Catalog: Antiques (495)

A very fine 13-piece gilt silver coffee or tea service by Bruckmann & Soehne, one of Imperial Germany's leading silversmiths. Peter Bruckmann established the Deutscher Werkbund in 1907 to bring designs by the major German artists into the public realm. This service, strikingly decorated with classical figures, is a quintessential example. The slightly angular spade-shaped handles look forward to the Art Deco, while the subject matter itself depicts traditional Greek gods and goddesses. The spoons and tongs are presented in their original fitted case lined with silk and kid leather. The interior of the lid is embossed with the retailer's mark. Each piece is hallmarked with Bruckmann's hallmark, including the Imperial warrant.

Origin: Germany, ca. 1900. Condition: excellent, all original. Size: spoons, 3-3/4" long; tongs, 3-7/8" long. Weight: 114.50 grams.

A wonderful Art Nouveau sterling silver cracker scoop in Blackinton’s 1904 “Daisy” pattern. The handle, decorated with flowers and foliage, nicely accents the ruffled edge of the bowl. Cracker scoops were originally used to serve small crackers similar to today’s oyster crackers. Now, the piece could be used to serve a variety of foods. Blackinton made a small line of very good sterling silver flatware in the Art Nouveau style. All U.S. embassies worldwide use Blackinton flatware for formal occasions. The back is marked with Blackinton’s hallmark.

Origin: America, ca. 1905. Condition: excellent, sharp detail, no monogram. Size: 9-13/16” long. Weight: 133.0 grams.

A lovely sterling silver fancy serving fork in an unnamed Art Nouveau pattern by the Baird-North Co. The handle is beautifully decorated with a thorny vine of wild roses. The back is decorated in a simpler design of roses. The splayed tines are ornately pierced. A fork of this shape would probably have been used to serve bacon, but it might also be useful for cold meats. The reverse is marked “Sterling/Pat. 1903”. There is no maker’s mark (maker’s marks were not legally required until 1906), but we’ve had pieces in this pattern that have bear Baird-North’s hallmark.

Origin: America, ca. 1903-1906. Condition: excellent, sharp detail, no monograms. Size: 8” long. Weight: 35.5 grams.

A finely detailed cast bronze jewel box, the cover decorated with a scene of Don Quixote astride his horse followed by his loyal Sancho Panza on his donkey. The end panels feature bas relief images of Cervantes flanked by cherubs, and the back panel a bas relief of Don Quixote wearing an armored helmet. Cherubs and dolphins decorate the front. The interior is lined in a bright red velvet. The box retains its original key and the lock is in working order. Bronze boxes of this sort were often purchased as souvenirs of the European "Grand Tour". Often, they represent important architectural or artistic monuments or are related to great cultural figures such as Cervantes. The bottom is marked "Made In Spain" to accommodate British import regulations beginning in 1887.

Origin: Spain, ca. 1890. Size: 6-9/16" x 3-11/16" x 2-5/8". Condition: excellent.

A delightful sterling silver photograph frame intended to celebrate the arrival of a newborn. Designed by Lebkeucher & Co. (1896-1909), the frame is ornately decorated with storks, song birds and climbing roses. The top border has a reserve for engraving the baby’s name. The bottom border has a reserve for adding the birth date, a clock on which the time of birth can be engraved, and a scale on which the weight may be added. The frame retains its original black composition easel back. Frames of this type were created by other makers well into the 20th century, but very early examples of this quality and with absolutely no prior engraving are exceedingly uncommon. Lebkeucher was especially noted for its ornately engraved wares. The frame has the company’s hallmark and is stamped “Sterling 3187”.

Origin: America, 1896-1909. Condition: excellent, no dings, no monograms. Size: 4-3/8” x 5-3/4”; sight size, 2-7/8 x 4-3/16”. Silver Weight: 61.1 grams.

Very nice vintage South Jersey glass paperweight featuring a frit design of an ivy-covered blue cross against an opaque white ground. The foreground has a wave-like frit design. The opaque ground is most unusual in a South Jersey weight. The crown rises quite high into a pronounced cowlick more typical of New England weights. The bottom has a pontil mark and slight basal concavity, and there is an incised line around the periphery at the top edge of the opaque ground.

