gold. The faces are connected with chains to torpedo backs. The cufflinks are fully stamped with French 18K gold hallmarks.

Origin: France, ca. 1920. Condition: good; all original; both torpedoes have some small dings that are not particularly distracting. Size: faces, 1/2" diameter. Weight: 6.2 grams.

A handsome pair of 14K gold double-sided cufflinks, the faces set with dark green jasper plaques. The gold has a soft “bloom” sometimes seen on jewels from the late 19th century. The jasper plaques are deeply colored, appearing nearly black except in bright light when the green comes through. Tested and guaranteed 14K.

• Origin: America, ca 1930
• Dimensions: faces, 19/32” x 9/16”
• Condition: excellent, all original
• Weight: 11.8 grams

A handsome pair of Art Deco 14K yellow gold double-sided cufflinks, the faces featuring citrines cut en cabochon. The color is a deep amber instead of the more usual brownish-yellow. The cufflinks are tested and guaranteed 14K gold and are signed by George O. Street & Sons.

Origin: America, ca. 1925. Condition: excellent. Dimensions: 1/2" diameter. Weight: 10.7 grams. Approximate Total Gemstone Weight: 22.72 carats.

A fine pair of Art Deco cufflinks, featuring round discs of green jade simply set in 14K yellow gold. The faces are connected by chains to backs shaped as lengths of bamboo. The jade has moderate translucency and strong green coloring with even mottling. The color is natural. The cufflinks are presented in their original fitted box, the lid of which is marked "Jade Green Shanghai". Tested and guaranteed 14K.

Origin: China, ca. 1920. Condition: excellent. Size: 11/16" diameter. Weight: 5.8 grams.

A handsome man’s 14 yellow gold ring set with a large bloodstone tablet. The dramatically tapered shank is engraved on either side of the stone with a stylized papyrus motif. The bloodstone has a slightly lighter than usual greenish tint that contrasts nicely with its red markings. The interior of the shank is stamped “14Kâ€.

Origin: America, ca. 1920. Condition: excellent, all original. Dimensions: crown, 13/16†x 3/4"; shank tapers from 13/16†to 1/8â€. Finger Size: 10. Weight: 9.0 gr.

A nice pair of Edwardian doubled-sided 14K yellow gold cufflinks, the faces decorated in a combination of matte reserves flanked by polished foliate plaques. The design hints are the arrival of Art Deco. The “bowtie” connectors are decorated, as well, and are marked “14K”.

Origin: America, ca. 1920. Condition: excellent, sharp detail. Size: 5/8” x 7/16”. Weight: 7.3 grams.

A lovely 18K yellow gold, diamond and ruby love pendant ("medille d'amour") with a rebus spelling out "Plus qu'hier, moins que demain" ("More than yesterday, less than tomorrow") a line from a love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of "Cyrano de Bergerac") in 1889. The word "plus" is symbolized by a plus sign set with rose cut diamonds and the word "moins" is symbolized by a minus sign set with rectangular cut synthetic rubies.

In 1907, the Lyonnais jewelry Alphonse Augis created a love token based on the poem. This example, signed by Augis, is of better than average quality, with intricate engraving on the background and a lovely engraved floral border. The oval shape is also less common the the usual circle. The use of rose cut diamonds, synthetic rubies and Augis' signature indicates that this is an earlier example. The smaller size is perfect as a pendant on a delicate chain or for wear on a charm bracelet. Fully marked with 18K gold marks, and Augis' maker's mark.

Origin: France, ca. 1925. Condition: excellent. Dimensions: 1/2" x 7/8" (from top of bail).

A delicate early Art Deco gold chain worked in 14K white gold filigree. Each of the baton-shaped links is centered with a short length of ropetwist to create the filigree appearance. Marked “14K.”

• Origin: America, ca. 1925
• Condition: excellent
• Dimensions: 25-5/8” long
• Weight: 3.6 grams

An elegant pair of Art Deco 18K gold cufflinks decorated with geometric engraving and champleve enamels in opaque red and black. Each cufflink is hallmarked for 18K gold and has the master’s goldsmith’s mark (illegible).

• Origin: France, ca. 1925
• Condition: excellent, no enamel damage
• Dimensions: 9/16” diameter.
• Weight: 8.1 grams

An exceptional and extremely rare 14K yellow gold, amethyst and pearl ring by Edward Everett Oakes. The crown is fashioned as a cluster of oak leaves and acorns surrounding two round amethysts and two half-pearls in collet settings. The amethysts are graded as medium-dark strong purple (P 6/6); with excellent cut and Type I eye-clean clarity. The pearls have nice luster and creamy body color.

