Catalog (2428)

A nice bracelet comprising twelve Victorian era 14K and 10K gold slides. The slides are in various styles, but are all original to the Victorian period. Slide bracelets enjoyed a moment of popularity in the 1930s when older Victorian pieces were dismantled and converted into a new style of charm bracelets. The first, tenth, eleventh and twelfth slides (L to R in the first photo) are 10K. The others are 14K. The diamonds, opals, turquoise and pearls are natural; the sapphires and rubies are glass. The two opals, in particular, are very nice quality. The slides are strung on a 14K gold double chain with 14K gold spacer beads and a 14K clasp. Tested and guaranteed metal content.

• ORIGIN America, ca 1860-1900
• DIMENSIONS 7 3/4" long
• WEIGHT 16.5 grams
• APPROXIMATE TOTAL GEMSTONE WEIGHT: diamond, .03 carat; opal, .6 carat
• CONDITION excellent, a few light pinpoint dings on the largest slide

A very fine 18K gold watch pin depicting a mythological griffin grasping a pearl in its mouth. The back-swept wings are bordered with rose cut diamonds set in silver. The detailing for the feathers and scales is superb, and even the reverse is realistically engraved. The design is deeply three-dimensional. Mythological subjects were particularly popular in at the beginning of the Art Nouveau period. The reverse is stamped with an 18K hallmark. The back also retains the original watch hook, clasp and pinstem. A bail could easily be added for wear as a pendant.

• Origin: Europe, ca 1880
• Condition: excellent; all original
• Dimensions: 1-1/4" diameter
• Weight: 17.5 grams

An elegant Art Nouveau bracelet comprising foliate shaped links set with round amethysts alternating with fleur-de-lis shaped links. The amethysts have the deep violet coloring typical of the best quality Siberian material. Tested and guaranteed 14K gold.

• Origin: America, ca 1895
• Condition: excellent
• Dimensions: 7-1/2” long
• Weight: 19.4 grams
• Approximate Total Amethyst Weight: 5.22 carats

A lovely pair of vintage 18K yellow gold earrings in the classic 1950s combination of diamonds, turquoise and ruby. The cruciform shape and sophisticated use of gemstone colors is very much in the style of Verdura, Chanel and Van Cleef & Arpels pieces of the era. The gold petals are simply enhanced with twisted wire and the diamonds are set in platinum. Each earring is stamped with French gold and platinum hallmarks.

Origin: France, ca. 1955. Condition: excellent. Dimensions: 15/16 x 15/16 in. Weight: 11.0 grams. Approximate Total Gemstone Weight: diamond, .24 ct; ruby, 3.0 ct; turquoise, 3.28 ct.

A lovely 18K yellow gold Art Nouveau pendant depicting Erato, the goddess muse of lyric poetry, by the noted French medallist Lucien Joseph René Janvier (b 1878). The goddess is depicted with a crown of laurel leaves on her flowing hair and with a cithara (ancient lyre-like instrument), her traditional emblem in the background. Janvier was particularly known for his medallist jewels and his shortened signature appears in the design just behind the goddess’ head. Tested and guaranteed 18K.

Origin: France, ca. 1900. Condition: excellent; sharp detail. Dimensions: 1-1/4 x 1-1/16” (excluding bail and jump ring). Weight: 13.8 gr.

A stunning Belle Epoque brooch in the form of a fern worked in silver-topped 18K gold and set with 89 rose cut diamonds. The curving shape and the delicacy of each individual diamond-set leaf gives the piece a lightness that is very attractive for wear with today's clothing styles. The pin could also easily be converted to a pendant by attaching a gold chain at either end. In the 19th language of flowers, fern conveyed the sentiment of "sincerity." The back is stamped with French 18K marks.

France, circa 1870

Excellent condition

1-3/8" x 2-7/16"

9.9 grams

Approximate total diamond weight: 1.33 carats

An outstanding 18K gold shield-form perfume locket ("vinaigrette"), opening to reveal two compartments separated by a hinged crystal cover. The front cover is worked in an ornate pierced and engraved design in the Persian taste. The tiny pierced openings are concealed within the design and are intended to permit the escape of scent from a tiny perfume-soaked sponge that can be wedged inside the front cover. Vinaigrettes of this sort were used by ladies to ward off the unpleasant odors of the streets. The back cover is more simply decorated in a stippled pattern that vaguely suggests fleurs-de-lys. When opened, the back side can accommodate a portrait. The two halves are separated by a thick crystal cover with beveled edges set in gold. The locket hangs from a scrolled bail ornament. The gold has a slightly rosy tint. The inside edges are stamped with French “tete d’aigle” hallmarks for 18K.

• Origin: France, ca. 1870
• Condition: very good, sharp detail; the back cover has a few small dings visible in strong raking light
• Dimensions: 1-9/16” x 15/16” (40 x 23 mm)
• Weight: 21.0 grams

An elegant Art Nouveau cross pendant worked in a foliate design of 18K yellow gold overlaid with a sunburst of milgrained platinum set with rose cut diamonds and centering a larger old mine cut diamond. The gold surfaces are enhanced with chasing to enhance the naturalistic look of the swirling leaves. The center diamond, .20 carat, is I/VS2. The remaining diamonds cannot be accurately measured for size, but face up at about .40 carat. Tested and guaranteed 18K and platinum.

