Catalog: Estate Jewelry (1615)

A fine pair of Victorian 18K yellow gold tassel earrings. The foxtail chains are suspended from bell-shaped surmounts with bands of engraved decoration and applied flowers worked in rose and green gold. Each foxtail chain ends in a small gold sphere. The earrings have an elegant look, without being too heavy for comfortable wear. The surmounts are marked with French “tete d’aigle” hallmarks for 18K gold.

Origin: France, ca. 1860. Condition: excellent, wires are replacements. Size: 1-3/8” long. Weight: 5.5 grams.

A rare pair of World War II era 14K yellow gold double-sided figural cufflinks, the faces in the form of airplane propellers. The front faces have three blades, while the back faces have two. Cufflinks with an airplane theme would have been considered a patriotic statement in gentleman’s jewelry at the time. The connectors are marked “14K” and have the hallmark for Richardson Manufacturing Company, a Newark jeweler.

Origin: America, ca. 1940. Condition: excellent. Size: front faces, 3/4" diameter. Weight: 4.7 grams.

NOTE: We are also offering a matching tie bar.

A rare World War II era 14K yellow gold tie bar in the form of an airplane propeller. This motif would have been considered a patriotic statement in gentleman’s jewelry at the time. The back is marked “14K” and has the hallmark for Richardson Manufacturing Company, a Newark jeweler.

Origin: America, ca. 1940. Condition: excellent. Size: 2-9/16” x 7/16”. Weight: 6.4 grams.

NOTE: We are also offering a matching pair of cufflinks.

A magnificent pair of Retro leaf-shaped earrings and a matching brooch by Cartier. The leaves are worked in 18K yellow gold and are exquisitely detailed with delicate veining against a softly bloomed matte finish. The stems are worked in palladium, a metal from the platinum group that was used during World War II when platinum was banned from use in jewelry. The stems are bead-set with round single- and brilliant-cut diamonds. The diamonds are very good quality, as expected in vintage Cartier. The brooch has a hinged double pinstem and small safety hooks. The earrings retain their original clip backs with the hinged comfort tabs. The brooch is signed "Cartier" and is marked "18K". The earrings are signed "Cartier", are marked "18K" and "Pal" and have the design serial numbers.

Origin: French design (probably retailed in NY), ca. 1940. Condition: excellent, all original, sharp detail. Size: brooch, 1-29/32" x 1-3/4"; earrings, 1-1/16" x 25/32". Weight: brooch, 21.1 grams; earrings, 10.9 grams. Approximate Total Diamond Weight: 1.0 ct.

A classic late 1960s 14K gold and diamond cocktail ring in a "snowflake" design. The seventeen diamonds are set in white gold to highlight their color. The diamonds are graded as J/I1. The openness of the setting gives the ring a delicate appearance. The yellow gold shank is stamped "14K".

Origin: America, ca. 1968. Condition: excellent. Dimensions: crown, 5/8" diameter. Finger Size: 9. Weight: 5.7 gr. Approximate Total Diamond Weight: .50 ct.

An elegant modernist long chain necklace worked in 18K yellow gold and featuring black onyx and green nephrite jade beads. The onyx beads are carved in a melon motif, while the jade beads are left smooth. The jade has even, lightly-mottled color and good translucency. At 33”, the necklace is long enough to be worn at full length or doubled. The combination of strong colors with the yellow gold is very chic. The clasp is marked by an unidentified maker “Ste F”.

Origin: France, ca. 1965-70. Condition: excellent, all original. Dimensions: onyx beads, 11.7mm diameter; nephrite beads, 8.1mm; overall length 33-1/4”. Weight: 43.6 gr.

A lovely older Cartier 18K yellow and white gold ring set with a .347-carat round brilliant diamond. The design, a wide tapered band, combines the two colors of gold in a very nice geometric design that perfectly complements the single diamond collet-set in the middle. The diamond is of fine quality, estimated at G color, VS clarity. The ring has a substantial appearance and could be worn by either a woman or man (though the size is a bit on the small side). The interior of the shank is signed “Cartier”, is dated “1989” and has a serial number.