Edward Everette Oakes (1891-1960) was perhaps the foremost Arts & Crafts jeweler in America. He was a member (and medallist) of the Boston Arts & Crafts Society, and became the first living artist to have a work acquired for the permanent collection of the Metropolitan Museum of Art. He trained with Frank Gardner Hale and worked for three years with Josephine Hartwell Shaw before opening is own studio in 1917. Oakes' work shows a certain similarity to both Hale and Shaw, but his mature style is noticeably original. Most of his pieces are unsigned, but can be identified based on their unique decorative motifs and construction techniques.

Oakes regularly visited Camp Deephaven and Camp Rockywold on Squam Lake in New Hampshire. The original owner of this ring purchased it directly from Oakes during one of her 68 consecutive annual summer stasys at the camps. The purchaser will be supplied with a copy of a letter from the original owner's niece describing her aunt's purchases.

Origin: America, ca. 1920. Condition: excellent, has been sized. Size: 3/4" wide at crown. Finger Size: 7. Weight: 6.1 gr. Approximate Total Gemstone Weight: 1.88 cts.

A fine pair of heavy 18K yellow gold double-sided baton cufflinks. The unusual reeded end-caps echo the center ring on each baton, giving this pair a more sophisticated appearance than most baton cufflinks. The faces are connected by heavy chains. Tested and guaranteed 18K.

Origin: America, ca. 1920. Condition: excellent, all original. Size: faces, 3/4" long. Weight: 9.4 grams.

A heavy pair of 14K yellow gold Tiffany & Co. double-sided cufflinks, the faces decorated in an austere pattern of diagonal lines. The design creates the illusion of two different shades of gold for a classic look. The faces are marked 14K and Tiffany & Co. The connectors have the maker’s mark for L. E. Garrigus & Co.

Origin: America, ca. 1920. Condition: excellent. Dimensions: 17/32” x 17/32”. Weight: 13.6 grams.

A handsome pair of Art Deco 14K yellow gold cufflinks, the faces collet-set with jasper chalcedony cabochons. The stones display a nice variety of swirling colors in hues of rust, grayish-green and cream. The figure-eight connectors are marked “14K” and have Larter’s hallmark.

Origin: America, ca. 1925. Condition: excellent, all original. Size: 1/2" diameter. Weight: 8.5 grams.

A classic pair of very high quality 14K yellow gold double-faced cufflinks by Carrington. Each pair has one face centered with a round cut sapphire and another face with a old European cut diamond, both surrounded by a lightly engraved border. The quality of the stones is very good. The diamonds are graded at H color, VVS2 clarity and the sapphire are vivid violet-blue with eye clean clarity. The back of each face is marked with Carrrington's hallmark.

Origin: America, ca. 1920. Condition: excellent. Dimensions: 9/16 x 11/16". Weight: 14.2 grams. Approximate Total Gemstone Weight: diamond, .30 ct; sapphire, .25 ct.

A fine pair of French 18K yellow gold double-sided cufflinks, the faces decorated with champleve and en plein opaque red and black enamels. The connectors are stamped with French 18K marks and an illegible master goldsmith's mark.

• Origin: France, ca 1925
• Condition: excellent, no enamel damage
• Dimensions: faces, 19/32" x 13/32"

A superb Art Deco platinum ring set with a cat’s-eye chrysoberyl cabochon flanked at each shoulder by a row of square step-cut diamonds. The chrysoberyl is of the finest quality, with a strong well-centered white eye against a strongly greenish-yellow background—precisely the combination that yields the desirable “milk and honey” effect. The cabochon is nicely cut and has very good symmetry. The diamonds are of exceptional quality, with D/E color and VS2 to SI1 clarity. The platinum mounting has a matte finish that nicely accents the stones. The interior of the shank is marked “Irid Plat”.

Origin: America, ca. 1925. Condition: excellent. Size: crown, 9/16” wide. Finger Size: 6-1/2. Weight: 9.0 grams. Approximate Total Gemstone Weight: chrysoberyl, 4.00 cts; diamond, .468 ct.