• Circa 1900.
Dimensions: 1-5/8” x 2-1/2” (including jump ring).
• Weight: 8.7 grams.
• Approximate Total Gemstone Weight: .carat.
• Condition: excellent; all original.

You can nearly hear this glowering lion roaring. Decorated in spectacular translucent enamels, the lion’s eyes are studded with old European cut diamonds and the mouth grasps an old mine cut diamond. The diamonds are graded as H/VS1. The brooch is deeply three-dimensional, with a lot of detailing in the mane. The back of the pin retains the original pinstem and a watch hook. The hook would have been used to suspend a pocket watch but could now be used to suspect a gemstone drop. It is also marked with an American maker’s mark (almost certainly an uncommon variation of the Alling & Co. mark) and a design patent date of Oct 13, 1903. The pin can easily be converted to a pendant with the addition of a folding bail.

• America, ca 1903.
• Excellent condition; a nick to the enamel on the nose.
• Dimensions: 1-1/4 diameter.
• Weight: 11.2 grams.
• Approximate Total Diamond Weight: .20 carat.

An extraordinarily fine pair of Georgian hardstone cameo earrings set in 15K yellow gold. The cameos, certainly of Italian origin, and possibly several hundred years older than the earrings themselves, are carved from a grayish-green stone with white and rust banding. The images depict a satyr with exaggerated pointy ears and a leering grin, and a female companion with a floral wreath in her hair. In both, the grayish-green stone forms the background, while the facial features are picked out in white, and the floral headdresses have a faint rust tint. The gold settings have cut-down collets and a gentle ogee-shaped outer frame. The cameos are relatively thin and appear to be backed with black wax or pitch to hold them securely in place. The closures are front-to-back hinges. Georgian-era cameo jewelry is quite difficult to find. Tested and guaranteed 15K.

• Origin: England, ca. 1800.
• Condition: very good; no damage or wear except for a small fracture at the uppermost edge of the background in the female cameo visible under magnification.
• Dimensions: 1/2” x 5/8” long (excluding wires). Weight: 7.1 grams.

A stunning mid-19th century brooch featuring a pansy, the lower petals set with rose cut diamonds and the upper petals with buff-cut amethysts of a deep violet hue. The colorful flower is simply presented against a plain gold background. In Victorian flower language, the pansy represented the sentiment "Think of me" and jewels with pansies were often given as love tokens or going away gifts. The brooch could easily be converted to a pendant with the addition of a bail at the back. The original clasp is stamped with French 18K gold marks and with an illegible maker's mark.

• Origin: France, ca. 1860.
• Condition: excellent; all original.
• Dimensions: 1-1/8" diameter.
• Weight: 7.8 grams.
• Approximate Total Gemstone Weight: diamond, .36 carat; amethyst, 4.5 carats.

This fabulous snarling tiger is glowing with lifelike translucent enamels in multiple shades of gold, orange, brown and black. The nostrils and tongue are accented with deep red enamel. Each eye is set with an old European cut diamond and the fangs grasp a third diamond. The stones are good quality, graded at I color, SI1 clarity. The pendant is deeply three-dimensional with superb detailing. The back is also stamped with Alling & Co.’s mark. Alling was manufacturer for leading retailers such as Tiffany & Co., Bailey, Banks Biddle and C.D. Peacock.

The back is ornately engraved “EBP From the Armour Boys/Sioux City, IA/June 1907.” Our research suggests that the “Armour Boys” were the owners of the meatpacking company Armour, and that “EBP” was Elizabeth Ann Brasker Plankinton, daughter of their partner in the company. One of Armour’s largest factories opened in Sioux City in 1907.

NOTE: The pendant is shown with a 16" 14K gold chain that is available for an additional $125.

• Origin: America, 1907.
• Condition: excellent condition.
• Dimensions: 1 3/32” wide x 1 1/8” tall (excluding bail and jump ring).
• Weight: 11.5 grams.
• Approximate Total Diamond Weight: .15 carat.

A beautiful Second Empire 18K yellow gold locket, the front decorated with an enamel portrait of a society lady in a brightly-colored formal dress. Her ornate hairdo is studded with an ostrich plume, blue forget-me-nots, lace and small rose-cut diamonds. Interestingly, she wears a locket in the portrait, as well as a gold bracelet and a shoulder brooch. The portrait is enclosed in a frame of opaque black enamel that accents the punch-work decoration around the image. The original bail is similarly decorated. The interior retains the original frames, glass covers and French blue silk linings. The back is simply engraved with a shield reserve (never monogrammed). Stamped with French hallmarks.

• Origin: France, ca. 1860.
• Condition: no enamel damage; three dings on the reverse.
• Dimensions: 1-1/4' x 2-1/8" (including bail).
• Weight: 20.3 grams.

A classic pair of 18K yellow gold earclips in the ROUND design by Elsa Peretti for Tiffany & Co. Peretti’s designs transform even the simplest geometric shapes into beautiful and original jewelry. The round shapes are adorned only with an off-center round “dent” that flattens the sphere. The eassings can be dressed up or down for wear with nearly any outfit. The backs are omega clips with posts. The earrings are signed by Peretti and Tiffany, and are presented in their original dark blue Tiffany box. Tiffany recently brought back this design and the earrings retail for $3200.

• Origin: America, ca 1990
• Condition: excellent
• Dimensions: 15/16” (24mm) diameter
• Weight: 16.5 grams

A heavy vintage 18K yellow gold chain in the elegant "Russian Braid" style. The chain is quite substantial and can be worn alone or with a heavy pendant. Stamped with French 18K guarantee marks.

