Catalog (2438)

A lovely 18K yellow gold, diamond and ruby love pendant (“medaille d’amour”) with a rebus spelling out “Plus qu’hier, moins que demain,” (“More than yesterday, less than tomorrow”) a line from the love poem written by Rosemond Gérard to her husband Edmond Rostand (author of “Cyrano de Bergerac”) in 1889. In 1907, the Lyonnais jewelry Alphonse Augis created a love token based on the poem, and his designs became iconic. In this example, the word “moins” is represented by a minus sign set with a synthetic ruby. This is the first time we’ve seen a medaille d’amour incorporated into a larger pendant design that also features a rose and a heart. The pendant is stamped with French 18K marks and Augis’ maker’s mark. The pendant is sold with its chain which is not gold.

• Origin: France, ca. 1950s or early 60s
• Condition: excellent
• Dimensions: 3/4” x 5/8”
• Weight: 2.2 grams.

A lovely 18K yellow gold, diamond and ruby love pendant (“medaille d’amour”) with a rebus spelling out Plus qu’hier, moins que demain,” (“More than yesterday, less than tomorrow.”) a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano”) in 1889. The word “plus” is symbolized by a plus sign set with a rose cut diamond and the word “moins” by a minus sign set with rectangular cut synthetic rubies. In 1907, the Lyonnais jewelry Alphonse Augis created a love token based on the poem. This example has the starburst-textured background paired with the simple beveled border used in the 1950s. The smaller size is perfect for either a neck chain or a charm bracelet. The pendant is fully stamped with French 18K gold marks and with Augis’ maker’s mark.

• Origin: France, 1950.
• Condition: excellent; sharp detail.
• Dimensions: 21/32” diameter (excluding bail and jump ring).
• Weight: 2.3 grams.
• Approximate Total Gemstone Weight: diamond, .01 carat; ruby, .06 carat.

A lovely 18K yellow gold, diamond and ruby love pendant (“medaille d’amour”) with a rebus spelling out Plus qu’hier, moins que demain,” (“More than yesterday, less than tomorrow.”) a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano”) in 1889. The word “plus” is symbolized by a plus sign set with a rose cut diamond and the word “moins” by a minus sign set with rectangular cut synthetic rubies. In 1907, the Lyonnais jewelry Alphonse Augis created a love token based on the poem. This example has the starburst-textured background paired with the simple beveled border used in the 1950s. The smaller size is perfect for either a neck chain or a charm bracelet. The pendant is fully stamped with French 18K gold marks and with Augis’ maker’s mark.

• Origin: France, 1950.
• Condition: excellent; sharp detail.
• Dimensions: 21/32” diameter (excluding bail and jump ring).
• Weight: 2.1 grams.
• Approximate Total Gemstone Weight: diamond, .01 carat; ruby, .06 carat.

A lovely 18K yellow gold, diamond, and ruby love pendant (“medaille d’amour”) with a rebus spelling out “Plus qu’hier, moins que demain” (“More than yesterday, less than tomorrow”), a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano de Bergerac”) in 1889. In 1907, the Lyonnais jewelry Alphonse Augis created a love token based on the poem. The word “plus” is represented by a plus sign set with a diamond and the word “moins” with a minus sign set with rectangular synthetic rubies. This example is in the original style with a “crêpe de chine” textured background and laurel wreath border. The back is monogrammed “MG.” The front is signed A.A. and the bail is stamped with French 18K marks.

• Origin: France, ca. 1930
• Condition: excellent, sharp detail
• Dimensions: 11/16” diameter (excluding bail and jump ring)
• Weight: 3.5 grams

A lovely 18K yellow and white gold and ruby heart-shaped love pendant (“medaille d’amour”) with a rebus spelling out Plus qu’hier, moins que demain,” (“More than yesterday, less than tomorrow.”) a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano”) in 1889. The word “plus” is symbolized by a plus sign in white gold and the word “moins” by a minus sign set with rectangular cut synthetic rubies. The remainder of the text is designed in a softly rounded font introduced in 1975. The size is perfect for either a neck chain or a charm bracelet. The pendant is fully stamped with French 18K gold marks and with Augis’ maker’s mark. It is also signed "Augis."