Weight: 11.1 grams. Approximate Diamond Weight: .347 carat. Finger Size: 5-1/4. Size: 9/16” wide, tapering to 7/32”.

A fine 19K yellow gold folding ball locket with a capacity for four images. The exterior is decorated with a stippled checkerboard pattern with a belt on either side that holds the sphere closed. When the belts are unlatched, the locket opens accordian-style to reveal the inner frames. These lockets have become increasingly difficult to find. The locket is stamped with Portuguese hallmarks for .800 (19.2K) gold.

• Origin: Porto, Portugal, ca. 1938.
• Condition: excellent.
• Dimensions: 13/16" diameter.
• Weight: 16.5 grams.

A handsome pair of cufflinks, worked in 19K yellow gold and featuring oval carved bloodstones enhanced with gold bead centers. The bloodstone has a nice deep green color with minute flecks of red. The gold setting behind the bloodstone is formed as a decorative floral design. The torpedo backs are connected by chains. The backs are stamped with Portuguese hallmarks for 19.2K gold.

Origin: Portugal, ca. 1985. Condition: mint. Size: 9/16” x 7/16”. Weight: 6.0 grams.

A lovely late Victorian 18K gold locket enhanced with ornate pierced arabesques and pearl-studded laurel wreaths. The pearls have particularly nice color and luster. The cover opens to reveal a glass-enclosed compartment for a portrait or other keepsake. A small piece of cloth soaked in perfume could have been added behind the pierced cover to provide a bit of relief from the smelly Parisian streets of the 1800s. The original bail is also set with seed pearls. Stamped with French 18K gold marks.

• Origin: France, ca. 1880
• Condition: excellent; a small ding on the back cover (more visible from the inside of the locket than the outside
• Dimensions: 1-1/16” x 2” (2-3/8” including the bail)
• Weight: 15.2 grams

An interesting and massive pair of 22K yellow gold cufflinks, each formed as a square plaque comprising four large curb links arranged around a central bead. The backs are attached to heavy chains to baton backs. Each cufflink is stamped with unidentified hallmarks. Tested and guaranteed 22K. Ca. 1950. Condition: excellent, one baton back has been replaced. Size: 1” x 1”. Weight: 18.8 grams.

A 14K white gold ring set with a .77-carat round brilliant-cut diamond (I color, SI2 clarity, VG cut) surrounded by a horseshoe motif set with .25 carats of rose cut diamonds over a pierced gallery. Tested and guaranteed 14K.

Origin: America, ca. 1940. Finger Size: 5-3/4. Dimensions: crown, 1/2" x 5/8". Weight: 4.2 grams. Approximate Total Diamond Weight: featured stone, .77 ct; mine cuts, .25 ct.

A rare 18K yellow gold love token medallion by the Lyonnais jeweler best known for his “Plus qu’hier, moins que demain” médailles d’amour. This medal, depicts a crowing rooster standing on land gazing out over the sea toward the rising sun while diamond-set stars are still in the sky. The text “Ni vous sans moi, ni moi sans vous” means “Neither you without me, nor me without you” and is taken from a telling of the legend of Tristan and Iseulde by the 12th century lyric poet Marie de France written while she was at the English court of Henry II and Eleanor of Aquitaine.

Augis created this design at the outbreak of World War I in 1914. The rooster is a traditional symbol of the French republic, so the medal held a double meaning of patriotism (in the sense of “Neither France without you, nor you without France”) and inseparable love as soldiers went to war. Certainly, one can imagine a young soldier presenting this medal to his wife or girlfriend.

The pendant is signed “A Augis” and is stamped with his master goldsmith’s mark.

Origin: France, ca. 1914. Condition: excellent, sharp detail, never monogrammed. Dimensions: 13/16” diameter (excluding bail). Diamond Weight: 025 ct. Weight: 6.2 gr.

An unusually large 18K yellow gold, diamond and ruby love pendant (“medaille d’amour”) with a rebus spelling out Plus qu’hier, moins que demain,” (“More than yesterday, less than tomorrow.”) a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano”) in 1889. The word “plus” is symbolized by a plus sign set with a rose cut diamond and the word “moins” by a minus sign set with rectangular cut synthetic rubies. In 1907, the Lyonnais jewelry Alphonse Augis created a love token based on the poem. This example maintains the “crêpe de chine” textured background, but pairs it with a border of calibre cut synthetic rubies, in turn enclosed within a bright-cut gold border. The pendant is fully stamped with French 18K gold marks and with Augis’ maker’s mark.

