Catalog: Estate Jewelry (1615)

A pair of classic Art Nouveau 14K gold bean-back cufflinks, the faces with repousse decoration depicting a long-haired maiden. The long hair and star-set old European cut diamonds discreetly hide any of her naughty bits. The connectors are stamped “14K.”

• Origin: America, ca 1900
• Condition: excellent, sharp detail
• Dimensions: faces, 3/4" x 9/16”
• Weight: 4.4 grams
• Approximate Total Diamond Weight: .06 carat

A delightfully feisty-looking cat is featured in the French Art Nouveau brooch. We’re particularly fond of his enormously long whiskers that stretch the full width of the pin. The pin is stamped with French silver marks and with an illegible maker’s mark.

NOTE: The pin could be worn as a pendant with the addition of a bail to the back.

• Origin: France, ca. 1905.
• Condition: excellent; all original.
• Dimensions: 1” diameter.
• Weight: 5.4 grams.

A very fine Art Nouveau enameled 14K yellow gold cattleya orchid brooch by A. J. Hedges. This quality of this piece is stunning. The enamel fades from a milky semitranslucent texture near the center of the flower to very translucent pale shades at the edges of the petals. The color shifts from a greenish-cream color to a pure pink along the very edges. The orchid is fully three dimensional, and the throat is set with a small seed pearl. The stem, enameled in mottled pink and green extends below the flower. Hedges was among the very best of the Newark enamellers, but their products are very difficult to find. Along with Whiteside & Blank, their enamel flowers tend to be larger and more complex than those of most other American makers. The back retains the original pinstem and clasp stamped with Hedges’ hallmark and “14K”.

Origin: America, ca. 1900. Condition: excellent, no enamel damage. Size: 1-1/4” x 1-1/2”. Weight: 7.6 grams.

You know you'll live a life of good luck when you're wearing this 14K gold upturned horseshoe pendant necklace. The horseshoe is adorned with blue enameled forget-me-nots, flowers that conveyed exactly that meaning in the Victorian language of flowers. Originally a brooch, the horseshoe has been converted to a pendant with the addition of a delicate 14K gold split cable chain.

• Origin: America, ca. 1900.
• Condition: converted from a brooch; excellent enamel.
• Dimensions: pendant, 7/8" x 7/8"; overall necklace length, 16".
• Weight: 3.0 grams.

An exquisite English Art Nouveau 15K yellow gold pendant,centering a 5.02 carat pear shaped brilliant cut aquamarine with round brilliant pink tourmalines at either side, and suspending a free-hanging oval pink tourmaline. The gold surfaces are set with tiny seed pearls. The use of pastel gemstones is especially elegant and feminine and would have complemented the pale dress fabrics of the Edwardian era. The back of the pendant is engraved "JKM/JKC 1908/1909." It was likely a present to celebrate a first wedding anniversary. Marked 15Ct.

Origin: England, 1908. Condition: excellent, all original including pearl-set bail. Dimensions: 15/16" x 2". Weight: 4.8 grams. Approximate Total Gemstone Weight: aquamarine, 5.02 cts; pink tourmaline, .93.

A very fine, large-size Art Nouveau 18K yellow gold pin/pendant enhanced with stunning iridescent enamels in shades of rose, pink, cream and green. The flower is deeply three-dimensional and is centered with an array of green-tipped stamens around an old European cut diamond graded as I/J, SI1. The back retains the original pinstem, clasp and folding bail. Tested and guaranteed 18K.

Origin: Continental Europe, ca. 1900. Condition: excellent, no enamel damage, all original. Dimensions: 1-3/16” x 1-1/8”. Weight: 7.6 grams. Approximate Total Diamond Weight: .20 ct.

A beautiful pair of 18K yellow gold cufflinks, the faces decorated in a target motif of diamonds, rubies and platinum. The cushion cut rubies have nicely-saturated bright color that contrasts well with the old mine cut diamonds at the centers. Chains connect the faces to platinum and gold torpedo backs, each set with a small rose cut diamond. The faces are marked “18” and have an unidentified European hallmark.