Origin: America, ca. 1900. Condition: excellent, very light surface scratching as expected. Size: 3-1/4” diameter; 2-1/4” tall.

Exquisite pierced sterling silver bride’s basket vase by Frank W. Smith. The basket flares out from a narrow base decorated with scrolling acanthus leaves. The sides are decorated with an intricate pierced motif and the upper border repeats the decoration at the foot. The handles is pierced and heavily decorated with scrolls and foliate designs that elaborate on the simpler foot and lip rims. The basket retains its original silverplate liner. Frank Smith was known for very high quality and superior materials. U.S. embassies used one of his flatware patterns for official diplomatic dinners. The bottom has Smith’s older hallmark, the retailer’s mark “Mermod & Jaccard” (St. Louis), “Sterling”, and the pattern number 2214.

Origin: America, 1892-1904. Condition: excellent, normal wear to plating of liner, no monogram. Size: 9-1/4” tall; 7-1/2” wide. Weight (without liner): 270.0 grams.

Rare gilt sterling silver replica of the anointing spoon used for the coronation of English monarchs. The original spoon, dating from the 12th Century, is the oldest continuously used piece in the entire English royal regalia. The spoon is used to apply holy anointing oil onto the sovereign during his or her coronation. This replica commemorates the coronation of Queen Victoria’s son Edward VII. Most of these spoons are in the small demitasse or teaspoon size, this is the very rare life-size replica. Because of its size, it has wonderful details that the smaller versions just do not have. The back of the bowl is stamped with the appropriate hallmarks for London, 1901-02, and the maker’s mark “JW/FCW”. The back also has a later monogram “M.C.” dated 1916.

Origin: London, England, 1902. Condition: excellent, sharp detail, retains its original light lemony gilding. Size: 10” long. Weight: 96.5 grams.

Cute Victorian porcelain baby's dish decorated with a very pretty transfer illustration of the nursery rhyme "Jack and Jill". The decoration is sweetly sentimental. The rim is gilt "Baby". The bottom is marked "Germany".

Origin: Germany, ca. 1900. Condition: excellent, no chips or cracks, light wear to gilding and transfer. Size: 5-1/8" diameter; 1-1/4" high.

Nice early South Jersey glass paperweight with a frit setup depicting a cabin surrounded by the motto "Home Sweet Home". The cabin has trees in the yard, smoke curling from the chimney, and a well in the foreground. The design is worked entirely in white frit. The base has a broken pontil and an incised ring around the base, as is typical of S. Jersey paperweights.

Origin: America, ca 1890. Condition: light surface scratching to the crown, no chips. Size: 3-1/2" diameter; 2-1/2" high.

Extremely rare sterling silver oyster ladle in the 1900 "Buttercup" pattern by Gorham. Oyster ladles are very difficult to find because they were only included with the most complete services. They were used to serve oyster stews. Today, they could also be used for soups or even for punch. The back of the handle is marked with Gorham's old hallmark and also with the patent date, indicating that this is an early example.

Origin: America, ca 1900. Condition: nearly mint, no monogram, no dings, sharp detail. Size: 10-3/4" long. Weight: 165.25 grams.

A classic sterling silver wine coaster with a turned mahogany base. The walls are simply decorated with vertical piercing and the front is engraved with the crest and motto of Scotland's Melville clan, an ancient family from whom author Herman Melville was descended. Tested and guaranteed sterling silver.

Origin: America, ca. 1900. Condition: very good, a few small dings to the underside of the bottom edge. Dimensions: 5" diameter; 1-1/2" tall.

A pair of carved bone master salt spoons decorated with elephants on the handles. Circa 1900. Excellent condition. 2-3/4” long.

A very nice peacock or electric blue glass inkwell, the body cut in large facets. The hinged lid is topped with a figural cherub cast in glass of a matching color. The figure is completed with a matte acid finish that contrasts beautifully with the main part of the inkwell’s body. We’ve only seen this particular lid once and the figure was molded in colorless glass.

Origin: America, ca. 1900. Condition: excellent, a very small flake to the cherub's toes. Dimensions: 4-1/4” tall; 3” wide.

