Catalog: Antiques: Decorative Art (486)

Extremely rare oil lamp featuring a base of mercury glass decorated with floral painting and satin finishing. The floral decoration is an autumnal design depicting leaves and wheat in shades of brown, gold, green and cream, accented with cornflowers in blue and small orange flowers. The mercury glass has extensive satin finish which further emphasizes the shiny surfaces. The oil reservoir is flint glass of the highest quality cut in a 12-panel design. The metal mounting between the oil reservoir and the mercury glass base is gilt in a way that the mercury glass blends seamlessly into the rest of the lamp. The shade, no doubt a plain clear glass shade, is gone. The wick knob is marked "Ideal Brenner 20".

Origin: American, almost certainly New England Glass Company, circa 1840-80. Condition: excellent, no cracks or chips, painted decoration intact. Size: 17-1/2" tall (to top of burner).

Very handsome and heavy sterling silver master salt dish in the Georgian style. The flattened spherical body has a modified egg and dart border and is raised on acanthus leaf legs terminating in animal paw feet. Goodnow & Jenks was Boston's finest silversmith, albeit only for a short period, 1893-1905. The bottom is marked with the maker's mark, as well as a partially obscured retailer's mark.

Origin: America, ca. 1895. Condition: no dings or deep scratches, light pitting to the interior that can be removed by a light buffing. Size: 2-3/4" diameter; 1-5/8" tall. Weight: 73.5 grams.

A very nice pair of 19th century wooden Russian Easter eggs handpainted with traditional motifs. One egg is brightly painted with a maiden wearing peasant clothing and the traditional kokoshnik headdress. The reverse side is painted with the letters “XB” for Khristos Voskrese (“Christ Is Risen”). The other egg is painted with a scene of a peasant woman walking through a birch forest toward her log hut. This egg, too, is painted with “XB”. The eggs are strung on very old, possibly original, satin ribbon. The wood appears to be mahogany.

The tradition of giving eggs to loved ones at Easter was popular throughout Russian society. The common classes gave decorated wooden eggs, while the Tsars favored their loved ones with the creations of Faberge.

Origin: Russia, mid- to late-19th century. Condition: excellent, all original paint. Size: 2” long & 1-3/4” long.

A lovely set of twelve sterling silver demitasse spoons presented in their original fitted velvet and silk box. The design features a scroll of acanthus leaves along the stem with an asymmetrical shell at the handle. The backs are stamped “Sterling” (prior to 1915), American silver was not required to bear a maker’s mark. The pattern is nearly identical to Knowles’ “King” pattern. The spoons are presented in their original velvet and silk fitted box from Hamilton & Diesinger of Philadelphia (1895-1900).

• Origin: America, ca. 1895
• Condition: spoons are excellent except one which has a tiny ding right at the tip of the bowl; sharp detail; no monogram; box is functional, but has significant wear. One of the 2 latches is broken at the top of the latch.
• Dimensions: spoons, 3-7/16” long
• Weight: 77.2 grams

A nice late Victorian South Jersey (Vineland/Millville area) glass paperweight with a frit “Home Sweet Home” design. The set-up is worked entirely in white frit and has few nice features including potted plants on the lawn, a picket fence, and a Y-shaped sidewalk. The glass is clean and has good magnification. The flat base is polished.

Origin: America, ca. 1900. Condition: good, no chips or cracks, a few tiny fleabites along the bottom rim, a number of scratches from normal use to the flat base, two shallow moons on the side of the crown. Size: 3-1/16” diameter; 1-5/8” high.

A lovely set of twelve sterling silver demitasse spoons by Whiting. This pattern, probably referred to as “39”, was most likely only made as demitasse spoons. Whiting produced a number of patterns in the 1880s and 90s that were limited in this way. The handles, beautifully decorated with a pierced pattern of lilies of the valley, blend into corkscrew twist stems that connect to bowls enhanced with repousse decoration of chrysanthemums. Exactly what chrysanthemums and lilies of the valley have to do with each other is not clear, but the design certainly works from an aesthetic point of view! The bowls are highly polished, but the flowers on the handle have a matte surface that really highlights the floral details and adds to the realistic appearance. The backs are marked with Whiting’s earlier hallmark, the pattern number 39, and “Sterling”. The spoons are presented in their original fitted box covered in lilac velvet and silk.