Origin: Continental Europe, ca. 1900. Condition: excellent. Dimensions: 9/16” diameter. Weight: 8.2 gr. Approximate Total Gemstone Weight: diamond, .08 ct; ruby, .62 ct.

A lovely Art Nouveau 14K yellow gold ring set with an oval brilliant-cut citrine. The setting is particularly elegant. The stone is flanked on either side by a golden fuschia blossom. The citrine is of the very best quality, with extremely saturated orangey-gold color and exceptional brilliance. The interior of the shank is stamped 585 for 14K.

Origin: Continental Europe, ca. 1900. Condition: excellent, sharp detail. Finger Size: 6-3/4. Weight: 5.7 grams. Approximate Total Gemstone Weight: citrine, 2.18 cts.

This fabulous snarling tiger is glowing with lifelike translucent enamels in multiple shades of gold, orange, brown and black. The nostrils and tongue are accented with deep red enamel. Each eye is set with an old European cut diamond and the fangs grasp a third diamond. The stones are good quality, graded at I color, SI1 clarity. The pendant is deeply three-dimensional with superb detailing. The back is also stamped with Alling & Co.’s mark. Alling was manufacturer for leading retailers such as Tiffany & Co., Bailey, Banks Biddle and C.D. Peacock.

The back is ornately engraved “EBP From the Armour Boys/Sioux City, IA/June 1907.” Our research suggests that the “Armour Boys” were the owners of the meatpacking company Armour, and that “EBP” was Elizabeth Ann Brasker Plankinton, daughter of their partner in the company. One of Armour’s largest factories opened in Sioux City in 1907.

NOTE: The pendant is shown with a 16" 14K gold chain that is available for an additional $125.

• Origin: America, 1907.
• Condition: excellent condition.
• Dimensions: 1 3/32” wide x 1 1/8” tall (excluding bail and jump ring).
• Weight: 11.5 grams.
• Approximate Total Diamond Weight: .15 carat.

A rare 14K yellow gold Art Nouveau locket, the front cover depicting a Ford Model B automobile (1904-06). The headlights and the center of the grille are set with old mine cut diamonds sparkling as if truly lit up. The car is very finely detailed with excellent depth to the design, clearly showing the early right-hand drive and the fluted sides of the engine compartment. The back bears an ornate period three-letter monogram. Tested and guaranteed 14K.

• Origin: America, ca. 1905
• Dimensions: 1" diameter
• Condition: excellent; sharp detail; a couple of pinpoint dings to the back cover hidden among the monogram
• Weight: 5.0 grams
• Approximate Total Diamond Weight: .05 carat.

An antique green jadeite Pi pendant suspended on a knotted silk cord embroidered with seed pearls and strung with a jadeite bead, finished with a contemporary 14K yellow gold bail. In traditional Chinese belief, the Pi (sometimes spelled "Bi") represents the heavenly deities and the central hole allows souls to access Heaven. The Pi has medium-light green color with moderate mottling, medium grain and medium translucency. The jade bead is darker color and is more opaque. The pendant was salvaged from a ca. 1900 antique necklace that was far too worn to be saved in its entirety. The jade is Type A (no treatment).

Origin: China, ca. 1900. Condition: excellent; no cracks or chips; the cord, pearls and bead are original. Dimensions: Pi diameter, 1"; overall length, 2-3/16" from top of bail.

NOTE: Other pieces created from the original antique necklace include Items #1350547, #1344595, and #1350553.

A superb pair of late Victorian or Edwardian 14K yellow gold double-sided cufflinks, the faces set with reverse-carved and painted Essex crystals depicting a cockfight. Cufflinks depicting a cockfight are quite rare. The workmanship in this pair is outstanding. The carving is deep and the painting is expertly done. The mother-of-pearl backing is particularly lustrous with fine iridescence. The crystals are simply set in gold frames attached with bar connectors marked "14K".

