Catalog (2433)

A handsome pair of 14K yellow gold cufflinks in a brushed finish with prong-set sapphires. The design of a cut-out triangle superimposed over a solid triangle creates a layered effect that lends a nice feeling of depth to the cufflinks. The toggle backs are marked "14K".

li>Origin: America, ca. 1950.
• Dimensions: faces, 3/4" x 3/4".
• Weight: 13.5 grams.
• Approximate Total Sapphire Weight: .15 carat.
• Condition: excellent, one toggle has a minute ding on the edge.

A handsome pair of double-sided cufflinks featuring oval carnelian cabochons simply set in 14K yellow gold mountings. The carnelians have exceptionally rich color and translucency, creating a particularly striking look. Each cufflink is stamped "585" for 14K and also with an unidentified European maker's mark "FA".

• Origin: Continental Europe, ca. 1940.
• Dimensions: faces, 1/2" x 11/16".
• Weight: 9.5 grams.
• Condition: excellent.

A handsome pair of mid-century modern 14K gold and malachite cufflinks reminiscent of an Aztec design. The arch cabochons of malachite have very nice color n markings. The gold surfaces are stippled for added textural interest. The toggle backs are stamped "14k."

• Origin: America, ca. 1970.
• Dimensions: faces, 1 1/8" x 23/32"
• Weight: 18.0 grams.
• Condition: excellent

A classic Art Deco 18K white gold Russian braid chain necklace with opal cabochons and faceted onyx beads sandwiched together into egg-shaped stations along the length. The opals have nice play-of-color with a preponderance of blues and greens. Most station chain necklaces are quite long, but the shorter length of this example makes for a very wearable, delicate look. The clasp is stamped with French 18K marks.

• Origin: France, ca. 1925
• Condition: very good, two opals have small flakes on the pointed end visible upon very close inspection
• Dimensions: chain length, 17-1/4”; stations, 3/16” diameter
• Weight: 2.8 grams

Art nouveau 14K gold and enamel circle pin in the form of stylized orchid blossoms enameled in iridescent lavender and cream. This pin is a nice example of how Art Nouveau sensibilities took a standard Victorian design=--the circle pin--and gave it a new aesthetic appeal. The clasp is marked "14K."

• Origin: America, ca 1900
• Condition: excellent; no enamel damage; all original
• Dimensions: 15/16" diameter
• Weight: 3.5 grams

A nice Art Nouveau 14K yellow gold signet ring that appears never to have been engraved. The shoulders are enhanced with scrolling foliage leading up to the oval face. It’s very unusual to find a signet ring that was never engraved. Tested and guaranteed 14K.

• Origin: America, ca. 1900
• Condition: excellent, very light wear to decorative elements at the shoulders
• Dimensions: face, 5/8” x 1/2"
• Finger Size: 8-1/2
• Weight: 9.3 grams

For anniversary or wedding jewelry, there’s nothing more romantic than Alphonse Augis’ love token jewelry. Usually, they are round medallions, but this exceptionally rare piece is in the form of a love letter using a rebus to spell out “Plus qu’hier, moins que demain” (“More than yesterday, less than tomorrow,” a line from a love poem written by Rosemonde Gérard to her husband Edmond Rostand, author of “Cyrano de Bergerac” in 1889. The word “plus” is symbolized by a plus sign and the word “moins” by a minus sign set with a synthetic ruby. Augis created the love token in 1907, and this is the only example we’ve seen in a love letter form. The pendant is stamped with Augis’ maker’s mark and with French 18K gold marks.

• Origin: France, ca 1930
• Condition: excellent
• Dimensions: 11/16” x 25/32” (excluding bail)
• Weight: 2.3 grams

An elegant pair of 18K yellow gold Art Nouveau cufflinks set with rose and single cut diamonds. The cufflinks have a classic design of whiplash curves typical of Art Nouveau jewelry. They are worked in both slightly matte bloomed and polished textures for added interest. The torpedo backs are connected by wired bridges. The cufflinks are stamped with French import marks, apparently those used for temporary admission into the country so they could be displayed at one of the international design salons around the turn of the 20th century.

• Origin: Continental Europe, ca 1900
• Condition: excellent
• Dimensions, faces, 3/4" x 13/32”
• Approximate Total Diamond Weight: .66 carat
• Weight: 6.5 grams

A very fine antique Baccarat glass paperweight featuring a Type III pansy and bud. A pair of dark purple petals and three amber petals with purple stripes and spots surround a central bull's-eye cane. The design is completed with bright, finely formed leaves and a bud. The paperweight is further enhanced with a star-cut base, and most unusually, fluted facets along the perimeter. This faceting pattern is very rare in antique Baccarat weight. This is one of the best Baccarat pansies we have seen.

