Catalog: Estate Jewelry (1639)

A fine Victorian 18K yellow gold fancy link long chain necklace. The 47” chain has ornate scrolling plaques separated by smaller simple links. The fancy links are further highlighted with rope-twist and beaded decoration. The generous length allows the chain to be worn doubled or tripled. Necklaces of this style are distinctly French and were popular from the Second Empire through the beginning of the 20th century. This example is stamped with French 18K gold hallmarks.

• Origin: France, ca. 1880.
• Condition: excellent; original clasp replaced with a more secure lobster claw clasp.
• Length: 47”.
• Weight: 34.3 grams.

Breathtaking French 18K gold, silver, diamond and pink tourmaline brooch from the reign of the Emperor Napoleon III. The brooch is formed as a naturalistic swirl of leaves, set throughout with rose-cut diamonds. The design features three large old mine-cut diamonds, each a bit larger than 1/2 carat. The center stone is prong-set while the outer stones are collet-set. The old European cut diamonds are scattered along an unusual knife-edge setting at the top of the brooch. The gold setting is topped with silver in the traditional style of 19th century French jewels. The brooch suspends a collet-set oval pink tourmaline cabochon topped with a collet-set old European-cut diamond. The diamonds used in the period, as would be expected of such a significant piece. The color is a very bright white and the clarity is quite good for the period. The tourmaline is a soft pink shade with just a tinge of violet. The brooch retains the original extended pinstema and c-clasp, both of which are stamped with French 18K marks and the mark of an unidentified jeweler (AH).

Origin: Paris, ca. 1855. Condition: excellent, all original. Size: 1-5/8" x 1-19/32". Weight: 11.25 grams. Approximate Total Gemstone Weight: diamond, 2.6 carats; tourmaline, 1.5 carats.

A fine Victorian 18K yellow gold locket of modified kite shape in the Etruscan Revival style. The gold surfaces have a matte finish and are enhanced with a variety of ropetwist and beaded decorations in a sort of laced corset design. The back of the locket conceals a glass-covered compartment for a photo or hair. The locket door has a period “VBR” monogram.

Origin: America, ca. 1870. Condition: excellent, no dings. Dimensions: 1-1/4” x 2-1/16” long (including jump ring). Weight: 12.9 gr.

An elegant Art Nouveau bracelet comprising foliate shaped links set with round amethysts alternating with fleur-de-lis shaped links. The amethysts have the deep violet coloring typical of the best quality Siberian material. Tested and guaranteed 14K gold.

• Origin: America, ca 1895
• Condition: excellent
• Dimensions: 7-1/2” long
• Weight: 19.4 grams
• Approximate Total Amethyst Weight: 5.22 carats

A elegant brooch worked in 18K yellow gold filigree centering a round brilliant-cut amethyst surrounded by natural seed pearls. The amethyst’s collet is enhanced with millegraining, as is the remainder of the filigree work. The edge is finished with a border of wirework rosettes. The quality of workmanship is superb. Filigree of this delicacy is usually only seen in platinum. The amethyst is moderately pale with a slightly pinkish tint. The back of the pin is marked “18Kt”, and there is an indistinct mark on the original c-clasp. The brooch could easily be converted for wear as a pendant.

• Origin: England, ca. 1900
• Condition: excellent, all original
• Dimensions: 1-1/8” x 1-1/8” on the diagonal; 7/8" x 7/8" on the square
• Weight: 4.7 grams
• Approximate Amethyst Weight: .68 carat.

Attractive Victorian 14K yellow gold double-faced cufflinks. Each face is in a figure-eight shape enclosed in an outer oval border. Collet-set Persian turquoise cabochons center each face. The faces are joined by chains. Indistinctly hallmarked. Tested and guaranteed at least 14K.

Circa 1870

Condition: excellent, all original

Dimensions: 5/8” x 7/16”

Weight: 9.5 grams.

A lovely double-sided 18K yellow gold and crystal “porte-photo” (photo locket), the gold rim accented with small blue sapphires. The bail is attached to a screw mechanism that allows the gold frame to expand for access to the inside of the locket. Porte-photos were often used to display a “public” photo one side and a more private keepsake on the other. They’re usually very simple; a design of this type is uncommon. These pieces are becoming increasingly difficult to find. The bail is stamped with French 18K marks.

Origin: France, ca. 1890. Condition: excellent, no chips or cracks to crystal. Dimensions: 1-1/8” diameter (excluding bail).

A lovely late Victorian brooch featuring an oval-cut amethyst flanked by a pair of 7mm half-pearls surrounded by rose-cut and old-mine cut diamonds. The amethyst has nice coloring and clarity that contrasts nicely with the creamy color and soft luster of the pearls. The tiny diamonds add just a hint of sparkle. The back retains the original pinstem and c-clasp. Tested and guaranteed 14K gold.