At the turn of the century, cockfighting was considered a gentleman's sport and images from fights appeared on a variety of gentlemen's accessories and barware. The images tell the story of the whole match. One crystal shows the roosters meeting for the first time; the second shows one rooster attacking; the third shows the counter-attack; and the final crystal shows the winning rooster crowing over his vanquished enemy.

Origin: America, ca. 1900. Condition: excellent; one face has very faint moisture marks on the mother-of-pearl, but no paint loss. Size: faces, 11/16" x 9/16". Weight: 13.3 grams.

A classic sporting bracelet featuring three reverse-carved Essex crystals depicting a fox and a pair of horses. The gold mountings are formed from snaffle bits, horseshoes, riding crops, saddle belts and stirrups. The Essex crystals are expertly carved and painted with fine depth. The reverse is stamped with 14K marks and the maker’s mark for Carter, Gough & Co.

• America, ca. 1900.
• Excellent condition; no water damage or scratches.
• Dimensions: 7 1/2” long; 15/16” maximum width.
• Weight: 26.9 grams.

A phenomenal Edwardian platinum and 18K gold brooch/pendant in the form of a caduceus set with 160 old European and old mine cut diamonds weighing approximately 2.90 carats. The principal stone is a square cushion cut, weighs approximately .28 ct, and is F color, VVS2 clarity. The smaller diamonds range F-I color, VS2 to I1 clarity. The diamonds are set in platinum over 18K yellow gold in the traditional French manner. The mounting is of the finest quality, with superb hand-sawn piercing and millegraining. This quality is further reflected in that the tiny portion of the bail that can be seen from the front when worn as a pendant is worked in platinum rather than gold like the remainder of the bail and the pinstem. The staff terminates at the top and bottom with a lustrous, slightly oval natural pearl.

The back of the piece has a pinstem that can be unscrewed and removed for wear as a pendant with the folding bail. The shape of the bail suggests that there was probably an optional comb fitting so that the piece could be worn as a hair ornament. The very finest quality and most expensive jewels of the era sometimes had various fittings so the owner could get as much use from a piece as possible.

The caduceus is the herald's wand carried by the Greek messenger god Hermes (and his Roman counterpart Mercury). It is sometimes topped with spread wings echoing the god's winged sandals. In contemporary usage it is the symbol of the medical profession. This linkage likely stems from the myth of the god Apollo sending Hermes to deliver his half-mortal son Aesculapius from the body of his dead mortal mother as her body was consumed by the fire of her funeral pyre. Aesculapius went on to become a healer and founded the cult of which Hippocrates, the founder of western medicine, was a follower.

Origin: France, ca. 1900. Condition: excellent, all original. Size: 2-3/8" x 2-3/8". Weight: 12.7 grams. Approximate Total Diamond Weight: 2.90 cts.

A gorgeous enameled pansy, worked in several shades of purple and lavender is featured in this ring converted from a Victorian earring. The enamel has a soft velvety appearance and is accented at the center with a small pearl. The pansy is set on a sturdy 14K gold split shank. Pansies are generally associated with remembrance, but in Victorian flower symbology, they also carried the sentiment, "Think of me." So whether you're in love or just feeling nostalgic, this ring is perfect!

• Origin: America, ca. 1900.
• Condition: converted; a miniscule fleabite to the enamel at the edge of one petal.
• Dimensions: crown, 3/4" x 11/16".
• Finger Size: 7.
• Weight: 5.8 grams.

A wonderful pair of Art Nouveau 18K yellow gold cufflinks by Tiffany & Co. The faces feature finely detailed images of a bearded, horned devil with pointed ears and wild hair shown against a fiery background. The workmanship of the chasing and engraving is superb. Mythological subjects were especially popular during the Art Nouveau period, and certainly this devil's head could be seen as an extension of that popularity. The faces are attached to plain oval backs, which have never been engraved with a monogram. Each cufflink is signed with the Tiffany & Co. mark used around 1900 and is marked for 18K.