Origin: France, ca. 1850. Condition: excellent, one small moon along the perimeter and extremely light surface abrasion on the dome. Dimensions: 3" diameter; 2-3/8" high.

A heavy 18K yellow gold fob Etruscan-style fob, charm or pendant in the form of an ancient Greco-Roman amphora. The gold surfaces are covered in an ornate pattern of twisted rope and rosettes. The upper shoulders of the urn are set with a pair of cabochon citrines of dark amber color and the lower portion is set with a pair of cabochon garnets. The design is finished by a pair of rope-twist handles. The charm is marked “750” for 18K.

Origin: Italy, ca. 1960. Condition: very good; one garnet has surface abrasions and nicks to the collet setting visible on close inspection. Dimensions: 1-7/8” long. Weight: 11.0 gr. Approximate Total Gemstone Weight: garnet, 4.88 cts; citrine, 3.38 cts.

Very heavy sterling silver soup ladle in Gorham's elegant 1901 "Florentine" pattern. The handle is decorated with a satyr mask surrounded by vines, dolphins, clusters of fruit, acanthus leaves and various other classical decorative elements. The design spills from the handle onto the back rim of the bowl. The back of the handle has complementary decoration. Hallmarked by Gorham and with the patent date, indicating an earlier date of manufacture.

Origin: America, ca. 1905. Condition: excellent, sharp detail, no dings, no monogram. Size: 12-1/2" long. Weight: 262.0 grams.

A classic vintage Mikimoto 14K yellow gold pin featuring ten cultured Akoya pearls, ranging in size from 6.25 to 7.58 millimeters. The pearls are estimated at A+ quality, with cream body color and rose overtones, and strong orient. The nacre is thick and lustrous and the surfaces are blemish-free. The back is signed with Mikimoto’s hallmark.

Origin: Japan, ca. 1980. Condition: excellent. Size: 1-7/8” x 1-1/4”. Weight: 12.1 grams.

A very handsome pair of 14K yellow gold barbell cufflinks, the cube-shaped ends enhanced with waffle-cut engraving. The linear design has a very sophisticated modernist feel and these cufflinks can be worn with anything. Marked 14K.

Origin: America, ca. 1990. Condition: excellent. Dimensions: larger faces, 3/8 x 3/8 x 3/8 inch. Weight: 9.0 grams.

A classic Victorian 14K yellow gold hinged bangle bracelet with black taille d’épargne enameling in scrolling floral pattern. The delicate enamel design is further accented with a stippled background that adds a sense of depth.

Origin: America, ca. 1865. Condition: excellent, no enamel damage, no exterior dents. Dimensions: 1/4" wide, 6-1/8” interior circumference. Weight: 9.5 gr.

Three rich deeply-colored pear-shaped sapphires for the petals of the trefoil in this elegant pendant necklace. The flower is centered with a rose cut diamond. The sapphires are excellent quality with a velvety violetish-blue appearance. The trefoil’s stem curls around on itself to for the Art Nouveau styled border of the pendant. The 18K pendant was originally a brooch but has been given new life as a pendant necklace with the addition of a 14K gold cable chain.

• Origin: France, ca 1900.
• Condition: excellent.
• Dimensions: pendant, 11/16” diameter; necklace length, 18-1/2”.
• Weight: 8.2 grams.
• Approximate Total Gemstone Weight: sapphire, .89 carat; diamond, .02 carat.

A pretty vintage 14K yellow gold pin by Krementz featuring a spray of beautifully enameled bleeding hearts, each dangling a small seed pearl. The enameling on the blossoms has a matte effect that mimics the waxing texture of the flower in nature, while the leaves are in Krementz's more typical shaded translucent style. In Victorian flower language, bleeding hearts were used to represent "deepest love." Pins such as this with a delicate enameled flower against a geometric back represent are typical of Krementz's move Art Nouveau into Art Deco and finally Retro. The original clasp is stamped with Krementz' hallmark. Tested and guaranteed 14K.

• Origin: America, ca. 1930
• Condition: excellent; no enamel damage
• Dimensions: 1-3/16" diameter
• Weight: 7.0 grams

A lovely pair of Victorian 14K gold earrings featuring a rose gold lily with green gold foliage against a yellow gold background. The flower petals and leaves are stippled for added texture. The edges are finished with ornate beading, rope-twists, and appliqués. In Victorian floriography, lilies represented virtue or purity, though in Queen Victoria’s personal floriography, the white lily represented “majesty.” The earrings appear to have been converted from a pair of cuff buttons with the addition of ear wires. Tested and guaranteed 14K.

