Catalog: Estate Jewelry (1632)

Very stylish vintage 14K yellow gold brooch by Tiffany & Co. The simple flowing design will nicely accent a business suit or a little black dress. The back is marked "Tiffany & Co. 14K Germany". Ca. 1960. Condition: excellent, all original. Size: 2-5/16" x 5/8". Weight: 4.0 grams.

A delightfully whimsical late Victorian 18K yellow gold stick pin depicting a circus elephant balancing atop a pearl ball. The elephant is very nicely detailed. The pin stem is stamped with French 18K gold marks and with an illegible maker's mark.

Origin: France, ca. 1900. Condition: excellent. Dimensions: head, 13/32" x 7/16". Weight: 2.9 gr.

A classic Victorian honeymoon brooch in 14K yellow gold. The traditional crescent shape supports a gold violet enameled in rich shades of rose, purple and cream and accented with green veining on the petals. The flower is centered with a small ruby. In Victorian flower language, the crescent shape represented “moon” and the flower represented sweetness or “honey”, thus “honeymoon”. Pins such as this were popular gifts from grooms to their new brides. The original early safety clasp has an unidentified maker’s mark.

• Origin: America, ca. 1900
• Condition: very good; a 1/16” flake on the tip of one flower petal; the pinstem is an early gold-filled replacement
• Dimensions: 7/8” x 3/4"
• Weight: 2.5 grams.

A fine Art Nouveau medallist stickpin depicting Demter (“Ceres”), goddess of the harvest and the seasons, in 14K gold by Louis Rault. She is shown in profile with several of her attributes including a tiara of wheat and a scythe. Louis Armand Rault was a leading designer for Boucheron 1868-75 and this is one of his signature designs. His designs were sometimes licensed to other jewelers, hence this American 14K version. The stickpin is finished in a soft bloomed texture. The pinstem is stamped iwth Carter, Gough's 14K mark. The stickpin could easily be converted to a ring or pendant.

• Origin: America, ca 1880
• Condition: excellent, sharp detail
• Dimensions: head, 9/16” diameter, length, 2-1/2”
• Weight: 2.0 grams

A classic pair of Art Deco double-sided cufflinks featuring high-domed cabochons of carnelian and aventurine quartz set simply in silver collets. The faces are joined with removable connectors. The color contrast of the gems is rather striking. The faces are marked “830”.

Scandinavia (excluding Denmark), ca. 1930. Condition: excellent. Dimensions: faces, 1/2” diameter. Weight: 7.5 gr. Approximate Total Gemstone Weight: carnelian, 9.72 cts; aventurine, 12.18 cts.

A very fine Victorian 14K gold stickpin, the head set with a round hardstone cameo depicting a pheasant. The cameo is worked in banded white and brown agate. The carving shows a pheasant running along the ground amidst underbrush, and has superb detail. Tested and guaranteed 14K.

Origin: America, ca. 1890. Condition: excellent, some waviness to pin shaft, no damage to cameo. Size: overall length, 2-13/16”; head, 13/16” diameter. Weight: 4.0 grams.

Silver gilt cufflinks encrusted with 2.2 carats of rose-cut pyrope garnets. The garnets have beautiful color, without being too flashy. The settings and overall workmanship is very nice. The toggle backs have Czech hallmarks for 900 silver.

Origin: Bohemia, Czech Republic, circa 1965. Condition: excellent. Size: 15/16” x 1/2”. Approximate Gemstone Weight: 2.2 carats. Weight: 11.25 grams.

Lovely vintage signed Mikimoto brooch in sterling silver set with eight pearls, ranging from 5 to 6mm. The pearls are of very fine quality with white body color and a silvery overtone. The lustre is excellent, as should be expected of Mikimoto. The brooch is designed in a way that permits it to be worn either horizontally or vertically. The back is marked with Mikimoto's hallmark.

Origin: Japan, latter half 20th century. Condition: excellent, all original. Size: 1-15/16" x 1-1/8". Weight: 8.0 grams.

A fine example of some of the best enameled silver produced by David-Andersen in the late 1950s. This brooch represents "Spring" from the "Four Seasons" line designed for David-Andersen by Thorbjorn Lie-Jorgensen in the late 1950s. The set of designs represent an abstract aerial views of the same landscape in each of the four seasons. "Spring" is worked in lush shades of turquoise, teal blue, gold and brown. The back, with the original patina, retains the original pinstem and c-clasp, and is marked "D-A", "925S" and "Norway-Sterling".