Origin: America, ca. 1900. Dimensions: 3/4 x 3/8". Weight: 10.4 grams.

A classic Art Nouveau brooch / pendant decorated with lush purple, cream, maroon, and yellow matte enamels. The flower is centered with a round brilliant cut diamond. Though this example is unmarked, it is likely by A. J. Hedges. Hedges’ enameled flowers stood out from the competition because they were generally heavier and displayed more sculptural detail. The diamond is graded H/SI2. The back retains the original pinstem, clasp, and folding pendant bail. The bail is stamped “14K.”

• Origin: America, ca. 1900
• Condition: excellent, no enamel damage
• Dimensions: 1-3/16” x 1-3/16”
• Weight: 11.6 grams
• Approximate Diamond Weight: .16 carat.

A particularly nice Art Nouveau 14K yellow gold brooch in the form of a floral spray. The strap-like leaves are worked in shaded green enamels, and the flowers are made from freshwater "dogtooth" pearls centered with old mine cut diamonds. The pearls have particularly attractive silvery luster and their irregular shapes beautifully mimic the frilly edges of flower petals. The back retains the original pinstem and clasp. Marked by Henry Freund & Bro.

Origin: America, ca. 1900. Condition: excellent, all original, a very small enamel flake at the upper tip of the top leaf just beneath the pearl flower. Dimensions: 1-1/13" x 7/8". Weight: 4.3 grams. Approximate Total Diamond Weight: .06 ct.

A beautiful ring converted from an antique French stick pin. The ring features an 18K gold and platinum crown set with natural pearls and sparkling rose cut diamonds around a bright royal blue sapphire. The sapphire has an almost velvety appearance. The gemstone crown is attached to a 14K yellow gold band. The delicate style of this ring makes it perfect for wearing as a stacking ring or for a young lady's first gemstone ring.

Finger Size: 6-1/2 (can easily be sized). Dimensions: crown, 7/16" x 7/16" (11x11mm). Weight: 2.1 gr. Approximate Gesmtone Weight: sapphire, .28 ct; diamond, .04 ct.

A very fine Imperial Austro-Hungarian bangle bracelet simply designed as an oval of twisted gold, but then set at the top with a trefoil of three cornflower blue sapphires surrounded by rose cut diamonds. The sapphires, .72, .58, and .52 carat, have microscopic stringer, sharp-edge milky bands, and snowflake inclusions typical of sapphires mined in Kashmir in the 1880s. The sapphires have excellent saturation, medium-dark tone, pure blue color without violet overtones, and a characteristic velvety appearance. The sapphires are surrounded and centered with eleven small rose cut diamonds. The bracelet is stamped with the Vienna hallmark used 1872-1922. The removable safety chain makes the bangle easy to take on and off.

• Origin: Vienna, Austria-Hungary, ca 1885
• Condition: excellent
• Dimensions: 1/8” wide at back; 5/8” wide at front; interior circumference, 6-1/2
• Approximate Total Gemstone Weight: sapphire, 1.83 carats; diamond, .10 carat
• Weight: 14.9 grams

An elegant pair of 18K yellow gold Art Nouveau cufflinks set with rose and single cut diamonds. The cufflinks have a classic design of whiplash curves typical of Art Nouveau jewelry. They are worked in both slightly matte bloomed and polished textures for added interest. The torpedo backs are connected by wired bridges. The cufflinks are stamped with French import marks, apparently those used for temporary admission into the country so they could be displayed at one of the international design salons around the turn of the 20th century.