• Origin: America or England, ca. 1850
• Condition: excellent
• Dimensions: 11/16” x 11/16”; 15/16” long from top of earwire
• Weight: 6.9 grams

A very nice pair of Art Deco 14K gold and enamel cufflinks by Carrington. The enamel is worked in a particularly pleasant shade of French blue with opaque white accents. The gold surfaces underneath the translucent enamel had engine-turned engraving in a pattern that suggests moire silk. The edges of the faces are very slightly, gracefully bowed outward. The connectors are hallmarked by Carrington. These cufflinks, worked in a different color combination, are shown in “Cuff Links” by Jonas and Nissenson.

Origin: America, 1910-15

Condition: excellent, minute surface wear visible under 10x magnification

Size: 9/16” x 9/16”

Weight: 10.5 grams

A superb American silver locket and chain necklace from the Victorian era. The book chain is enhanced with three rows of lapidary-cut silver balls. The locket’s cover is decorated with an engraved scene of an egret, bamboo, reeds and a fan in the Japonaise style popular during the Aesthetic period. The interior retains the original frames on either side. The chain can be worn without the locket as a 17” necklace or, with the drop chain in place at the back, as a 19-1/4” necklace. American chains of this style are far more uncommon than English chains. Tested and guaranteed silver.

• Origin: America, ca. 1885
• Condition: chain is excellent; locket has one pinpoint ding to the front and several to the back
• Dimensions: necklace, 17” to 19-1/4”; locket, 1-3/8” x 1-3/4” (excluding bail)
• Weight: 95.3 grams

Extremely rare oil lamp featuring a base of mercury glass decorated with floral painting and satin finishing. The floral decoration is an autumnal design depicting leaves and wheat in shades of brown, gold, green and cream, accented with cornflowers in blue and small orange flowers. The mercury glass has extensive satin finish which further emphasizes the shiny surfaces. The oil reservoir is flint glass of the highest quality cut in a 12-panel design. The metal mounting between the oil reservoir and the mercury glass base is gilt in a way that the mercury glass blends seamlessly into the rest of the lamp. The shade, no doubt a plain clear glass shade, is gone. The wick knob is marked "Ideal Brenner 20".

Origin: American, almost certainly New England Glass Company, circa 1840-80. Condition: excellent, no cracks or chips, painted decoration intact. Size: 17-1/2" tall (to top of burner).

Gorgeous oval bronze jewel box from Russia's Imperial era, the top decorated with opaque champleve enamels. The box is decorated around the bottom edge with a row of cast beads. This decorative element is repeated on the lid. The lid is decorated with typically Russian arabesques worked in five shades of enamel. Exposed areas of bronze around the enameling is further decorated with floral and bright-cut engraving. The interior of the box retains its original royal blue silk velvet lining. The style of enameling, as well as the overal appearance of the box suggests it was more likely made in the Moscow area, rather in the more Westernized area around St. Petersburg.

Origin: Russia, circa 1870. Condition: excellent, old patina, no enamel damage; the lining shows appropriate wear. Size: 5" x 4-1/4" x 3-1/4" high.

An exquisite set of four sterling silver blotter corners by M.C. Cone. Each corner is made up of a pair of leaves flanking a stylized dogwood blossom, all worked from sheet silver. The upper two corners have the initials “AB” worked into the design, indicating that these were commissioned for the original owner. The backs are signed “Cone Sterling”. M.C. Cone, listed as a metalworker in the 1906/07 edition of the “National Directory of Workers in the Artistic Crafts” worked in West Hartford, Connecticut, not far from where these blotter corners were found. The quality of both design and workmanship is of the very highest level.

Origin: America, ca. 1905. Condition: excellent, all original, no dings. Size: 2-3/4” x 2-3/4”. Weight: 158.5 grams.

A beautiful and rare Retro 14K yellow and white gold floral brooch featuring carved jadeite leaves and a carved rock crystal blossom. The rock crystal has an opalescent quality that appears much like moonstone. Both the front and back surfaces are finely engraved to suggest floral textures. The jade is brightly colored and contrasts nicely with the golden stems and leaves. The back is marked “14K”. Carved gemstone floral pins are quite uncommon.

Origin: America, ca. 1940. Condition: excellent, all original. Size: 2-11/16” x 1-1/4”. Weight: 12.0 grams.