Origin: probably America, ca. 1900. Condition: excellent, all original. Size: 1-9/16” x 5/8”. Weight: 7.75 grams. Approximate Total Gemstone Weight: amethyst, 4.85 carats; diamond, .25 carat.

A very fine 18K gold brooch/pendant in the form of a mythological basilisk (cockatrice) pierced through with a jeweled sword. This example is entirely handmade and finished with expertly chased scales and feathers. The quality of workmanship is superb. The wings are formed separately and arranged in a manner that gives the piece great dimensionality. The outer wing is set with a round ruby of very fine color and clarity and the eye is set with a tiny cabochon ruby. The hilt of sword is set with seed pearls with a natural oval pearl at the tip. The gold surfaces have a slightly matte Russian finish. The back retains the original clasp, large watch hook and pendant loop. Many would call this creature a griffin, but with its body of a serpent and with head and wings of a bird, it is more properly considered a basilisk or cockatrice. Such creatures were popular in the late Victorian era. There is a possibility that the back is marked with a script signature, but it is far too difficult to be certain. Tested and guaranteed 18K.

Origin: probably America, ca. 1880. Condition: excellent, sharp detail, all original. Dimensions: 40 x 40 mm (1-1/2 x 1-1/2 in). Weight: 13.2 gr. Approximate Total Ruby Weight: .15 ct.

A fine Art Nouveau medallist stickpin depicting Demter (“Ceres”), goddess of the harvest and the seasons, in 14K gold by Louis Rault. She is shown in profile with several of her attributes including a tiara of wheat and a scythe. Louis Armand Rault was a leading designer for Boucheron 1868-75 and this is one of his signature designs. His designs were sometimes licensed to other jewelers, hence this American 14K version. The stickpin is finished in a soft bloomed texture. The pinstem is stamped iwth Carter, Gough's 14K mark. The stickpin could easily be converted to a ring or pendant.

• Origin: America, ca 1880
• Condition: excellent, sharp detail
• Dimensions: head, 9/16” diameter, length, 2-1/2”
• Weight: 2.0 grams

An elegant Art Nouveau bracelet worked in 18K gold, each link is the form of a pansy enclosed in a scrolling border. The Victorian floriography (the “language of flowers”), the pansy represented the sentiment “think of me.” Jewels with pansies were often given as a romantic gesture or by the parents of a young woman upon her marriage. The bracelet is stamped with 18K fineness marks and an unidentified goldsmith’s mark.

• Origin: France, ca. 1900
• Condition: excellent
• Dimensions: 7-7/8” long; 1/2" wide
• Weight: 16.4 grams

A three-color faceted overlay glass locket in a rolled gold mounting. The glass is cut to show the layers of red, white and blue opaque glass. The back cover is ruby glass dark enough to appear opaque black unless held to the light.

Origin: France, ca. 1875

Condition: excellent, no chips or cracks

Dimensions: 1" x 13/16"

A lovely double-sided 18K yellow gold crystal “porte-photo” (photo carrier), the gold rim elegantly decorated with a bound reed design in the Louis XVI style. The crystal covers are faceted in a star design on both sides. The locket is cleverly constructed with a hidden screw mechanism that allows the gold frame to expand so the crystal covers can be removed for adding or changing the contents. Double-sided porte-photos were often used to display a photo on one side and a tiny lock of hair, a pressed flower or other memento. They could also be used to display a “public” photo on one side and a more “private” image on the other. They are usually round or oval; a hexagonal example is rather uncommon. These lovely little pieces have become increasingly difficult to find. The porte-photo is fully stamped with French 18K gold hallmarks.

Origin: France, ca. 1890. Condition: excellent, no chips or cracks to crystal. Size: 1-3/32” diameter (excluding bale).

A handsome pair of Victorian 14K yellow gold double-sided cufflinks, the square faces highlighted with a hammered texture and star-set with very good quality antique cushion-cut diamonds, sapphires and rubies. One pair is diamond and ruby and the other is diamond and sapphire. The stones show no indications of heat treatment. The ruby and sapphire are most likely from Burma and Ceylon, respectively. The use of red, white and blue stones was particularly popular around the time of the American Centennial celebration in 1876. Tested and guaranteed 14K.

Origin: America, ca. 1876. Condition: excellent, all original. Size: 1/2” x 1/2”. Weight: 6.7 gr. Approximate Total Gemstone Weight: diamond, .15 ct; ruby, .05 ct; sapphire, .05 ct.