• Origin: France, ca. 1970.
• Condition: excellent.
• Dimensions: 24-3/4" long.
• Weight: 18.7 grams.

A very fine 18K gold brooch/pendant in the form of a mythological basilisk (cockatrice) pierced through with a jeweled sword. This example is entirely handmade and finished with expertly chased scales and feathers. The quality of workmanship is superb. The wings are formed separately and arranged in a manner that gives the piece great dimensionality. The outer wing is set with a round ruby of very fine color and clarity and the eye is set with a tiny cabochon ruby. The hilt of sword is set with seed pearls with a natural oval pearl at the tip. The gold surfaces have a slightly matte Russian finish. The back retains the original clasp, large watch hook and pendant loop. Many would call this creature a griffin, but with its body of a serpent and with head and wings of a bird, it is more properly considered a basilisk or cockatrice. Such creatures were popular in the late Victorian era. There is a possibility that the back is marked with a script signature, but it is far too difficult to be certain. Tested and guaranteed 18K.

Origin: probably America, ca. 1880. Condition: excellent, sharp detail, all original. Dimensions: 40 x 40 mm (1-1/2 x 1-1/2 in). Weight: 13.2 gr. Approximate Total Ruby Weight: .15 ct.

A delicate 14K yellow gold bracelet by Krementz fashioned as a chain of pansy blossoms. Each pansy is centered with a small baroque pearl. Alternating links are in a foliate style and are set with round brilliant cut amethysts. Pansies held special meaning in the Victorian period as flowers of remembrance. The use of purple and white gems mimics the flower’s most classic coloring. The cleverly concealed clasp is marked with Krementz’ hallmark and “14K.”

Origin: America, ca. 1900. Condition: excellent, all original. Dimensions: 7/16” wide, overall length, 7”. Weight: 12.0 grams. Approximate Total Gemstone Weight: 1.06 cts.

A fine 19K yellow gold folding ball locket with a capacity for four images. The exterior is decorated with a stippled checkerboard pattern with a belt on either side that holds the sphere closed. When the belts are unlatched, the locket opens accordian-style to reveal the inner frames. These lockets have become increasingly difficult to find. The locket is stamped with Portuguese hallmarks for .800 (19.2K) gold.

• Origin: Porto, Portugal, ca. 1938.
• Condition: excellent.
• Dimensions: 13/16" diameter.
• Weight: 16.5 grams.

A striking pair of double-sided cufflinks worked in 18K yellow gold. Each hexagonal face is decorated with a blue and white champlevé enamel pattern that highlights its “quilted” texture. Each face is centered with a triangular sapphire cabochon bezel-set in platinum. The sapphires have bright color that beautifully accents the enamel. The faces are connected by chains. Each cufflink is marked “18Ct” and has another unidentified mark. They are well-traveled, also bearing old London import marks and French import marks.

• Origin: Continental Europe, ca. 1920.
• Dimensions: faces, 9/16” x 9/16”.
• Approximate Total Sapphire Weight: 1.24 carats.
• Weight: 6.4 grams.
• Condition: excellent; all original; no enamel damage.

A generously-sized 14K gold locket featuring the image of a young woman wearing a bandeau of old mine cut diamonds in her flowing hair that extends to the edges of the locket, appearing almost as cresting waves. The interior retains the original frame insert. Marked "14K".

• Origin: America, ca. 1900
• Dimensions: 1 1/4" diameter (excluding bail and jump ring)
• Condition: excellent, sharp detail; the back has a monogram removal
• Weight: 11.4 grams
• Approximate Total Diamond Weight: .09 carat

A very rare pair of 18K yellow gold Sputnik earrings by H Sern. The spheres are bezel-set with round amethysts, citrines, aquamarines, green tourmalines, pink tourmalines, and peridots. The spheres are suspended from a bar of three larger gemstones. The Sputnik design was created in the 1950s to highlight the range of colored gemstones available from Stern’s Brazilian mines. It later came to be called “Sputnik” for its resemblance to the spiky Soviet satellite launched in 1957. Each piece has a unique appearance depending on the specific colors of the stones and their arrangement. Most Sputnik earrings are clips. This is only the second pair of Sputnik drop earrings we have seen in twenty years. The earrings originally had lever backs which is where the Stern mark would have been. At some point, this pair was changed to a post and clutch system. Tested and guaranteed 18K gold and to be made by Stern.

• Origin: Brazil, ca. 1955
• Condition: excellent
• Dimensions: 1-5/8” long; 5/8” diameter
• Approximate Total Gemstone Weight: 2.72 carats
• Weight: 6.9 grams

A large pair of 18K yellow gold Sputnik earrings by H Stern. The domes are bezel-set with round amethysts, citrines, aquamarines, peridots, green tourmalines, pink tourmalines and garnets. The Sputnik design was created in the 1950’s to highlight the range of colored gemstones available from Stern’s Brazilian mines. It later came to be called “Sputnik” for its resemblance to the spiky Soviet satellite launched in 1957. Each piece has a unique appearance depending on the specific colors of the stones and their arrangement.These earrings have particularly intense jewel tones. Tested and guaranteed 18K.

• Brazil, ca 1955.
• Condition: original clips were removed and replaced with 14K posts
• 15/16" diameter
• Approximate Total Gemstone Weight: 14.44 carats
• 10.2 grams.