A fine pair of mid-19th century 14K yellow gold double-faced cufflinks set with banded agate and gold-bearing quartz. The quartz is generously spotted with gold, showing only isolated areas of creamy white quartz, and the agate is nicely patterned with even bands of cream, brown and tan. Shreve & Co. was one of the first fine jewelers in San Francisco, capitalizing on the new wealth generated by the California Gold Rush. By the mid-1880’s, the store advertised its selection of jewelry made with gold bearing quartz, and it became a specialty. Today, gold quartz pieces—especially those marked by Shreve—are difficult to find. Each cufflink is signed “Shreve & Co. 14K”.

Origin: America, ca. 1885. Condition: excellent. Size: faces, 17/32” x 7/32”.

A very fine 12-piece set of gilt silver and mother of pearl dessert, fruit or cheese knives presented in their original fitted box. The tapered mother of pearl handles are tipped with silver finials and ferules decorated in a Louis XVI-style ribbon and reed motif. Most similar sets have plated blades, but these are silver. The silver is gilt, a process that is decorative, but also serves to prevent corrosion from the salts in cheeses which were often served in France as a dessert course. The gilding has faded to a very nice, light lemony color. The interior lid of the velvet- and silk-lined box is marked by the maker, “J. Fayard/Fabricant Orfèvre Joaillier/St Etienne”.

Origin: France, ca. 1860. Condition: knives are excellent, no dings, no cracks, normal fading of the gilding; the box shows considerable wear and has a slightly warped lid. Size: 7-1/2” long.

A classic pair of heavy 14K yellow gold Edwardian cufflinks. The oval faces are simply finished with an engraved border. Cufflinks of this type are usually fairly lightweight, but this pair has noticeable heft. The backs of the faces and the connectors have 14K marks.

Origin: America, ca. 1920. Condition: excellent, all original. Dimensions: 3/4 x 9/16 in. Weight: 17.1 grams.

A handsome pair of 14K yellow gold cufflinks, the faces fashioned as ornate batons. Each of batons has a lobed device at each end similar to the head on a 16/17th century Ottoman ceremonial mace used to connote that the bearer carried the full authority of the Sultan Khan. Tested and guaranteed 14K.

Origin: America, ca. 1890. Condition: excellent, sharp detail. Dimensions: batons, 1-1/4" long. Weight: 10.4 grams.

A classic Mikimoto ring featuring a cluster of 6.3mm pearls crowned with a star of six round brilliant diamonds of G color and VVS2 clarity. The pearls have fine luster, with cream body color and rose overtones, and are graded AA. The shank is stamped with Mikimoto’s hallmark and for 18K gold.

Origin: Japan, ca. 1980. Condition: excellent. Dimensions: crown, 5/8” diameter. Finger Size: 7. Weight: 5.4 gr. Approximate Total Diamond Weight: .18 ct.

An elegant pair of 18K yellow gold earclips, each featuring a cluster of round green tourmalines surrounded by a looping double border of gold. The tourmalines are have fine, saturated color, excellent cut and excellent clarity. The earrings are marked “18K”. The clips could easily be changed to posts.

Origin: America, ca. 1955. Condition: excellent. Dimensions: 3/4" diameter. Weight: 10.1 gr. Approximate Total Gemstone Weight: 4.9 cts.

A heavy pair of mid-century 14K yellow gold cufflinks, the rectangular faces edged in a border of channel-set rectangular cut synthetic rubies. The gold surfaces have a lightly, engraved Florentine finish ideal for monogramming. The toggle backs are marked "14K". Origin: America, ca. 1955. Condition: excellent, all original. Size: 7/8" x 5/8". Weight: 16.1 grams. Approximate Total Gemstone Weight: 3.78 carats.

A classic pair of barbell cufflinks in 14K yellow gold and onyx by Tiffany & Co. Each cufflink features one sphere in onyx and another in gold, so they can be worn with either the gold or black showing from the front. The cuffinks are marked "585" for 14K gold and "Tiffany & Co."

Origin: America, ca. 1965. Condition: excellent. Dimensions: faces, 7/16" diameter. Weight: 7.5 gr.

An elegant pair of Imperial Russian 14K yellow gold cufflinks, each of the round faces set with with a pair of cushion-cut blue sapphires and a pair of cabochon rubies. The stones are good quality, with intensely saturated color. Chains connect the fronts to torpedo backs. Each cufflink is stamped with the Russian marks for 14K (56 zolotniks) and for the assay-master Alexander Romanov, (St. Petersburg).

Origin: Russia, 1904-08. Condition: excellent. Dimensions: faces, 1/2" diameter. Weight: 4.0 gr. Approximate Total Gemstone Weight: sapphire, .45 ct; ruby, .56 ct.