Origin: America, ca. 1890. Condition: excellent, no monograms. Size: 4-1/16” long. Weight: 115.0 grams.

A lovely bright olive green vase with molded ribbed blocking and cold-gilt gold and platinum decoration depicting thistles. The gilding is of very fine quality and has almost an Aesthetic Movement appearance. The vase uses a cased construction of various layers of clear and colored glass typical of Moser. The bottom is finished with a concave polished pontil and is marked with the form/decoration code “Q/195”.

Origin: Bohemia, ca. 1895. Condition: excellent, no chips or cracks, gilding intact. Size: 10” tall.

Gorgeous sterling silver berry spoon in Durgin's 1891 "Watteau" pattern. The rococo design of the handle is wonderful on its own, but when combined with the decoration of the bowl, it's stunning! The back is hallmarked by Durgin.

Origin: America, ca. 1895. Condition: excellent, all original, period monograms on both the front and back. Size: 7-1/2" long.

A rare enameled beaker made as a souvenir of the 1896 coronation of Imperial Russia’s last monarchs, Czar Nicholas II and Czarina Alexandra Feodorovna. One side of the beaker features the Imperial double-headed eagle and the reverse shows the Imperial cipher. The remainder of the body is decorated with traditional Russian strapwork. The beakers were to be given away to the public on the Khodinka field in Moscow. When the gates were opened, there was a great rush to get to the cups, and hundreds of people were trampled to death. Shortly after, the cup became known as the “Blood Cup” or “Cup of Sorrows”. The incident was thought at the time to be a bad omen for the future of the Imperial couple—an estimation that proved unfortunately correct. These beakers are often in very bad condition, but this one is excellent, with just a small enamel nick on the rim, light rust spots in the interior bottom and light wear to the gilding on the rim.

Origin: Russia, 1896. Size: 4-1/8” tall.

A phenomenal Victorian sterling silver cheese scoop in Whiting’s “No. 26” pattern. The tip of the handle features a gorgeous full-blown peony blossom and bud. The twist stem leads to the deeply curled bowl. “No. 26” is an extremely rare pattern. It is always very finely made and exceptionally heavy, even by Whiting’s standards. The pattern is a multi-motif design, so each piece has a slightly different, but related, decoration on the handle. The back is marked with Whiting’s old hallmark and the pattern number.

Cheese scoops were used to serve blue or soft cheeses. The implement insured that the diner could have a quality serving from deep inside the cheese, rather than just a slice off the less desirable outer surface of the cheese.

Origin: Ameica, ca. 1895. Condition: excellent, the original gilding on the bowl has faded to a very pale lemony yellow, sharp detail, original 3-letter monogram. Size: 8-9/16” long. Weight: 73.0 grams.

Elegant sterling silver sauce ladle by Baker-Manchester Co. The lobed bowl has matte gilding and the rare feature of a pouring spout. The reverse is marked with the company's hallmark.

Origin: America, circa 1898. Condition: near mint, no monogram. Size: 5-1/4" long.

An attractive personalized glass paperweight by the Union Glass Co. The typical patriotic coloring is made up of the honoree’s name “John W Sullivan” in lampwork letters surrounded by a ring of red and blue lampwork flowers with small green leaves. As with all Union Glass weights, the crown is high and has very nice clarity. The glass is also quite heavy. The polished base is flat.

Origin: America, ca. 1880. Condition: excellent, normal light scratches to surface, no chips or cracks. Size: 3-1/2” diameter; 2-1/2” tall.

An outstanding Restoration period French silver wine taster in the 18th century style typical of Lyon. With the restoration of the Bourbon monarchy, many old styles from the ancien regime once again came into fashion, and this tastevin, building on decorative elements typical of the 1770's, is a perfect example. Tastevins with snake-form handles were particularly popular. Those with a pair of snake heads that somewhat resemble bird's heads flanking a sphere are typical of silver from Lyon. The punchwork decoration of grape clusters surrounded the bowl is also a typical 18th century design. The tastevin is completely handmade and was raised on a lathe in the traditional method, as is evidenced by the pinprick in the middle of the bowl and the remnants of hammer marks. The outer rim is engraved "F. Porcheret-Billard". Stamped with 2nd standard "tete de Minverve" hallmarks.

Origin: France, ca. 1840. Condition: excellent, sharp detail. Size: 3-1/2" diameter, excluding handle. Weight: 113.4 grams.