• Origin: France, 1960.
• Condition: excellent; sharp detail.
• Dimensions: 1-1/4” diameter (excluding bail and jump ring); the size of a half-dollar.
• Weight: 9.6 grams.
• Approximate Total Gemstone Weight: diamond, .05 carat; ruby, 4.45 carats.

For anniversary or wedding jewelry, there’s nothing more romantic than Alphonse Augis’ love token jewelry. Usually, they are round medallions, but this exceptionally rare piece is in the form of a love letter using a rebus to spell out “Plus qu’hier, moins que demain” (“More than yesterday, less than tomorrow,” a line from a love poem written by Rosemonde Gérard to her husband Edmond Rostand, author of “Cyrano de Bergerac” in 1889. The word “plus” is symbolized by a plus sign and the word “moins” by a minus sign set with a synthetic ruby. Augis created the love token in 1907, and this is the only example we’ve seen in a love letter form. The pendant is stamped with Augis’ maker’s mark and with French 18K gold marks.

• Origin: France, ca 1930
• Condition: excellent
• Dimensions: 11/16” x 25/32” (excluding bail)
• Weight: 2.3 grams

For anniversary jewelry, there's nothing more romantic than this rare 18K yellow gold, diamond and ruby love token (“medaille d’amour”) ring with a rebus spelling out “Plus qu’hier, moins que demain” (“More than yesterday, less than tomorrow”), a line from a love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano de Bergerac”) in 1889. The word “plus” is symbolized by a plus sign set with a single-cut diamond, and the word “moins” is symbolized by a minus sign set with rectangular synthetic rubies. Augis rings are far rarer than pendants and charms.

In 1907, the Lyonnais jeweler Alphonse Augis created a love token based on the poem. The ring is signed “A. Augis,” and is stamped with French 18K gold marks and with Augis’ maker’s mark.

• Origin: France, ca. 1955.
• Finger Size: 7 1/4.
• Dimensions: 9/16” wide.
• Weight: 5.2 grams.
• Approximate Total Gemstone Weight: diamond, .01 carat; synthetic ruby, .12 carat.

For anniversary jewelry, there’s nothing more romantic than this rare 18K yellow gold, diamond and ruby love token (“medaille d’amour”) ring with a rebus spelling out “Plus qu’hier, moins que demain” (“more than yesterday, less than tomorrow,”) a line from a love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano de Bergerac”) in 1889. The word “plus” is symbolized by a plus sign set with a single diamond and the word “moins” is symbolized by a minus sign set with rectangular synthetic rubies. Augis rings are far rarer than pendants or charms. The Lyonnais jewelry Alphonse Augis first created these love tokens in 1907. The ring is signed “A. Augis” and is stamped with French 18K gold marks and with Augis’ marker’s mark.

• Origin: France, ca. 1950
• Condition: excellent
• Finger Size: 5
• Dimensions: face, 11/16” diameter
• Approximate Total Gemstone Weight: diamond, .01 carat; ruby, .12 carat
• Weight: 6.9 grams

A rare large 18K yellow gold, diamond and ruby love pendant ("medaille d'amour") enclosed in a halo of bright red rubies. The medal has a rebus spelling out "Plus qu'hier, moins que demain" ("More than yesterday, less than tomorrow"), a line from a love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of "Cyrano de Bergerac") in 1889. The word "plus" is symbolized by a plus sign set with five single-cut diamonds and the word "moins" is symbolized by a minus sign set with two rectangular cut synthetic rubies.

In 1907, the Lyonnais jeweler Alphonse Augis created a love token based on the poem. This example, signed with "A. Augis", in one of the more ornate versions with a crepe de chine textured background enclosed in a scalloped frame set with brilliant round cut synthetic rubies. The fairly large size is perfect to be worn as a necklace, but could also be worn on a very chunky charm bracelet. The pendant is stamped with French 18K gold marks, and with Augis' signature and marker’s mark.