An elegant sterling silver pierced olive spoon with an ornately pierced gilt bowl and and the handle decorated with wild roses enclosed in a curving border. The back is marked “Sterling Pat. 1903”.

Origin: America, ca. 1903. Condition: excellent, sharp detail, original gilding intact, no monogram. Dimensions: 6-3/8” long. Weight: 13.4 grams.

An elegant sterling silver olive serving spoon in an unnamed floral pattern by Baker Manchester Silver Co. This maker was especially known for their elegant silver serving pieces instead of full flatware services. The Art Nouveau style is evidenced by the trio of fully-opened roses that decorated the tip and center of the curving handle. The design is repeated in the scalloped and pierced bowl, and is shown in reverse on the back side of the spoon. The bowl retains its original matte gilding. The back is hallmarked by Baker Manchester.

Origin: America, ca. 1905. Condition: excellent, sharp details, original gilding, no monogram. Size: 6-1/2" long. Weight: 14.5 grams.

An outstanding Arts & Crafts style 900 silver letter opener, the top embellished with an enameled horses head against a stippled background. The letter opener is quite heavy and both the silver and the enamel are of the finest quality. Marked “900”.

Origin: Continental Europe, ca. 1900. Condition: excellent, all original, no enamel damage. Size: 8” long. Weight: 69.5 grams.

A lovely pair of hyacinth vases in teal blue glass. The classic shape is slightly conical with a widely flaring rim for resting the bulb over the water. These vases are especially attractive because of their rich color. Forcing hyacinths and other bulbs to bloom indoors was something of a Victorian passion that continued well into the 20th century.

Origin: America, ca. 1900. Condition: excellent, no chips or cracks. Size: 7" tall.

A boxed set of sterling silver demitasse spoons by Paye & Baker. The set comprises two each of three different floral themes, all worked in the same intaglio style with glossy flowers and foliage against a stippled background. Two of the spoons are decorated with a pattern of wild roses, two with morning glories and two with pansies. The edges of the stems and handles are shaped to match the patterns. The bowls are finished with matte gilding. The backs are hallmarked by Paye & Baker and are marked "Sterling". The company made only a small range of products, but their Art Nouveau motifs were expertly designed.

• Origin: America, ca. 1900.
• Dimensions: 4" long.
• Weight: 38.8 grams.
• Condition: spoons, excellent condition, typical light fading of gilding on bowls; box has typical discoloration and wear.

A nice pair of painted cast iron curtain tiebacks in the form of sunflowers. The original paint is nicely applied with good shading.

Origin: America, ca. 1900. Condition: excellent, original paint, very minimal paint chipping along edges. Size: 2-1/4” diameter.

Very heavy sterling silver soup ladle in Gorham's elegant 1901 "Florentine" pattern. The handle is decorated with a satyr mask surrounded by vines, dolphins, clusters of fruit, acanthus leaves and various other classical decorative elements. The design spills from the handle onto the back rim of the bowl. The back of the handle has complementary decoration. Hallmarked by Gorham and with the patent date, indicating an earlier date of manufacture.

Origin: America, ca. 1905. Condition: excellent, sharp detail, no dings, no monogram. Size: 12-1/2" long. Weight: 262.0 grams.

A lovely art glass cabinet vase with cameo decoration in the “Thistle” pattern by Daum. The glass has elegant mottled coloring with dark peach and amber. The rim and foot are enhanced with gilt edging. The bottom of the base is signed in gilt script and bears the cross of Lorraine. This example is finely carved and makes very nice use of the layers of color.

Origin: France, ca. 1900. Condition: excellent, no chips or cracks, very minor wear the gilding along the foot and rim. Size: 4-5/8” tall.

Outstanding sterling silver soup ladle in a repousse pattern. The design is a very finely worked pattern of roses and other flowers and foliage. The bowl is deeply lobed and has a scalloped edge. The pattern is similar to Kirk’s “Repousse”, but not identical. The back is marked “Sterling” but is not marked with a maker’s name (a frequent practice until around 1910). Clearly, the ladle is a Baltimore piece, and could be the work of Schofield, Warner, Jacobi or Kirk.

Origin: America, ca. 1900. Condition: excellent, sharp detail, no monogram. Size: 11-1/2” long. Weight: 124.5 grams.

