Catalog: Antiques: Decorative Art (485)

A nice pair of painted cast iron curtain tiebacks in the form of sunflowers. The original paint is nicely applied with good shading.

Origin: America, ca. 1900. Condition: excellent, original paint, very minimal paint chipping along edges. Size: 2-1/4” diameter.

A very nice peacock or electric blue glass inkwell, the body cut in large facets. The hinged lid is topped with a figural cherub cast in glass of a matching color. The figure is completed with a matte acid finish that contrasts beautifully with the main part of the inkwell’s body. We’ve only seen this particular lid once and the figure was molded in colorless glass.

Origin: America, ca. 1900. Condition: excellent, a very small flake to the cherub's toes. Dimensions: 4-1/4” tall; 3” wide.

A lovely cut glass perfume bottle cut from cranberry to clear. The design is a simple, classic combination of crosshatched diamonds and fans. The shoulders of the bottle are panel cut, and the base is finished with a 24-point star. The lapidary-cut stopper is original to the bottle and is engraved with the same number as the inside of the bottle's neck. Origin: Europe, ca. 1900. Condition: excellent, no chips or cracks. Size: 5-3/4" tall.

Pretty late Victorian porcelain child's cup. One side has a polychrome transfer image of a playful dog, while the other shows another dog with a blue ribbon around his neck. The rim and handle are decorated with gilt bands. Porcelain cups such as these were prized by Victorian children. The bottom is marked "Germany".

Origin: Germany, ca 1900. Condition: excellent, no chips or cracks, light wear to gilding at rim. Size: 2-3/16" tall.

Elegant sterling silver bread fork, the handle decorated with beading and acanthus leaves. The decoration at the top of the curved tines repeats the motif of the handle. Bread forks are relatively uncommon and were used for serving various breads and rolls. The handle is marked by an unknown maker.

Origin: America, ca. 1900. Condition: excellent, sharp detail, no monogram. Size: 6-3/4” long. Weight: 23.0 grams.

Very nice cold-painted Vienna bronze figure of a dachsund. The painting is finely done in shades of black and brown. Unmarked.

Origin: Austria, circa 1900. Condition: excellent, minimal wear at high points such as the tip of the nose and the tip of the tail. Size: 1-3/4" x 1-1/16".

A very nice sterling silver pincushion and sewing box by Tiffany & Co. The pierced sterling silver walls enclose a sewing box (or jewelry box) with two hinged tops that serve as pincushions. The current dark purple velvet is a replacement, but is placed over the original box structure. The pierced handle has an area that can be monogrammed (never been monogrammed). The whole is raised on bun feet. The bottom is marked with the Tiffany hallmark in use 1902-07.

Origin: America, 1902-07. Condition: excellent, velvet replaced, never monogrammed. Size: 6-7/8” x 3-1/2” x 4-1/2” tall.

Lovely sterling silver demitasse spoon, the handle decorated with four shades of translucent enamel. The plique-a-jour technique allows light to shine through, creating a stained glass effect. The exposed areas of silver are gilt. The back of the bowl is marked "JT830".

Origin: Europe, ca 1900. Condition: excellent, no enamel damage, original gilding. Size: 4-5/8" long.

A beautiful sterling silver vase in the Art Nouveau taste by Shreve & Co. The sinuous trumpet form body is decorated with gorgeous applied silver iris blossoms and buds accented with engraved foliage. The body rises to a ruffled rim that mimics the curvy lines of the floral decoration. The foot is decorated at compass points with iris blossoms, their stems forming the rolled bottom edge. The bottom is hallmarked by Shreve & Co. with the post-1894 mark.

Origin: America, ca. 1900. Condition: excellent, no dings, no monograms. Size: 12-3/16” tall. Weight: 526.0 grams.

A lovely Art Nouveau etched and enameled cameo glass perfume bottle by Cristalleries Saint-Louis. The design features a design of enameled thistles against a frosted-ice background. The enameling is done in multiple shades of yellowish-green, mauve and violet. The rim is highlighted with a simple band of gilding echoed by the gilt star at the top of the lapidary stopper. The bottom has a large polished pontil. This style is typical of the naturalistic motifs used by Saint-Louis around 1900.

Origin: France, ca. 1900. Condition: excellent, no chips or cracks. Dimensions: 8-1/2" tall.

Gilt sterling silver replica of the anointing spoon used for the coronation of English monarchs. The original spoon, dating from the 12th Century, is the oldest continuously used piece in the entire English royal regalia. The spoon is used to apply holy anointing oil onto the sovereign during his or her coronation. This replica commemorates the coronation of George V. The handle is stamped with the appropriate hallmarks for London, 1910 and the maker’s mark “CS/FS”.

Origin: London, England, 1910. Condition: excellent, sharp detail, original gilding. Size: 4-1/4” long. Weight: 12.0 grams.