• Origin: Continental Europe, ca 1900
• Condition: excellent
• Dimensions, faces, 3/4" x 13/32”
• Approximate Total Diamond Weight: .66 carat
• Weight: 6.5 grams

A lovely Art Nouveau Krementz 14K yellow gold festoon necklace featuring pear-shaped amethyst drops and small natural pearls enhanced with swags of gold links. Each of the amethysts hangs from a gold trumpet flower mounting that echos the central gold plaque. The gold surfaces are worked in the slightly matte Russian finish popular in high quality Art Nouveau jewels. The clasp and the back of the central plaque are marked by Krementz.

Origin: America, ca. 1900. Condition: excellent; the chain has been lengthened from the original 14" to its current 16.5"; the extension is made so the necklace can also be worn at a 15.25" length. Dimensions: length of central drop from the plaque, 1-1/4". Weight: 10.2 grams. Approximate Total Gemstone Weight: amethyst, 10.51 carats.

Extraordinary pair of early Cartier cufflinks, the round faces featuring brilliant green guilloche enamel in a starburst pattern, bordered with rose-cut diamonds set in delicate double-milgrained platinum borders. The enamel plaques are engraved in a manner that gives the enamel a distinct two-toned appearance and are set into 18K yellow gold backs that are attached to one another with gold chain links. The chains have a spring ring clasp, so one face can be removed for ease in attaching the cufflinks to a shirt. The backs are signed "Cartier Paris" and have serial numbers. The cufflinks are appropriately marked with "tete d'aigle" hallmarks for 18K gold (the cufflinks predate the law requiring marks for platinum). Enameled Cartier cufflinks of this quality simply do not appear on the market.

Origin: France, ca. 1900. Condition: excellent, light surface wear to enamel visible under 10x magnification. Weight: 9.9 gr. Approximate Total Diamond Weight: 1.52 cts.

Art Nouveau 14K gold crescent pendant necklace set with round brilliant cut diamonds and rubies. The quality of the gemstones is superb, with VVS2/G diamonds and vivid very slightly purplish-red rubies that show no indications of heat treatment. In Victorian and early Edwardian jewelry, the crescent shape symbolized feminine power personified in the moon goddess Selene/Juno. Brides were often given a crescent pin to wear during their honeymoons. This cresent was originally a brooch and has been converted into a split-chain pendant necklace. The symbology and striking color is perfect for today's strong woman! Marked 14K.

• Origin: America, ca 1900.
• Dimensions: pendant, 1-1/16" wide; overall necklace length, 19".
• Condition: excellent.
• Weight: 3.9 grams.
• Approximate Total Gemstone Weight: ruby, .35 carat; diamond, .22 carat.

An Art Nouveau 18K yellow gold pin featuring a beautifully enameled morning glory enclosed in a gold whiplash frame. The flower petals and leaves have very fine enameling in translucent shades of rose, cream and green. The enamel has the iridescent finish more often seen in the best quality enameled pieces from Newark workshops. A small pearl peeks out the top of the morning glory. The gold frame is set with rows of rose cut diamonds. Since the morning glory opens and withers in a single day, some charts of Victorian flower language say the flower was used to represent "love in vain." The pinstem is stamped "18Ct".

Origin: England, ca. 1900. Condition: excellent, no enamel damage, all original. Dimensions: 1-1/4" x 1". Weight: 6.6 grams. Approximate Total Diamond Weight: .36 carat.

A very fine 14K rose gold brooch mounted with a Scottish Terrier carved from banded agate. The dog's head is beautifully rendered, using the stone's natural banded coloring to represent the dark colored muzzle and ears that contrast with the brighter carnelian of the fur. The eyes are represented by small round cut demantoid garnets set in a manner that nearly completely hides the gold collets holding the stones. The workmanship of the carving is first-rate. The setting is rather simple an does not detract from the beauty of the hardstone carving.

Faberge was a leading creator of hardstone carvings, and used carvings created in his own workshops as the shops of others. In Paris, Cartier was determined to compete with Faberge and also produced hardstone carvings. The Cartier versions, however, tended to be a little less realistic and rarely relied on the natural color variations of the stone material. The coloring technique strongly suggests that this carving is the product of a Russian workshop contemporary with Faberge, and possibly that of the master himself.

