Catalog: Estate Jewelry (1639)

A pretty Victorian sterling silver watch pin designed as a cluster of forget-me-nots. The repousse work is nicely detailed and very three dimensional. The back retains the original watch hanger, extended pinstem and c-clasp. The back is marked “Sterling”.

Origin: America, ca. 1900. Condition: excellent. Size: 1-3/8” X 1-1/4”. Weight: 6.0 grams.

Colorful Victorian silver gilt double-sided cufflinks featuring beautifully patterned malachite cabochons. The gilt silver borders are finished in a classic laurel wreath design. The removable connectors are marked for 800 silver.

• Origin: Continental Europe, ca. 1880
• Condition: excellent, original gilding intact
• Dimensions: 5/8" wide

A wonderful Victorian 18K yellow gold curb link chain interrupted at regular intervals with bi-color ("watermelon") tourmaline beads. The chain is finished with a fantastic clasp in the form of a lady's hand grasping floral-engraved loop. At 39" in length, the necklace can be worn doubled or perhaps even tripled. Tested and guaranteed 18K.

Ca. 1890. Condition: excellent, all original. Dimensions: 39" long. Weight: 67.0 grams. Approximate Total Gemstone Weight: 215.0 carats.

A striking 14K gold peridot ring converted from a Victorian stickpin. The oval brilliant cut peridot has superb intense green coloring and is bezel-set in a elegantly-engraved gold collar. The ring has a 14K gold shank.

• Origin: America, ca. 1890.
• Condition: converted from a Victorian stickpin; excellent condition.
• Dimensions: crown, 1/2" x 7/16".
• Finger Size: 6 1/2.
• Weight: 2.2 grams.
• Approximate Gemstone Weight: 2.16 carat.

A handsome pair of 14K yellow gold cufflinks, the faces fashioned as ornate batons. Each of batons has a lobed device at each end similar to the head on a 16/17th century Ottoman ceremonial mace used to connote that the bearer carried the full authority of the Sultan Khan. Tested and guaranteed 14K.

Origin: America, ca. 1890. Condition: excellent, sharp detail. Dimensions: batons, 1-1/4" long. Weight: 10.4 grams.

A stunning Belle Epoque brooch in the form of a fern worked in silver-topped 18K gold and set with 89 rose cut diamonds. The curving shape and the delicacy of each individual diamond-set leaf gives the piece a lightness that is very attractive for wear with today's clothing styles. The pin could also easily be converted to a pendant by attaching a gold chain at either end. In the 19th language of flowers, fern conveyed the sentiment of "sincerity." The back is stamped with French 18K marks.

France, circa 1870

Excellent condition

1-3/8" x 2-7/16"

9.9 grams

Approximate total diamond weight: 1.33 carats

An unusually nice Victorian gold-filled locket in the aesthetic taste. The front features a marsh scene of reeds and flowers growing alongside the water’s edge, all worked in different shades of gold. The design is enclosed within an engraved border. The back of the locket is engraved with multiple designs akin to a crazy quilt.

• Origin: probably America, ca. 1860
• Condition: excellent, no wear to gold
• Dimensions: 7/8” x 1-3/8” (excluding jump ring)

Beautiful purplish rhodolite garnets sparkle from the engraved tops of these earrings with foxtail tassels. Each tassel terminates in a small golden ball. These tassels have substantial weight and are unusual for having gemstones set at the top. Stamped with French 18K gold hallmarks.

• Origin: France, ca. 1880.
• Excellent condition.
• Dimensions: 1-5/8" from top of wire.
• Weight: 7.1 grams.
• Approximate Total Garnet Weight: 1.72 carats.

An elegant pair of Victorian 18K yellow gold cufflinks, the baton faces very finely and ornately engraved in a foliate pattern. The faces are joined by chains. Tested and guaranteed 18K.

Ca. 1875. Condition: excellent, all original, sharp detail. Dimensions: faces, 11/16” long. Weight: 5.6 gr.

A three-color faceted overlay glass locket in a rolled gold mounting. The glass is cut to show the layers of red, white and blue opaque glass. The back cover is ruby glass dark enough to appear opaque black unless held to the light.

Origin: France, ca. 1875

Condition: excellent, no chips or cracks

Dimensions: 1" x 13/16"

Lovely bar pin in lapiday-cut banded agate. The strong malachite green color is very unusual and striking. The mountings are gold filled. The back retains the original "C" clasp and tube hinge.