Elegant sterling silver bread fork, the handle decorated with beading and acanthus leaves. The decoration at the top of the curved tines repeats the motif of the handle. Bread forks are relatively uncommon and were used for serving various breads and rolls. The handle is marked by an unknown maker.

Origin: America, ca. 1900. Condition: excellent, sharp detail, no monogram. Size: 6-3/4” long. Weight: 23.0 grams.

A lovely cut glass perfume bottle cut from cranberry to clear. The design is a simple, classic combination of crosshatched diamonds and fans. The shoulders of the bottle are panel cut, and the base is finished with a 24-point star. The lapidary-cut stopper is original to the bottle and is engraved with the same number as the inside of the bottle's neck. Origin: Europe, ca. 1900. Condition: excellent, no chips or cracks. Size: 5-3/4" tall.

Pretty late Victorian porcelain child's cup. One side has a polychrome transfer image of a playful dog, while the other shows another dog with a blue ribbon around his neck. The rim and handle are decorated with gilt bands. Porcelain cups such as these were prized by Victorian children. The bottom is marked "Germany".

Origin: Germany, ca 1900. Condition: excellent, no chips or cracks, light wear to gilding at rim. Size: 2-3/16" tall.

A very nice sterling silver pincushion and sewing box by Tiffany & Co. The pierced sterling silver walls enclose a sewing box (or jewelry box) with two hinged tops that serve as pincushions. The current dark purple velvet is a replacement, but is placed over the original box structure. The pierced handle has an area that can be monogrammed (never been monogrammed). The whole is raised on bun feet. The bottom is marked with the Tiffany hallmark in use 1902-07.

Origin: America, 1902-07. Condition: excellent, velvet replaced, never monogrammed. Size: 6-7/8” x 3-1/2” x 4-1/2” tall.

Very nice cold-painted Vienna bronze figure of a dachsund. The painting is finely done in shades of black and brown. Unmarked.

Origin: Austria, circa 1900. Condition: excellent, minimal wear at high points such as the tip of the nose and the tip of the tail. Size: 1-3/4" x 1-1/16".

A wonderful sterling silver footed basket by Gorham. The edges are decorated in an ornate Victorian floral motif that is echoed on the handle. The scrolled feet are accented with a shell motif. The rounded sides of the basket have a superb pierced floral design that sets this basket apart from most others. The basket is of the very finest quality made by Gorham in the Edwardian era. The basket would be ideal for a small floral arrangements or potpourri. The bottom is hallmarked with one of Gorham’s earlier marks and the date code for 1908.

Origin: America, 1908. Condition: excellent, a very slight bend to the handle. Size: 7-13/16” x 5-5/8” x 5-1/2” tall. Weight: 217.5 grams.

A delightful bronze dresser mirror, the entire frame ornately decorated in the form of two Pierrot figures and a smiling man-in-the-moon. Pierrot was a originally a Comedia dell’Arte character, but in the 18th century, he and the moon became inextricably linked in the French children’s song, “Au Claire de la Lune.” There are a few variations of this mirror; this is the most ornate, with the intricately beveled glass. The detailing of the figures is excellent.

Origin: France, ca. 1900. Condition: excellent, all original; the glass has very light tarnishing typical of old silvered mirrors. Dimensions: 4-3/4” x 8-1/2”.

A beautiful sterling silver vase in the Art Nouveau taste by Shreve & Co. The sinuous trumpet form body is decorated with gorgeous applied silver iris blossoms and buds accented with engraved foliage. The body rises to a ruffled rim that mimics the curvy lines of the floral decoration. The foot is decorated at compass points with iris blossoms, their stems forming the rolled bottom edge. The bottom is hallmarked by Shreve & Co. with the post-1894 mark.

Origin: America, ca. 1900. Condition: excellent, no dings, no monograms. Size: 12-3/16” tall. Weight: 526.0 grams.

Lovely sterling silver demitasse spoon, the handle decorated with four shades of translucent enamel. The plique-a-jour technique allows light to shine through, creating a stained glass effect. The exposed areas of silver are gilt. The back of the bowl is marked "JT830".

Origin: Europe, ca 1900. Condition: excellent, no enamel damage, original gilding. Size: 4-5/8" long.

