Catalog: Antiques: Decorative Art: Glass (86)

A nice Bohemian mercury tapered columnar-form mercury glass vase, the sides engraved through a bright red flashing to the silver. The pattern depicts a bird nesting among exotic flower and foliage. The design is accented with applied white lines. The silvering is not in as good condition as one would hope, but the very bright red flashing and the generous size more than makes up for it!

Origin: Bohemia, ca. 1870. Condition: silvering loss as noted above, no chips or cracks, bottom seal lost. Size: 11-1/4" tall.

A pretty Victorian mercury glass vase in tapered and ribbed columnar form with a foot. The body has a matte surface decorated with a pretty bouquet of blue and white flowers. The vase has a nice small size that is not easy to find.

Origin: Bohemia, ca. 1870. Condition: excellent, a tiny area of oxidation near the base of the bouquet, no plug. Size: 6-1/8” tall.

A very fine Nailsea-Stourbridge green bottle glass paperweight with a foiled flower pot design. A large central petunia-type flower arises on a slender stem from the well-formed pot, and is surrounded with two additional circlets of smaller flowers, four to each layer. This example is particularly nice with a good, clear gather of glass and a fine shape. The bottom has the rough pontil.

Origin: England, mid-19th century. Condition: excellent, very light surface wear. Size: 4" diameter; 4-3/4" tall.

A nice late Victorian South Jersey (Vineland/Millville area) glass paperweight with a frit “Home Sweet Home” design. The set-up is worked entirely in white frit and has few nice features including potted plants on the lawn, a picket fence, and a Y-shaped sidewalk. The glass is clean and has good magnification. The flat base is polished.

Origin: America, ca. 1900. Condition: good, no chips or cracks, a few tiny fleabites along the bottom rim, a number of scratches from normal use to the flat base, two shallow moons on the side of the crown. Size: 3-1/16” diameter; 1-5/8” high.

A very good fruit bouquet paperweight by the New England Glass Company. Four pears alternate with cherries and foliage around a central pear. The lampwork fruit is particularly nice in this weight. The bouquet is presented against a spiraling double latticinio basket. The dome is high and offers nice magnification. The crystal is a bit sugary, as is typical of many NEGC weights. The concave base has a wide basal ring.

Origin: America, ca. 1870. Condition: excellent, absolutely minimal surface wear to the dome. Size: 2-1/2" diameter; 2-1/8" tall.

A classic Sandwich glass hyacinth vase in a rich amethyst shade. The vase is entirely hand blown, shows the traces of hand marvering. The deeply concave base has a rough pontil and a basal ring showing the expected wear. Hyacinth vases, sometimes called tulip vases or bulb vases, were used to force flowering bulbs for wintertime blooms indoors. They were quite the rage and some Victorian homes had numbers of vases arrayed on windowsills. Pieces by Sandwich are uncommon. An identical example to this, except in cobalt blue and with a large rim chip, sold at auction in July 2006 for $2127.50.

Origin: America, ca. 1870. Condition: excellent, no chips or cracks. Size: 9" tall.

A very good jasper ground glass paperweight by St. Louis. The sole decoration is the pink and white jasper cushion which completely fills the dome. The glass is heavy and nicely clear. The polished concave bottom has relatively wide basal ring.

Origin: France, ca. 1850. Condition: excellent, a surface nick on one side about 1/2" above the base and a tiny fleabite about two-thirds up the side of the crown. Size: 2-3/4" diameter; 1-3/4" high.

A lovely cobalt blue blown glass hyacinth or bulb vase in the classic cone shape. The flared rim was intended to hold a hyacinth or other bulb just above the water line to root. Forcing bulbs was a popular Victorian pursuit and hyacinth vases were lovely adornments for kitchen and conservatory windows. The quality of glass is very good and cobalt blue is a desirable color. The bottom has a sheared pontil.

Origin: America, probably New England, ca. 1890. Condition: no chips or cracks. Size: 6-1/8" tall.

A lovely teal green blow glass hyacinth or bulb vase in the classic cone shape. The flared rim was intended to hold a hyacinth or other bulb just above the water line to root. Forcing bulbs was a popular Victorian pursuit and hyacinth vases were lovely adornments for kitchen and conservatory windows. The teal green is an unusual shade. The bottom has a sheared pontil.

Origin: America, probably New England, ca. 1890. Condition: no chips or cracks, some water staining on interior. Size: 6-5/16" tall.