A classic 14K yellow gold "Tree of Life" pin by Mikimoto. This design is an enduring classic available only from the higher-level Mikimoto boutiques. The pin is set with twelve cultured pearls, ranging in size from 4.89 to 6.79 mm. The pearls are of exceptional AAA quality, with cream body color, rose overtones, a bright luster. The back is marked with Mikimoto's oyster shell signature.

• Japan, circa 2010
• Excellent condition
• 1 1/4" x 1 11/16"
• 8.2 grams

A lovely Victorian ring featuring a center red spinel flanked by a pair of oval blue spinels, all bordered in old European cut diamonds. The gemstones are intensely colored with excellent clarity. The ring likely dates to around 1876, when jewelry in patriotic colors enjoyed a resurgence for the American Centennial. Tested and guaranteed 14K. This ring would make a stunning and unique engagement ring!

• Origin: America, ca. 1876.
• Finger Size: 5.
• Dimensions: crown, 3/8" x 1/2".
• Weight: 2.5 grams.
• Approximate Total Gemstone Weight: red spinel, .58 carat; blue spinel, .53 carat; diamond, .20 carat.
• Condition: excellent.

A handsome Victorian gentleman's ring in a substantial 14K gold setting. The ring features a masculine brown smoky quartz with flashes of goldish-orange brilliance. The setting is enhanced with ornate strapwork against a stippled background. The setting holds the stone well above the finger and the overall look is very weighty. The interior of the shank is stamped "14k."

• Origin: America, ca. 1900.
• Condition: excellent; sharp detail.
• Finger Size: 10-1/4.
• Dimensions: 3/4" wide at crown, tapering to 3/16" wide at back of shank.
• Weight: 13.8 grams.
• Approximate Total Gemstone Weight: 9.44 carats.

A classic French Art Nouveau 18K gold brooch featuring a young woman with naught but a sprig of flowers covering her breasts set against a poppy blossom. A swallow appears over her shoulder. In Victorian symbology, swallows variously represented wishes for a safe return or “home and heart” since the they mate for life. Similarly, poppies had various meanings including imagination and pleasure. The design was created by the sculptor Armand-Pierre-Louis Quenard (1865-1925) and presented at the inaugural salon of the Société des Artistes Français in 1901. The clasp is stamped with French 18K gold marks and with an illegible maker’s mark.

NOTE: The brooch could be converted to a pendant with the addition of a folding bail to the back.

• Origin: France, ca. 1901.
• Condition: excellent; all original.
• Dimensions: 1” x 1”.
• Weight: 5.0 grams.

A handsome pair of late Victorian cufflinks worked in 18K yellow gold with platinum accents around oval bloodstone cabochons. The combination of metal colors against the deep blackish-green and red of the bloodstone is quite striking. The faces are attached with bar connectors. Tested and guaranteed 18K and platinum.

NOTE: Bloodstone is very difficult to photograph due to its dark coloration. Some of the photos shown here were backlit to show the translucency of the stones, but in normal lighting the appear opaque greenish-black with subtle red mottling.

• Origin: America, ca 1905
• Dimensions: faces, 3/4" x 9/16”
• Weight: 8.8 grams

A lovely 14K gold pendant necklace featuring a colorfully enameled violet blossom centered with a seed pearl and suspending a freshwater pearl. The flower petals and leaves are enhanced with translucent enamels in shades of purple, green, yellow and burgundy. In Victorian flower symbology, the violet represented "modesty." The pendant is suspended from its original chain, marked 14K on the clasp. The pendant is unmarked, but tested and guaranteed 14K.

• Origin: America, ca 1900
• Condition: excellent; no enamel damage
• Dimensions: pendant, 3/8" x 15/16"; chain length, 16"
• Weight: 6.0 grams.

A lovely sentimental jewel by the esteemed London jeweler Murrle, Bennet & Co. featuring a heart-shaped citrine surmounted by a crown and a scrolling frame set with seed pearls. In Victorian symbology, a heart topped with a single crown conveyed the sentiment “ruler of my heart.” The citrine has very nice pure yellow coloring, with just a hint of orange. It would be very easy to add a small hidden ring at either end of the pin, so it can be worn from a chain. Murrle, Bennet & Co. was a leading jeweler, often collaborating with Liberty & Co. The pin is stamped “15Ct” and also has Murrle, Bennett’s hallmark.

• Origin: England, ca. 1900
• Condition: excellent, all original
• Dimensions: 1-3/8” x 7/8”
• Weight: 4.6 grams
• Approximate Gemstone Weight: 5.39 carats

A classic Art Nouveau brooch / pendant decorated with lush pale blue, medium blue, cream, and yellow matte enamels. The flower is centered with a round diamond. The pin is unmarked but is certainly by one of the Newark jewelers. The back retains the original pinstem and clasp. A bail could easily be added for wear as a pendant. Tested and guaranteed 14K.