Origin: France, ca. 1955. Condition: excellent, no engraving on reverse. Dimensions: 1-5/16" diameter (excluding bail). Approximate Total Gemstone Weight: diamond, .05 ct; synthetic ruby, 3.08 cts. Weight: 9.9 gr.

A lovely 18K yellow gold, diamond and ruby love pendant ("medille d'amour") with a rebus spelling out "Plus qu'hier, moins que demain" ("More than yesterday, less than tomorrow") a line from a love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of "Cyrano de Bergerac") in 1889. The word "plus" is symbolized by a plus sign set with rose cut diamonds and the word "moins" is symbolized by a minus sign set with rectangular cut synthetic rubies.

In 1907, the Lyonnais jewelry Alphonse Augis created a love token based on the poem. This example, signed by Augis, is of better than average quality, with intricate engraving on the background and a lovely engraved floral border. The oval shape is also less common the the usual circle. The use of rose cut diamonds, synthetic rubies and Augis' signature indicates that this is an earlier example. The smaller size is perfect as a pendant on a delicate chain or for wear on a charm bracelet. Fully marked with 18K gold marks, and Augis' maker's mark.

Origin: France, ca. 1925. Condition: excellent. Dimensions: 1/2" x 7/8" (from top of bail).

A lovely 18K yellow gold, diamond and ruby love pendant (“medaille d’amour”) with a rebus spelling out “Plus qu’hier, moins que demain” (“More than yesterday less than tomorrow”), a line from a love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano de Bergerac”) in 1889. The word “plus” is symbolized by a plus sign set with rose cut diamond and the word “moins” is symbolized by a minus sign set with rectangular synthetic rubies.

In 1907, the Lyonnais jeweler Alphonse Augis created a love token based on the poem. This example, signed by Augis, is the classic version with the crepe de chine textured background enclosed in a plain border. The use of a rose cut diamond and the Augis signature indicates that this is an earlier example. The size is perfect as a pendant on a delicate chain or as a charm on a bracelet. Fully marked with 18K gold marks, and Augis’ maker’s mark.

Origin: France, ca. 1940. Condition: excellent. Dimensions: 9/16” x 7/8” (from top of bail). Weight: 1.7 gr. Approximate Total Gemstone Weight: diamond, .01 ct; ruby, .04 ct.

A lovely 18K yellow gold, diamond and ruby love pendant (“medaille d’amour”) with a rebus spelling out Plus qu’hier, moins que demain,” (“More than yesterday, less than tomorrow.”) a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano”) in 1889. The word “plus” is symbolized by a plus sign set with a rose cut diamond and the word “moins” by a minus sign set with rectangular cut synthetic rubies. In 1907, the Lyonnais jewelry Alphonse Augis created a love token based on the poem. This example maintains the “crêpe de chine” textured background, but pairs it with the simple beveled border used in the 1950s. The use of a rose cut diamond and the A-Augis signature suggest the earlier part of that period. The medium size is perfect for either a neck chain or a charm bracelet. The pendant is fully stamped with French 18K gold marks and with Augis’ maker’s mark.

• Origin: France, 1950.
• Condition: excellent; sharp detail.
• Dimensions: 15/16” diameter (excluding bail and jump ring); the size of a quarter.
• Weight: 5.7 grams.
• Approximate Total Gemstone Weight: diamond, .05 carat; ruby, .08 carat.

A large 18K gold, ruby & diamond love pendant (“medaille d’amour”) with a rebus spelling out “plus qu’hier, moins que demain” (“more than yesterday, less than tomorrow”), a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand author of “Cyrano,” in 1889. The word plus is represented by a plus sign set with a small rose cut diamond, while “moins” is represented by a minus sign set with small synthetic rubies. The medal is surrounded by a lacy Gothic-style gold border. Alphonse Augis began designing these love medallions in 1907, and the styles have changed over the years.

• Origin: France, ca. 1960.
• Dimensions: 1-3/8” diameter.
• Weight: 5.7 grams.
• Approximate Total Gemstone Weight: diamond, .01 carat; ruby, .04 carat.