A handsome pair of late Victorian cufflinks worked in 18K yellow gold with platinum accents around oval bloodstone cabochons. The combination of metal colors against the deep blackish-green and red of the bloodstone is quite striking. The faces are attached with bar connectors. Tested and guaranteed 18K and platinum.

NOTE: Bloodstone is very difficult to photograph due to its dark coloration. Some of the photos shown here were backlit to show the translucency of the stones, but in normal lighting the appear opaque greenish-black with subtle red mottling.

• Origin: America, ca 1905
• Dimensions: faces, 3/4" x 9/16”
• Weight: 8.8 grams

Very fine Victorian gold brooch composed of a coral bar surmounted by a gold grapevine motif, all against a scalloped-edge gold plaque, hung with three cone-shaped gold pendants. The back retains the original tube hinge and c-clasp. There is also a ring for attaching a safety chain. The brooch was made by Ball, Black and Company of New York City.

An matching brooch is in Martha Fales collection of important American jewelry at the Metropolitan Museum of Art. The museum's collection, comprising approximately 140 pieces, is considered the world's finest collection of American jewelry. The brooch, with matching earrings and studs is pictured on page 136 of the April 2002 edition of "The Magazine Antiques."

Origin: New York, circa 1860-70. Condition: excellent. Size: 1-1/8" x 1-1/2".

A very fine Victorian 14K yellow gold chain necklace made of fancy open-work links with diamond plaque appliques alternating with reeded circular links. The reeded surfaces gift the gold a soft, shimmering appearance rather highly reflective. The large spring ring can be used simply as a clasp or to suspend and locket or pendant. Tested and guaranteed 14K.

Origin: America, ca. 1880. Condition: excellent, all original. Dimensions: 1/2" wide; 20-1/2” long. Weight: 29.5 gr.

A nice 14K yellow gold locket, the front cover decorated with an ornate scene of two hunting hounds sniffing through tall grass for their prey. A picket fence can be seen in the background and then a sky lightly engraved with clouds and a sun or moon represented by a star-set old mine cut diamond. The back of the locket has a nice 3-letter monogram (“MAC”) original to the period. The interior retains its original frame inserts. Tested and guaranteed 14K gold.

Origin: America, ca. 1890. Condition: excellent, sharp detail. Dimensions: 1-1/16” diameter, excluding bail. Weight: 6.5 grams. Approximate Total Diamond Weight: .05 carat.

A nice late Victorian silver watch chain with striped niello decoration on alternating links. The chain is finished at one end with a dog clip and at the other with a bamboo-shaped t-bar. The chain is stamped with the Swiss mark for 875 silver used 1882-1934.

• Origin: Switzerland, ca 1900
• Condition: excellent, niello intact
• Length: 17-1/2”
• Weight: 21.0 grams

A very fine and heavy pair of French 18K gold cufflinks in the Aesthetic taste. The faces are hand-pierced and patinated in a bronze-brown shade with darker highlights in the recesses. The gold surfaces are finished with a matte texture that accents the deep coloring. The center of each face is set with a blue sapphire cabochon of fine color. The faces are joined by chains. The maker’s mark is partly obscured, but we have seen the mark before (the goldsmith must have used a damaged punch, because his marks are always partially missing) on expertly-made heavy gold items with intricate piercing, often set with cabochon gemstones, from around 1880-1900. The cufflinks are fully stamped with French 18K gold marks.

Origin: France, ca. 1885. Condition: excellent; sharp detail; all original. Dimenions: larger faces, 13/16” x 1/2"; smaller faces, 13/16” x 5/16”. Weight: 8.4 gr. Approximate Total Gemstone Weight: .72 ct.

A classic Victorian 14K yellow gold fob seal, the surfaces ornately decorated in a repousse pattern of flowers and foliage. Fobs in this design are more typically English than American. It is very generously sized to make an impression when being worn. The citrine plaque is engraved with the monogram “WKV”, so we’ll just assume that was for William K Vanderbilt (LOL!) The ring is marked “14K.”

• Origin: America, ca. 1840
• Dimensions: 1” x 7/8” x 1-1/2” (excluding ring)
• Weight: 19.5 grams

A delightful ring converted from a French 18K rose and green gold and ruby stick pin. The design shows a pair of ruby cherries hanging from a pair of green gold leaves (the photos are upside down). The rubies have a nice red color the perfect shade of juicy, ripe cherries. The 18K gold design is mounted on a 14K gold band.

Cherries are rife with symbolism ranging from the eternal soul to female sexuality. This ring would also be great for someone from Michigan!

Size: 6-1/2 (can easily be sized up or down). Dimensions: crown, 1/2" diameter. Weight: 1.7 gr. Approximate Total Ruby Weight: .06 ct.