Origin: Scotland, mid 19th century. Condition: small flakes on the back sides of three corners (only faintly visible from the front when inspected closely). Size: 2-1/4" long.

A pretty 18K yellow gold pendant in a shape that suggests a pair of wings, each set with rose cut diamonds. The design is completed with an additional diamond at the top in a buttercup setting. The pendant was likely fashioned from a larger piece of jewelry that was no longer fashionable. The reverse is stamped with a goldsmith’s mark and also with the Birmingham date mark for 1849. The jump ring is 14K.

• Origin: Birmingham, England, 1849
• Condition: excellent
• Dimensions: 13/16” x 11/16” (excluding bail)
• Approximate Total Diamond Weight: .15 carat
• Weight: 1.9 gram

Very nice Art Nouveau 10K yellow gold stickpin in the form of a lady’s head. A 4-pt. old mine-cut diamond of very good quality is set at the end of her trailing hair. The surface of the gold has the “bloomed” texture characteristic of Art Nouveau jewelry.

Origin: probably American, circa 1900. Condition: excellent, all original. Size: head, 11/16” x 7/16”; overall length, 2-7/8”. Weight: 1.5 grams.

Extremely fine Victorian memorial ring in 18K yellow gold, the shoulders with glossy black taille d’epargne enamel and engraved foliate decoration. A shield-shaped black and white sardonyx cartouche crowns the ring and covers a hair compartment visible through the beveled rock crystal cover on the inside of the ring. The inside of the shank is engraved “Thomas Bland 1857 Obt 23 March 68 years” and the compartment holds a woven plaque of his gray hair. The back inside of the shank is fully hallmarked for Birmingham 1856-57, with the maker’s mark “TM”. This is certainly one of the finest memorial rings we’ve seen.

Origin: England, 1857. Condition: virtually mint. Size: 8-1/4. Weight: 4.5 grams.

A very heavy 18K yellow gold bracelet worked in the form of interlaced knots, the center of each set with an old mine cut diamond. The diamonds are set in silver in the traditional manner of the 19th century. The stones have good J/K color and SI1 clarity. At 8-1/4" long the bracelet is very generously sized. The box clasp is marked "Waler 18K".

Origin: America, ca. 1890. Condition: excellent. Weight: 41.0 grams. Approximate Total Diamond Weight: 1.0 ct.

A very good pair of Victorian 14K yellow gold cufflinks, each face in the form of an owl's head complete with bright ruby eyes. The gold is finely detailed and the rubies are natural and of high quality. Tested and guaranteed 14K.

Origin: America, ca. 1900. Condition: excellent. Size: 1/2" x 1/2". Weight: 6.7 grams.

A handsome pair of 18K yellow gold double-sided cufflinks from the era of Napoleon III. The navette-shaped faces are simply decorated with interlaced swirls. The faces are joined by chains. The cufflinks are stamped with French "tete de cheval" hallmarks for 18K.

Origin: France, ca. 1860. Condition: excellent, sharp detail. Size: 3/4" x 5/16". Weight: 6.0 gr.

Exquisite and extraordinarily rare French Napoleon III 18K yellow gold and silver locket set with rose-cut diamonds and an en plein enamel plaque. The locket is essentially of geometric shield form relieved at the upper corners with finely chased applied clusters of roses and foliage, and at the bottom with an ornate volute. The shield form, flanked with two arches of rose cut diamonds set in silver, is suspended from a diamond-set urn motif in the Louis XVI style, and itself suspends a rose cut diamond in a pinched collet setting. The locket is very much in the style of the Parisian Belle Epoque master jeweler Eugene Fontenay and his enamelist Eugene Richet.

The front cover features an oval plaque decorated with an en plein enameled scene of two cherubs in a Watteau-like pose. One of the cherubs, however, is special. He has white feathered wings and a quiver of arrows. He represents Amor (aka Cupid or Eros), son of Venus (Aphrodite). He is commonly considered the god of love, but more accurately was the god of desire and erotic love.

The back cover features a beveled glass cover conforming to the shield form enclosing a bed of silk. The interior includes two glass-covered compartments. The bail is stamped with the "tete d'aigle" mark for 18K gold and bears an unidentified master goldsmith's mark.

Origin: France, ca. 1870. Condition: very fine; the glass of one interior compartment is cracked, but seems secure in its frame. Dimensions: 1-1/2" x 2-5/8" (excluding jump ring). Approximate Total Diamond Weight: 1.15 carats.