A nice stoneware ewer in an unusual form by Doulton Lambeth. The bulbous body is decorated with raised flowers and foliage against a cobalt blue ground, while the foot and long tapering neck are finished in a simple pattern of incised rings highlighted with chocolate brown borders. The inside of the foot is stamped with the mark used 1891-1902 and also with the artist's mark which appears to be a conjoined "JH", "HL" or possibly just an ornate "H". There is also an assistant's mark, "b".

Origin: England, ca. 1895. Condition: no chips or cracks. Size: 11-5/8" tall.

A rare hammered brass cigar humidor bearing the double-headed eagle insignia of Russia's Romanov dynasty. The tall humidor is of seamed construction and has a hammered surface. The front is decorated with the Romanov eagle applique attached with copper rivets. The interior of the domed lid has a recessed area with a lip that holds a moistened sponge to keep the cigars at the proper humidity. Humidors of this sort are quite rare and were likely used in the offices of lower ranking household officers or staff. The base is stamped with the Imperial warrant, indicating that the maker was an official provider to the Imperial family and its residences.

Origin: Russian, last quarter 19th century. Size: 4-7/8" diameter; 8-1/2" tall.

A fine boxed set of 12 sterling silver demitasse spoons in Gorham's 1896 "Maryland" pattern. The fronts of the handles are decorated scrolls, shells and pendant bouquets, while the backs are accented with simple scrolling and a shell motif near the bowls. The bowls are parcel gilt. This is a particularly lovely pattern--ornate, but not over the top. The spoons are presented in their original fitted box, the inside lid of which is marked with the logo of Gorham's New York City retail store. Each spoon is stamped with an older Gorham hallmark and the patent date.

Origin: America, ca. 1900. Condition: excellent, all original, no monograms. Size: 4-1/16" long. Weight: 104.5 grams.

A superb pair of sterling silver footed baskets by Lambert & Co., one of the most highly-esteemed Victorian silversmiths in London (mentioned by Charles Dickens in his writings). The baskets are ornately pierced and rise on ornate scrolled foot collars. The rims are decorated classically with acanthus leaves and scrolls, but a hint of Art Noveau appears in tiny irises, chrysanthemums and forget-me-nots that are scattered along the rim. The swing handles are also pierced and heavily decorated with matching floral motifs. The baskets are ideal for small flower arrangements, nuts, candies, etc. These baskets are of the finest quality and are fully hallmarked for London, 1908-09, and with the maker’s mark for Lambert & Co. as well as the company’s retail shop at 12 Coventry St.

Origin: England, 1907-08. Condition: excellent, sharp detail, no dings or monograms. Size: 5-1/2” diameter; 5-1/2” tall. Weight: 507.0 grams.

Exceptionally fine Edwardian tortoishell letter box decorated with gold pique. The serpentine front is inlaid in a pattern of floral swags flanking a center wreath. The curved top has a matching wreath and swags as well as songbirds. The gold has a beautiful rose tint that contrasts nicely with the rich golden-brown of the tortoise, and the surfaces are intricately engraved to enhance the appearance. The use of gold for pique work was reserved for only the most expensive and impressive items. The back and sides of the box are covered in burgundy Morocco leather and the interior is covered in red silk moire. The workmanship and overall style of this piece suggests the workshop of William Comyns, though he more frequently worked in silver. Signed boxes by Comyns feature exactly the same lining and side upholstery and similar swag and wreath designs.

Origin: England, ca. 1905. Condition: very good, the front has a few hairlines (no hairlines on top), six of the tiny pins along the edge of the top are lacking, no loss to pique. Size: 10-1/8" x 5-3/4" x 7-1/4" tall.

NOTE: This item cannot be shipped outside the United States.

A very good cut glass vase by Clark in the "Iris" pattern. The lower third and the flared rim are cut with elongated hobstars flanked by mitred triangles of strawberry diamond cutting enhanced with fans; and the neck is cut with panels of printies alternating with notched prisms. The base is cut with a 20-point hobstar and has Clark’s script acid signature. The pattern is either "Iris" or a variant of “American Beauty”. The cutting is very precise and the polish is excellent.

Origin: America, ca. 1900. Condition: excellent, a small nick to only one tooth at the rim. Size: 10-1/4” tall.