19th century aneroid desk barometer in a stunning ivory case raised on a turned pedestal and surmounted with a carved ivory bust depicting a young farm maiden. The carving is superbly done, with great attention to the girl's hair and 18th century-style lace-trimmed bonnet. Her face is charming. The ivory has a beautiful yellowed patina that has not been cleaned. The enameled dial is in French, but there is no maker's mark visible. This is the finest desk barometer we've ever seen.

Origin: France, ca. 1830. Condition: excellent, expected splitting to ivory on the back, original patina. Size: 7-1/4" tall; 3-1/2" dial diameter.

A lovely Staffordshire pottery inkwell and quill holder in the form of a swan. The wings are painted vivid shades of pink with black and gilt accents. The bird rests on a colorful "confetti" nest. The hole in the swan's back served as the inkwell, while the two holes in the front were to hold quills. This swan is a particularly colorful example.

Origin: England, ca. 1840. Condition: excellent, no damage. Size: 3" x 2" x 3-1/4".

A gorgeous Napoleon III white opaline glass baluster-form vase with an everted apple green opaline rim and an applied molded green opaline foot with knopped and ribbed decoration. The overall design is very pleasing and the color contrast is stunning. The quality is comparable to Baccarat, although the vase was probably made at a competing cristallerie.

Origin: France, ca. 1860. Condition: excellent, all original, no cracks or chips. Size: 10-1/2” tall.

An elegant second standard (800/1000 pure silver) French tastevin. The bowl is engraved with repousse grape clusters and leaves in the 18th century style, but also with the more traditional raised “perles” and “coupules” seen in 19th century examples. The combination of the two is quite unusual. The handle is in the form of two snakes grasping an apple between their jaws—an element thought to stem from the Garden of Eden and intended to remind drinkers of temptation. The tastevin bears regional hallmarks for second standard silver and an unknown maker’s mark (J ancre de marine P). The pinpoint in the bottom of the bowl is a lathe-mark and suggests a date of the mid-19th century at the latest. The rim is engraved with the name of the original owner, “Ane [Antoine] Mouly-Chambon de Chas.”

• Origin: France, Burgundy region, ca 1840
• Condition: excellent
• Dimensions: 3-1/8” x 4-1/4” x 1-5/32”
• Weight: 118.4 grams

Pair of Staffordshire pottery cake plates with light blue transfer decoration in the Canton or "Willow" theme. Neither plate is marked.

Origin: England, circa 1850. Condition: one plate has a crow's foot visible only from the back; the other has a 1/2" flake on the back of the rim; both have some staining, particularly along the rims. Size: 10" diam.

A very unusual Bohemian zwischengoldglass liquor glass, the bottom featuring an inset gilt and enameled design of a ladybug. The panel cutting along the beaker’s sides causes the design to be visually repeated. Small beakers such as these are normally decorated with a flower. This is the only example we’ve seen with an insect. The ladybug traditionally symbolizes good luck, so perhaps that's why it appears here.

Origin: Bohemia, ca. 1860. Condition: excellent, gilding intact, no chips or cracks. Size: 2-1/4” tall.

A beautiful Victorian sterling silver souvenir spoon from Saratoga Springs, New York. The handle depicts a Native American Chief wearing a feathered war bonnet, his bust surrounded by ears of corn and foliage. The bowl has a design picturing a young Native American man drinking from the natural springs and bears the legend “High Rock Spring Saratoga”. The bowl retains its original gilt surface. The back of the spoon is decorated with a tomahawk, bow and quiver of arrows. The stem is marked sterling and has the hallmark for Howard (1878-1902).

Origin: America, ca. 1890. Condition: near mint. Size: 4-3/16” long. Weight: 11.4 grams.

Outstanding brass match holder the pocket formed in the shape of a shield and punch-decorated in a stars and stripes pattern. The pocket is surmounted by a punch-decorated American eagle underneath the motto “In God We Trust”. This motto was adopted in 1863 as a subtle government reminder during the Civil War that God was on the side of the Union troops fighting to end the evil of slavery. The backplate has a punchwork border and also a hole for hanging.

Origin: America, ca. 1860s. Condition: excellent, all original, nice patina. Size: 3-15/16” x 2-1/2” x 5/8” deep.