Origin: Norway, ca. 1959. Condition: excellent, no enamel damage. Size: 1-11/16" x 1-5/16". Weight: 16.25 grams.

A pair of cufflinks and a matching tie bar in the "Autumn" variation of the "Four Seasons" design by Thorbjorn Lie-Jorgensen for David-Anderson. The suite of designs was intended to present an abstract aerial view of Scandinavian farmlands in various seasons. The "Autumn" design features interesting engraved silver covered in beautiful shades of translucent orange, gold and brown enamels. The connectors are marked "D-A Sterling/Norway 925."

• Origin: Norway, ca 1959.
• Condition: excellent enamel; gilding shows some tarnishing and wear (typical of David-Andersen pieces from the period).
• Dimensions: cufflink faces, 29/32" x 19/32"; tie bar, overall length 1-9/16"
• Weight: 17.6 grams.

Lovely Edwardian brooch featuring beautifully-crafted floral swirls and filigree of yellow gold surrounding a carved oval plaque of chrysoprase centered with a collet-set white sapphire. The pinstem is marked with partially illegible marks. The maker's mark "WW" (or "MM") is clearly stamped. Tested and guaranteed 14K.

Origin: Continental, circa 1910. Condition: excellent, all original. Size: 1-11/16" x 13/16". Weight: 4.0 grams.

Fine Victorian 18K rose gold stick pin. The thre-dimensional pin is in the form of a horse's saddle. A bit of the blanket peeks out from underneath and is bordered in rose-cut diamonds. The pin is very nicely detailed. Tested and guaranteed 18K gold.

Origin: England or America, ca 1880. Condition: excellent, all original. Size: 2-1/4" overall length; head 5/8" x 5/8". Weight: 2.0 grams.

An amusing late Victorian brooch fashioned as two crossed golf clubs. The shafts are worked in 18K yellow gold, while the heads are made in platinum. A small pearl, representing a golf ball rests against each club. Sporting jewelry is quite desirable, and golf-related pieces are particularly rare. The back retains the original pinstem and c-clasp. Stamped with French hallmarks.

Origin: France, ca. 1895. Condition: excellent, all original. Size: 1-3/4” x 3/8”. Weight: 2.0 grams.

A terrific pair of Art Deco style 18K gold double-sided cufflinks. The eight-sided front faces are decorated with white gold chevrons in a slightly matte finish that contrast beautifully with the surrounding yellow gold. The back faces are yellow gold ovals with tapered ends. The connectors are marked with Italian hallmarks for 18K gold.

Origin: Italy, ca. 1970. Condition: excellent, all original, no monograms. Size: 5/8” x 15/32”. Weight: 6.5 grams.

An elegant pair of sterling silver cufflinks, the faces depicting a long-haired maiden gazing at a star. The faces are hallmarked for London, 1902 and also have an unidentified maker’s mark “RF”. The faces were originally buttons and are now connected with silver chains to torpedo backs.

Origin: England, 1902. Condition: excellent, sharp detail. Size: 11/16” diameter. Weight: 9.5 gr.

Lovely vintage brooch by Mikimoto featuring five stunning pearls set in a triple arch of sterling silver. The pearls, graduating from 5 to 5.5 mm, are of the finest quality. The body color is white with an ivory overtone. The lustre is excellent. The back of the brooch is stamped with Mikimoto's hallmark and "S" for sterling.

Origin: Japan, circa 1960. Condition: excellent, all original. Size: 1-7/8" x 1-5/8". Weight: 7.0 grams.

A pretty 18K yellow gold pendant in a shape that suggests a pair of wings, each set with rose cut diamonds. The design is completed with an additional diamond at the top in a buttercup setting. The pendant was likely fashioned from a larger piece of jewelry that was no longer fashionable. The reverse is stamped with a goldsmith’s mark and also with the Birmingham date mark for 1849. The jump ring is 14K.

• Origin: Birmingham, England, 1849
• Condition: excellent
• Dimensions: 13/16” x 11/16” (excluding bail)
• Approximate Total Diamond Weight: .15 carat
• Weight: 1.9 gram

An elegant Art Deco bracelet comprising nine plaques joined with double rosette links. The cast plaques are decorated with an ornate floral pattern and are richly gilt. Each is collet-set with a squared cabochon chrysoprase. The milky green color of the gemstones is very nice against the dark gold of the gilding. The clasp is marked with Hungarian silver hallmarks, and the back is marked “Made In Hungary”, indicating the piece was made for export to the U.S.