A lovely 18K yellow gold, diamond and ruby love pendant (“medaille d’amour”) with a rebus spelling out “Plus qu’hier, moins que demain” (“More than yesterday less than tomorrow”), a line from a love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano de Bergerac”) in 1889. The word “plus” is symbolized by a plus sign set with rose cut diamond and the word “moins” is symbolized by a minus sign set with rectangular synthetic rubies.

In 1907, the Lyonnais jeweler Alphonse Augis created a love token based on the poem. This example, in a streamlined modern style with a hidden bail, is in one of the rarest versions. Fully marked with 18K gold marks, and Augis’ signature and maker’s mark.

Origin: France, ca. 1970. Condition: excellent; the marks on the bottom edge of the pendant in the second photo are lighting reflections only. Dimensions: 3/4” x 3/4”. Weight: 3.8 gr. Approximate Total Gemstone Weight: diamond, .01 ct; ruby, .07 ct.

A lovely 18K yellow gold, diamond and ruby love pendant (“medaille d’amour”) with a rebus spelling out “Plus qu’hier, moins que demain” (“More than yesterday less than tomorrow”), a line from a love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano de Bergerac”) in 1889. The word “plus” is symbolized by a plus sign set with rose cut diamond and the word “moins” is symbolized by a minus sign set with rectangular synthetic rubies.

In 1907, the Lyonnais jeweler Alphonse Augis created a love token based on the poem. This example, signed by Augis, is in one of the more ornate versions with a crepe de chine textured background enclosed in a lovely floral border. The use of a rose cut diamond, the Augis signature and the patent mark indicates that this is an earlier example. The size is perfect as a pendant on a delicate chain or as a charm on a bracelet. Fully marked with 18K gold marks, and Augis’ maker’s mark.

Origin: France, ca. 1925. Condition: excellent. Dimensions: 5/8” x 15/16” (from top of bail). Weight: 2.9 gr. Approximate Total Gemstone Weight: diamond, .01 ct; ruby, .05 ct.

A lovely 18K yellow gold, diamond and ruby love pendant (“medaille d’amour”) with a rebus spelling out “Plus qu’hier, moins que demain” (“More than yesterday less than tomorrow”), a line from a love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano de Bergerac”) in 1889. The word “plus” is symbolized by a plus sign set with rose cut diamond and the word “moins” is symbolized by a minus sign set with rectangular synthetic rubies.

In 1907, the Lyonnais jeweler Alphonse Augis created a love token based on the poem. This example, in a streamlined modern style with a hidden bail, is in one of the rarest versions. Fully marked with 18K gold marks, and Augis’ signature and maker’s mark.

• Origin: France, ca. 1970.
• Condition: excellent; the marks on the bottom edge of the pendant in the first and second photos are lighting reflections only.
• Dimensions: 3/4” x 3/4”.
• Weight: 4.4 gr.
• Approximate Total Gemstone Weight: diamond, .01 ct; ruby, .07 ct.

Presented in its original box, a lovely 18K yellow gold, diamond and ruby love pendant (“medaille d’amour”) with a rebus spelling out “Plus qu’hier, moins que demain” (“More than yesterday less than tomorrow”), a line from a love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano de Bergerac”) in 1889. The word “plus” is symbolized by a plus sign set with rose cut diamond and the word “moins” is symbolized by a minus sign set with rectangular synthetic rubies.

In 1907, the Lyonnais jeweler Alphonse Augis created a love token based on the poem. This example, signed by Augis’ initials, is in one of the more ornate versions with a crepe de chine textured background enclosed in a elegant floral border. The use of a single cut diamond, and the Augis initials indicates that this is an earlier example. The size is perfect as a pendant on a delicate chain or as a charm on a bracelet. Fully marked with 18K gold marks, and Augis’ maker’s mark.

The pendant is presented in its original silk moire book-shaped box. The interior is printed with the excerpt from Gérard’s poem. These boxes are incredibly rare.

Origin: France, ca. 1935. Condition: excellent. Dimensions: 11/16” x 1-1/16” (from top of bail). Weight: 3.7 gr. Approximate Total Gemstone Weight: diamond, .01 ct; ruby, .07 ct.