An elegant Art Nouveau glass vase decorated with enameled poppies. The blossoms are worked in shades of cream, yellow, rose and violet, while the foliage is stained a reddish-purple and highlighted with complex lacy gilding. The upper rim is decorated with a band of stained and gilt flowers, as well. The vase is blown in pillar form with an optic paneled design. The workmanship is very fine. Unsigned, but definitely made by Mont Joye (also know as Verreries Saint-Denis and Legras).

Origin: France, ca. 1900. Condition: excellent, no cracks, no enamel or gilding wear. Size: 9-1/4”.

Gilt sterling silver replica of the anointing spoon used for the coronation of English monarchs. The original spoon, dating from the 12th Century, is the oldest continuously used piece in the entire English royal regalia. The spoon is used to apply holy anointing oil onto the sovereign during his or her coronation. This replica commemorates the coronation of George V. The handle is stamped with the appropriate hallmarks for London, 1910 and the maker’s mark “CS/FS”.

Origin: London, England, 1910. Condition: excellent, sharp detail, original gilding. Size: 4-1/4” long. Weight: 12.0 grams.

A lovely Art Nouveau etched and enameled cameo glass perfume bottle by Cristalleries Saint-Louis. The design features a design of enameled thistles against a frosted-ice background. The enameling is done in multiple shades of yellowish-green, mauve and violet. The rim is highlighted with a simple band of gilding echoed by the gilt star at the top of the lapidary stopper. The bottom has a large polished pontil. This style is typical of the naturalistic motifs used by Saint-Louis around 1900.

Origin: France, ca. 1900. Condition: excellent, no chips or cracks. Dimensions: 8-1/2" tall.

Elegant sterling silver large berry spoon in Whiting's wonderful 1896 "Dresden" pattern. The handle is completely covered on both sides with a complex floral pattern against a lightly stippled background. The bowl has scalloped edges and an elegant repousse pattern. The original gilding on the bowl has faded to a faint lemony hue. The back is marked with Whiting's hallmark and "Pat. Apr. 28th 1896", indicating that this is an older piece.

Origin: America, ca. 1900. Condition: excellent, all original, no monogram. Size: 7-3/4" long. Weight: 50.5 grams.

Very nice Gorham sterling silver pin cushion/sewing box. The arched rim of the pierced silver holder has a slightly Gothic appearance. The silk velvet top lifts off to reveal an opening for storing thread, buttons, etc. The interior is lined with the original lime green silk. The bottom is stamped with Gorham's older hallmark.

Origin: America, circa 1900. Condition: silver is excellent, the velvet covering shows the normal considerable wear. Size: 4-3/8" x 3-1/4" x 2-1/4" tall.

A lovely set of six sterling silver and plique-a-jour enamel cocktail picks by acclaimed Norwegian silversmith and enamelist Johan G. Kjaerland. Kjaerland worked in Bergen, Norway, and was particuarly well-known for his excellent plique-a-jour enamels. This is the first set of cocktail picks we've seen in plique-a-jour. Each is hallmarked appropriately.

• Origin: Norway, ca. 1900
• Condition: excellent, no enamel damage, gilding intact
• Dimensions: 3-11/16" long
• Weight: 16.7 grams

A classic Baccarat cut crystal perfume bottle in a blue-cut-to-clear cane pattern. While several American and European companies cut this pattern, the stopper of this bottle is a known Baccarat design. It appeared in a Baccarat pattern book under the name “Stella.” The stopper has a blown teardrop in the interior and is accented with a star pattern at the top. Baccarat products were marked only with a paper label until logo until around 1930.

Origin: France, ca. 1890. Condition: very good; a few very minor nicks along the bottom edge (obscured by the design). Size: 4-15/16” tall.

A very unusual Bohemian zwischengoldglass liquor glass, the bottom featuring an inset gilt and enameled design of a ladybug. The panel cutting along the beaker’s sides causes the design to be visually repeated. Small beakers such as these are normally decorated with a flower. This is the only example we’ve seen with an insect. The ladybug traditionally symbolizes good luck, so perhaps that's why it appears here.

Origin: Bohemia, ca. 1860. Condition: excellent, gilding intact, no chips or cracks. Size: 2-1/4” tall.