Origin: Hungary, ca. 1930. Condition: excellent, all original, gilding intact. Size: 7-1/4” long. Weight: 27.0 grams. Approximate Total Gemstone Weight: 12.6 carats.

Handsome cufflinks with hexagonal faces linked by chains to torpedo backs. The faces are engraved with an intricate engine-turned design. The backs are marked with Finnish hallmarks for Helsinki. The maker’s mark is illegible, but the gold content is “890” which translates to around 21K.

Origin: Finland, circa 1930. Condition: excellent, all original, one torpedo has a few dings on the underneath side. Size: faces, 5/8” wide. Weight: 5.0 grams.

A delightful Imperial Austrian silver brooch set with three reverse-carved Essex crystals by the Imperial jeweler Georg Adam Scheid. The domed pin is finely engraved in a basket-weave motif and is pierced by three Essex crystals, each depicting a lap dog, perhaps a Pekingese. The dogs are well carved and colored, with tiny blue bows under their chins. The crystals never had a mother-of-pearl backing like those produced in England and France. Except in France, Essex crystals were not widely used in Continental European jewelry. The back retains the original extended pinstem and c-clasp. The hinge is stamped with Imperial Austrian hallmarks for 800 silver and with Scheid’s hallmark. The brooch retains its patina, but could be polished if desired.

Origin: Austria, ca. 1880. Condition: all original, silver is excellent, some wear to the paint on the crystals. Dimensions: 1-1/16" diameter. Weight: 8.3 gr.

A delicate 14K gold crescent pin worked as a bough of enameled laurel leaves bound at the middle with a golden ribbon. The rich green leaves are punctuated with small seed pearls. The back of the pin is stamped for 14K gold and has the mark for H.A. Kirby of Providence, RI.

Origin: America, ca. 1900. Condition: excellent, very minor flakes to enamel when viewed under 10x magnification. Dimensions: 1-7/8" long. Weight: 3.1 grams.

A vintage pair of cufflinks, the faces constructed of banded agate carved in the shape of antique pistols. The stones are nicely matched and have attractive markings in shades of orange, caramel and cream. The silver mountings are marked “Sterling”.

Origin: America, ca. 1950. Condition: excellent, no chips to agate. Size: 1-1/8” x 7/16”.

An incredibly detailed sterling silver pin depicting a boxer dog. The workmanship is simply outstanding, with every tiny detail of the dog’s fur, wrinkles, etc. fully worked in this deeply three-dimensional brooch. The back is hallmarked “Ballou Sterling”. B. A. Ballou was founded in Providence, RI in the 1870s.

Origin: America, ca. 1920. Size: 1-7/8” x 2-3/16”. Weight: 40.9 gr.

A wonderful Art Nouveau stickpin depicting a native American warrior chief in 14K yellow gold. The man’s beautifully detailed face is surrounded by long hair and a feather war bonnet, the band centered by a small bead-set old European cut diamond. A quiver of arrows is slung across the chest. The pin is marked “14K” and has the maker’s mark for Krementz.

Origin: America, ca. 1890. Condition: excellent, sharp details. Size: head, 11/16” x 3/8”; overall length, 2-1/2”. Weight: 1.8 grams.

An interesting pair of 14K gold earstuds, the rectangular faces worked in a textured basketweave design. One earring is in white gold and the other is in yellow. Both are centered with a prong-set round-cut diamond of good clarity and color. Marked "14K".

Origin: America. Condition: excellent. Size: 13/32" x 1/4". Weight: 3.0 grams. Approximate Total Diamond Weight: .2 carat.

This lovely enameled pansy, originally a screwback earring, has been converted to a colorful ring with the addition of sterling silver shank. The pansy is enameled in bright shades of purple and yellow. The enamel has a slight iridescent effect and is translucent so the engraved silver shines through for added texture. In the Victorian language of flowers, the pansy generally conveyed the meaning, “Think of me.” Purple and yellow pansies more specifically meant, “Forget me not.” The back is marked “Sterling.”

• Origin: America, ca. 1930.
• Condition: excellent; no enamel damage.
• Dimensions: 3/4 x 3/4".
• Finger Size: 6 1/4.
• Weight: 3.8 grams.