A really beautiful pair of double-sided Edwardian 14K white gold cufflinks, the round faces ornately pierced in design reminiscent of the rose windows in Gothic cathedrals. One face of each pair is centered with a pale blue sapphire that contrasts nicely with the surrounding white metal. The cufflinks take on a wide range of appearance depending on the color of shirt fabric showing through the piercing. The connectors are hallmarked by Taylor & Co.

Origin: America, ca. 1915. Condition: excellent. Dimensions: 9/16" diameter. Weight: 5.3 grams.

A very fine pair of 18K yellow gold double-faced cufflinks, each face decorated with opaque black and red champlevé enamel. The severity of the chevron design contrasts nicely with slightly bowed sides of the faces and provides a compelling Art Deco look. The connectors are stamped with French hallmarks.

Origin: France, ca. 1920. Condition: excellent, no chips to enamel. Dimensions: 5/8 x 7/16 in. Weight: 7.3 grams.

This classic U.S. Navy ring is something of an oddity—it was custom-made in France! The ring is an older style with shoulders depicing an American eagle surmounting a stars and stripes shield over the letters “USN”. The crown is set with an oval cabochon of almandine garnet surrounded by the words “United States Navy,” the words separated by stars. The garnet has an intense deep red color that contrasts handsomely with the gold. The design elements of the ring suggest an early 20th century period. The shank is stamped with French 18K gold marks and also with an unidentified French goldsmith’s mark. The ring is hand-engraved, so was likely a custom order by an American gentleman from a Parisian jeweler.

• Origin: France, ca. 1925.
• Condition: excellent; light wear consistent with age, but the design is clear.
• Dimensions: 5/8” wide at crown, tapering to 1/8” at the shank.
• Finger Size: 11-1/4.
• Weight: 10.6 grams.
• Approximate Total Garnet Weight: 1.65 carats.

A classic Art Deco 18K white gold Russian braid chain necklace with opal cabochons and faceted onyx beads sandwiched together into egg-shaped stations along the length. The opals have nice play-of-color with a preponderance of blues and greens. Most station chain necklaces are quite long, but the shorter length of this example makes for a very wearable, delicate look. The clasp is stamped with French 18K marks.

• Origin: France, ca. 1925
• Condition: very good, two opals have small flakes on the pointed end visible upon very close inspection
• Dimensions: chain length, 17-1/4”; stations, 3/16” diameter
• Weight: 2.8 grams

An Art Deco pendant or charm displaying four playing cards each with the pip for an ace worked in black or red enamel. Four aces is an unbeatable hand in poker unless an opponent has a flush. The bottom edge of the charm is engraved “Réussité” (“Success”). The charm and the original jump ring are stamped with French 18K guarantee marks.

• Origin: France, ca. 1930
• Condition: excellent, no enamel damage
• Dimensions: 1/2" x 11/16” excluding jump ring
• Weight: 2.2 grams

A handsome and unusual pair of Art Deco silver cufflinks, the round faces decorated with mother-of-pearl disc centered with carnelian cabochons. The discs are engraved with concentric rings. The mother-of-pearl is a very nice contrast to the luminous orange-reddish carnelian. The backs of the faces are marked "830" for the silver content and the removable connectors are marked "Germany".

Origin: Germany, ca. 1920. Condition: excellent. Dimensions: 1/2" diameter. Weight: 4.8 gr. Approximate Total Gemstone Weight: carnelian, 10.0 cts.

Fabulous Art Deco 18K yellow gold box, the lid decorated with opaque red and black champlevé enamels depicting a roulette wheel. A black enamel linear pattern and fan motifs at the corners complete the very Deco design. The can be used to hold either cash or mother of pearl gambling counters. For those who are curious, the case perfectly fits $2,500 in $100 bills folded in half. The superb workmanship shows, not only in the enameling, but in the solid construction techniques such as attaching the lid with a full piano hinge for extra security. The inner lip and thumbpiece are hallmarked with the “tete d’aigle” mark in a hexagonal reserve used on French enameled 18K gold. There is also an unidentified goldsmith’s mark.

Origin: France, ca. 1920. Condition: excellent, no monogram, no enamel damage, a pinpoint ding on the bottom side of the case. Size: 3-7/16” x 2-13/16” x 3/8”. Weight: 142.5 grams (4.582 troy ounces).