A very nice Imperial Russian enameled silver spoon by Gustav Klingert. The bowl is beautifully decorated in five shades of opaque cloisonné enamels and in translucent red and amethyst. The design I modified floral pattern with a Persian-style reserve. The handle is finished in a fish-scale enameled pattern. Exposed areas of silver are stippled and gilt. The interior of the bowl is engraved “Moscow”, indicating that the spoon was sold as a souvenir to an American or English visitor. The handle is fully hallmarked with the city mark for Moscow and Klingert’s maker’s mark. The date mark is obscured, but the assay master Lev Oleks was active only between 1890 and 1896.

Origin: Moscow, 1890-96. Condition: excellent, no enamel damage, gilding intact. Size: 4-7/32” long. Weight: 15.9 grams.

Very rare pair of sterling silver salad servers in the 1888 "Rococo" pattern by Dominick & Haff. This is one of the company's most desirable patterns. The pieces are quite simply, enormous! The handles are beautifully decorated with an ornate floral pattern that is repeated at the top of the bowl and tines. The backs of the handles are simply decorated with a vine motif along the edges. The bowl and tines retain their original gilding. The backs are marked with Dominick & Haff's hallmark and the patent date.

Origin: America, ca. 1890. Condition: excellent, all original, no monogram, gilding intact. Size: 11-1/2" long. Weight: 276.0 grams.

A very nice sterling silver sardine fork by the Campbell-Metcalf Silver Company. Originally intended to serve sardines—a Victorian luxury food—the fork could now be used for various hors d’oeuvres, cheeses, etc. The design is clearly based on Scandinavian motifs that later showed up in the work of Georg Jensen and other European makers. In some ways it is similar to Jensen’s 1913 “Rose” pattern. Campbell-Metcalf was in business for only six years during the last decade of the 19th century. The back is hallmarked.

Origin: America, 1892-98. Condition: excellent, sharp detail, no monograms. Size: 5-7/8” long. Weight: 22.5 grams.

A classic Sandwich glass hyacinth vase in a rich amethyst shade. The vase is entirely hand blown, shows the traces of hand marvering, and has a large oblong bubble on one side about two inches above the bottom. The deeply concave base has a rough pontil and a basal ring showing the expected wear. Hyacinth vases, sometimes called tuplip vases or bulb vases, were used to force flowering bulbs for wintertime blooms indoors. They were quite the rage and some Victorian homes had numbers of vases arrayed on windowsills. Pieces by Sandwich are uncommon. An identical example to this, except in cobalt blue and with a large rim chip, sold at auction in July 2006 for $2127.50.

Origin: America, ca. 1870. Condition: excellent, no chips or cracks. Size: 9" tall.

An attractive personalized glass paperweight by the Union Glass Co. The typical patriotic coloring is made up of the honoree’s name “John W Sullivan” in lampwork letters surrounded by a ring of red and blue lampwork flowers with small green leaves. As with all Union Glass weights, the crown is high and has very nice clarity. The glass is also quite heavy. The polished base is flat.

Origin: America, ca. 1880. Condition: excellent, normal light scratches to surface, no chips or cracks. Size: 3-1/2” diameter; 2-1/2” tall.

Stunning 2nd Empire pink opaline glass chalice with gilt and enamel decoration. The outside surface has a matte finish except along the lip, the foot rim and the knop rim, each of which is decorated with gilt lines. The primary decoration, however, fills nearly the entire surface with built-up layers of gilding accented with black enamel. The base has a slightly concave polished pontil.

Origin: France, possibly Baccarat, ca. 1840. Condition: glass has three tiny flakes (1 is 1/8"; 2 are 1/16") flakes on the inside edge of the top rim; the primary decoration is completely intact, gilt lines along rims show 20% wear. Size: 6" tall.

A wonderful Victorian ironstone footed fruit compote decorated in an underglaze blue floral pattern. Distinctly Asian in flavor, the pattern depicts prunus blossoms and peonies surrounded by rocky outcroppings, foliage and hovering butterflies. The edges are finished in a diaper border. Either end has a leafy handle, heavily accented with gilding similar in style to that found on Old Paris porcelains. The overall shape and use of gilding suggests an early date. The bottom is marked with F. Morley & Co.’s underglaze stamp.