A lovely Retro necklace worked in 14K rose and yellow gold and set with moonstones and amethysts. The necklace descends from a rose gold paperclip link chain toward a pair of openwork yellow gold plaques, each set with a round amethyst accented with a rose gold stylized flower, and flanking a central triangular plaque designed in the same manner. A pair of oval cabochon moonstones is set at either side. The central plaque suspends a larger oval moonstone with a nearly invisible setting. The moonstones have very nice bluish adularescence and the amethysts have rich purple color. The interplay of gemstone and gold colors and the unusual design mixing Victorian, Art Nouveau and Retro elements creates a very striking effect. Tested and guaranteed 14K.

Origin: America, ca. 1935. Condition: ecellent, all original. Size: 17-5/8” long; central plaque and pendant, 1-3/8” long. Weight: 14.7 grams. Approximate Total Gemstone Weight: moonstone, 7.43 cts; amethyst, .32 ct.

A vintage pair of Tiffany & Co. 18K yellow gold earrings in a classic ribbed shrimp design. The earrings have posts and omega backs. Marked "T&C 750".

Origin: America, ca 1980

Condition: excellent

Dimensions: 1" long; 3/8" maximum width

Weight: 14.9 grams

Art Deco 18K gold and sapphire stirrup cufflinks in the style first popularized by Cartier. The heavy mesh sides are accented with two blue sapphire sugarloaf cabochons on each cufflink. Each is stamped with French 18K gold hallmarks.

• France, ca. 1950
• Excellent condition
• Dimensions:13/16" x 1-3/32"
• Weight: 16.9 grams
• Approximate Total Gemstone Weight: .72 carat

A pair of ducks takes flight from the lakeside marsh in this 18K yellow gold and diamond locket by renowned Swiss jewelers Huguenin Frères. The quality of the design and workmanship are astounding. The old European cut diamond (I/VS2) is set in platinum collet to enhance the color. Huguenin Frères was one of the leading makers of fine pocketwatch cases, and in 1899 expanded their range to include sporting decorations and other jewelry. It’s likely that a locket of this type was made for a markswoman or female hunter of some distinction. The locket retains its original interior frames and old silk liners. The front is signed by the maker.

• Origin: Switzerland, ca. 1900.
• Condition: excellent; sharp details; no monogram.
• Dimensions: 1 9/32” diameter.
• Weight: 13.2 grams.M/il>
• Approximate Diamond Weight: .10 carat.

A stunning pair of Art Nouveau 14K gold cufflinks by Carrington, the faces designed as dolphins stylized as sea monsters. The creatures are beautifully designed with detailed scales, fins and gaping mouths. The eyes are set with G/VS1 old mine cut diamonds. The faces are joined by oval connectors sufficiently long to fit through a thick cuff. The backs are stamped with Carrington’s 14K hallmark.

• Origin: America, ca. 1900
• Dimensions: faces, 3/4" x 7/16”
• Condition: excellent, sharp detail
• Weight: 14.3 grams
• Approximate Total Diamond Weight: .10 carat

A wonderful, generously-sized Retro period 14K yellow gold charm or pendant depicting a spaniel. The dog is finely detailed and is offset with sparkling blue sapphire eyes. Ruser, the foremost Beverly Hills jeweler of his time, was a favorite of Loretta Young and Joan Crawford. His famous line of poodle jewels were inspired by Crawford's poodles. Other breeds of dogs are exceedingly rare. The back is marked "14K" and is signed "Ruser."

• Origin: America, ca. 1945
• Condition: excellent; all original
• Dimensions: 1-1/4" wide; 1-3/4" long (excluding bail); 1/2" deep
• Weight: 19.9 grams

An elegant 18K gold and platinum marquise ring set with a central row of oval sapphires surrounded by rose cut diamonds. The sapphires have nicely saturated coloring, and the diamonds have good brilliance. The design is finished with a pierced gallery along the edges. Marquise rings were very fashionable in the Edwardian period and have a very elegant appearance on the hand. Today, they are among the most desirable shapes for engagement rings. Tested and guaranteed 18K and platinum.

• Origin: America, ca. 1910
• Condition: excellent
• Finger Size: 7
• Crown Dimensions: 15/16” x 5/16”
• Approximate Total Gemstone Weight: sapphire, .70 carat; diamond, .20 carat
• Weight: 3.5 grams

Fine Pennsylvania impressionist oil on board snowscape by H. Don Donnell. The image depicts a winding country road along bordered by a fence to one side and a couple of trees on the other. Pockets of brush dot the landscape. Auburn leaves cling to the trees, creating a nice counterpoint of color to the soft greys and blues in the snow-covered ground and wintery sky. A pair of small buildings appear in the near background before the scene rises to the foothills of the Allegheny Mountains. The perspective is particularly appealing. The painting is signed twice at lower right, one under the impasto and again in the same hand over the impasto. The first signature seems to include a date, which appears to be 1920. The back of the board is marked in pencil "Butcher Creek Road Near Butler Pa/$75/By H. Don Donnell".

Origin: America, ca. 1920. Condition: excellent. Size: board, 16" x 12"; overall, 21-1/2" x 17-1/4".

A delightful antique wind-up witch toy, ca. 1920. She has a colorfully-decorated composition head and composition hands. Her costume is made of gauze and wool felt. The feet are black-painted lead. When wound up, the witch totters back and forth. 7-1/2" tall.