A nicely detailed 14K gold anchor pendant. In Victorian jewelry, the anchor was meant to convey a sense of hope, security and steadfastness. This classic example is enhanced with a detailed spiral or rope and sharp prongs. The piece is large enough to wear as a pendant or could be used as a charm on a chunky bracelet. Stamped “14K.”

• Origin: America, ca 1890
• Condition: excellent
• Dimensions: 11/16” x 1-1/8 (excluding jump ring)
• Weight: 1.9 grams

A large friendship token pendant or charm featuring a hand holding a gem-set bouquet. The design is presented against a stippled background outlined with an engraved border. The bouquet is set with a cabochon ruby, an emerald cut emerald and a brilliant cut sapphire. Jewelry featuring a hand and flower motif were usually given as tokens of affection or friendship in the Victorian era. The back is stamped “18K.”

• America, ca. 1900
• Excellent condition
• Dimensions: 1-1/8” diameter
• Approximate Total Gemstone Weight: ruby, .08 carat; emerald, .05 carat; sapphire, .05 carat.
• Weight: 7.8 grams.

A fine Victorian shell cameo pendant/pin depicting Diana, goddess of the hunt, the moon and nature (Artemis in Green mythology). The setting is beautifully worked in the Etruscan taste with delicately formed bead, wire and rosette decoration. The carving makes nice use of the shell's coloring to add details to the goddess' gown. She holds three of her attributes—a bow, a quiver of arrows and a crescent moon tiara. Diana/Artemis, being a virgin goddess, was regarded as the protector of women, especially during childbirth. The cameo is indistinctly signed by the artist. The back retains the original pinstem and pendant hook. The clasp is a slightly later replacement in 10K. The pinstem is stamped for 12K gold and the setting is tested and guaranteed 12K.

• England, circa 1865
• Excellent condition; clasp replaced; no cracks to shell
• 2-5/32" x 1-3/4"
• 14.25 grams

A heavy pair of 14K gold cufflinks, the faces decorated with a sort of shield-shaped device against a stippled background. The influence of the Art Nouveau aesthetic can be seen in the assymetrical design of the shields. The semi-matte finish of the stippling contrasts nicely with the more polished shield. The backs marked "14K" and have Kirby's hallmark.

• Origin: America, ca. 1890
• Condition: excellent
• Dimensions: 11/16" x 1/2"
• Weight: 9.8 grams

The knot motif in Victorian jewelry signifies the unending bonds of love, so there could be no more fitting design for this exquisitely-made 18K yellow gold hair locket/brooch. The gold surface is ornately chased to suggest the texture of rope. A large cabochon amethyst enhanced with a star-set pearl centers the jewel. The brooch is finished with a pair of foxtail tassels. The back of the brooch has a glass-covered compartment with its original hair memorial. The brooch could easily be converted for wear as a pendant with the addition of two bails at the top. Tested and guaranteed 18K. Presented in the original fitted case.

• Origin:probably England, ca 1840.
• Condition: excellent; all original.
• Dimensions: 1-1/2 x 2-3/4".
• Weight: 17.8 grams.
• Approximate Total Amethyst Weight: 13.34 carats.

Extremely fine Victorian memorial ring in 18K yellow gold, the shoulders with glossy black taille d’epargne enamel and engraved foliate decoration. A shield-shaped black and white sardonyx cartouche crowns the ring and covers a hair compartment visible through the beveled rock crystal cover on the inside of the ring. The inside of the shank is engraved “Thomas Bland 1857 Obt 23 March 68 years” and the compartment holds a woven plaque of his gray hair. The back inside of the shank is fully hallmarked for Birmingham 1856-57, with the maker’s mark “TM”. This is certainly one of the finest memorial rings we’ve seen.

Origin: England, 1857. Condition: virtually mint. Size: 8-1/4. Weight: 4.5 grams.

A fine pair of French Art Nouveau 18K yellow gold cufflinks in the form of sinuously curved griffins. Mythological creatures such as griffins and dragons were a particularly popular subject matter for French jewelers of the era. The creatures are finely worked with excellent detail to the scales and other features. The chain connectors are fully hallmarked with French 18K hallmarks and with an unidentified maker's mark.

Origin: France, ca. 1890. Condition: excellent. Size: 9/16" x 7/16". Weight: 9.5 grams.

A nice extra-wide Victorian silver cuff bracelet engraved in an ornate Persian-inspired design. The bracelet is hinged, and the back side is unengraved. The width of the bracelet lends a very imposing look. Tested and guaranteed sterling silver.

