Catalog (2481)

A handsome pair of Edwardian yellow gold cufflinks, the faces formed from barbell-shaped batons of green serpentine. The stone has an attractive semi-opaque pale green color flecked with black specks. Serpentine was often used as a substitute for jade. The gold backs are marked “9Ct”.

Origin: England, ca. 1900. Condition: excellent. Size: faces, 7/8" long. Weight: 4.8 grams.

A classic George III sterling silver wine coaster, the bombe sides with egg and dart decoration and the rim with gadrooning. The decoration is finely crafted. The turned wood base is centered with a silver escutcheon bearing an unidentified coat of arms (dancetty with three swords points down) impaling that of Ashby (ermine chevron and three leopard’s heads) tied with a ribbon. The coaster is clearly stamped with hallmarks for London and the second George III duty mark (1786-1821). The maker’s mark is rubbed, but consists of two pairs of initials, the lower pair being “CB”. The year mark is also illegible. Stylistically, the coaster most likely dates to slightly before or during the early part of the Regency Period (1811-1921). The bottom retains its original green baize fabric.

Origin: England, ca. 1810. Condition: excellent, no dings or cracking. Size: 6-1/4” diameter; 1-3/4” high.

A very handsome and heavy pair of 18K yellow gold cufflinks, the faces comprising deep violet-blue spheres of lapis lazuli joined by gold collars worked with beaded and zigzag decoration. The lapis has the fine even color often called Afghan. The faces are joined with chains to plain gold baton backs. The batons are fully stamped with 18K hallmarks for London, 1992.

Origin: England, 1992. Condition: excellent. Size: faces, 7/8” long. Weight: 14.4 grams.

A lovely 18K yellow gold ring and pearl ring by Tiffany & Co. The split shank is enhanced with a chain-link motif at the crown and is set with a single 7.5 mm Akoya cultured pearl. The pearl is of very fine quality with white body color and silver overtones—the shading most favored by Tiffany. The luster is is very good and the surface is excellent condition. The interior of the shank is stamped “750” and “Tiffany & Co.”.

Origin: America, ca. 2000. Condition: excellent. Finger Size: 8. Weight: 4.8 gr.

An attractive pair of gilt 800 silver double-faced cufflinks. The round faces are simply decorated with concentric rings bordering central gilt reserves. The faces are joined with the hinge bridge connectors more often seen in Scandinavian designs. The connectors are marked “800” and have an unidentified maker’s mark “EP” in a diamond-shaped punch.

Origin: Germany, ca. 1930. Condition: excellent, original gilding intact. Size: 9/16” diameter. Weight: 8.7 gr.

A lovely 14K yellow gold Art Nouveau bracelet comprising a series of round floral plaques, each hinged separately for comfort. The center five plaques are set with a round brilliant cut ruby at the middle of each blossom. The rubies have a strong purplish-red color that contrasts nicely with the yellow gold. Each plaque is pierced around the flower petals for added delicacy. The concealed clasp is marked “14K”.

Origin: America, ca. 1895. Condition: excellent, sharp detail. Size: 7-1/2” long; 1/2” wide. Weight: 12.8 grams. Approximate Total Gemstone Weight: ruby, 1.02 cts.

An extremely heavy pair of 14K yellow gold double-faced cufflinks made by Louis Tamis & Sons and retailed by Tiffany & Co. The round faces are simply decorated with parallel ribbed surfaces. The faces are joined by solid hinged connectors. The cufflinks are very heavy and have a classic, masculine appeal. Tamis was one of New York’s most important goldsmiths and supplied goods to Tiffany, Cartier and Verdura among others. Each cufflink is marked “14K” and has Tamis’ maker’s mark and Tiffany’s retailer mark.

Origin: America, ca. 1950. Condition: excellent. Size: 9/16” diameter. Weight: 21.6 grams.

A heavy and attractive pair of 14K yellow gold Art Deco cufflinks in the flip-up style. The round faces are decorated with engraved lines in a herringbone pattern. After being inserted in the button hole, the ends are flipped up to secure the cuff. This style is rather uncommon in cufflinks from North America, being much more prevalent in French cufflinks from the period. The connectors are signed by Birks and are marked “14Kt”.

Origin: Canada, ca. 1925. Condition: excellent. Size: faces, 19/32” diameter. Weight: 14.3 grams.

A fascinating pair of Edwardian 14K yellow gold cufflinks, the faces set with square rock crystals. The crystals have concave circles in the center and the edges are finished with an oxidized surface that gives the impression of hematite. The clear circles reveal quirky, almost cartoon-like portraits of dogs that have very rigid demeanors like those often seen in 19th century portraits of people. These are not to be confused with reverse-carved Essex crystals. These cufflinks are made in an entirely different way and we’ve never seen a pair like them. The square faces are linked with chains to gold baton backs. Tested and guaranteed 14K.

Origin: probably America, ca. 1910. Condition: excellent, one dog is turned slightly sideways, but it appears to have always been that way. Size: 5/8” x 5/8”. Weight: 8.9 grams.

A very good 18K yellow gold Venetian Etruscan charm in the shape of a crown set with amethysts and pearls. The gold surfaces are decorated with ornate bead and twisted wire ornaments. The bottom of the charm has a large oval brilliant amethyst weighing approximately 6.77 carats, while the sides are set with four oval amethysts of 3.58 carats each. The lower sides are also collet-set with a band of smaller round amethysts. The amethysts are nicely cut with good brilliance and even, medium violet color. The top of the crown features four cultured pearls. Tested and guaranteed 18K.