There appears to be a rubbed-out hallmark on the back side. This is occasionally seen in Russian pieces that had their marks obliterated shortly after the Revolution as their owners tried to smuggle jewels out of the country. Tested and guaranteed to be 56 zlotniks (slightly purer than 14K).

Origin: Russia, ca. 1905. Condition: excellent, all original. Size: 2-9/16" x 1-1/16". Weight: 15.3 grams. Approximate Total Demantoid Weight: .1 ct.

A fine Art Nouveau 14K yellow gold enameled pin with swirling foliage surrounding a bezel-set amethyst. The enamel is worked in delicate translucent shades of violet, cream and green. Small seed pearls flank the nicely-colored amethyst. The clasp is marked with Krementz' 14K hallmark.

NOTE: We are also offering a matching pin set with an aquamarine and enameled in shades of blue and green (Item #1414818)

• Origin: America, ca 1900
• Condition: excellent; no enamel damage
• Dimensions: 1-1/2" x 9/16"
• Weight: 3.6 grams
• Approximate Total Amethyst Weight: .75 carat.

A delightful pair of Art Nouveau daisy stud earrings, the petals formed from Mississippi River pearls arranged around a textured gold disc representing the flower's seed head. The freshwater pearls have attractive luster that contrasts nicely with the brightness of the gold. Tested and guaranteed 14K. These earrings would look particularly nice worn with a very similar pearl daisy pendant (Item #1402839) in our collection.

• Origin: America, ca 1900
• Condition: exellent; converted from the original screwbacks
• Dimensions: 1/2" diameter
• Weight: 2.2 grams

A lovely Victorian pendant/pin in a snowflake pattern. The 14K yellow mounting is set with seed pearls and sapphires around the central old mine cut diamond. The design is very elegant and delicate. The back retains the original pinstem/clasp and pendant loop. Marked 14K.

NOTE: The pendant is shown with an optional 16" 14K chain.

• Origin: America, ca. 1900.
• Condition: one pearl deficient; all original.
• Dimensions: 1" diameter.
• Weight: 3.2 grams.
• Approximate Total Gemstone Weight: sapphire, .18 carat; diamond, .03 carat.

A striking Art Nouveau 18K gold and pearl necklace in the form of a pendant of chestnut leaves suspended from a cluster of chestnuts. The gold surfaces are entirely hand engraved with very fine detail. The pendant is set with a natural button pearl and suspends a second pearl at the bottom. The chain is enhanced with a series of tiny pearls, as well. Chestnut trees have traditionally represented fertility, but in Victorian flower language, came more to represent “luxury and abundance.” This style of necklace, called a “draperie” was a popular form among Parisian jewelers around 1900-10. The necklace is stamped with French 18K gold marks, as well as an illegible maker’s mark.

• Origin: France, ca. 1905.
• Condition: excellent; sharp detail; all original.
• Dimensions: pendant, 1-1/8” wide x 3” long from the cluster of fruit to the suspended pearl; chain length, 15-7/8”.
• Weight: 10.9 grams.

An elegant late Victorian or early Edwardian 14K yellow gold long chain with opal double-cabochon stations at regular intervals. The stations are carefully arranged so that the opals are alternately spaced whether the necklace is worn at full-length or doubled. The clasp can also be used to suspend a pendant. The opals are good quality with even play-of-color, mostly in the blue/green range with occasional bursts of orange/red. The clasp is marked "14K."

• Origin: America, ca. 1900.
• Condition: excellent; one opal has minor crazing to the back surface.
• Length, 52-1/2" plus the pendant clasp as a single strand; 27" as a double strand; opals, 8mm diameter.
• Weight: 16.8 grams.