• Origin: America, ca. 1875
• Condition: excellent, only two pinpoint dings on the back side
• Dimensions: 6-1/4” circumference, 1-7/16” wide
• Weight: 31.9 grams

A classic late Victorian gold padlock clasp. These were used mostly for bracelets but could also be used with necklaces. Today, they are often worn as charms or in their original function. In Victorian jewelry symbolism, padlocks represented the unbreakable bonds of love. The padlock with stamped with the English 9ct mark, but the jump tests as 14K gold.

• Origin: England, ca. 1900
• Condition: excellent
• Dimensions: 9/16” x 13/16” (1-1/16” with jump ring)
• Weight: 2.0 grams

A very pretty pair of Shakudo earrings in the form of partially folded fans. The dark metal surfaces are delicately enhanced with silver cranes amid gold plum blossoms, rocks and tree stumps. The crane was used in Japanese art to symbolize longevity. The fans are suspended from 18K rose gold wires. After the collapse of the feudal system in Japan, the artists who created elaborately decorated swords turned to jewelry as a way to express their creativity. Sometimes shakudo pieces were turned into jewelry with the addition of later mountings, but in this case the earring fittings appear to be original. It is also rather unusual for shakudo jewelry to have gold findings rather than silver.

Origin: Japan, ca. 1890. Condition: excellent, all original. Size: maximum width 11/16”; 1-11/16” long to top of earwire.

A very heavy 18K yellow gold bracelet worked in the form of interlaced knots, the center of each set with an old mine cut diamond. The diamonds are set in silver in the traditional manner of the 19th century. The stones have good J/K color and SI1 clarity. At 8-1/4" long the bracelet is very generously sized. The box clasp is marked "Waler 18K".

Origin: America, ca. 1890. Condition: excellent. Weight: 41.0 grams. Approximate Total Diamond Weight: 1.0 ct.

A superb early Edwardian “style guirlande” platinum, gold, diamond, opal and pearl necklace. The fine platinum chain suspends a platinum and gold pendant centering a beautiful oval opal surrounded by an ornate swagged garland of diamonds punctuated with creamy natural pearls. The opal has strong and even play-of-color with strong flashes of bright green, a bit of blue and pale orange. The single cut and old European diamonds have beautiful color (F-H) and have clarity ranging from SI1 to I1. The center drop is articulated in three places, allowing lots of movement when being worn. The quality of workmanship is very fine, with completely hand-sawed openwork behind the stones, fine millegraining, and precise placement of stones. The back has a heavily worn maker’s mark, but the partial serial number would indicate a quality maker. Tested and guaranteed 14K gold and platinum.

Origin: America, ca. 1890. Condition: excellent, all original except the spring clasp which is 14K white gold instead of platinum. Size: necklace, 18-3/16” long; pendant, 2-7/8”W x 2-1/4”L. Weight: 9.0 gr. Approximate Total Gemstone Weight: opal, 1.01 cts; diamond, 1.61 cts.

A striking pair of double-sided cufflinks made from Georgian cut steel and garnet buttons joined with 15K yellow gold chains. The garnets have very attractive medium-bright purplish-red coloring that contrasts nicely with bright sparkle of the cut steel “gems.” The garnet cabochons are held in place with fleur-de-lis shaped prongs. The faceting style of the steel indicates they were made in an earlier period, likely no later than 1790. The connecting chains have spring rings, so one face of each link can be removed for ease in placing the cuff hole. One of the spring rings is 9K and the other is gold-filled. They can easily be replaced with 14K by any jeweler. The back of one face has a worn engraving and the date 1871—probably they year the chains were added to the then 100 year-old buttons.

Origin: England, ca. 1770/1871. Condition: very good. Dimensions: 9/16” diameter. Approximate Total Garnet Weight: 30.7 cts.

A very pretty pair of Victorian 14K yellow gold earrings set with pearls and seed pearls. The main bodies hang freely from the surmounts, and the bottom edges suspend free-hanging pearls, providing a lot of movement when being worn. The delicate scroll work makes a nice counterpoint to the simplicity of the pearls. Tested and guaranteed 14K.

Origin: America, ca. 1870. Condition: excellent, all original. Dimensions: 5/8” x 1-3/4” long (from top of wire). Weight: 6.8 grams.

A heavy French 18K gold and diamond pendant depicting a mythological griffin. The creature has the body of a lion and the head and wings of an eagle. His open jaws clasp an old European cut diamond set in a milgrain platinum collet. The diamond is graded as I color, VS2 clarity. The griffin is surrounded by a circle of woody foliage. The back is engraved to match the texture of the front. The piece can be worn as a brooch or as a pendant suspended from the loops at the wing tips. The bottom has an additional loop that could be used to suspend an optional gemstone or pearl drop. The pendant is stamped with French 18K guarantee marks and a partial goldsmith’s mark.