• Origin: America, ca. 1900
• Condition: excellent, no enamel damage
• Dimensions: 7/8” x 7/8”
• Weight: 4.3 grams
• Approximate Diamond Weight: .02 carat.

A rare Art Nouveau brooch worked in 18K gold depicting Eros, the Greek god of love and harmony. “Amor” is the Latin version of his name, and English-speakers usually refer to him as “Cupid.” He is shown here with a quiver of arrows used to inflame love in the hearts of his targets. The quiver’s strap is set with small rose cut diamonds for an added bit of sparkle. The name “Amor” is included in the design to the left of Amor’s head. The brooch is signed “F Vernon” for Frédéric-Charles-Victor de Vernon, a noted French medallist and sculptor. This particular design was first exhibited by Vernon at the 1903 Paris Salon. The back is stamped with French 18K gold marks.

• Origin: France, ca. 1903
• Condition: excellent
• Dimensions: 1-3/32” diameter
• Approximate Total Diamond Weight: .10 carat
• Weight: 5.8 grams

This 23-1/2" 18K yellow gold box chain is heavy enough for a large pendant or locket. Box chains are especially attractive with more contemporary designs, and unlike some other chain styles, they don't crimp or become easily tangled. In addition to the primary clasp, the chain also has a safety chain. Marked with French 18K gold hallmarks and master goldsmith's mark.

• Origin: France.
• Condition: excellent; one spring ring has been replaced with a gold filled spring ring.
• Dimensions: length: 23-1/2"; width 1.5mm.
• Weight: 11.1 grams.

Sterling silver watch fob by George W. Shiebler. An outstanding example of the "Medallion" or "Curio Medallion" line, this watch fob is comprised of a horizontal log-like bar inscribed with the Greek letters "XAPIE" suspending five discs depicting Greek gods and goddesses. Pictured from left they are Zeus, unknown, Pallas Athena, unknown, and Mercury. The two unknown images are female and probably depict Aphrodite, Hera or Demeter. The surfaces are hand worked and intentionally "distressed" so that the piece appears to truly be an ancient jewel. The handmade chain is original to the fob. The back is stamped with Shiebler's hallmark, the retailer's mark for Bailey, Banks & Biddle, and the pattern number "1043". All Shiebler Medallion pieces are rare, but this is the first complete watch fob we've seen. It could be extended with a few links to be worn as a bracelet.

Origin: America, 1880-90. Condition: all original, light wear from normal use. Size: fob, 1-3/4" x 1-7/16"; overall length, 6-9/16". Weight: 18.5 grams.

Elegant Edwardian 14K gold brooch in the form of a floral bouquet. The flower petals are enameled in soft iridescent silver and then “jeweled” with a thick application of translucent amethyst enamel. This unusual treatment creates a feeling of depth in the flowers. Each blossom is centered with a natural pearl. The leaves look very much like water lilies foliage and are beautifully decorated with translucent green enamel fading to yellow at the tips. The back retains the original clasp and pinstem marked “14K” and hallmarked by Krementz.

Origin: America, ca. 1915. Condition: excellent, all original. Size: 1-13/16” x 7/8”. Weight: 4.5 grams.

Elegant pair of Chinese export porcelain soup plates decorated with a floral scene in the famille rose palette. Pheasants, beetles and butterflies are scattered among the pink peonies, orange pomegranates and blue-green bamboo stalks. The rim is decorated with a striking band of blue and gold strapwork in the Persian taste. The contrast of the restrained formal border pattern against the exuberant naturalistic design of the bowl is striking.

Origin: China, ca. 1800. Condition: no chips or cracks, normal moderate wear to gilding. Size: 9-3/4” diameter.

An elegant pair of Edwardian 14K gold and platinum double-sided cufflinks by Tiffany & Co. The round faces are set with plaques of black mother of pearl within engraved platinum borders. The faces are centered by natural seed pearls. The mother of pearl has strong iridescence, primarily in rose shades, against the silvery gray body color. Black mother of pearl is much less common than the lighter colors and creates a striking effect. The bright-cut engraving of the platinum borders adds a touch of sparkle. The backs of the faces are signed “Tiffany & Co.” and are marked “14K” and “Plat & Gold”.

Origin: America, ca. 1900. Condition: excellent. Size: 9/16” (15 mm) diameter. Weight: 9.3 grams.