A lovely 18K yellow gold, diamond and ruby love pendant (“medaille d’amour”) with a rebus spelling out Plus qu’hier, moins que demain,” (“More than yesterday, less than tomorrow.”) a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano”) in 1889. The word “plus” is symbolized by a plus sign set with a rose cut diamond and the word “moins” by a minus sign set with rectangular cut synthetic rubies. In 1907, the Lyonnais jewelry Alphonse Augis created a love token based on the poem. This example maintains the “crêpe de chine” textured background, but pairs it with the simple beveled border used in the 1950s. The use of a rose cut diamond and the A-Augis signature suggest the earlier part of that period. The medium size is perfect for either a neck chain or a charm bracelet. The pendant is fully stamped with French 18K gold marks and with Augis’ maker’s mark.

• Origin: France, 1950.
• Condition: excellent; sharp detail.
• Dimensions: 13/16” diameter (excluding bail and jump ring).
• Weight: 3.5 grams.
• Approximate Total Gemstone Weight: diamond, .01 carat; ruby, .06 carat.

A lovely 18K yellow gold, diamond and ruby love pendant (“medaille d’amour”) with a rebus spelling out Plus qu’hier, moins que demain,” (“More than yesterday, less than tomorrow.”) a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano”) in 1889. The word “plus” is symbolized by a plus sign set with a rose cut diamond and the word “moins” by a minus sign set with rectangular cut synthetic rubies.

In 1907, the Lyonnais jewelry Alphonse Augis created a love token based on the poem. This example maintains the “crêpe de chine” textured background, but pairs it with the simple beveled border used in the 1950s. The use of a rose cut diamond and the A-Augis signature suggest the earlier part of that period. The medium size is perfect for either a neck chain or a charm bracelet. The pendant is fully stamped with French 18K gold marks and with Augis’ maker’s mark.

• Origin: France, 1950.
• Condition: excellent; sharp detail.
• Dimensions: 3/4” diameter (excluding bail and jump ring).
• Weight: 3.1 grams.
• Approximate Total Gemstone Weight: diamond, .01 carat; ruby, .05 carat.

A large heart-shaped 18K yellow and white gold, diamond and ruby love pendant (“medaille d’amour”) with a rebus spelling out “plus qu’hier, moins que demain” (“more than yesterday, less than tomorrow”), a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand, author of “Cyrano,” in 1889. The word “plus” is represented by a plus sign, while “moins” is represented by a minus sign set with small synthetic rubies. Alphonse Augis began designing these love medallions in 1907, and the styles have changed over the years. This example, with its white gold heart-shaped center enhanced with an engraved starburst design, is likely from the late 1970s. Medals surrounded by a gemstone border are the most difficult to find, and this is the first we’ve seen with such generously-sized diamonds alternating with the synthetic rubies of a particularly rich color. The pendant is signed “A.A.” and is fully hallmarked with the maker’s mark and the French 18K standard.

• Origin: France, ca. 1978.
• Dimensions: 1” x 1-1/8” (excluding bail).
• Condition: excellent.
• Weight: 10.4 grams.
• Approximate Total Gemstone Weight: diamond, .50 carat; ruby, 1.67 carats.

A wonderfully rare mixed-metal Curio Medallion brooch by George Shiebler. The pin comprises four individual medallion plaques, each in a different metal and each depicting a different Olympian god. From left: a diamond-shaped gilt-silver plaque shows Artemis/Diana, goddess of the hunt and protector of virgins; a round silver plaque shows Ares/Mars god of violence and offensive warfare; a square bronze plaque shows Dionysus/Bacchus, god of various debaucheries; and a triangular brass plaque shows Athena/Minerva, goddess of wisdom and defensive warfare. The surfaces retain their original patination and sharp detail. The back is marked with Shiebler’s wing hallmark, "sterling", and the design number “1488”. The pinstem is original, but the original c-clasp has been replaced.

Origin: America, ca. 1880. Condition: excellent, all original except clasp. Size: 2-11/16” x 7/8”. Weight: 12.0 grams.