• Origin: France, ca. 1890
• Condition: excellent, sharp detai
• Dimensions: 1-9/16” x 1-3/16”
• Weight: 12.6 grams
• Approximate Diamond Weight: .15 carat

A nice pair of Victorian 18K yellow gold earrings, open circles enclosing ball drops star-set with emerald-cut tourmalines. The circles are finished with a pierced and beaded border along the inside edges and a delicate ropetwist motif along the outside. One tourmaline is pale green and the other is bi-colored—mostly green but with some pinkish-red areas. The earrings have a lot of movement when being worn. Tested and guaranteed 18K.

Ca. 1870. Condition: very good, minor dings consistent with age (mostly on reverse side). Dimensions: 13/16” x 1-5/16” long (to top of wires). Weight: 4.4 grams.

A lovely 18K gold locket, the front cover bezel-set with Persian turquoise cabochons. The stones are nicely matched for color. The gold surface is stippled and engraved in a rayed pattern with a foliate border. The engraving on the back takes design elements from the front. The interior has a glass cover. The locket is deep enough that it was likely intended to contain both a portrait and a keepsake of some sort. The original bail, also engraved and set with a turquoise cabochon, is stamped with French 18K gold marks.

• Origin: France, ca. 1870
• Condition: excellent
• Dimensions: 3/4” x 1-1/8” (excluding the jump ring)
• Weight: 5.8 grams

An elegant Victorian bangle bracelet, the front set with a triple row of 76 natural seed pearls that splay open toward the center which is set with a floret of old mine cut diamonds. The pearls have cream body color and fine luster and are perfectly matched. The diamonds are F/G color and VVS2 clarity. The center diamond is .34 ct and the others are .06 ct each. The clasp is well-concealed and it is stamped “15 Ct” and also has French import marks.

• Origin: England, ca. 1900
• Condition: excellent
• Dimensions: 5/8” wide tapering to 3/16” at back; circumference 6-1/2”
• Weight: 23.5 grams
• Approximate Total Diamond Weight: .82 carat

A really inventive Victorian 14K gold book chain necklace, each link in the form of a heart. The links are further enhanced with heart appliques engraved in a floral pattern. The necklace is completed with a large reeded bolt clasp that could easily hold multiple pendants or charms. Tested and guaranteed 14K.

• Origin: America, ca. 1880
• Condition: excellent
Dimensions: 18-3/4” long
• Weight: 32.1 grams

A lovely double-sided 18K gold and crystal locket, the gold rim elegantly decorated with a bound reed design in the Louis XVA style. The round faceted crystal covers are suspended in a diamond-shaped open frame. The locket is cleverly constructed with a hidden screw mechanism that allows the gold frame to expand so the crystal covers can be removed for adding or changing the locket's contents. Double-sided porte-photos were often used to display a photo on one side and a tiny lock of hair, a pressed flower or some other memento on the back. They could also be used to display a "public" photo on one side and a more private image on the other. These lovely little pieces have become increasingly difficult to find. Fully stamped with French hallmarks.

Origin: France, ca. 1890. Condition: excellent, no chips or cracks to crystal. Size: 1-5/16" x 1-5/16" (excluding bail).

Victorian 15K gold garnet lover's knot hair locket. The locket features an unusually bright large garnet cabochon surrounded by a gold frame in a rope twist motif tied with a lover's knot to form the bail. The reverse features a small rock-crystal compartment containing woven hair. Hair lockets could either be love tokens or mourning jewelry or sentimental jewelry. The lover's knot does little to clarify which is the case for this particular piece, though the absence of an engraved date on the reverse suggests that it might have been a love token. Tested and guaranteed 15K.

• England, circa 1835.
• 1" x 5/8"
• Weight: 6.9 grams
• Approximate Total Gemstone Weight: 15.33 carat

A fine Victorian 14K gold stick pin in the form of a sword. The ornate hilt is bead-set with seed pearls and old European cut emeralds. The emeralds are of very fine quality, with excellent color. The back has a small bale that can be attached to a safety pin and chain, if desired. Tested and guaranteed 14K gold.

Ca. 1890. Condition: excellent. Size: hilt, 7/8” x 3/4"; overall length, 2-5/8”. Weight: 2.5 grams. Approximate Total Emerald Weight: .2 carat.

A gorgeous enameled pansy, worked in several shades of purple and lavender is featured in this ring converted from a Victorian earring. The enamel has a soft velvety appearance and is accented at the center with a small pearl. The pansy is set on a sturdy 14K gold split shank. Pansies are generally associated with remembrance, but in Victorian flower symbology, they also carried the sentiment, "Think of me." So whether you're in love or just feeling nostalgic, this ring is perfect!