An extremely fine 14K white gold and pearl brooch by Mikimoto. Even by Mikimoto’s standards, the pearls are particularly good quality, with cream body color and strong rose overtones. The pearls are also quite generously sized, ranging from 7.85mm to 8.35. The surfaces have only slight natural blemishes and offer superb, clear reflections. AA pearls of this size were only rarely used by Mikimoto in brooches, as they were more often set aside for use in strands. The back of the pin is signed with Mikimoto’s oyster shell hallmark and is marked “WG 14K”.

Origin: Japan, ca. 1960. Condition: excellent, all original. Size: 2-1/4” x 1-1/8”. Weight: 14.0 grams.

A very good pair of 14Kyellow gold cufflinks, the oval faces enhanced with foliate engraving around the edges and centering .25-carat old European diamonds. The torpedo backs are decorated with matching foliate engraving. The diamonds are unusually large for cufflinks of this period and are of excellent quality, graded as I color and VS1 clarity. Tested and guaranteed 14K.

Origin: America, ca. 1890. Condition: excellent, all original. Size: front faces, 1/2” x 3/4”. Weight: 8.7 grams. Approximate Total Diamond Weight: .50 carat.

A fine pair of mid-century modern 14K yellow gold and diamond cufflinks by Larter. The heavy gold faces are decorated with parallel lines and the canted edges are bead-set with brilliant round-cut diamonds. The diamonds are of very good quality, estimated at I color, VS clarity. The stones are set in white gold enhanced with milgrain borders. The backs are completed with the older type of toggle mounting. The backs are stamped with Larter’s hallmark.

Origin: America, ca. 1950.

Dimensions: faces, 5/8" x 1/2".

Weight: 13.5 grams.

Approximate Total Diamond Weight: .50 carat.

Condition: excellent; all original.

A lovely Victorian starburst pendant worked in 14K yellow gold and set with an old mine cut diamond at the center. Stars in Victorian jewelry symbolized guidance and wisdom. Most Victorian starbursts have straight rays, but the Art Nouveau-influenced curlicue design of this example makes it especially nice. The diamond at the center has good brilliance, I/J color and VS1 clarity. The pendant retains the original brooch fitting, as well, but it is very well hidden when being worn as a pendant. Tested and guaranteed 14K (the newer bail is marked 10K).

• Origin: America, ca 1890
• Condition: excellent
• Dimensions: 1-1/8” diameter
• Approximate Diamond Weight: .35 carat
• Weight: 4.3 grams

A fine pair of vintage 18K yellow gold cufflinks in the "stirrup" style popularized by Cartier in the late 1940s. The cufflinks are constructed from a solid bar, finished at each end with interlocking arches. By pulling on the ends, the arches can be unfolded for each in putting the cufflinks through the cuff holes. Then, a simple flip up causes the arches to hold the fabric tightly together. Cufflinks of the sort are seen in a number of variations, but this is a particularly handsome pair. The bars are marked with French 18K gold hallmarks, and also with an unidentified maker's mark "GP".

Origin: France, ca. 1955. Condition: excellent, all original. Size: faces, 3/4" x 9/16". Weight: 11.5 grams.

For anniversary jewelry, there’s nothing more romantic than this rare 18K yellow gold, diamond and ruby love token (“medaille d’amour”) ring with a rebus spelling out “Plus qu’hier, moins que demain” (“more than yesterday, less than tomorrow,”) a line from a love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano de Bergerac”) in 1889. The word “plus” is symbolized by a plus sign set with a single diamond and the word “moins” is symbolized by a minus sign set with rectangular synthetic rubies. Augis rings are far rarer than pendants or charms. The Lyonnais jewelry Alphonse Augis first created these love tokens in 1907. The ring is signed “A. Augis” and is stamped with French 18K gold marks and with Augis’ marker’s mark.

• Origin: France, ca. 1950
• Condition: excellent
• Finger Size: 5
• Dimensions: face, 11/16” diameter
• Approximate Total Gemstone Weight: diamond, .01 carat; ruby, .12 carat
• Weight: 6.9 grams

A buff-cut oval amethyst perfectly offsets the superb gold setting in this Edwardian 14K gold gentleman’s ring. The stone sits in a high setting that is intricately engraved with classic motifs such as pendant bellflowers, swags, and fans that bridge the Edwardian period into early Art Deco. The ring is large, but the relatively light color of the amethyst and the use of smooth buff cut instead of full faceting keeps it from being overpowering. A woman could easily wear the ring, as well. The interior of the shank is stamped “14K.”

