Catalog: Antiques: Decorative Art (485)

A nice example of an antique scrambled glass paperweight by the New England Glass Company. The set-up contains a colorful variety of complex canes, filigree and twists in a nicely compact grouping. There are least three complex canes with white eagle silhouettes against a field of dark purple. There are no annealing problems and few bubbles in the set-up. The glass of the dome has good color and clarity. The bottom is concave with a basal ring.

Origin: America, ca. 1865. Condition: excellent, a fairly light ½-in scratch to the dome, no dings. Dimensions: diameter, 2-7/8 in; height, 1-13/16 in.

A stunning cut double-overlay white/cranberry/clear cologne bottle, mostly likely by the New England Glass Company. The broad base is slightly footed and decorated with opaque white casing cut in a classic foral vine pattern to a transparent rose-cranberry base. The panel-cut tapered neck is enhanced with a faceted applied ring. The open-top tulip-form stopper has a long knopped neck and white/cranberry panel cutting on the petals. The concave base is polished.

Origin: America, 1850-70. Condition: a 1/16" flake on an upper edge of the stopper visible on careful examination in raking light. Dimensions: 3-3/4" wide; 6-1/2" high.

Handsome hexagonal faceted glass paperweight featuring a detailed frost intaglio of a lion pressed into the base. The New England Glass Company made several different types of intaglio paperweights, and this piece is possibly an example of the company's work.

Origin: America, ca. 1880. Condition: excellent, no chips, normal wear to base. Size: 2-7/8" diameter; 1-3/16" high.

A very good fruit bouquet paperweight by the New England Glass Company. Four pears alternate with cherries and foliage around a central pear. The lampwork fruit is particularly nice in this weight. The bouquet is presented against a spiraling double latticinio basket. The dome is high and offers nice magnification. The crystal is a bit sugary, as is typical of many NEGC weights. The concave base has a wide basal ring.

Origin: America, ca. 1870. Condition: excellent, absolutely minimal surface wear to the dome. Size: 2-1/2" diameter; 2-1/8" tall.

A unusually fine example of a scrambled weight by the New England Glass Company. The weight includes latticinio twists and millefiore canes. The set-up includes a complex red, white and blue cane (visible through the concave bottom of the weight) formed of a heart silhouette surrounded by stars. The canes are tightly packed for a very nice appearance. The glass is quite clear.

Origin: America, circa 1870. Condition: very good, a few small surface nicks on the crown, no cracks. Size: 2-5/8” diameter; 1-7/8” high.

Very unusual glass paperweight from the New England Glass Company. The weight is worked in a patriotic theme with shards of red, white and blue opaque glass rods making up the scrambled design--possibly in celebration of America's centennial in 1876. The center of the setup is punctuated with a large icepick bubble--a technique I have never seen used in an American scrambled weight. There is also a rare silhouette cane of a pine tree. The crown is high and has a lightly swirled finish. The basal concavity is quite deep and irregularly finished.

Origin: America, circa 1876. Condition: excellent, no chips or cracks, no deep scratches. Size: 2-1/2" diameter; 2" high.

A wonderful Art Nouveau sterling silver cracker scoop in Blackinton’s 1904 “Daisy” pattern. The handle, decorated with flowers and foliage, nicely accents the ruffled edge of the bowl. Cracker scoops were originally used to serve small crackers similar to today’s oyster crackers. Now, the piece could be used to serve a variety of foods. Blackinton made a small line of very good sterling silver flatware in the Art Nouveau style. All U.S. embassies worldwide use Blackinton flatware for formal occasions. The back is marked with Blackinton’s hallmark.

Origin: America, ca. 1905. Condition: excellent, sharp detail, no monogram. Size: 9-13/16” long. Weight: 133.0 grams.

A gorgeous sterling silver cream ladle rare on two counts. First, Fessenden’s 1910 “Tulip” pattern is very uncommon. Secondly, while spoons were often engraved as souvenir pieces, serving pieces were hardly ever given this treatment. This is the only souvenir cream ladle we’ve seen. The matte gilt bowl is engraved with a very detailed representation of the U.S. Capitol Building underscored by “Washington DC”. The back is hallmarked by Fessenden & Co.

Origin: America, ca. 1910. Condition: excellent, sharp detail, no monogram, original gilding. Size: 4-5/8” long. Weight: 16.0 grams.