A pair of ducks takes flight from the lakeside marsh in this 18K yellow gold and diamond locket by renowned Swiss jewelers Huguenin Frères. The quality of the design and workmanship are astounding. The old European cut diamond (I/VS2) is set in platinum collet to enhance the color. Huguenin Frères was one of the leading makers of fine pocketwatch cases, and in 1899 expanded their range to include sporting decorations and other jewelry. It’s likely that a locket of this type was made for a markswoman or female hunter of some distinction. The locket retains its original interior frames and old silk liners. The front is signed by the maker.

• Origin: Switzerland, ca. 1900.
• Condition: excellent; sharp details; no monogram.
• Dimensions: 1 9/32” diameter.
• Weight: 13.2 grams.M/il>
• Approximate Diamond Weight: .10 carat.

A delightful Chinese antique carved agate pendant enhanced with its original knotted silk cord and Type A (untreated) green jadeite bead, finished with a 14K yellow gold bail. The carving represents a male elder seated atop a fish and holding a pair of plums over his shoulder. The carving makes nice use of the agate's natural coloring to represent the fish and fruit. In Chinese symbology, the fish is a sign of wealth and abundance, and the plum is a sign for longevity. The jadeite bead is semi-translucent, with moderate mottling and medium grain. This pendant was salvaged from ca 1900 Chinese necklace that was far too worn to repair. In both the original necklace and in this pendant, the carving is designed to hang upside down so that it appears right-side-up when the wearer holds the pendant and raises it up in her own hand.

Origin: China, ca. 1900. Condition: excellent, very light wear along edges consistent with age. Dimensions: 7/8" wide; 1-11/16" long from top of bail.

NOTE: Other pieces created from the original antique necklace include Items #1344595, 1350547, and 1350538.

A very nice 14K yellow gold man's ring set with a rectangular carnelian plaque with canted corners. The gold surfaces are entirely covered with an hand-engraved foliate design. The gemstones in rings of this type were sometimes engraved with the owner's coat of arms, but this example has never been engraved. The stone's color and the overall impressive size of the ring make this a particularly nice example. The interior is marked 585.

Ca. 1900. Condition: excellent, sharp details. Dimensions: 3/4" wide at crown, tapering to 1/4" at the back of the shank. Finger Size: 9. Weight: 17.4 gr.

A beautifully-carved hardstone cameo depicting Libertas, the Roman goddess of liberty. She can be identified from the shape of the diadem she wears in her hair. The image is quite similar to American "Morgan" silver dollars from the late 19th century. The color contrast of the stone is quite remarkable. The carnelian cameo is set into an intricate gold setting in the Etruscan Revival taste. The back has both a brooch fitting and a hidden bail for wear as a pendant. The back is stamped "14K" and also has the maker's mark for Perley Bros.

NOTE: The piece is shown with a 16" 14K gold chain that is available for an additional $125.

• Origin: America, ca. 1900.
• Condition: excellent; no cameo damage.
• Dimensions: 1-11/16" x 1-3/16".
• Weight: 6.8 grams. Fabulous late Victorian hardstone cameo brooch. The carnelian cameo represents "Liberty" and is very similar to the Liberty head that appeared on "Morgan" silver dollars and quarters of the period. The 14K mounting is floridly decorated with millegraining, applied beads and rosettes, and rope twist borders. The reverse retains its original pinstem and modified c-clasp. The reverse is marked 14K and is signed for the maker, Perley Bros. of New York. Origin: America, 1870s. Condition: excellent. Size: 1-11/16" x 1-1/4".

A handsome Victorian gentleman's ring in a substantial 14K gold setting. The ring features a masculine brown smoky quartz with flashes of goldish-orange brilliance. The setting is enhanced with ornate strapwork against a stippled background. The setting holds the stone well above the finger and the overall look is very weighty. The interior of the shank is stamped "14k."

• Origin: America, ca. 1900.
• Condition: excellent; sharp detail.
• Finger Size: 10-1/4.
• Dimensions: 3/4" wide at crown, tapering to 3/16" wide at back of shank.
• Weight: 13.8 grams.
• Approximate Total Gemstone Weight: 9.44 carats.