A lovely and very unusual 18K yellow gold, rock crystal, mother of pearl and aventurine glass ("goldstone") locket. The locket is constructed as a beveled oval frame of aventuring enclosing a pair of rock crystal windows, one of which opens to allow access to the inside of the locket. A mother-of-pearl plaque can be left in place so two photos can be displayed or removed so the locket can hold a lock of hair or a pressed flower. This is the only aventurine locket we have seen. The bail is stamped with French 18K gold import marks.

Origin: Europe, ca. 1920. Condition: excellent, all original. Dimensions: 1-1/8" x 1-5/16" (excluding bail). Weight: 8.4 grams.

A magnificent pair of Art Deco 18K white gold earrings set with diamonds and Burma rubies. The oval brilliant cut rubies have pure, vivid red color and good clarity. The do not show indication of heat or other enhancement. The rubies are surrounded by a border of round diamonds intersected by a double band of diamonds on either side of the ruby. These hang freely from a surmount fashioned by a trilliant cut diamond suspending round diamonds set into a triangular plaque echoing the shape of the trilliants. The mountings have a double gallery and the backs surrounding the ruby drops are engraved in a geometric pattern. The .21-ct trilliants are graded as E color, SI1 clarity and the smaller diamonds are G-H color, SI1-I1 clarity. Tested and guaranteed 18K.

NOTE: We are presenting the matching ring (Item #1306951).

Ca. 1925. Condition: excellent. Dimensions: length, 1-3/8"; maximum width, 1/2". Weight: 4.5 gr. Approximate Total Gemstone Weight: ruby, 2.5 cts; diamond, 1.74 cts.

A superb pair of Austrian Art Deco cufflinks, worked in 18K yellow gold. The round faces are centered with moonstone cabochons surrounded by round mixed-cut rubties. The moonstones have fine bluish color and strong adularescence that contrasts beautifully with the richness of the rubies. The rubies are natural and show no signs of heat treatment. The stones are graded as medium-dark, vivid strong purplish red with eye-clean to slightly included clarity. The faces are joined by chains to baton-style backs. The combination of moonstone and ruby was particularly popular during the first quarter of the 20th century, but it's rarely seen with an effect as pleasing as this. Both cufflinks are hallmarked with Austrian hallmarks used in the provinces near Dresden from 1922 until 1925.

Origin: Austria, 1922-25. Condition: excellent. Size: 17/32" diameter. Weight: 10.9 grams. Approximate Total Gemstone Weight: moonstone, 3.4 cts; ruby, 1.43 cts.

A magnificent and generously-sized Essex crystal set in a 14K yellow gold brooch and pendant mounting. The reverse carved crystal depicts a marshland scene with a group of ducks taking flight from a fox that has invaded their nesting ground. The scene is painted in the most delicate shades that aptly fit the fineness of the carving. The brooch is backed with mother-of-pearl that provides a distinctive luminosity to the scene. The back has a brooch clasp as well as a folding bail so it can be worn as a pendant. Tested and guaranteed 14K.

Origin: America, ca. 1920. Condition: excellent. Size: 1-11/16” diameter.

An attractive pair of Art Deco enameled sterling silver cufflinks in a very desirable colorway of white and lavender. The translucent enamels are highlighted underneath with guilloche engraving. The connectors are marked "Sterling" and also have an unknown American maker's mark.

Origin: America, ca. 1925. Condition: excellent, no enamel damage. Dimensions: 1/2 x 1/2 inch. Weight: 6.4 grams.

A lovely 18K yellow gold, diamond and ruby love pendant (“medaille d’amour”) with a rebus spelling out “Plus qu’hier, moins que demain” (“More than yesterday less than tomorrow”), a line from a love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano de Bergerac”) in 1889. The word “plus” is symbolized by a plus sign set with rose cut diamond and the word “moins” is symbolized by a minus sign set with rectangular synthetic rubies.

In 1907, the Lyonnais jeweler Alphonse Augis created a love token based on the poem. This example, signed by Augis, is in one of the more ornate versions with a crepe de chine textured background enclosed in a lovely floral border. The use of a rose cut diamond, the Augis signature and the patent mark indicates that this is an earlier example. The size is perfect as a pendant on a delicate chain or as a charm on a bracelet. Fully marked with 18K gold marks, and Augis’ maker’s mark.

Origin: France, ca. 1925. Condition: excellent. Dimensions: 5/8” x 15/16” (from top of bail). Weight: 2.9 gr. Approximate Total Gemstone Weight: diamond, .01 ct; ruby, .05 ct.