An classic pair of French 18K yellow gold baton cufflinks with a most unusual mechanical snap mechanism. The batons have reeded surfaces with plain inset bands at either end. When one of the plain bands is pushed in, a hidden spring mechanism releases the face from its mate. Snap cufflinks were uncommon in France, and this is the first pair we've seen combining the snap with a mechanical action. The cufflinks bear French gold hallmarks and are stamped with an unidentified goldsmith's mark.

Origin: France, ca. 1955. Condition: excellent. Dimensions: batons, 29/32" long. Weight: 14.5 gr.

A very fine pair of cufflinks, the faces worked as star-cut frosted rock crystal discs set in platinum borders with engine-turned engraving and centering French-cut blue sapphires. The sapphires have fine, medium violetish-blue color and excellent clarity. The 14K yellow gold connectors match the gold findings on the faces and are stamped with Krementz' 14K mark.

Origin: America, ca. 1910. Condition: excellent. Dimensions: 1/2" diameter. Weight: 5.9 grams. Approximate Total Gemstone Weight: .45 carat.

An extremely fine pair of late Edwardian cufflinks by Krementz. Each face centers either a round blue sapphire or a round brilliant cut diamond with a frame of engraved yellow gold, surrounded by a band of opaque black champlevé enamel within an outer border of platinum worked in an acanthus leaf design. The diamonds are G color, VVS1 clarity. The sapphires have medium tone, vivid violetish-blue color (vB4/6). The connectors are stamped with Krementz’ hallmark and the backs of the faces are marked with serial numbers. Krementz made a wide variety of quality levels, and cufflinks of this sort would have been at the very top level, most likely retailed by Tiffany, Caldwell, and the like.

Origin: America, ca. 1910. Condition: excellent. Dimensions: 9/16” x 9/16”. Weight: 12.9 gr. Approximate Total Gemstone Weight: diamond, .26 ct; sapphire, .23 ct.

A beautiful pair of handmade cufflinks by one of Italy’s most luxurious men’s jewelry, Riccardo Zannetti. Oval cabochons of pink tourmaline, green tourmaline and aquamarine are simply fitted into bezel settings. The faces are hinged for ease of wear. Zannetti makes everything by hand and in very small quantities. Each cufflink bears appropriate Italian hallmarks and has the engraved “Zannetti” signature. This particular design is no longer available, but similar designs from his “Gems” collection currently retail for $2400.

Origin: Italy, ca. 2010. Condition: excellent. Dimensions: faces, 1/2" x 7/16”. Weight: 12.7 gr. Approximate Total Gemstone Weight: tourmaline, 5.28 cts; aquamarine, 1.54 cts.

A stunning pair of Victorian 14K gold, onyx and pearl earrings fashioned as onyx leaves or teardrops with gold and pearl lily-of-the-valley appliques. The scrolled surmounts are also accented with seed pearls. The pearls have nice luster and iridescence. The earrings have a lot of movement when being worn The wires are likely a later replacement and are marked “14K.

Origin: America, ca. 1870. Condition: excellent, no chips or cracks. Dimensions: 19/32” wide x 1-3/4” long (to top of wire). Weight: 7.5 gr.

An elegant 18K yellow gold, Akoya pearl and diamond heart ring by Mikimoto. The diamond-studded heart is centered with a cluster of three 4.3-4.5mm pearls, graded as extra-fine AAA—the highest possible quality rating. They have fine luster and white body color with rosé overtones. The diamonds are E/VVS. The interior of the shank is stamped with Mikimoto's hallmark.

The ring is accompanied by a 2006 written Bailey, Banks & Biddle appraisal for $2150.

Origin: Japan, ca. 1990. Condition: excellent. Finger Size: 6-3/4. Dimensions: heart, 5/8" x 1/2". Weight: gr. Approximate Total Diamond Weight: .20 ct.

A vintage 18K gold Sputnik ring of dramatically large proportions by H Stern. The dome is bezel-set with nineteen fine-quality round citrines, amethysts, pink and green tourmalines, peridots, aquamarines and garnets. The design was created in the 1950s to highlight the range of colored gemstones available from Stern's Brazilian mines. It later came to be called "Sputnik" for its resemblance to the spike Soviet satellite launched in 1957. Each piece has a unique appearance depending on the specific colors of the stones and their arrangement. This is, by far, the largest Sputnik ring we've ever encountered, rising a full 3/4" above the finger. The shank is stamped with Stern's older hallmark and is marked for 18K.

Origin: Brazil, ca. 1955. Condition: excellent. Finger Size: 8-3/4 (can easily be sized up or down). Dimensions: dome, 1-1/4" diameter. Weight: 10.2 grams. Approximate Total Gemstone Weight: 12.92 carats.

A striking modernist 14K yellow gold link bracelet, with enlaced circular and oval links. The interplay of shapes creates a very chic look. It can be worn alone or with a collection of charms. The reverse is stamped for 14K gold and has an indistinct maker's mark.

Origin: America, ca 1940. Condition: excellent. Dimensions: 7-3/4" long; 5/8" wide. Weight: 25.2 grams.