Origin: America, ca. 1900.

Condition: converted; no enamel damage; excellent condition.

Dimensions: crown, 3/4" x 11/16".

Finger Size: 7 1/4.

A rare Victorian 14K yellow gold stick pin featuring a reverse-carved Essex crystal depicting a Chihuahua. Various dog breeds were depicted in Essex crystals, but this is the only piece we’ve seen with a dog that looks like a Chihuahua. The round setting, with its simple but finely crafted rope-twist border highlights the carved crystal. The colors are strong. The background appears to be silvered instead of the more usual mother-of-pearl. Tested and guaranteed 14K gold.

Origin: America, ca. 1885. Condition: some oxidation to painted details. Size: head, 13/16” diameter; overall length, 2-3/4”. Weight: 6.75 grams.

Very nice Victorian shakudo pin featuring a wonderful scene of Mt. Fuji. The foreground shows two quail, worked in gold, foraging amidst incredibly detailed wildflowers. The snow on the peak of Mt. Fuji is picked out in silver. The entire pin is beautifully patinated. After the samurai system in Japan ended, highly skilled swordmakers turned to jewelry as a way of continuing their centuries-old skills. The pin retains its original pinstem and clasp.

Origin: Japan, ca. 1870. Condition: excellent, all original. Size: 2-1/8" x 5/8".

A lovely Art Nouveau pendant worked in gilt silver depicting a pair of hounds against a background of oak leaves and acorns. The quality of the casting and chasing is very nice. The reverse is marked "800".

• Origin: Europe, ca 1900
• Condition: excellent
• Dimensions: 1-9/32" diameter
• WeightL 13.0 grams

A very good French Art Nouveau 18K gold watch pin in the form of a mythological creature that appears to be a dragon with outspread feathered wings. The details are beautifully worked. The reverse is engraved to match the front. The creature grasps an antique cushion cut diamond in its jaws. The pin retains its original watch hook on the back. This piece could easily and inexpensively be transformed into a pendant with the additional of two pendant hooks at the wingtips. The back is marked with French 18K gold hallmarks, an illegible master goldsmith’s mark, and a design number indicating that the piece was made by a renowned maker of the period.

• Origin: France, ca. 1890
• Condition: excellent, sharp detail
• Dimensions: 1-1/4” x 1-1/8”
• Approximate Total Diamond Weight: .10 carat
• Weight: 12.7 grams

A lovely Art Nouveau 14K yellow gold honeymoon pin in the form of a pearl-studded horseshoe enclosing a beautifully-enameled violet. The petals are worked in realistic shades of purple fading to pinkish-cream at the centers and the flower is accented with a bright green leaf. In the Victorian language of flowers, the violet was used to symbolize faithfulness. Combined with a horseshoe for good luck, a pin of this sort almost certainly would have served as a going-away gift. The original clasp is stamped 14K and has Krementz' hallmark.

Origin: America, ca. 1890. Condition: excellent, all original, no enamel damage. Size: 13/16" x 3/4". Weight: 3.3 gr.

A stunning Belle Epoque brooch in the form of a fern worked in silver-topped 18K gold and set with 89 rose cut diamonds. The curving shape and the delicacy of each individual diamond-set leaf gives the piece a lightness that is very attractive for wear with today's clothing styles. The pin could also easily be converted to a pendant by attaching a gold chain at either end. In the 19th language of flowers, fern conveyed the sentiment of "sincerity." The back is stamped with French 18K marks.

France, circa 1870

Excellent condition

1-3/8" x 2-7/16"

9.9 grams

Approximate total diamond weight: 1.33 carats

An interesting 10K Victorian pin in the form of a mythological creature coiled around a flame-like pillar. The creature appears to be an Ophis, a winged serpent from Greek mythology said to guard the myrrh fields of ancient Arabia. The monster grasps a seed pearl in it's jaws. The surfaces have a semi-matte bloomed finish. Tested and guaranteed 10K.

• Origin: America, ca. 1890
• Condition: excellent
• Dimensions: 1-3/8" x 1-3/16"
• Weight: 2.6 grams

An unusual combination of classic Victorian insect jewelry and the patriotic color combination popular around the time of the Centennial celebrations of 1876. The insect’s folded wings are set with pairs of rubies,sapphires and diamonds. The thorax is represented with a single bezel-set diamond and the eyes are small rubies. Neither the rubies nor sapphires have evidence of heat treatment. Tested and guaranteed 14K.

