Catalog (2428)

A handsome pair of 18K yellow gold and lapis lazuli cufflinks from the "Bvlgari Bvlgari" collection by Bvlgari. The faces are set with round lapis lazuli plaques surrounded by a gold border engraved with the jeweler's exclusive logo. This design was made with several stones, including onyx and mother-of-pearl, but lapis is the most difficult to find. The cufflinks are finished with toggle backs. Each is marked "750" for 18K gold and with Bvlgari's "2337AL" hallmark.

Origin, Italy, ca. 1990. Condition: excellent. Dimensions: faces, 1/2" diameter. Weight: 10.6 gr.

Topaz Steuben crystal compote in a classic form by Frederick Carder. Unsigned. Excellent condition with only the very slightest surface wear in the bowl. 6" diam.; 4-1/8" tall.

Porcelain plate by Carl Schumann, ca. 1918, in a variation of the "Dresden Flowers" pattern. The scalloped border is reticulated and has a gilt rim. Origin: Bavaria. Size: 11" diameter. Condition: Mint.

Porcelain plate by Carl Schumann, ca. 1918, in a variation of the "Dresden Flowers" pattern. The scalloped border is reticulated and has a gilt rim. Origin: Bavaria. Size: 11" diameter. Condition: Mint.

A nice bronze trumpet vase by Carl Sorensen. The surface is patinated in a mottled green, and the lower part of the vase is enhanced with parallel bands of various widths. A matching band appears around the outer top rim. Sorensen made a variety of decorative metalwares, but little is known about him. He worked in Pennsylvania, and his pieces were possibly sold by Roycroft and Tiffany. The base is signed “Carl Sorensen” and also has his hallmark.

Origin: America, ca. 1930. Condition: very good, patination is excellent, there is a slightly flattened area along the upper rim visible when viewed from just the right angle. Size: 5-7/16” tall.

A good bronze footed trumpet vase by Carl Sorensen. The surface is patinated in a dark mottled green and is enhanced with parallel engraved lines forming bands decorated in a darker green patination. The small foot makes this one of Sorensen's more unusual vase designs. Sorensen made a variety of decorative metalwares, but little is known about him. He worked in Pennsylvania, and his pieces were possibly sold by Roycroft and Tiffany. The base is signed "Carl Sorensen" and also has his hallmark.

Origin: America, ca. 1930. Condition: excellent, a slightly flattened area along the upper rim is just barely visible when seen from the right angle. Size: 6-1/2" tall.

A good bronze footed trumpet base by bronze artisan Carl Sorensen. The surface is patinated in a mottled bluish-green shade and is enhanced with bands of parallel engraved lines in a bright copper finish. Most of Sorensen’s vases did not have a foot, and the addition of the small foot—also enhanced with a bright copper edging—adds special appeal. Sorensen is known to have worked in Philadelphia in the first part of the 20th century, making bronze wares in the Arts & Crafts tradition. It is thought that his creations were retailed by both Roycroft and Tiffany. The base is signed “Carl Sorensen” and has his hallmark.

Origin: America, ca. 1910. Condition: excellent, original patina. Size: 6-3/4” tall; 6-1/2” diameter at rim.

An exceptional pair of Edwardian 14K yellow gold double-faced cufflinks by Carrington. Each of the cufflinks features one face centered with an old European cut diamond and on face with a round cut blue sapphire. The stones are surrounded by a band of opaque royal blue champlevé enamel enclosed within a laurel wreath border. This design is really one of the most elegantly sophisticated we’ve seen any of the classic Newark makers. The gemstones are of very good color and clarity. The backs are marked 14K and have Carrington’s hallmark.

Origin: America, ca. 1900. Condition: excellent, all original, no enamel damage. Size: 19/32” diameter. Weight: 9.3 grams. Approximate Total Gemstone Weight: diamond, .18 carat; sapphire, .23 carat.

A classic pair of very high quality 14K yellow gold double-faced cufflinks by Carrington. Each pair has one face centered with a round cut sapphire and another face with a old European cut diamond, both surrounded by a lightly engraved border. The quality of the stones is very good. The diamonds are graded at H color, VVS2 clarity and the sapphire are vivid violet-blue with eye clean clarity. The back of each face is marked with Carrrington's hallmark.

Origin: America, ca. 1920. Condition: excellent. Dimensions: 9/16 x 11/16". Weight: 14.2 grams. Approximate Total Gemstone Weight: diamond, .30 ct; sapphire, .25 ct.

An elegant pair of Edwardian 14K yellow gold, platinum and mother-of-pearl cufflinks by Carrington. The round, slightly concave mother-of-pearl faces are centered with small natural pearls and enclosed within engraved platinum borders. Both the mother-of-pearl and the pearls have very nice luster and color overtones. Each face is hallmarked by Carrington, one of the leading American manufacturing jewelers at the turn of the 20th century.