A wonderful Georgian 18K gold ring featuring a bold royal blue enamel plaque enhanced with a gold and seed pearl applique of a pansy. The blossom is set with a rose cut diamond at the center. The entire plaque is enclosed within a rococo floral border. The shank is decorated with complimentary floral elements. In Georgian jewelry, the pansy was used in jewelry given to loved ones with the sentiment "thinking of you". Tested and guaranteed 18K.

• Origin: England, ca 1770
• Condition: very good; enamel has a couple of areas of surface flaking to the uppermost layer of the enamel, so the color remains intact throughout
• Dimensions: plaque, 1-3/16" x 15/16"
• Finger Size: 6-1/4
• Weight: 7.1 grmams

Very fine, heavy, fully three-dimensional 18K yellow gold figural brooch in the form of a 420 Class racing sailboat by Fred of Paris. It can also be worn as a pendant. The mast is fully Bermuda-rigged with beautifully detailed sails worked in contrasting matte and polished gold. Two figures are hiking out over the edge of the hull and waves lap at the sides. The 420 Class was designed in 1959 and became the leading training vessel for Olympic-class boats. Fred designed a series of brooches depicting popular European racing sailboats such as the "420" and the "Flying Dutchman". The bottom of the hull is stamped with French "tete d'aigle" hallmarks for 18K and with an obscured maker's mark. The back retains the original pinstem and trombone clasp.

• France, ca 1965
• Excellent condition, sharp detail, all original
• 1-1/4" x 1-7/8"
• 11.7 grams.

An elegant solid bangle bracelet worked in 14K yellow gold. The bangle has pierced foliate motif, and is set with sapphires and diamonds. Three round sapphires interspersed with four single-cut diamonds are set in platinum at the front of the bangle, and three additional sapphire stations are at the back. The stones have vibrant pure blue coloring and are unheated, likely from Ceylon. Tested and guaranteed 14K.

• Origin: America, ca. 1900
• Condition: excellent
• Dimensions: 3/16” wide; inner circumference, 7-5/8”
• Approximate Total Gemstone Weight: sapphire, 1.19 carats; diamond, .04 carat
• Weight: 9.4 grams

A lovely and weighty vintage 18K yellow gold oval locket, the front cover enhanced with a finely-worked net motif studded with nearly a half-carat small round brilliant cut diamonds in a résille (net) pattern. The diamonds offer a nice bit of glitter without being overwhelming. The back of the locket is stamped with the maker’s mark and English 18K hallmarks.

• Origin: England, 1974-99
• Condition: excellent, no dings or monograms
• Dimensions: 15/16” x 1-3/16” excluding bail
• Approximate Total Diamond Weight: .50 carat
• Weight: 15.1 grams.

An impressively large 18K yellow gold Venetian Etruscan fob charm or pendant in a crown shape set with large oval amethysts enhanced with smaller round amethysts. The gold surfaces are enhanced with twisted wire, rosettes and beading. The amethysts have very rich, deep violet coloring. Marked “750” for 18K.

Origin: Italy ca. 1960. Condition: excellent. Dimensions: 1-3/8” x 1-1/8” x 1-3/8” (excluding bail). Weight: 25.2 gr. Approximate Total Gemstone Weight: 27.29 cts.

A very nice 14K yellow gold man's ring set with a rectangular carnelian plaque with canted corners. The gold surfaces are entirely covered with an hand-engraved foliate design. The gemstones in rings of this type were sometimes engraved with the owner's coat of arms, but this example has never been engraved. The stone's color and the overall impressive size of the ring make this a particularly nice example. The interior is marked 585.

Ca. 1900. Condition: excellent, sharp details. Dimensions: 3/4" wide at crown, tapering to 1/4" at the back of the shank. Finger Size: 9. Weight: 17.4 gr.

A large, heavy 18K gold Venetian Etruscan fob charm set with brilliant cut amethysts and pearls. The gold surfaces are heavily decorated with applied wire-work and rosettes. The amethysts intense violet coloring and excellent clarity. The pearls display good luster with a slightly rose overtone that nicely complement the color of the amethysts. Marked “Italy 18K.”

• Origin: Italy, ca. 1955.
• Dimensions: 1-1/4” x 1-5/8” (excluding jump ring).
• Weight: 21.3 grams.
• Approximate Gemstone Weight: 16.26 carats.
• Condition: excellent; no dings; all original.

A large pair of 18K yellow gold Sputnik earrings by H Stern. The domes are bezel-set with round amethysts, citrines, aquamarines, peridots, green tourmalines, pink tourmalines and garnets. The Sputnik design was created in the 1950’s to highlight the range of colored gemstones available from Stern’s Brazilian mines. It later came to be called “Sputnik” for its resemblance to the spike Soviet satellite launched in 1957. Each piece has a unique appearance depending on the specific colors of the stones and their arrangement. The earrings currently have posts, but those could be removed, if desired. Marked with an older Stern hallmark.

• Origin: Brazil, ca 1955.
• Dimensions: 15/16” diameter.
• Weight: 12.9 grams.
• Approximate Total Gemstone Weight: 10.11 carats.
• Condition: excellent; all original; no dings

A superb Ventian Etruscan pendant or charm set with citrine, smoky quartz, green and green tourmaline, aquamarine, blue topaz, hessonite garnet, and almandine garnet. These large pendants come in many different shapes, but this is the first time we've seen one in the shape of a six-pointed star (Star of David.) The gemstones are nicely colored and all the gold surfaces are enhanced with intricate ropetwist and beaded decoration. Tested and guaranteed 18K.