Origin: America, ca. 1876. Condition: excellent. Dimensions: head, 11/16” x 11/16”; overall length, 2-5/8”. Weight: 1.86 gr. Approximate Total Gemstone Weight: diamond, .17 ct; ruby, .09 ct; sapphire, .07 ct.

A nicely-detailed late Victorian pin depicting a lion’s head. The open mouth grasps a 10-point old European-cut diamond, while each eye is set with a small cabochon ruby. The head is surrounded by flowing fur that hints at Art Nouveau styling. The design is similar to a tiger’s head brooch that was made by Alling & Co., and probably was made by one of Alling’s Newark competitors. The c-clasp is an old replacement. Tested and guaranteed 14K gold.

Origin: America, ca. 1890. Condition: excellent, sharp detail, replaced clasp. Size: 1-7/32” x 7/8”. Weight: 5.0 grams. Approximate Total Diamond Weight: .1 carat.

A superb 19th century French figural fob seal worked in silver and 18K gold. The gorgeously detailed wolf's head is worked in silver with gold accents such as the collar and the long tongue that hangs from one side of the very toothy jaws. The eyes are set with small rubies. The carnelian seal has never been engraved. Tested and guaranteed silver and 18K.

Origin: France, ca. 1850. Condition: excellent, sharp detail, a very small flake on one corner of the carnelian, jump ring is a later addition. Dimensions: 7/8" x 7/8" x 1-5/16" (excluding jump ring). Weight: 21.7 grams.

A wonderful Victorian angel skin cameo depicting a 17th century gentlemen set in 18K gold. Male cameos are rather unusual and typically depict deities from the Greco-Roman pantheon or historical figures. This example appears very similar to the Van Dyck portraits of King Charles II. The details of the lace collar, heavy neck chain, ruffled shirt, beard and hair are very finely worked. The cameo is deeply carved, with the white figure standing out beautifully from the soft pink background. The setting is simple, featuring only a simple line of wire-twist decoration. Tested and guaranteed 18K.

• Probably American, circa 1850
• Excellent condition; no cracking to coral; replaced clasp
• 2-1/32" x 1-13/16"
• 26.8 grams

Handsome Victorian 10K yellow gold ring in the form of two lion’s claws grasping a large old European cut garnet. The detail in the setting is excellent and the gold has a slightly rosy tint that contrasts nicely with the red stone. The garnet has a lively red color and excellent clarity. The inside of the shank has a pair of monograms. Tested and guaranteed 10K gold.

Origin: America, ca. 1890. Condition: very good, sharp detail, slight wear to two prongs, but the stone is secure. Ring Size: 9-3/4. Approximate Gemstone Weight: 1.22 carats.

A beautiful enameled oval locket in 18K gold, the cover decorated with a wreath of blue enameled forget-me-nots, each centered with a small rose cut diamond, against a black background. The design is encircled with additional black taille d’epargne enameling. The back is also decorated with blue forget-me-nots surrounded with taille d’epargne enameling and has a shield-shaped reserve that was never monogrammed. In Victorian floriography (the "language of flowers") forget-me-nots represented faithfulness, true love, and remembrance. The exposed gold surfaces on both the front and back are enhanced with engraved and stippled decoration. The interior retains the original glass covers and photos of two 19th century gentlemen. The bail is stamped with French 18K gold marks.Origin: France, ca. 1855

Condition: excellent, less than 5% loss to taille d’epargne enamel, mostly on the back

Dimensions: 15/16” x 1-3/8” (excluding bail and jump ring)

Weight: 13.2 grams

Approximate Total Diamond Weight: .08 carat

A very good Victorian brooch worked in pietra-dura. The design depicts a colorful purple iris blossom with foliage and buds against a black background. The pieces of stone are very well-cut and fit tightly into the design. The back retains the original brass pinstem and c-clasp.

Origin: Italy, ca. 1880. Condition: excellent, all original. Size: 1-1/8 diameter.

A heavy French 18K gold and diamond pendant depicting a mythological griffin. The creature has the body of a lion and the head and wings of an eagle. His open jaws clasp an old mine cut diamond. The diamond is graded as G color, SI1 clarity. Griffins in brooches are often shown in a crouching position, but in this example, the creature is standing upright in a more assertive pose. The piece can be worn as a brooch or as a pendant suspended from the loops at the wing tips. The pendant is stamped with French 18K guarantee marks and with the master goldsmith’s mark “Vve G” for “widow Godivier.” In rare instances, more enterprising French women were able to successfully assume control of the family business after their husbands had died.

• Origin: France, ca. 1904-1911
• Condition: excellent, sharp detail
• Dimensions: 1-1/2” x 1-3/8”
• Weight: 15.1 grams
• Approximate Diamond Weight: .21 carat