• Origin: France, 1969.
• Condition: excellent; sharp detail
• Dimensions: 5/8” x 11/16" (excluding bail and jump ring).
• Weight: 1.4 grams.
• Approximate Total Gemstone Weight: ruby, .02 carat; diamond, .005 carat.

A lovely 18K yellow gold, diamond, and ruby love pendant (“medaille d’amour”) with a rebus spelling out “Plus qu’hier, moins que demain” (“More than yesterday, less than tomorrow”), a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano de Bergerac”) in 1889. In 1907, the Lyonnais jewelry Alphonse Augis created a love token based on the poem. His designs changed over time and this piece is a classic example from the 1960s. The heart-shaped medallion is surrounded by a border of smaller hearts alternating with prong-set synthetic rubies. The front is signed A.A. and the pendant is stamped with French 18K marks.

• Origin: France, ca. 1965
• Condition: very good
• Dimensions: 7/8” x 7/8” (excluding bail and jump ring)
• Weight: 4.7 grams

A rare and outstanding six-piece dress set in 14K yellow gold set with cat’s eye chrysoberyls by Larter for A. Sulka & Co. The gemstones are very dramatic and exhibit superior chatoyancy—the cat’s eye effect displayed when the stones are moved in light. Cat’s eye comes in a variety of colors, but the choice of this dark greenish-grayish black with the white eye is perfect for dress wear. The set comprises a pair of double-faced cufflinks and four shirt studs. Each piece is marked with Larter’s 14K stamp. The set is presented in its original fitted case from A. Sulka & Co., one of the most exclusive men’s clothing boutiques of the 20th century. The box can be dated between 1946 and 1973, the only years in which Sulka had a location in Palm Beach.

• Origin: America, ca. 1950.
• Dimensions: cufflink faces, 1/2” diameter; stud faces, 5/16” diameter.
• Weight: 13.3 grams.
• Approximate Total Gemstone Weight: 53.48 carats.
• Condition: excellent; all original; excellent box.

A sterling silver wine funnel in a classic Georgian design by the luxury English silversmith Asprey & Co. The upper rim is simply decorated in a beaded pattern. The strainer bottom is pierced in a starburst design. The piercing will strain out the larger sediments, and the funnel opens so a piece of muslin or a screen can be inserted to filter even the smallest sediments during decanting. The funnel is fully hallmarked by Asprey and bears the date letter for 1984.

Origin: England, 1984. Condition: excellent, no dings, no monograms. Dimensions: 3-7/16" diameter; 4-3/4" tall. Weight: 104.8 gr.

A set of six sterling silver coffee spoons by Asprey & Co. Each spoon has a brownish-black bakelite “coffee bean”—a decorative device popular in England during the Art Deco period. Each spoon is fully hallmarked for Asprey, 1931. The spoons are presented in their original silk- and velvet-lined fitted box, the lid of which is imprinted “Asprey/166 Bond St/London”.

• Origin: England, 1931.
• Dimensions: spoons, 3 7/8" long.
• Weight: 43.0 grams.
• Condition: excellent, all original, no monograms; case is like new.

An elegant pair of past-colored multi-gem earrings set in 18K white gold by Asprey. From the "Daisy" collection, these dangling earrings feature a flower blossom of blue topaz, pink tourmaline, peridot and amethyst petals surrounding a center diamond. A cascading ribbon of matching gemstones descends from the flower. The stones are set so minimal metal shows from the front to add to the delicate appearance. The earrings are signed Asprey and are marked for 18K gold. They are presented in their original suede-lined leather box from Asprey. The original retail price in 2007 was $6500.

Dimensions: 1-5/8" long. Approximate Total Gemstone Weight: blue topaz, 2.64 cts; pink tourmaline, 1.26 cts; amethyst, 1.08 cts; peridot, .88 ct; diamond, .10 ct. Weight: 8.4 grams.

An outstanding Arts & Crafts style 900 silver letter opener, the top embellished with an enameled horses head against a stippled background. The letter opener is quite heavy and both the silver and the enamel are of the finest quality. Marked “900”.