• Origin: America, ca. 1920
• Condition: excellent, all original
• Dimensions: shank tapering from 5/32” at the back to 1/2" wide at the front; 1/4” height from finger
• Finger Size: 9-1/2
• Weight: 8.29 grams
• Approximate Amethyst Weight: 4.11 carats

Outstanding weather vane with a figure of a male golfer preparing to tee off. The vane is constructed of cast white metal with a coppery brown painted finish. The vane is attributed to be from the clubhouse of an American golf and country club built in 1935.

Origin: American, circa 1935. Condition: excellent, paint wear appropriate to age. Size: 26" long; 19-1/2" tall.

A very fine Chinese export porcelain sauce tureen with blue decoration in the Fitzhugh pattern. The oval body is finely potted with intertwined twig handles and applied berries where they join the body. The lid has floral finial. The quality and detail of decoration suggests a date in the early part of the 19th century. The glaze has a slight bluish cast.

Origin: China, ca. 1810. Condition: excellent, no chips, the inside of the lid has a hairline not visible from the outside, no restoration. Size: 8” x 5-1/4” x 6” tall.

A delightful and very rare Staffordshire ironstone puzzle jug by Elsmore & Forster. The sides are decorated with colorful scenes of a cockfight below the lip, while the sides feature large images of the famed circus clown “Cashmore”. The foot, rim and handle are highlighted with red stripes. The interior has a hidden siphon system that causes the contents to spill when the jug is tipped, unless the pourer covers the small air hole on the inside of the handle. The base is marked with Elsmore & Forster’s underglaze stamp.

Origin: England, ca. 1860. Condition: excellent, no chips or cracks. Size: 8-7/8” tall.

A magnificent sterling silver claret spoon by Dominick & Haff. This example is strikingly decorated in a pattern representing three different varieties of chrystanthemums. The decoration appears to be loosely based on Dominick & Haff's "#10" pattern, though this is much more ornate. The area around the flowers is intricately pierced in the rococo style. The back bears Dominick & Haff's hallmark and the pattern number "32".

Claret spoons were produced for a short time at the end of the 19th century. Despite being named for the famous red wine, their function really had nothing to do with wine. Small fruits and berries, perhaps soaked in an alcohol or other liquid, were often served from tall, narrow pitchers of cut glass, porcelain or silver. The long claret spoon was used to remove from the fruit from the pitchers. Today, the spoon could be used to serve sangria as well as various desserts based on fresh fruit.

Origin: America, ca. 1980. Condition: nerly mint, period "BBS" monogram. Size: 17" long. Weight: 113.0 grams.

A very rare sterling silver chamber stick in a repousse floral pattern by Shiebler. The overall floral decoration depicts buds and full-blown rose blossoms against a background of leaves. Areas between the leaves are finished with a stippled texture. The knop of the candle socket and the bobeche are plain and make a nice contrast to the elaborate decoration. The thumbpiece is accented with a fan-shaped element that is suggestive of Shiebler’s more Aesthetic-style pieces. The bottom of the bobeche is stamped with Shiebler’s hallmark, the pattern number 1174, and the retailer’s mark “J. E. Caldwell & Co.”

Origin: America, ca. 1890. Condition: excellent, a small rim ding and a couple of pinpoints on the bobeche. Size: 6” diameter; 3-1/2” tall. Weight: 211.0 grams.

An elegant sterling silver trumpet vase with an opaque glass liner by either Jenkins or Armiger for F. Bucher & Sons. This silver is ornately decorated wthroses, forget-me-nots, wild roses, chamomiles and daises against a stippled background. Bucher was a retailer who stamped wares with his own mark, even though they were actually made by Jenkins, Armiger, Schofield or other leading Baltimore silversmiths of the day. The treatment of the chamomile blossoms and the use of cyma scrolls in the narrow borders are distinctly similar to Jenkins’ work, but the use of ferns amongst the foliage is more often seen in Armiger’s. The liner is opaque white glass with a translucent pink border at the undulating, flaring rim, and appears to be original. The base is marked “F. Bucher & Sons. Sterling”.

Origin: America, ca. 1900. Condition: excellent, sharp detail. Size: 10-3/8” tall. Silver Weight: 161.4 grams.

A stunning footed cut glass compote in Hawkes’ “Delft Diamond” pattern. While the pattern is not especially ornate, the deep emerald green color of the blank is amazing. The knopped stem has an elongated airtrap bubble that’s difficult to see because the color of the glass is so rich. The plain round foot is acid-stamped with Hawkes’ trefoil signature, which would suggest a relatively early date.

Origin: America, ca. 1920. Condition: excellent, no chips or cracks, normal frosting to bottom of base. Size: 8-1/8” diameter; 6-3/4” high.