A wonderful Art Nouveau enameled gold witch's heart worked in shades of green, yellow and rose enamel over an engraved background and set with a pair of natural baroque pearls. The shading of the enamels is lovely and contrasts nicely with the luster of the pearls. In Victorian symbology, the witch's heart was used to express the sentiment of "bewitched by love." We've never before seen a witch's heart in an Art Nouveau enamel. The pendant has a folding bail and also a pinstem for wear as a brooch. The reverse is stamped with the mark for A.J. Hedges.

Origin: America, ca. 1900. Condition: excellent, no enamel damage. Dimensions: 1-1/16" x 1". Weight: 7.3 grams.

Rare, heavy and handsome 5-piece dress set by famed 20th century jewelry designer Cipullo. The double-sided cufflinks and studs are designed as highly-detail scallop shells set with cabochon natural rubies. The workmanship is superb, utilizing combinations of highly polished and matte surfaces to achieve realism. The rubies have very rich, even color. The overall style is similar to the shell designs of Verdura. The cufflink faces are joined by chains stamped with French hallmarks for 18K gold. The findings of the studs are marked “18K”. Cipullo designed for many of the major jewelers of the last century—Tiffany, Cartier, etc.—but also designed independently. This set is part of his independent production and was originally purchased from his estate.

Origin: France, circa 1955. Condition: mint. Size: cufflink large faces, 11/16” x 9/16”; cufflink small faces, 9/16” x 15/32”; studs, 19/32” x 1/2". Weight: 30.0 grams. Approximate Total Gemstone Weight: 1.54 carats.

An extraordinarily fine and rare Art Nouveau sporting brooch featuring an enameled fox head superimposed over a horseshoe, a riding crop and a whip. The horseshoe is set with old mine cut diamonds simulating the nails. The fox's eyes are set with rubies. The pin is beautifully enameled in lifelike colors. The fox's mouth is open to show fierce jagged gold teeth. An identical brooch was featured in the "Masterpieces of American Jewelry" exhibition held in 2005 at the Museum of American Folk Art in New York. It is also published in the exhibition book by the same name. The pin in unmarked, but is a known Alling Bros. design.

• Origin: America, ca 1910
• Condition: excellent, no enamel damage
• Dimensions: 15/16" x 1-15/16"
• Weight: 6.5 grams
• Approximate Total Gemstone Weight: ruby, .05 carat; diamond, .10 carat

An elegant round bangle bracelet in 14K gold, the front set with three sapphires separated by natural baroque pearls. The gold is delicately pierced in a lattice pattern at the back and sides and in a floral pattern at the front. The sapphires have a very attractive violetish-blue color. Stamped with Alling’s hallmark.

• Origin: America, ca 1905
• Condition: very good, a small ding on the back side
• Dimensions: width 1/4" tapering to 6/32” at the back; circumference, 7.87”
• Approximate Total Gemstone Weight: sapphire, .51 carat
• Weight: 8.0 grams

Very fine Victorian gold brooch composed of a coral bar surmounted by a gold grapevine motif, all against a scalloped-edge gold plaque, hung with three cone-shaped gold pendants. The back retains the original tube hinge and c-clasp. There is also a ring for attaching a safety chain. The brooch was made by Ball, Black and Company of New York City.

An matching brooch is in Martha Fales collection of important American jewelry at the Metropolitan Museum of Art. The museum's collection, comprising approximately 140 pieces, is considered the world's finest collection of American jewelry. The brooch, with matching earrings and studs is pictured on page 136 of the April 2002 edition of "The Magazine Antiques."

Origin: New York, circa 1860-70. Condition: excellent. Size: 1-1/8" x 1-1/2".

A large sterling silver locket from the Aesthetic Period, the cover decorated with an engraved Japonaiserie scene of a water bird landing among reeds. The bird is surrounded by a fan-shaped reserve. The ends of the locket are nicely enhanced with beading and a fancy border. The interior retains both original frames and glass enclosing either fabric. The back is unadorned. This locket is unmarked, indicating an American origin. American silver lockets from this era are far more uncommon than English versions.

• Origin: America, ca. 1860
• Condition: excellent, all original, no monogram or dings
• Dimensions: 1-3/8” x 1-5/8” (excluding bail)
• Weight: 18.2 grams