Origin: England, ca. 1845. Condition: excellent, no chips or cracks, there are three small glaze misses near the upper rim, original gilding intact. Size: 12-1/2” x 9” x 5-5/8” tall.

A superb 19th century Imperial Russian wooden Easter egg with polychrome decoration of Christ arising from the tomb flanked by a pair of angels. The scene is beautifully colored and shows dynamic movement. The reverse of the egg bears the gilt letters “XB” for “Christ is Risen.” The egg is completed with its original blue silk ribbon, appropriately worn with age. Careful examination of the drill holes in the egg show even oxidation of the wood’s unpainted surfaces and the paint has typical aligatoring, supporting a 19th century age.

Origin: Russia, ca. 1880. Condition: excellent; negligible paint loss. Dimensions: 3-5/8” long.

A very nice small-size silver plate wine taster in the classical style. The bottom features the typical convex bottom surrounded by concave "godrons" adn "cupules." intended to create high and low spots to better appreciate the color of the wine as light is reflected through it. The open shape also allows the bouquet to develop quickly so the wine can be tested easily. The snake handle is generally seen on tastevins from the region of Bourgogne. The tastevin bears an unidentified maker’s mark.

• Origin: France, ca. 1890.
• Dimensions: 2 1/4" diameter excluding handle.
• Condition: excellent, no dings, sharp detail.

Fabulous and extremely rare hand-forged iron trade sign in the form of a pretzel. The sign retains an old gilt surface. There is a strong trace of red, yellow and blue paint on the back side and edges of the pretzel, no doubt the colors that were used on the wall or backboard to which the sign was attached through the 13 mounting holes. There also appears to be a red layer underneath the gold. This layer was probably intended to be an undercoating to give the gilding more depth. I don't think the pretzel was originally red and then gilded later. In any case, the gilt surface has considerable age, and probably dates from at least the late 19th century. Approximately 10% of the gilt surface shows wear (nearly all of it on the left side.

Origin: America, found in south-central Pennsylvania, circa mid-19th century. Condition: see paint description above, no cracks. Size: 18-1/2" x 15-1/2" x 1".

Early Staffordshire porcelain saucer decorated with bright polychrome enamels and pink luster arranged in a very pretty wreath pattern. The body is very slightly molded into lobes along the edges.

Origin: England, c. 1840. Condition: good; a small crow's foot on the back side and a small bite to the bottom rim. Size: 5-5/8" diam.

Heavy sterling silver serving spoon in Gorham’s wonderful 1888 “Versailles” pattern. This was a multi-motif pattern, meaning that each type of flatware in a service had a different handle design. This serving spoon shows a farmer in Classical dress carrying sheaves of wheat—quite a curious motif compared to the ornate scrolls and shell motifs that make us the rest of the design. The back of the handle is marked with Gorham’s older hallmark and also the mark for extra heavy weight—not often encountered, even in this high-end pattern.

Origin: America, ca. 1890. Condition: very good, no monograms, no dings or deep scratches, sharp detail, the bowl shows normal use but could easily be buffed. Size: 8-1/2” long. Weight: 80.25 grams.

A very nice Victorian inkwell in peacock blue glass. The front side is engraved with an ornate floral pattern. The lid has lapidary cutting around the edges and is engraved with the image of a dove in mid-flight and carrying a letter in its beak. Certainly, the suggestion is of a lovebird delivering a sentimental note! The lid is mounted with a brass hinge.

Origin: America, ca. 1860. Condition: excellent, a small flake under the bottom. Size: 2-1/2” x 2-1/2” x 3-1/16” tall.

Sterling silver berry spoon in Towle's 1884 "Arlington" pattern. This rare pattern featured a different repousse design on each piece of the service. The gilt spade-shaped bowl is engraved with climbing roses growing on a trellis. This decoration is especially interesting.

The pattern is named after Robert E. Lee's plantation, "Arlington". Union troops buried their dead in Mrs. Lee's rose garden as a spiteful act, and unwittingly created Arlington National Cemetary.

Origin: America, c. 1880s. Condition: excellent, gilding intact, no monogram. Size: 6-7/8" long.