A very pretty 14K yellow gold ring bezel-set with an oval gold quartz stone flanked by shoulders set with fused natural 24K gold nuggets. The quartz has good color and is generously streaked with gold in well-balanced pattern. Gold quartz jewelry originally became fashionable during the California gold rush and then again when gold was discovered in Alaska just before the turn of the 20th century. The shank is marked “14K” and has an illegible maker’s mark.

Origin: America, ca. 1920. Condition: excellent. Finger Size: 7-1/2. Dimensions: crown, 1/2” x 3/8”. Weight: 4.4 grams.

An outstanding Egyptian Revival 20K gold pendant necklace in the form of a uraeus, representing the Eye of Ra, set with a coral and turquoise cabochons and coral beads. The wings are highlighted with ropetwist and milgrained details. A pair of cobras flank the coral cabochon. The Eye of Ra personified the goddess Wadjet, who watched over childbirth and served as the protector of children. This piece was originally a brooch, but with the addition of an 14K gold chain, is now an elegant, colorful necklace. The wings are tested and guaranteed 20K, and the chain is marked 14K.

• Origin: America, ca. 1925.
• Dimensions: wings, 1 3/8" x 1 3/8; overall length, 19 1/4".
• Weight: 5.1 grams.
• Condition: very good, a small area of porosity on the head of the cobra to the right visible with a loupe.

A very attractive pair of Art Deco 14K white gold cufflinks, the rectangular faces set with plaques of rich translucent green chalcedony. The white gold borders are enhanced with engraving. Art Deco cufflinks set with green stones are difficult to find. The connectors are marked "14K".

Origin: America, ca. 1920. Condition: excellent, all original. Size: 1/2" X 13/32". Weight: 3.9 grams.

Terrifically stylish Art Deco cufflinks fashioned as domed silver discs with 14K gold appliqués reminiscent of Georg Jensen’s “Blossom” designs. The quality of workmanship is excellent. The connectors are marked “900”.

Origin: probably Denmark, circa 1920. Condition: excellent, all original. Size: larger faces, 5/8” diameter. Weight: 10.0 grams.

An incredibly detailed sterling silver pin depicting a boxer dog. The workmanship is simply outstanding, with every tiny detail of the dog’s fur, wrinkles, etc. fully worked in this deeply three-dimensional brooch. The back is hallmarked “Ballou Sterling”. B. A. Ballou was founded in Providence, RI in the 1870s.

Origin: America, ca. 1920. Size: 1-7/8” x 2-3/16”. Weight: 40.9 gr.

A striking pair of double-sided cufflinks worked in 18K yellow gold. Each hexagonal face is decorated with a blue and white champlevé enamel pattern that highlights its “quilted” texture. Each face is centered with a triangular sapphire cabochon bezel-set in platinum. The sapphires have bright color that beautifully accents the enamel. The faces are connected by chains. Each cufflink is marked “18Ct” and has another unidentified mark. They are well-traveled, also bearing old London import marks and French import marks.

• Origin: Continental Europe, ca. 1920.
• Dimensions: faces, 9/16” x 9/16”.
• Approximate Total Sapphire Weight: 1.24 carats.
• Weight: 6.4 grams.
• Condition: excellent; all original; no enamel damage.

An elegant Art Deco platinum filigree ring centered by a .70 old European cut diamond mounted in an octagonal surround of caliber cut synthetic sapphires (typical of genuine Art Deco period rings). The platinum setting is beautifully pierced at the front and the shank is engraved in a foliate pattern completely around. The diamond is graded as G/H color and VVS1 clarity, and has excellent cut with fine brilliance. The sapphires are bright and provide a nice pop of color. The interior of the shank is engraved with a pair of monograms and the date 2/19/27.

Origin: America, 1927. Condition: excellent, sharp detail. Dimensions: crown, 7/16” diameter. Finger Size: 6-1/4. Weight: 3.2 gr. Approximate Total Diamond Weight: .70 ct.

A superb pair of Art Deco 18K yellow gold cufflinks, the front faces decorated with champleve translucent red and opaque black enamels around central reserves of engine-turned engraving in a herringbone pattern. The geometric design of the enamel work is distinctively Art Deco. The red enamel is built up in a thick application to create the appearance of three-dimensional jewels. The backs are designed as faceted batons with tapered ends. The faces are connected by removable connectors. The cufflinks bear multiple 18K import marks for various European countries-Austria, France & England.