An attractive 18K gold and green chalcedony band. The carved chalcedony band is enclosed by gold on each side and is adorned with a gold crossband at the front. The ring is stamped with French 18K gold hallmarks.

• Origin: France, ca 1970
• Condition: very good, minor wear to the back side of the gold band
• Finger Size: 6-1/4
• Width: 3/16”
• Weight: 2.1 grams

An elegant Victorian 18K gold pendant featuring an onyx plaque centered with a seed pearl. The gold setting is ornately worked in a rope twist motif and with bright-cut engraving. Three tiny seed pearls complete the design. The pendant is stamped with French 18K gold marks.

• Origin: France, ca. 1870
• Condition: excellent
• Dimensions: 1-7/32” x 5/8”
• Weight: 3.0 grams

Fabulous bracelet composed completely of violet-colored glass flowers and green leaves strung on an amber glass chain. This is one of the best pieces of early glass jewelry we've encountered. The delicacy and detail of the modeling is outstanding, as are the colors. The bracelet retains its original brass c-clasp.

Origin: probably Czechoslovakia, circa 1920. Condition: all original, all pieces intact, two flowers have minute flakes. Size: 7-1/2" long.

A fine pair of modernist silver cufflinks by master Danish designer Niels Erik From. The large concave round faces are each set with a round amber cabochon in a dark reddish-orange color approaching that of cherry amber. The cabochons are set at the edges to create a very modern, assymetrical look. From moved away from traditional Scandinavian design in the 1960’s with very bold, angular designs such as this. The connectors are marked “Sterling/Denmark/N.E. From/925S”.

Origin: Nakskov, Denmark, ca. 1965. Condition: excellent, polished. Size: 7/8” diameter. Weight: 11.5 grams.

A nice Edwardian silver watch chain with striped niello decoration on each of the ornate links. The chain is finished at one end with a dog clip and at the other with a large niello bolt.

• Origin: Switzerland, ca 1900
• Condition: excellent, niello intact
• Length: 10”
• Weight: 23.8 grams

A nice extra-wide Victorian silver cuff bracelet engraved in an ornate Persian-inspired design. The bracelet is hinged, and the back side is unengraved. The width of the bracelet lends a very imposing look. Tested and guaranteed sterling silver.

• Origin: America, ca. 1875
• Condition: excellent, only two pinpoint dings on the back side
• Dimensions: 6-1/4” circumference, 1-7/16” wide
• Weight: 31.9 grams

A nicely detailed 14K gold anchor pendant. In Victorian jewelry, the anchor was meant to convey a sense of hope, security and steadfastness. This classic example is enhanced with a detailed spiral or rope and sharp prongs. The piece is large enough to wear as a pendant or could be used as a charm on a chunky bracelet. Stamped “14K.”

• Origin: America, ca 1890
• Condition: excellent
• Dimensions: 11/16” x 1-1/8 (excluding jump ring)
• Weight: 1.9 grams

A nice Edwardian silver watch chain with striped niello decoration on alternate links between smaller gilt links. The chain is finished with a niello swivel dog clip at one end and a large bolt with repousse and gilt decoration on the other. The chain is stamped with Swiss 800 silver marks used 1882-1934.

• Origin: Switzerland, ca 1900
• Condition: excellent, niello intact
• Length: 11-1/4”
• Weight: 16.0 grams

Handsome Napoleon III-era 18K gold brooch in the form of an eagle with spread wings. Eagle motifs were very popular in French jewelry of the 1860's and 70's. This example features a hook from which a lady could hang her gold watch. The eagle's beak holds a small ring that originally would have been attached to a tiny safety chain for the watch. This piece is decorated in the repousse manner, meaning that the design was created by working the gold from the back side rather than engraving the front. The detail is outstanding. The back retains the original pinstem and c-clasp. The back is stamped with the French "tete d'aigle" 18K gold hallmark and with the jeweler's mark (BF).

Origin: France, circa 1870. Condition: excellent, crisp detail. Size: 2-1/4" x 9/16" (excluding watch hook). Weight: 2.5 grams.

An elegant pair of vintage sterling silver and rosewood inlaid cufflinks by an unknown Taxco maker. The geometric positive and negative space design and is finely executed. The backs are marked “Mexico 925” and have the maker’s registry number “TS-15.”

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• Origin: Taxco, Mexico, circa 1980.
• Dimensions: 29/32” x 5/8” (23 x 16 mm).
• Weight: 14.8 grams.
• Condition: excellent.