Origin: America, ca. 1900. Condition: excellent. Size: 9/16” diameter. Weight: 9.1 grams.

An elegant 5-piece dress set worked in 14K yellow gold and platinum by Carrington. The set, comprising a pair of double-sided cufflinks and three shirt studs, features round mother-of-pearl faces enclosed within engraved platinum borders and centered with small natural pearls. Both the mother-of-pearl and the pearls have very nice luster and color overtones. Each piece is hallmarked by Carrington, one of the leading American manufacturing jewelers at the turn of the 20th century.

Origin: America, ca. 1900. Condition: excellent; all original. Size: cufflink faces, 9/16” diameter; studs, 11/32” diameter.

An extremely attractive pair of 14K white gold cufflinks by Carrington. Each round face is set with a mother-of-pearl disc engraved in a laurel wreath pattern, surrounding a center round diamond and bordered with 24 rose cut diamonds. The diamonds are very good quality, graded as I/J color and SI2 clarity. The faces are attached by chains to heavy torpedo backs. The back of each face is stamped with Carrington’s hallmark.

Origin: America, ca. 1915. Condition: excellent. Dimensions: faces, 16 mm (5/8 in) diameter. Approximate Total Diamond Weight: 1.0 ct. Weight: 12.0 gr.

NOTE: We also have a set of three shirt studs by Krementz (Item #1233392) that, although not a perfect match to the cufflinks, can easily be worn with them as a dress set. In fact, we originally acquired the cufflinks and studs as a set.

A rare and very interesting pair of flip-up stirrup cufflinks in 14K yellow gold by Carrington. Each end of the connectors are fitted with a green nephrite jade cabochon. This style was popularized by Cartier, and this is the only we’ve seen by the great American maker, Carrington. The use of nephrite is most unusual, as well, instead of the more common onyx or dark blue sapphire. Each cufflink is stamped with Carrington’s 14K hallmark.

Origin: America, ca. 1930. Condition: excellent, all original. Dimensions: faces, 7/16” x 7/16”. Weight: 7.3 gr. Approximate Total Gemstone Weight: 1.48 cts.

A stunning pair of Art Nouveau 14K gold cufflinks by Carrington, the faces designed as dolphins stylized as sea monsters. The creatures are beautifully designed with detailed scales, fins and gaping mouths. The eyes are set with G/VS1 old mine cut diamonds. The faces are joined by oval connectors sufficiently long to fit through a thick cuff. The backs are stamped with Carrington’s 14K hallmark.

• Origin: America, ca. 1900
• Dimensions: faces, 3/4" x 7/16”
• Condition: excellent, sharp detail
• Weight: 14.3 grams
• Approximate Total Diamond Weight: .10 carat

A handsome pair of 14K gold bean-back cufflinks, the oval faces decorated with dogs, their tails straight and one paw lifted “pointing” in classic hunting pose. The gold surfaces have slightly matte finish. The backs are stamped with Carrington’s 14K mark.

• Origin: America, ca. 1900
• Condition: excellent, sharp detail, no dings
• Dimensions: faces, 13/16” x 9/16”
• Weight: 7.1 grams

A handsome pair of 14K yellow gold double-faced cufflinks by Carter, Gough & Howe. The faces are formed from oval mother-of-pearl plaques surrounded by borders of opaque royal blue enamel and centering small pearls. The enamel borders have exposed gold dots and engraved rims. This particular design is usually seen in white enamel, but the blue makes for a very nice contrast. The connectors are stamped “14K” and have Carter, Gough’s hallmark.

Origin: America, ca. 1900. Condition: excellent; a 1/8” superficial enamel flake on one cufflink visible upon very close inspection in raking light. Dimensions: 1/2" X 3/4". Weight: 9.6 gr.

A superb pair of 14K yellow gold bean-back cufflinks by Carter, Gough & Co., the faces decorated with a representation of Sandro Botticelli’s “Birth of Venus.” The jeweler took a few liberties with Botticelli’s design by having the goddess walking atop roiling waves rather than standing in a scallop shell, and fully baring her breasts instead of modestly covering them with her own flowing hair. The bean backs are designed with a swirling pattern that mimics the waves of the front faces. The connectors are stamped with Carter, Gough’s 14K hallmark.

• Origin: America, ca 1900
• Dimensions: faces, 13/16” x 1/2"
• Weight: 6.7 grams

A very nice pair of Victorian cufflinks, the rectangular faces with canted corners and decorated with a plain band bisecting a field decorated with rococo foliate engraving. This is a design type more often seen on English cufflinks of the period, and it has a faintly heraldic appearance. The plain band, in fact, would have been ideal for a monogram. The connectors are marked 14K and also have the maker’s mark for Carter, Gough & Howe.

Origin: America, ca. 1880. Condition: excellent, sharp detail, never monogramed. Dimensions: 11/16” x 7/16”. Weight: 8.5 grams.