Wonderful old Millville, NJ area glass paperweight wig stand or mantel ornament. The setup is pierced with five elongated icepick bubbles. Small bits of aventurine glass highlight the overall coloring of soft yellow and green. The top is heavily faceted with 33 printies of varying sizes. The cutting strikes me as being similar to the faceting seen on good New England Glass Company paperweights. The weight is raised on a baluster form pedestal and a foot. The glass is very heavy and of the finest quality. A similar wig stand/mantel ornament is pictured in Newell's "Old Glass Paperweights of Southern New Jersery".

Origin: Millville, NJ area, late 19th century. Condition: very good, a fleabite on the edge of the top printy, another about a third of the way down the crown, and another on the edge of the foot; a small moon on the perimeter of the weight. Size: 6" tall; foot 3-1/16" diameter.

Outstanding and gorgeous Victorian liquor decanter in cranberry overshot glass. The body is blown in a ribbed shape and is accented with vertical gilt stripes. The neck is fitted with a silverplate collar and the most extraordinary silverplated jockey head stopper.

Origin: probably England, ca. 1890. Condition: excellent, except for two very short, stable hairlines at the neck that are original to the piece; stopper retains the original cork and fits well. Size: 12-3/4" tall.

Painted cast iron paperweight, probably by Hubley.

Origin: America, ca. 1920. Condition: very minimal paint loss (less than 5%). Size: 1-5/8" tall.

Painted cast iron dog paperweight, probably by Hubley.

Origin: America, c. 1920. Condition: good, about 10% paint loss. Size: 1-5/8" tall.

19th century cast iron figure of an angel raising a laurel wreath above her head and holding a ship's anchor. Obviously intended as a symbol of the wishes for a sailor's safe return from the sea, the plaque was probably used to decorate the wall of a sailor's home in an Atlantic coast seaport.

Origin: America, circa 1860s. Condition: excellent, light rusting on surface. Size: 14" tall.

A beautiful pair of cut glass square bowls, the steep sides blown out into a scalloped shape. The bottoms are cut in Russian pattern, with the buttons cut in Harvard, diamond and a diamond variant. The sides are in panels of a Harvard variant, panels of Russian matching the bottoms, and panels of diamond. The panels are topped with flashed star cuts and are separated by columns of vertical fluting. The edge is finished with teeth. The cutting is very precise and extremely sharp, and the bowls are hand-polished. Unsigned. Both bowls fluoresce yellow under UV light.

Origin: America, ca. 1890. Condition: excellent, one bowl has a 3/16” flake on the outside of one tooth and a few extremely tiny roughnesses on the interior of the teeth. Size: 6” x 6” x 2-7/8”.

A pair of elegant Art Nouveau enameled Bohemian glass bowls with floriform decoration. The petals of a vivid pink flower curl up the sides and are interspersed with green tendrils. The flowers are echoed in the undulating rim decorated with a thin line of gilding. The overall workmanship is superb. This sort of decoration was produced by Theresienthal, Meyr’s Neffe, Lobmeyr or Fritz Heckert, and the quality of these pieces is consistent with any of those makers. Typically, this style is seen in goblets, but other tablewares such as these are more uncommon.

Origin: Bohemia, ca. 1895-1905. Condition: excellent, light wear to gilding at rim, no other enamel wear, no chips or cracks. Size: 3” tall, 4-1/2” diameter.

A pair of carved bone master salt spoons decorated with elephants on the handles. Circa 1900. Excellent condition. 2-3/4” long.

Elegant pair of Chinese export porcelain soup plates decorated with a floral scene in the famille rose palette. Pheasants, beetles and butterflies are scattered among the pink peonies, orange pomegranates and blue-green bamboo stalks. The rim is decorated with a striking band of blue and gold strapwork in the Persian taste. The contrast of the restrained formal border pattern against the exuberant naturalistic design of the bowl is striking.

Origin: China, ca. 1800. Condition: no chips or cracks, normal moderate wear to gilding. Size: 9-3/4” diameter.

A superb pair of sterling silver footed baskets by Lambert & Co., one of the most highly-esteemed Victorian silversmiths in London (mentioned by Charles Dickens in his writings). The baskets are ornately pierced and rise on ornate scrolled foot collars. The rims are decorated classically with acanthus leaves and scrolls, but a hint of Art Noveau appears in tiny irises, chrysanthemums and forget-me-nots that are scattered along the rim. The swing handles are also pierced and heavily decorated with matching floral motifs. The baskets are ideal for small flower arrangements, nuts, candies, etc. These baskets are of the finest quality and are fully hallmarked for London, 1908-09, and with the maker’s mark for Lambert & Co. as well as the company’s retail shop at 12 Coventry St.

Origin: England, 1907-08. Condition: excellent, sharp detail, no dings or monograms. Size: 5-1/2” diameter; 5-1/2” tall. Weight: 507.0 grams.