Origin: Continental Europe, ca. 1900. Condition: excellent, all original, no enamel damage. Size: 8” long. Weight: 69.5 grams.

A very nice Arts & Crafts bronze round tray with verdigris patina by Carl Sorensen. The surface is decorated in uneven concentric rings of darker and lighter green mottled patination, separated by thin bands of polished bronze. The outer edge is finished with a pair of cast handles in a pattern similar to Georg Jensen's "Blossom" design. Little is known about Sorensen other than that he worked in the Philadelphia area around 1900 and his pieces may have been retailed at Tiffany & Co. The bottom of the tray is marked "Bronze CS" and "Carl Sorensen". The handles are marked "1196".

Origin: America, ca. 1900. Condition: excellent, fine original patina. Size: 13" diameter (15" at handles).

A handsome pair of Arts and Crafts (Aesthetic) period cufflinks in 14K yellow gold. The oval faces have irregularly pierced faces set with buff-cut amethysts. The amethysts have nice medium coloring. Their smooth upper surfaces match the simple overall style, while the faceted pavilions provide a little shimmer. Tested and guaranteed 14K gold.

Origin: America, ca. 1890. Condition: excellent. Dimensions: 11/16 x 13/16 inches. Weight: 13.2 grams. Approximate Total Amethyst Weight: 11.68 carats.

An elegant pair of 18K yellow gold Art Nouveau cufflinks set with rose and single cut diamonds. The cufflinks have a classic design of whiplash curves typical of Art Nouveau jewelry. They are worked in both slightly matte bloomed and polished textures for added interest. The torpedo backs are connected by wired bridges. The cufflinks are stamped with French import marks, apparently those used for temporary admission into the country so they could be displayed at one of the international design salons around the turn of the 20th century.

• Origin: Continental Europe, ca 1900
• Condition: excellent
• Dimensions, faces, 3/4" x 13/32”
• Approximate Total Diamond Weight: .66 carat
• Weight: 6.5 grams

A wonderful pair of Art Nouveau 18K yellow gold cufflinks by Tiffany & Co. The faces feature finely detailed images of a bearded, horned devil with pointed ears and wild hair shown against a fiery background. The workmanship of the chasing and engraving is superb. Mythological subjects were especially popular during the Art Nouveau period, and certainly this devil's head could be seen as an extension of that popularity. The faces are attached to plain oval backs, which have never been engraved with a monogram. Each cufflink is signed with the Tiffany & Co. mark used around 1900 and is marked for 18K.

Origin: America, ca. 1900. Dimensions: 3/4 x 3/8". Weight: 10.4 grams.

Outstanding sterling silver sardine fork with a fabulous Art Nouveau pattern of Oriental poppies and foliage. Both the front and back are beautifully detailed. The tines are lightly matte gilt. The back is stamped with the hallmark for the Baker Manchester Silver Co. (Providence, RI), a company famous for its ornate serving pieces.

Origin: America, circa 1900. Condition: excellent, sharp detail, no monogram. Size: 5-1/4" long.

Gorgeous sterling silver pickle fork in a lovely Art Nouveau pattern featuring wild roses trailing assymetrically down the handle. The design continues onto the back of the fork, as well. The elegance of the detailing is simply stunning even the thorns are visible. Excellent condition; no monogram. The reverse is marked "Sterling/Pat. 1903" and has the maker's mark for the Baird-North Co. of Salem, MA. Excellent condition, no monogram. 5-13/16" long.

An elegant sterling silver olive serving spoon in an unnamed floral pattern by Baker Manchester Silver Co. This maker was especially known for their elegant silver serving pieces instead of full flatware services. The Art Nouveau style is evidenced by the trio of fully-opened roses that decorated the tip and center of the curving handle. The design is repeated in the scalloped and pierced bowl, and is shown in reverse on the back side of the spoon. The bowl retains its original matte gilding. The back is hallmarked by Baker Manchester.

Origin: America, ca. 1905. Condition: excellent, sharp details, original gilding, no monogram. Size: 6-1/2" long. Weight: 14.5 grams.