Origin: Italy, ca. 1950. Condition: excellent. Size: 1-1/8” x 1” x 1-3/8” high (excluding bail). Weight: 19.4 grams. Approximate Total Amethyst Weight: 23.49 cts.

This delicate 14K yellow gold ring is set with a beautiful fire opal surrounded at compass points by old European cut diamonds. Fire opal is an uncommon stone, and it is very rare to find with play-of-color, the flash effect seen in traditional opals. This stone flashes with red, green and blue. The strong orange body color and fine clarity makes this a beautiful stone. The diamonds are quite good quality and are particularly bright against the orange fire opal. The shank is finished with milligrained edges on both sides. It is engraved “My love, forever 6-16-56”. It is stamped 14K and has an unknown maker’s mark.

Origin: America, 1956. Condition: excellent. Finger Size: 6. Crown Size: 7/16” x 7/16”. Weight: 2.1 grams. Approximate Total Gemstone Weight: fire opal, .71 ct; diamond, .12 ct.

A handsome pair of modernist cufflinks worked as concave silver discs centering collet-set amber cabochons with applied beads to the setting. The amber has a beautiful honey color and an abundance of the highly-prized natural discoid inclusions called “sun spangles”. These are often created by enhancements, but the spangles in this amber are naturally occurring. The toggles are marked “830”.

Origin: Denmark, ca. 1950s. Condition: excellent, nice patina. Size: 13/16” diameter. Weight: 11.5 grams.

A fine 18K yellow gold and multi-stone Sputnik ring by H. Stern. This classic modernist design features a golden dome studded with 19 variously colored gemstones including green tourmaline, citrine, amethyst, aquamarine and spessartite garnet. Each piece of Sputnik jewelry has a unique appearance depending on the color combinations and arrangement of the gemstones. This particular example is a little less haphazard than some and has a more symmetrical appearance (notice the alternating light and dark colored stones in the first ring out from the center stone and the placement of the citrines and orangy spessartite garnets always at an angle from each other in the outer rows). The design was created specifically to show off the range of colored stones mined in Stern’s native Brazil, but it quickly came to be known as “Sputnik” because of its resemblance to the 1960’s soviet satellite. The inside of the shank is marked with a Stern mark and “750” for 18K.

Origin: Brazil, ca. 1965. Condition: excellent. Finger Size: 8-1/4. Size: 7/8” diameter; 1/2" high. Weight: 4.9 gr. Approximate Total Gemstone Weight: 4.18 cts (amethyst, .59; aquamarine, 1.2; citrine, .78; green tourmaline, .68; spessartite garnet, .93).

A fine 18K yellow gold and multi-stone Sputnik ring. This classic modernist design, originally created by H Stern, features a golden dome studded with 19 variously colored gemstones including green tourmaline, citrine, amethyst, aquamarine and spessartite garnet. Each piece of Sputnik jewelry has a unique appearance depending on the color combinations and arrangement of the gemstones. This particular example is more pastel than most, with a preponderance of pale pink, green, blue and purple. The design was created specifically to show off the range of colored stones mined in Stern’s native Brazil, but it quickly came to be known as “Sputnik” because of its resemblance to the 1960’s soviet satellite. The inside of the shank is marked 18K.

Origin: Brazil, ca. 1965. Condition: excellent. Finger Size: 5-1/2. Size: 13/16” diameter; 9/16" high. Weight: 4.7 gr. Approximate Total Gemstone Weight: 4.14 cts (amethyst, .82; aquamarine, .83; citrine, .61; green tourmaline, .71; pink tourmaline, 1.17).

A superb pair of bronze candlesticks from the Jockey Club de Paris. The candlesticks’ trefoil bases are decorated with riding equipment and tackle interspersed with the rosettes awarded to race winners. The edges of the bases are finished with borders that suggest horseshoes. Slender columns rise to a central element featuring three fully three-dimension horseheads capped by a spiraling ribbon engraved “Jockey Club”. Shields bearing coats of arms decorate the candle sockets.

Founded in 1833 ostensibly to promote horse racing, the club was in fact the most exclusive Anglos-French social club in France and among the most prestigious in the world. With the Emperor’s half-brother serving as president, the membership in the 19th century was strictly limited to 297 gentlemen and included the reigning kings of England, Belgium and the Netherlands.

Origin: France, ca. 1880. Condition: excellent, sharp detail. Size: 8-3/4” tall.

An elegant Art Nouveau glass vase decorated with enameled poppies. The blossoms are worked in shades of cream, yellow, rose and violet, while the foliage is stained a reddish-purple and highlighted with complex lacy gilding. The upper rim is decorated with a band of stained and gilt flowers, as well. The vase is blown in pillar form with an optic paneled design. The workmanship is very fine. Unsigned, but definitely made by Mont Joye (also know as Verreries Saint-Denis and Legras).

Origin: France, ca. 1900. Condition: excellent, no cracks, no enamel or gilding wear. Size: 9-1/4”.

A witty sterling silver vermouth dispenser in the form of a watering can by Cartier. When tipped, the dispenser lightly sprinkles just a drip of vermouth into the glass for the perfect martini. The bottom is marked "Sterling" and is signed "Cartier".

Origin: France, ca. 1955. Condition: excellent. Size: 3" tall. Weight: 49.1 gr.

A handsome chartreuse-cut-to-clear low bowl cut with a ring of printies near the lip and another ring of overlapping printies lower on the sides. Unsigned, but almost certainly Val St. Lambert.

Origin: Belgium, ca. 1920. Condition: no chips or cracks. Size: 9" diameter; 2-3/8" high.