• Origin: Italy, ca 1955
• Condition: excellent
• Dimensions: 1-5/16" diameter (excluding bail)
• Approximate Total Gemstone Weight: citrine, 3.0 cts; smoky quartz, 3.0 cts; tourmaline, 1.6 cts; aquamarine, .5 ct; garnet, .6 ct.
• Weight: 11.0 grams

A fine, large bronze animalier sculpture by Ferdinand Pautrot (1832-74). The figure represents a pair of pheasants, one perched on a gnarled barren branch while the other appears to strut along the ground. The body position of the lower bird gives the composition a great deal of movement that is often missing in classical animalier bronzes. The ground is covered in long grass that is somewhat less common than Pautrot's more characteristic rocky ground. Along with Mène and Moigniez, Pautrot was considered the be France's finest sculptor of animal figures. He first successfully participated in the Paris Salon of 1861 (three entries) and continued to exhibit until 1870. The details of the feathers are stunning and absolutely realistic in appearance. The ground is signed "F. Pautrot". The figure retains its original medium brown patina with light gilt touches.

Origin: France, ca. 1865. Condition: excellent, original patina, built-up dust that could be cleaned if desired. Size: 7-1/2" x 3-1/2 x 9-1/4" tall.

Artist References: Benezit, "Dictionnaire des Peintres et Sculpteurs"; Lami, "Dictionnaire de Sculpteurs de l'ecole Francaise"; Kjellberg, "Bronzes of the 19th Century"; Savage, "A Concise History of Bronzes"; Payne, "Animals in Bronze"; Horswell, "Les Animaliers"; and Mackay, "Les Animaliers".

A lovely, medium-size Art Nouveau enameled 14K gold pin in the form of a violet. Each of the petals is beautifully decorated in shaded translucent enamels in tones of violet and yellowish-cream. The translucency and high gloss of the enamel create a tremendous sense of depth in the design. The edges of the petals are set with rows of tiny seed pearls and the flower is centered with an old European cut diamond, graded as I/J, SI2. The reverse retains its original clap and pinstem and is marked for 14K.

Origin: America, ca. 1910. Condition: excellent, all original, no enamel damage. Dimensions: 1-1/8” x 1-1/8”. Weight: 6.8 grams. Approximate Total Diamond Weight: .25 ct.

A wonderful pair of Edwardian 14K yellow gold enameled cufflinks, one face decorated with the image of an eagle and the other with an owl. This eagle and owl were often used in Victorian jewelry to depict day and night, a concept popularized with the rise of Japanese motifs in the 1870s. The faces are worked in the “basse-taille” enamel with detailed engraving of the gold base covered with a layer of enamel in a single grayish-green color. The varying depth of the carving creates complex shading in this single hue. The baton backs are worked in guilloche enamel in the same color. The quality of workmanship is superb. The cufflinks are signed “HC” with an eagle, but we do not know the maker. Tested and guaranteed 18K.

Origin: Europe, ca. 1905. Condition: excellent; very light wear to enamel surface visible at 10x magnification; no cracks or chips. Dimensions: faces, 3/4” x 1/2". Weight: 10.2 gr.

A stunning and very heavy late Victorian 18K yellow gold fob chain and watch chain. The chain is a wonderfully complex snake-like combination of plain links intertwined with heavily chased links. The edges of the fob are decorated with a matching chased design. The fob has never been monogrammed. The clasp is marked with Continental 18K gold hallmarks.

Ca. 1910. Condition: excellent. Size: overall length, 5-3/8”; fob, 15/16” x 13/16” x 15/32”. Weight: 24.5 grams.

A fabulous pair of 18K yellow gold Sputnik DANGLE earrings by H Stern. The spheres are bezel-set with round amethysts, citrines, aquamarines, peridots, green tourmalines, pink tourmalines and garnets. The Sputnik design was created in the 1950s to highlight the range of colored gemstones available from Stern's Brazilian mines. It later came to be called "Sputnik" for its resemblance to the spiky Soviet satellite launched in 1957. Each piece has a unique appearance depending on the specific colors of the stones and their arrangement. These earrings are the only examples of dangle Sputniks we have ever seen. Tested and guaranteed 18K.

• Origin: Brazil, ca. 1960
• Condition: excellent, all original
• Dimensions: spheres, 19/32" (16mm) diameter; length, 1-5/8" (44mm)
• Weight: 6.7 grams
• Approximate Total Gemstone Weight: 5.2 carats

A complete 9-piece dress set by Krementz, worked in 14K yellow and white gold with mother-of-pearl and seed pearls. Each face features a disc of mother-of-pearl with lustrous iridescence centering a small pearl and surrounded by an engraved border of white gold. The backs of the faces and the mechanical parts are worked in yellow gold. The set includes a pair of double-sided cufflinks, three shirt studs and four vest buttons. Today, many men would opt to wear the larger vest buttons as shirt studs, but it can be handy to have the full set for white tie occasions. Complete sets are quite uncommon. Each piece is stamped “14K” and has Krementz’s mark.

• Origin: America, ca. 1920.
• Dimensions: cufflinks, 9/16” diameter; vest buttons, 15/32” diameter; shirt studs, 5/16” diameter.
• Weight: 13.5 grams.
• Condition: excellent; all original; no flaking to mother-of-pearl.