Origin: Europe, ca. 1920. Condition: excellent, no enamel damage. Size: 5/8" x 3/8". Weight: 6.2 grams.

A fine pair of Art Deco 14K yellow gold double-sided cufflinks, the faces set with sugarloaf cabochons of colorful jasper chalcedony. The pattern of inclusions is similar to moss agate, but the greenish wisps appear against a semi-transparent background of deep rust instead of the more typical creamy beige. They’re really quite attractive stones in an unusual pattern. The faces are attached by solid connectors stamped with Larter’s 14K hallmark.

Origin: America, ca. 1925. Condition: excellent. Size: 9/16” x 9/16”. Weight: 9.5 grams.

A handsome pair of early Art Deco double-faced cufflinks in 14K yellow gold enhanced with black champleve enamel. The faces are decorated with engine-turned engraving in a striped pattern surrounded by enameled borders. The faces are attached with bar connectors, stamped with 14K hallmarks for an unidentified maker.

• Origin: America, ca. 1920
• Condition: excellent, no enamel damage or monograms
• Dimensions: faces, 9/16" diameter
• Weight: 8.0 grams

A fine 10x19mm navettte-shaped opal set in an Art Deco 14K yellow gold setting enhanced with bright champleve enamels in shades of dark and light green, red, and black. The opal has a very nice "pinfire" pattern with an unusually generous amount of red/orange play of color. The pattern is evenly dispersed, with color throughout the stone. Unlike some of the other opal patterns, pinfire has the distinction of showing pattern when viewed from any direction. Even the bottom of the stone visible through the mounting has nice color and pattern. The colors of the stone are nicely accented with the enamels on the mounting. The shank is engraved in a floral pattern and is accented at the shoulders with floral appliques worked in white gold. The interior of the shank is marked "14K" and has an unidentified maker's mark.

• Origin: America, ca. 1920.
Dimensions: crown, 7/8" x 1/2".
• Finger Size: 6.
• Weight: 5.0 grams.
• Condition: excellent; no enamel damage; no crazing, scratching or pitting to opal.

A lovely Art Deco white gold and platinum filigree bracelet featuring three diamond-set frosted and engraved crystal plaques alternating with bezel-set pale blue spinels. The use of pale blue spinels the color of aquamarines is a very unusual treatment in a bracelet of this type, and the overall effect is very pretty. All the platinum surfaces are engraved in a delicate foliate motif. The clasp is stamped for 14K and platinum and has an unidentified maker’s mark.

Origin: America, ca. 1920. Condition: excellent, all original. Dimensions: crystal plaques, 9/16” wide; overall length, 8-1/8”. Weight: 10.0 grams. Approximate Total Gemstone Weight: spinel, 1.18 cts; diamond, .08 ct.

A colorful pair of Art Deco 14K gold double-sided cufflinks, each face featuring an oval cabochon of green chalcedony in a simple gold frame. The faces are joined by chains. The backs are marked "585" for 14K.

• Continental Europe, circa 1925
• Excellent condition
• Faces, 9/16" x 3/8"(14 x 9 mm)
• 6.6 grams.

A finely crafted late Art Nouveau 18K gold ring in the form of a lion’s head clasping an old European cut diamond in its jaws. The engraving is very well done and displays great detail that extends halfway around the shank. The diamond is graded as H/VS1. The interior of the shank is engraved “P.R. 10 Avril 1924.” The ring is stamped with French 18K gold marks and with an unidentified master goldsmith’s mark.

• France, 1924
• Condition: excellent
• Dimensions: 11/16” wide at front, tapering to 3/16” at back
• Finger Size: 10-12
• Weight: 13.0 grams
• Approximate Diamond Weight: .10 carat

A superb and witty pair of 14K yellow and rose gold cufflinks in the shape of a cocktail glass. The bowl and foot are worked in yellow gold and the stem in pink gold. Looking inside the bowls, there's a little surprise--bright coral cherries with rose gold stems! These are possibly the most unique Deco figural cufflinks we have found. Each cufflink is stamped with a variation of the Carter, Gough & Howe hallmark.

Origin: America, ca. 1925. Condition: excellent, all original. Dimensions: bowl, 9/16" diam; foot, 3/8" diam; 11/16" tall. Weight: 7.9 gr.