A very fine early cut crystal wine decanter with etched grapevine decoration. The neck is panel cut and accented with a diamond-cut ring at the base. The panel cutting extends past the ring on the shoulders and resumes at the base. The sides are beautifully decorated with an etched grapevine pattern. The etching is finely done. The base is star-cut. The hollow-blown stopper is panel cut to match the decanter's neck. The inside of the neck and the base of the stopper are etched with matching numbers, indicating this is the original stopper. The glass is quite heavy and very brilliant. If American, the decanter is probably the product of the New England Glass Company. If European, it is either English or Bohemian.

Origin: probably American, ca. 1850. Condition: the stopper has a 1/8" flake at the very top and a few small roughnesses at the high points around the periphery, some discoloration to the interior, otherwise excellent. Size: 14-1/2" tall.

Flint EAPG ale goblet in the "Colonial" pattern, probably by the Boston & Sandwich Glass Company. The goblet has a very attractive, narrow form. Nice clarity.

Origin: America, ca. 1850. Condition: no chips or cracks, a scratch on the bottom interior of the bowl, normal frosted wear on the bottom. Size: 6-3/8" tall.

Flint EAPG goblet in the "Washington" pattern produced by the New England Glass Company. The clarity is excellent.

Origin: America, ca. 1860. Condition: no chips or cracks, normal frost wear on base. Size: 5-13/16" high.

A lovely pair of hyacinth vases in teal blue glass. The classic shape is slightly conical with a widely flaring rim for resting the bulb over the water. These vases are especially attractive because of their rich color. Forcing hyacinths and other bulbs to bloom indoors was something of a Victorian passion that continued well into the 20th century.

Origin: America, ca. 1900. Condition: excellent, no chips or cracks. Size: 7" tall.

Very nice Imperial Russian peacock blue pressed glass tea box. Glass tea caddies are difficult to find in this color. The design features fans, strawberry diamonds and Russian cane motifs. The box is bound with silverplated mountings and a lock. The box was almost certainly made by the “OtyM.F. Atelier”. Locked tea boxes were a holdover from earlier days when tea was a precious commodity that had to be kept safe from marauding servants.

Origin: Russia, ca. 1900. Condition: very good, some roughnesses along the bottom edge; normal wear to the plating. Size: 4-7/8” x 3-7/8” x 4-1/8”.

A classic Sandwich glass hyacinth vase in a rich amethyst shade. The vase is entirely hand blown, shows the traces of hand marvering, and has a large oblong bubble on one side about two inches above the bottom. The deeply concave base has a rough pontil and a basal ring showing the expected wear. Hyacinth vases, sometimes called tuplip vases or bulb vases, were used to force flowering bulbs for wintertime blooms indoors. They were quite the rage and some Victorian homes had numbers of vases arrayed on windowsills. Pieces by Sandwich are uncommon. An identical example to this, except in cobalt blue and with a large rim chip, sold at auction in July 2006 for $2127.50.

Origin: America, ca. 1870. Condition: excellent, no chips or cracks. Size: 9" tall.

A classic Sandwich glass hyacinth vase in a rich teal shade. The vase is entirely hand blown and shows the traces of hand marvering. The deeply concave base has a rough pontil and a basal ring showing the expected wear. Hyacinth vases, sometimes called tuplip vases or bulb vases, were used to force flowering bulbs for wintertime blooms indoors. They were quite the rage and some Victorian homes had numbers of vases arrayed on windowsills. Pieces by Sandwich are uncommon. An identical example to this, except in cobalt blue and with a large rim chip, sold at auction in July 2006 for $2127.50.

Origin: America, ca. 1870. Condition: excellent, no chips or cracks. Size: 9-1/4" tall.

A beautiful Victorian art glass short vase or cachepot in luscious shades of caramel. The vase is made in the manner of plated amberina, except that the color shades from a light toffee at the bottom to a dark nut brown at the rim. The interior plating is pale caramel. The vase is blown into a twisted four-lobed shape with a slightly everted rim. The sides are elegantly decorated with handpainted apple blossoms and foliage in restrained shades to complement the colors of the glass. The quality of decoration is easily on par with the best Wavecrest, Royal Flemish or other major American art glass types. The base has a polished concave pontil and has a painted decorator's mark "P.671/3."

Origin: probably Bohemian, possibly English, ca. 1890. Condition: excellent, no glass or enamel damage. Size: 6" x 6" x 5-3/8" tall.

A very good cut glass vase by Clark in the "Iris" pattern. The lower third and the flared rim are cut with elongated hobstars flanked by mitred triangles of strawberry diamond cutting enhanced with fans; and the neck is cut with panels of printies alternating with notched prisms. The base is cut with a 20-point hobstar and has Clark’s script acid signature. The pattern is either "Iris" or a variant of “American Beauty”. The cutting is very precise and the polish is excellent.

Origin: America, ca. 1900. Condition: excellent, a small nick to only one tooth at the rim. Size: 10-1/4” tall.