A spectacular example of Austro-Hungarian Renaissance Revival jewelry from the period 1876-1918, this necklace features a central pendant drop in the form of a leaping stag suspended by pearl-enhanced chains from a neckchain of sapphire- and ruby-set plaques. The necklace is enameled throughout in shades of opaque white and black, and translucent green, red and purple. The stag is decorated with realistic shaded brown and gold enamels. The stag is set with a sapphire- and ruby-encrusted saddle. The neckchain has alternating wing-shaped plaques set with rubies and decorated green and white enamels, and buckle-shaped plaques set with oval sapphires enhanced with red and white enamels. The backs of the pendant and chain are also enameled. Exposed areas of silver are lightly engraved.

• Origin: Austria-Hungary (likely Vienna), ca. 1880.
• Condition: excellent; all original; only the faintest of wear to enamels on the high points of the stag (visible under magnification).
• Dimensions: necklace length, 15-1/2"; pendant, 1-1/2" wide x 2-1/2" long (including the pearl chains).
• Weight: 29.8 grams.
• Approximate Total Gemstone Weight: sapphire, 3.03 carats; ruby, 1.58 carats.

A delightful vintage 14K yellow gold bracelet by Tiffany & Co. featuring three reverse-carved Essex crystals. The center crystal depicts a horse and rider jumping a fence and is flanked by a matching pair of crystals depicting hounds. The crystals are separated by links in the shape of horseshoes overlaid with bits. Sporting bracelets set with Essex crystals are uncommon and examples by major makers such as Tiffany are nearly impossible to find. The back is marked "Tiffany & Co./14K/Pat. Sept. 1924".

• Origin: America, 1924.
• Condition: very good overall, the crystals have minor water discoloration.
• Dimensions 7-5/8" long, 11/16" wide.
• Weight: 18.3 grams.

A handsome 14K gold and amethyst dress set presented in its original fitted leather, velvet and silk case embossed "Tiffany & Co. New York Paris London." The amethyst cabochons are simply mounted in collet settings. The gold has a slightly rosy tint that beautifully accents the rich color of the amethysts. Tiffany relied on Newark makers such as Krementz, Larter and Carrington to supply many of their cufflinks. Sometimes, the pieces were re-hallmarked by Tiffany, and sometimes not. These cufflinks are not marked, but are etched with individual inventory numbers as Tiffany fequently did. They set is original to the fitted case. Tested and guaranteed 14K.

• Origin: America, ca. 1890.
• Condition: cufflinks and studs, excellent; case, negligible wear.
• Dimensions: cufflinks faces, 11/16" x 3/8"; studs, 5/16" diameter.
• Weight: 12.9 grams.
• Approximate Total Amethyst Weight: 27.49 carats.

A large heart-shaped 18K yellow and white gold, diamond and ruby love pendant (“medaille d’amour”) with a rebus spelling out “plus qu’hier, moins que demain” (“more than yesterday, less than tomorrow”), a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand, author of “Cyrano,” in 1889. The word “plus” is represented by a plus sign, while “moins” is represented by a minus sign set with small synthetic rubies. Alphonse Augis began designing these love medallions in 1907, and the styles have changed over the years. This example, with its white gold heart-shaped center enhanced with an engraved starburst design, is likely from the late 1970s. Medals surrounded by a gemstone border are the most difficult to find, and this is the first we’ve seen with such generously-sized diamonds alternating with the synthetic rubies of a particularly rich color. The pendant is signed “A.A.” and is fully hallmarked with the maker’s mark and the French 18K standard.

• Origin: France, ca. 1978.
• Dimensions: 1” x 1-1/8” (excluding bail).
• Condition: excellent.
• Weight: 10.4 grams.
• Approximate Total Gemstone Weight: diamond, .50 carat; ruby, 1.67 carats.

An unusually large 18K yellow gold, diamond and ruby love pendant (“medaille d’amour”) with a rebus spelling out Plus qu’hier, moins que demain,” (“More than yesterday, less than tomorrow.”) a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano”) in 1889. The word “plus” is symbolized by a plus sign set with a rose cut diamond and the word “moins” by a minus sign set with rectangular cut synthetic rubies. In 1907, the Lyonnais jewelry Alphonse Augis created a love token based on the poem. This example maintains the “crêpe de chine” textured background, but pairs it with a border of calibre cut synthetic rubies, in turn enclosed within a bright-cut gold border. The pendant is fully stamped with French 18K gold marks and with Augis’ maker’s mark.

• Origin: France, 1960.
• Condition: excellent; sharp detail.
• Dimensions: 1-1/4” diameter (excluding bail and jump ring); the size of a half-dollar.
• Weight: 9.6 grams.
• Approximate Total Gemstone Weight: diamond, .05 carat; ruby, 4.45 carats.

Vintage 18K yellow gold omega- and post-back earrings designed by Paloma Picasso for Tiffany & Co. The “Scribble” design (sometimes called “Graffiti” or “Squiggle”) is probably the artist’s most famous creation and became one of Tiffany’s most desirable pieces. The “Scribble” line is no longer in production and examples are getting difficult to find. The earrings were made in several sizes, these being the largest. The backs are marked by Tiffany & Co. and are signed by Paloma Picasso. The earrings have the original posts with omega backs, but could be converted to clips without damaging the signatures. The earrings are presented in their Tiffany pouch.

Origin: America, ca. 1983. Condition: excellent, all original. Size: 1-5/8” x 1-3/16”. Weight: 18.5 grams.