Outstanding sterling silver soup ladle in a repousse pattern. The design is a very finely worked pattern of roses and other flowers and foliage. The bowl is deeply lobed and has a scalloped edge. The pattern is similar to Kirk’s “Repousse”, but not identical. The back is marked “Sterling” but is not marked with a maker’s name (a frequent practice until around 1910). Clearly, the ladle is a Baltimore piece, and could be the work of Schofield, Warner, Jacobi or Kirk.

Origin: America, ca. 1900. Condition: excellent, sharp detail, no monogram. Size: 11-1/2” long. Weight: 124.5 grams.

A delightful bronze dresser mirror, the entire frame ornately decorated in the form of two Pierrot figures and a smiling man-in-the-moon. Pierrot was a originally a Comedia dell’Arte character, but in the 18th century, he and the moon became inextricably linked in the French children’s song, “Au Claire de la Lune.” There are a few variations of this mirror; this is the most ornate, with the intricately beveled glass. The detailing of the figures is excellent.

Origin: France, ca. 1900. Condition: excellent, all original; the glass has very light tarnishing typical of old silvered mirrors. Dimensions: 4-3/4” x 8-1/2”.

Very nice Imperial Russian clear pressed glass tea box. The design features fans, strawberry diamonds and Russian cane motifs. The box is bound with silverplated mountings and a lock. The box was almost certainly made by the “OtyM.F. Atelier”. Locked tea boxes were a holdover from earlier days when tea was a precious commodity that had to be kept safe from marauding servants.

Origin: Russia, ca. 1900. Condition: excellent, two ¼” flakes on the edge of the bottom rim; normal wear to the plating. Size: 4-7/8” x 3-7/8” x 4-1/8”.

Outstanding sterling silver ice cream slice with the fabulous Art Nouveau "Poppy" pattern by Baker Manchester. Both the front and back are beautifully detailed. The blade is lightly matte gilt. During the Victorian era, ice cream was served in a loaf shape, and implements like this were used to slice off pieces for serving. The form often did "double duty" as a fish server. The back is stamped with the hallmark for the Baker Manchester Silver Co. (Providence, RI), a company famous for its ornate serving pieces.

Origin: America, circa 1900. Condition: excellent, sharp detail, no monogram. Size: 9" long. Weight: 54.75 grams.

An elegant sterling silver olive serving spoon in an unnamed floral pattern by Baker Manchester Silver Co. This maker was especially known for their elegant silver serving pieces instead of full flatware services. The Art Nouveau style is evidenced by the trio of fully-opened roses that decorated the tip and center of the curving handle. The design is repeated in the scalloped and pierced bowl, and is shown in reverse on the back side of the spoon. The bowl retains its original matte gilding. The back is hallmarked by Baker Manchester.

Origin: America, ca. 1905. Condition: excellent, sharp details, original gilding, no monogram. Size: 6-1/2" long. Weight: 14.5 grams.

A superb pair of sterling silver footed baskets by Lambert & Co., one of the most highly-esteemed Victorian silversmiths in London (mentioned by Charles Dickens in his writings). The baskets are ornately pierced and rise on ornate scrolled foot collars. The rims are decorated classically with acanthus leaves and scrolls, but a hint of Art Noveau appears in tiny irises, chrysanthemums and forget-me-nots that are scattered along the rim. The swing handles are also pierced and heavily decorated with matching floral motifs. The baskets are ideal for small flower arrangements, nuts, candies, etc. These baskets are of the finest quality and are fully hallmarked for London, 1908-09, and with the maker’s mark for Lambert & Co. as well as the company’s retail shop at 12 Coventry St.

Origin: England, 1907-08. Condition: excellent, sharp detail, no dings or monograms. Size: 5-1/2” diameter; 5-1/2” tall. Weight: 507.0 grams.

Exceptionally fine Edwardian tortoishell letter box decorated with gold pique. The serpentine front is inlaid in a pattern of floral swags flanking a center wreath. The curved top has a matching wreath and swags as well as songbirds. The gold has a beautiful rose tint that contrasts nicely with the rich golden-brown of the tortoise, and the surfaces are intricately engraved to enhance the appearance. The use of gold for pique work was reserved for only the most expensive and impressive items. The back and sides of the box are covered in burgundy Morocco leather and the interior is covered in red silk moire. The workmanship and overall style of this piece suggests the workshop of William Comyns, though he more frequently worked in silver. Signed boxes by Comyns feature exactly the same lining and side upholstery and similar swag and wreath designs.

Origin: England, ca. 1905. Condition: very good, the front has a few hairlines (no hairlines on top), six of the tiny pins along the edge of the top are lacking, no loss to pique. Size: 10-1/8" x 5-3/4" x 7-1/4" tall.

NOTE: This item cannot be shipped outside the United States.