Pair lovely Minton porcelain cabinet plates featuring handpainted pastoral scenes. One shows a footbridge over a rushing stream and the other shows a pair of cows wading in a pond. Both are surrounded by Minton's famous turquoise blue. The edges are gilt and embossed with a foliate pattern. The backs are impressed "Minton" and have the year mark for 1879. Origin: England, 1879. Condition: the bridge plate is excellent, with about 10% loss to the gilding along the rim; the cow plate is good, with about 70% loss to the gilding along the edge and along the inner rim. Size: 9-1/8" diam.

A superb late 19th century first standard (950/1000 pure) silver berry spoon with a shell-form gilt bowl. These spoons were originally intended for serving strawberries. The front of the handle is decorated with a twisting wreath of holly leaves and berries, and the back with a similar wreath of thistles. The bowl is beautifully worked in the shape of a scallop shell. Improvements in agriculture and railways made strawberries widely available to the wealthy classes in the 1870s. Special implements such as this were needed to compete the experience. Today, it could be used for any sort of desert or even hors d’oeuvres. The spoon is stamped with French silver marks and with an illegible maker’s mark. The quality of workmanship is easily on par with the great makers such as Odiot and Puiforcat.

• Origin: France, ca. 1880.
• Dimensions: 8-3/4” long.
• Condition: mint; gilding completely intact.
• Weight: 99.5 grams.

Extremely rare set of six transferware dessert plates depicting Napoleon’s great victories. The rims are printed with crowned “N”s encircled by laurel wreaths and military decorations, alternating with escutcheons with the Emperor’s signature hat and sword. The scenes are entitled “Mort De Desaix A Marengo”; “Le Ge’al Massena Devant Zurich 25 Decembre 1799”; “Bataille De Friedland 14 Juin 1807”; “Combat De Benhout 8 Mars 1799”; “Bonaparte A Arcole 17 Novembre 1796”; and “Napoleon Haranguant Les Troupes Bavaroises Et Wurtembergeoises”.

All the plates were made by Boch Freres of La Louviere, Belgium. Most are marked with the company’s stamp. The monarchy was in and out of favor frequently during the 19th century, and few of the Napoleon transferware items survived.

Origin: Belgium, circa 1850s. Condition: all are in excellent condition with no chips or cracks; one has light crazing to the glaze and minimal discoloration; all the transfer decoration is well-detailed and strongly-colored. Size: 8-1/8” diameter.

A beautiful hyacinth bulb vase by the Boston & Sandwich Glass Company, decorated in opaque overlay cut to clear in in a panel and trailing vine design. The top is enhanced with a cobalt blue lip and the bottom is slightly footed and star-cut. The overall form is very elegant. The shape was blown in the company's #123 mold and the cutting is identical to known labeled pieces. Vases of this shape were used to hold a single flowering bulb, usually a hyacinth, but sometimes a daffodil or tulip.

Origin: America, ca. 1860. Condition: very good; a 1/4" flake to the white overlay at the edge of one panel. Dimensions: 5-1/4" tall.

Lovely panel-cut footed crystal compote, the stem with a blown teardrop. The foot is shaped to conform to the panel cutting. The crystal is top quality, with excellent weight and color. The bottom has a polished pontil.

Origin: England or Ireland, circa 1830. Condition: excellent, no chips or cracks. Size: 5-5/8" tall, 7-7/8" diameter; bowl is approximately 2" deep.

A very rare sterling silver chamber stick in a repousse floral pattern by Shiebler. The overall floral decoration depicts buds and full-blown rose blossoms against a background of leaves. Areas between the leaves are finished with a stippled texture. The knop of the candle socket and the bobeche are plain and make a nice contrast to the elaborate decoration. The thumbpiece is accented with a fan-shaped element that is suggestive of Shiebler’s more Aesthetic-style pieces. The bottom of the bobeche is stamped with Shiebler’s hallmark, the pattern number 1174, and the retailer’s mark “J. E. Caldwell & Co.”

Origin: America, ca. 1890. Condition: excellent, a small rim ding and a couple of pinpoints on the bobeche. Size: 6” diameter; 3-1/2” tall. Weight: 211.0 grams.

Wonderful 7-piece toleware spice set comprised of a handled tray, four spice tins, and two spice tins with sifter tops. Two of the regular tin lids are decorated with a red and yellow pomegranate design; one has a red, yellow and green strawberry design; and one has a red, yellow and green tulip and flower design. The sifter lids are simply decorated with yellow and red arcs. The sides of all the tins are decorated with a squiggly yellow line, as are the sides of the tray. The handle of the tray is decorated with green foliage.