An Edwardian 14K yellow and rose gold bracelet featuring three Essex crystals of flying ducks set between depicting cattails. The cattail leaves are worked in gold that is very slightly tinted green, and the brown part of the cattail is rose gold. Reverse-carved intaglios became popular in the Victorian era, especially to depict sporting and hunting themes. They remained popular through the early part of the 20th century. The crystal depict three different species, including a mallard. Each duck is shown flying over water. The carving and painting are nicely done. The back is marked “14K”.

• ORIGIN America, ca. 1920
• CONDITION very good, all original, the crystals have faint moisture marks around the edges (much less visible than in the photos)
• DIMENSIONS 7-5/8” long; 9/16” wide
• WEIGHT 20.5 grams

A stunning Art Deco gentleman’s dress set comprising a pair of double-faced platinum cufflinks and three shirt studs. The round platinum faces are enhanced with ridged decoration and feature round old European-cut diamonds. The faces are attached with removable connectors for ease in putting them through cuff holes. The backs are marked with Swiss platinum hallmarks and Imperial Austrian import marks. Both marks are no longer in use, and by cross-referencing the marks, we can determine that the cufflinks date to 1914-21.

The set is completed with a vintage set of matching shirt studs commissioned from Gübelin, one of the world’s most exclusive jewelers, in the 1950s. Working only in Switzerland, Gübelin is known especially for its peerless selection of gemstones and for the workmanship of its Swiss master jewelers. The studs match the cufflinks perfectly, and each is stamped with Gübelin’s hallmark and the custom order number. The toggle backs are 18K white gold, and the faces are hallmarked for platinum. The studs are presented in their original fitted suede-covered Gübelin case, which also has enough room for the cufflinks.

Gübelin did not have its own jewelry manufacturing facilities until the late 1920s, and given the perfect match between the cufflinks and the studs, it seems likely that the cufflinks, themselves, were probably originally retailed by Gübelin.

Origin: Switzerland. Size: cufflinks, 1/2" diameter; studs, 13/32” diameter. Weight: 13.5 grams. Approximate Total Diamond Weight: .95 carat.

A pair of double-sided cufflinks, the faces fashioned from navette-shaped plaques of lapis lazuli simply set in 14K yellow gold. The coloring is very even, with no hint of white in the stone. The lapis has an unusual matte finish which provides a sophisticated look. Tested and guaranteed 14K.

Origin: America, ca. 1920. Condition: excellent. Dimensions: 5/16” x 11/16”. Weight: 7.6 gr.

A fine pair of Art Deco 14K yellow gold double-sided cufflinks, the octagonal faces decorated in black and white opaque champlevé enamel. The cufflinks have a very graphic appeal. The backs are stamped with the 14K hallmark for George O. Street & Sons, one of New York’s leading manufacturing jewelers and a supplier of cufflinks and other jewelry to Tiffany & Co. The backs are marked with Street’s 14K hallmark.

Origin: America, ca. 1925. Condition: excellent; all original; no enamel chips or cracks. Dimensions: 9/16” diameter. Weight: 10.5 gr.

A fine large-size enameled 14K yellow gold Art Nouveau flower pin the form of a pansy. The petals are beautifully decorated with purple, violet cream and yellow opaque enamels. The enamel has a soft luster that mimics the velvety texture of an actual pansy. The flower is centered with a 15-point round brilliant diamond of exceptionally good quality (E color, VVS2 clarity). The specific shape and arrangement of the petals identifies this pin as being made by Larter, but the company also supplied these pins to luxury retailers such as Tiffany and Cartier where they were marked with the retailer’s mark. This pin has an unidentified mark (the Greek letter omega) and has faintly inscribed inventory numbers often found on pieces that were sold by luxury jewelers.

Origin: America, ca. 1920. Condition: excellent, one 1/8” enamel flake on one of the upper white rims (nearly invisible since the flake is only to the surface of the enamel and no gold shows through). Dimensions: 1-1/4” x 1-5/16”.

A lovely two-sided 18K gold and crystal photo locket by Parisian jeweler Charles Garnier. This style of locket became popular in the latter half of the 19th century and was revived from time to time up through the Edwardian era. NOTE: The pale green interior is used only for photographic purposes. The lockets were worn with a photograph showing from each side or with a single photograph on the front and a memento of some sort (a lock of hair or a pressed flower) on the back. The crystals are held in place with a gold border decorated in the bound-reed motif in the Louis XVI style. The bail is stamped with the maker’s mark for Garnier.

Origin: France, 1924-28. Condition: excellent, all original. Dimensions: 1-1/16” diameter (excluding bail and jump ring).