Origin: American, probably central Pennsylvania, 19th century. Condition: excellent; all the tins have wear to the lower third where they rub against the sides of the tray; all original finish with appropriate alligatoring; the lid of one tin is a bit loose, but all the others are very tight. Size: tray--5.5" x 8" x 4" tall; tins--2-7/8" tall x 2-5/8" diam.

Sterling silver berry spoon in Towle's 1884 "Arlington" pattern. This rare pattern featured a different repousse design on each piece of the service. The gilt spade-shaped bowl is engraved with climbing roses growing on a trellis. This decoration is especially interesting.

The pattern is named after Robert E. Lee's plantation, "Arlington". Union troops buried their dead in Mrs. Lee's rose garden as a spiteful act, and unwittingly created Arlington National Cemetary.

Origin: America, c. 1880s. Condition: excellent, gilding intact, no monogram. Size: 6-7/8" long.

A lovely set of six sterling silver strawberry forks in Lunt’s 1893 “Navarre” pattern. This pattern was actually developed by A. F. Towle & Sons, which eventually was purchased by Lunt Silversmiths. The handles are beautifully decorated in an asymmetric pattern of volutes, acanthus leaves and flowers. The slightly splayed double tines retain their original matte gilding. The backs are marked with the A.F. Towle hallmark and the retailer’s mark “G. Frank”.

Origin: America, ca. 1895. Condition: excellent, sharp detail, original gilding, no monograms. Size: 4-25/32” long. Weight: 52.0 grams.

A handsome Imperial Russian medium-size hammered brass oval tray with cast brass handles. A tray of this size would probably have been used to serve vodka, and could still be used as a cordial tray or even on a buffet table. One end is stamped with the maker’s name and the Imperial Romanov double eagle warrant. The handles are attached with copper rivets and are cast in a ropetwist design.

Origin: Russia, last quarter 19th century. Condition: excellent, no dings, untouched patina, wear to the Imperial warrant. Size: 14-1/4” x 7-3/8” x 1/2”.

Outstanding and gorgeous Victorian liquor decanter in cranberry overshot glass. The body is blown in a ribbed shape and is accented with vertical gilt stripes. The neck is fitted with a silverplate collar and the most extraordinary silverplated jockey head stopper.

Origin: probably England, ca. 1890. Condition: excellent, except for two very short, stable hairlines at the neck that are original to the piece; stopper retains the original cork and fits well. Size: 12-3/4" tall.

Early Staffordshire porcelain saucer decorated with bright polychrome enamels and pink luster arranged in a very pretty wreath pattern. The body is very slightly molded into lobes along the edges.

Origin: England, c. 1840. Condition: good; a small crow's foot on the back side and a small bite to the bottom rim. Size: 5-5/8" diam.

Phenomenal Art Nouveau crystal shallow bowl, the bottom with intaglio engraving of a large pansy blossom. The flowers petals are beautifully handpainted in shades of burgundy and then gilt. The flower is surrounded by translucent foliage. The scalloped rim of the bowl is gilt to coordinate with the floral decoration. This piece, with its single large flower, is much more assertive than the more common small reverse-carved pieces such nappies and short compotes. We're not certain if the bowl is Bohemian or French. The pansy was a very popular floral motif in France during the Art Nouveau period. The French word for pansy ("pensée") is also the word for thought and the floral image was often employed to signify and sentimental gift of remembrance or affection.

Origin: Continental Europe, ca. 1890. Condition: excellent, no chips or cracks, 98% of painting and gilding intact. Size: 10-1/2" diameter; 1-1/2" high.

19th century cast iron figure of an angel raising a laurel wreath above her head and holding a ship's anchor. Obviously intended as a symbol of the wishes for a sailor's safe return from the sea, the plaque was probably used to decorate the wall of a sailor's home in an Atlantic coast seaport.

Origin: America, circa 1860s. Condition: excellent, light rusting on surface. Size: 14" tall.

Outstanding Victorian silverplate napkin ring decorated in the Aesthetic or Japonesque taste. The surface is encrusted with decoration representing flying cranes, crysanthemums, fans, and bamboo. The plain surface of the fan was intended for a monogram, but the napkin ring was never engraved.

Origin: America, circa 1870. Condition: excellent, all original, sharp detail. Size: 1-9/16" diameter; 1-1/8" wide.